Готові списки джерел за темами / Lyric genres

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Добірка наукової літератури з теми "Lyric genres"

Автор: Grafiati

Опубліковано: 11 березня 2023

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Статті в журналах з теми "Lyric genres"

Matthews, Ricardo. "Song in Reverse: The Medieval Prosimetrum and Lyric Theory." PMLA/Publications of the Modern Language Association of America 133, no. 2 (March 2018): 296–313. http://dx.doi.org/10.1632/pmla.2018.133.2.296.

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Studying the medieval prosimetrum, a genre that mixes narrative with lyric, could have important ramifications for the general study of poetics. By disrupting transhistorical theories of the lyric, which proceed from a presumed continuity between ancient Greece and modernity, the prosimetrum situates the Middle Ages at the center of our understanding of modern lyric poetry. Instead of beginning with a late-eighteenth-century understanding of lyric poetry as a self-expressive voice, which scholars must then localize in a poem's historical conditions, language, and genres, the prosimetrum begins with a conventional, rhetorical poem in a variety of stated genres and then, by including a narrative frame, stages that poem as a heartfelt song sung by lovesick knights or clerks. In the prosimetrum, the playful game of conventional art, which defines the medieval love lyric in isolation, suddenly becomes a way to imagine fictional subjectivities.

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Nigar Aghayeva. "COMPARATIVE ANALYSIS OF SOME LYRIC AND EPIC GENRES IN AZERBAIJANI AND ENGLISH CHILDREN’S FOLKLORE." International Academy Journal Web of Scholar, no. 2(44) (February 28, 2020): 17–21. http://dx.doi.org/10.31435/rsglobal_wos/28022020/6912.

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Children's folklore genres play a very important role in children’s development. Article is devoted to the comparative study of some lyric and epic genre features of Azerbaijani and English children's folklore. Children folklore has a lot of common peculiarities. But there are also some differences. In this regard, the subject of the research is fundamental and comparative typological analysis of the lyric and epic genres of Azerbaijani and English children’s folklore were involved to the research. Article provides a comparative analysis of both Azerbaijani and English lullabies, riddles, tongue twister, and children's songs. Thus, the similarity of folklore genres in the study is linked to the closeness of human thought and its relation to reality. The similar life conditions of Azerbaijani and English peoples and the stereotypes of behavior formed according to these situations, oral traditions, especially comparisons of children's folklore texts revealed parallels in terms of information. Similarities in connection with life conditions are clearly observed in many children's folklore genres, as well as in some lyric and epic genres.

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Susino, Marco, and Emery Schubert. "Musical emotions in the absence of music: A cross-cultural investigation of emotion communication in music by extra-musical cues." PLOS ONE 15, no. 11 (November 18, 2020): e0241196. http://dx.doi.org/10.1371/journal.pone.0241196.

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Research in music and emotion has long acknowledged the importance of extra-musical cues, yet has been unable to measure their effect on emotion communication in music. The aim of this research was to understand how extra-musical cues affect emotion responses to music in two distinguishable cultures. Australian and Cuban participants (N = 276) were instructed to name an emotion in response to written lyric excerpts from eight distinct music genres, using genre labels as cues. Lyrics were presented primed with genre labels (original priming and a false, lured genre label) or unprimed. For some genres, emotion responses to the same lyrics changed based on the primed genre label. We explain these results as emotion expectations induced by extra-musical cues. This suggests that prior knowledge elicited by lyrics and music genre labels are able to affect the musical emotion responses that music can communicate, independent of the emotion contribution made by psychoacoustic features. For example, the results show a lyric excerpt that is believed to belong to the Heavy Metal genre triggers high valence/high arousal emotions compared to the same excerpt primed as Japanese Gagaku, without the need of playing any music. The present study provides novel empirical evidence of extra-musical effects on emotion and music, and supports this interpretation from a multi-genre, cross-cultural perspective. Further findings were noted in relation to fandom that also supported the emotion expectation account. Participants with high levels of fandom for a genre reported a wider range of emotions in response to the lyrics labelled as being a song from that same specific genre, compared to lower levels of fandom. Both within and across culture differences were observed, and the importance of a culture effect discussed.

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Martin, Wallace, and William Elford Rogers. "The Three Genres and the Interpretation of Lyric." Poetics Today 7, no. 2 (1986): 381. http://dx.doi.org/10.2307/1772778.

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Condit-Schultz, Nathaniel, and David Huron. "Catching the Lyrics." Music Perception 32, no. 5 (June 1, 2015): 470–83. http://dx.doi.org/10.1525/mp.2015.32.5.470.

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Although purely instrumental music is commonplace, much of the world’s most popular music is sung with lyrics. However, it is evident that listeners don’t always attend to lyrics and that those who do aren’t always successful in deciphering them. An empirical study is reported whose goal is to measure the intelligibility of lyrics in commercial recordings of music from a variety of genres. Thirty participants were exposed to 120 brief musical excerpts from twelve song genres: Avante-garde, Blues, Classical, Country, Folk, Jazz, Musical Theater, Pop/Rock, Rhythm and Blues, Rap, Reggae, and Religious. Participants were instructed to transcribe the lyrics after hearing each excerpt once. The transcribed lyrics were then compared to the actual lyrics and intelligibility scores calculated. The different genres were found to exhibit significantly different levels of lyric intelligibility, from as low as 48% for Classical music, to as high as 96% for Jazz, with an overall average of 72%. Intelligibility scores were positively correlated with listener judgments of the general importance of lyrics. In a second experiment, participants were allowed to hear excerpts five times. Improvements to intelligibility were modest but significant after the second and third hearings, but not on further hearings.

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Stoia, Nicholas, Kyle Adams, and Kevin Drakulich. "Rap Lyrics as Evidence." Race and Justice 8, no. 4 (January 31, 2017): 330–65. http://dx.doi.org/10.1177/2153368716688739.

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Recent scholarship has shed light on the troubling use of rap lyrics in criminal trials. Prosecutors have interpreted defendants’ rap lyrics as accurate descriptions of past behavior or in some cases as real threats of violence. There are at least two problems with this practice: One concerns the interpretation of art in a legalistic context and the second involves the targeting of rap over other genres and the role of racism therein. The goal of the present work is translational, to demonstrate the relevance of music scholarship on this topic to criminologists and legal experts. We highlight the usage of lyric formulas, stock lyrical topics understood by musicians and their audiences, many of which make sense only in the context of a given genre. The popularity of particular lyric formulas at particular times appears connected to contemporaneous social conditions. In African American music, these formulas have a long history, from blues, through rock and roll, to contemporary rap music. The work illustrates this through textual analyses of lyrics identifying common formulas and connecting them to relevant social factors, in order to demonstrate that fictionalized accounts of violence form the stock-in-trade of rap and should not be interpreted literally.

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Do, Thi Cam Van. "Inter-genres in contemporary Vietnamese historical novels." Ministry of Science and Technology, Vietnam 63, no. 4 (April 30, 2021): 56–59. http://dx.doi.org/10.31276/vjst.63(4).56-59.

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Анотація:

In the development process and social movements, the literary genres do not exist independently but have interaction with each other. Novels are capable of performing genres interaction because “the novel allows to put into it many different genres, including artistic genres (short stories, lyric poems, epics, speech plays...) and non-artistic genres (literature in daily life, rhetoric, science, religion...)”[1]. Novels with traditional writing style about contemporary Vietnamese history (prominent writers such as Nguyen Xuan Khanh, Vo Thi Hao, Nguyen Mong Giac...), the interaction among literary genres is considered as the most common form. Typical forms of genre interaction in novels with historical themes are the interaction between short stories and novels, poetry and novels... Genre interaction expresses the writer’s sense of creativity and experience in the innovation requirement of literary life practice.

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Kinch, Ashby. "Medieval Lyric: Genres in Historical Context. William D. Paden." Speculum 77, no. 1 (January 2002): 231–34. http://dx.doi.org/10.2307/2903856.

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Scrafton, Mary. "Medieval Lyric: Genres in Historical Context (review)." Parergon 20, no. 2 (2003): 223–25. http://dx.doi.org/10.1353/pgn.2003.0015.

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Abdulla, Kanyaw Bakr. "Lyric in Abdullah Goran’s Poems." Halabja University Journal 6, no. 4 (December 30, 2021): 31–48. http://dx.doi.org/10.32410/huj-10396.

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This research entitled “Lyric in Abdullah Goran’s Poems” is a new glimpse on two aspects: one is lyric, and the other is about Goran’s poems. The research tries to deal with lyric in depth and details. And in the other hand, it endeavors to identify Goran’s lyric according to lyric’s traits and specialties. In view of the fact that lyric has connections with different genres such as music and singing, this research tries to explain those aspects that directly connect with it. That’s why the research will cover music and singing as its main subject of this study. This research has been done according to Analytical- Descriptive method, which illustrates the lyric and its connection with music or singing, and those factors that take part in creating poetic (poetical) image, poetics and sorts of deviation from lyric poems of the poet. The research consists of two sections, conclusion and list of sources: first section: the general perspective about lyric. First subsection: concept, term and introducing lyric. Second subsection: lyric in authors, thinkers and researchers point of views. Third subsection: the connection between lyric and music or singing. Second section: lyric in Abdullah Goran’s poems. First subsection: poetical (poetic) image by Goran. Second subsection: phonetic deviation, semantic and grammatical in the lyric poetry of the poet.

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Дисертації з теми "Lyric genres"

Kayes, Gillyanne. "How does genre shape the vocal behaviour of female singers? : empirical studies of professional female singing in western lyric and contemporary commercial music genres." Thesis, UCL Institute of Education (IOE), 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.690905.

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vom, Schemm A. (Axel). "Dichter am Ball:untersuchungen zur Poetik des Sports am Beispiel deutschsprachiger „Fußball-Literatur”." Doctoral thesis, University of Oulu, 2006. http://urn.fi/urn:isbn:9514283023.

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Abstract In view of numerous texts from completely different genres the study shows to what extent and degree of differentiation the topic soccer is covered in German-language literature and allows general conclusions on a poetics of sport. Here solely German-language literary sources are considered. The work is divided into a theoretical and a text-related part. In the former section the approaches to the topic – on one hand via German studies and on the other hand via interdisciplinary sport science – is made clear by means of basic considerations on the questions “what is literature?” and “what is sport”. In addition, a revisable basis for the subsequent studies is provided. The text-related part – in turn subdivided according to the three main genres lyric poetry, epic poetry and drama – shows how exactly soccer appears as literary subject. Formal differences induced by the form of presentation within a genre (sonnet vs. visual poetry) or across genres (detective story vs. modern drama) take effect as well as context-related variations of the subject (soccer as symbolic carrier of meaning vs. soccer as vehicle for transporting ethical values). A concluding chapter each on the realization of the sport models introduced in the theoretical part in literary practice follow the individual genre areas. The various aspects that can be attributed to a poetics of sport conclude the study in a summarizing part. Not least here the comprehensiveness of the findings can be seen
Abstract Die Untersuchung zeigt mit Blick auf zahlreiche Texte ganz unterschiedlicher Gattungen, in welchem Umfang und wie differenziert das Thema Fußball in der deutschen Literatur behandelt wird und lässt damit allgemeine Rückschlüsse auf eine Poetik des Sports zu. Betrachtet werden hier ausschließlich deutschsprachige, literarische Quellen. Die Arbeit gliedert sich in einen theoretischen und einen textbezogenen Teil. Im erstgenannten Abschnitt wird durch grundsätzliche Überlegungen zu den Fragen „Was ist Literatur? ” und „Was ist Sport? ” der einerseits germanistische, andererseits interdisziplinäre sportwissenschaftliche Zugang zum Thema verdeutlicht. Zudem ist hier eine überprüfbare Basis für die anschließenden Untersuchungen geschaffen. Der textbezogene Teil – wiederum untergliedert nach den drei Hauptgattungen Lyrik, Epik und Drama – zeigt, wie Fußball genau als literarisches Motiv erscheint. Formale Unterschiede bedingt durch die Darstellungsform innerhalb einer Gattung (Sonett vs. Visuelle Poesie) oder grenzüberschreitend (Kriminalroman vs. Modernes Drama) kommenden dabei ebenso zum Tragen wie inhaltliche Variationen des Motivs (Fußball als symbolischer Bedeutungsträger vs. Fußball als Vehikel zur Vermittlung ethischer Werte). Je ein resümierendes Kapitel über die Umsetzung der im theoretischen Teil eingeführten Sportmodelle in der literarischen Praxis schließt sich an die einzelnen Gattungsbereiche an. Die verschiedenen Aspekte, die sich einer Poetik des Sports zuschreiben lassen, schließen die Studie in einem zusammenfassenden Teil ab. Nicht zuletzt hier zeigt sich die Reichhaltigkeit der Untersuchungsergebnisse

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Santos, Marcos Lemos Ferreira dos. "Orfeu emparedado: Hilda Hilst e a perversão dos gêneros." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-17112011-112606/.

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A partir de uma perspectiva que valoriza a teoria dos gêneros literários, o presente trabalho busca verificar como se processam, na obra da escritora brasileira Hilda Hilst, as relações entre lírica, teatro e prosa narrativa. Seu principal parâmetro teórico é o trabalho de Peter Szondi: Teoria do drama moderno, livro em que o crítico alemão aborda a mistura de gêneros literários como tentativas de superar, na criação estética, problemas objetivos relacionados à situação histórica de determinada forma literária. No caso de Hilda Hilst, serão analisadas como as incursões da autora no teatro e na prosa narrativa funcionam como resposta problemática à recepção de uma lírica inicialmente balizada pelos ideais poéticos da Geração de 45. Demonstro, assim, como as tentativas da autora em outras modalidades discursivas produzirão alterações formais significativas em sua obra, a partir da contaminação estrutural de um gênero para o outro.
Taking into consideration a perspective that privileges the Theory of literary forms, this study aims at verifying the way it works, in the production of the Brazilian writer Hilda Hilst, the relations among lyrics, theater and narrative prose. The theoretical parameter is the works Theory of Modern Drama, by Peter Szondi, in which the German critic deals with the question of mixture of literary forms as an alternative to overcome objective questions related to the historical situation of a certain literary form. Concerning Hilda Hilst, we intend to analyse how the incursions of the author in theater and narrative prose appear as a problematic response to the reception of a lyrics initially guided by the poetic ideals of the Generation of 45. As we intend to demonstrate, the attempts on the part of the author in other discursive types will produce significant formal modifications in her work, by means of the contamination of structures of one gender to another.

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Park, Arum. "Truth and Genre in Pindar." Cambridge University Press, 2013. http://hdl.handle.net/10150/622193.

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By convention epinician poetry claims to be both obligatory and truthful, yet in the intersection of obligation and truth lies a seeming paradox: the poet presents his poetry as commissioned by a patron but also claims to be unbiased enough to convey the truth. In Slater's interpretation Pindar reconciles this paradox by casting his relationship to the patron as one of guest-friendship: when he declares himself a guest-friend of the victor, he agrees to the obligation ‘a) not to be envious of his xenos and b) to speak well of him. The argumentation is: Xenia excludes envy, I am a xenos, therefore I am not envious and consequently praise honestly’. Slater observes that envy may foster bias against the patron, but the problem of pro-patron bias remains: does the poet's friendship with and obligation to his patron produce praise at the expense of truth?

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Gamble, Miriam Claire. "Form, genre and lyric subjectivity in contemporary British and Irish poetry." Thesis, Queen's University Belfast, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491942.

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This thesis engages with the usc of traditional forms, and the role of the lyric subject, in contemporary poetry. It carries out close readings on the work of five contemporary poets (Derek Mahon, Michael Longley, Paul Muldoon, Don Paterson and Simon Armitage) and highlights points of intersection and influence between their various oeuvres. The thesis also challenges critical readings which suggest the existence of significant 'generational' differences in Northern Irish poetry from the 1960s onwards, and reveals, by dose attention to the poems themselves, that the critical perception of a clear barrier existing between the formal 'conservatism' of one generation and the 'experimentalism' of the next is unfounded and incorrect. By linking the formal procedures of Paul Muldoon to pre-existing strategies perceptible in the work of two earlier poets, Michael Longley and Derek Mahon, it reveals a more fruitful pattern of exchange and influence, and highlights ways in which the two earlier writers, via their manipulation of form and subject, may be seen to engage with 'radical' concepts habitually perceived to be beyond their purview. To this end, the thesis also interacts with theories of form, language and subjectivity. Finally, by extending its reach beyond Northern Ireland to include the work of two emergent British poets, Don Paterson and Simon Armitage, the thesis argues that the formal approaches of Northern Irish poetry continue to exert visible intluence on new writing, thus challenging arguments which suggest these techniques to be redundant, retrograde or site-specific. Using the figure of Paul Muldoon as intermediary, it asserts the significance of Muldoon's formal inheritance to his influence on younger writers, and argues for recognition of the means by which Armitage and Paterson straddle the conventional binaries of labels like 'mainstream' and 'experimental.'

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McLaren, Laura. "The Lyric Video as Genre: Definition, History, and Katy Perry's Contribution." Thesis, Université d'Ottawa / University of Ottawa, 2018. http://hdl.handle.net/10393/38124.

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Since YouTube was founded in 2005, prosumers have been uploading karaoke-style “lyric videos” of their favourite songs in order to creatively and visually accompany the song, while making it available online to other listeners. In the last few years, more and more artists have adopted this trend and are releasing official lyric videos that follow and expand on this tradition, thus commanding immediate visual attention to new singles. Additionally, these videos control the images and sounds associated with the song and artist, while profiting from advertising revenue tied to online video content. Though scholarship on music video is increasing, there is no evidence of scholarly research on lyric videos. Seemingly simple, these videos create meanings that impact artistic personae, song and album reception, and genre identity formation. They are not merely promotional devices, or placeholders for “official” music videos. Grounding my analysis in genre theory (Frow 2015, Brackett 2015 & 2016, Fabbri, 1982, Holt, 2007), I claim that lyric videos comprise a new visual genre of music video, following their own parameters, connections, and histories, while simultaneously participating in the ideologies and tropes of their musical genre. In order to illustrate the framework, I offer a history of the genre by focusing my analysis on the lyric videos released by Katy Perry over the course of seven years, from 2010 to 2017, from the promotion for four of her most recent albums. By offering a historical analysis, I show how the lyric video has emerged, evolved and become established as a distinct visual genre. I include brief interludes in my analysis to highlight other important moments in the development of the genre, and to discuss how the lyrics, sound, and images are diversely represented in lyric videos depending upon musical genre. Drawing from feminist theory (Gledhill 2000), as well as persona theory (Auslander 2004, Moore 2005), I conclude that lyric videos offer unique possibilities for artists to amplify the meaning of their song and the spectator’s understanding of the lyrics, while portraying information about the artist’s subjectivities, and as such, deserves more scholarly attention as a distinct visual genre.

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Li, Xudong. "Cellular genes regulating gammaherpesvirus lytic replication and reactivation." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1610653941&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Ivings, Krisandra. "Country Culture and Crossover: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood's Blown Away Tour." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/35252.

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This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres.

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du, Perron Lara. "The lyrics of Thumri : Hindi poetry in a musical genre." Thesis, SOAS, University of London, 2000. http://eprints.soas.ac.uk/29472/.

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Thumri is a vocal genre in North Indian (Hindustani) art music. It was traditionally used in songstress-courtesan performance, in the early nineteenth century as an accompaniment to interpretive dance, and later as a lyrical and emotive song form. Thumri is now one of the most popular genres in contemporary art music. The lyrics of thumri have not been the subject of extensive academic enquiry. This dissertation examines thumri texts from two perspectives: linguistic and contextual. It is primarily based on song texts collected during field work in North India in 1996-97, as well as on material transcribed from commercial recordings and printed sources. The detailed linguistic analysis carried out in chapter two provides an overview of the idiosyncrasies of the language of thumri texts, and explores their stylistic consequences. Chapter three examines the formal structure of the texts. Chapter four discusses the main themes that occur in thumri, and their literary antecedents. Thumri's contextual element is salient: in the process of negotiating the gradual move from courtesan's salon to modem concert stage, awareness of the relevance of thumri's historical role has been eroded to such an extent that we can speak of a 'reinvented' tradition. Chapter five locates thumri within the milieu of North Indian music culture, and examines how changes in the genre's context have affected its lyrics. Chapter six addresses issues of authenticity, as the ramifications of how genres respond to changing performance environments are considered. The conclusion is followed by three appendices. Appendix one contains the main corpus, the 108 texts upon which the dissertation is based. The texts are given with their variant versions where known, resulting in a total of 180 texts. These are translated, and problematic points of grammar and translation are briefly discussed. Appendix two consists of five charts which overview the use of rhyme and other poetic devices in thumri. Appendix three comprises a glossary of technical terms used in the thesis.

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Gustafsson, Pontus. "Förgänglighetstematiken i Kristina Lugns lyrik respektive dramatik." Thesis, Mälardalens högskola, Akademin för utbildning, kultur och kommunikation, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-42507.

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Анотація:

Syftet med uppsatsen är att undersöka hur förgänglighetstematiken tar sig uttryck i Kristina Lugns lyrik respektive dramatik. Jag analyserar en diktsamling och ett drama: Hej då, ha det så bra!från 2003, respektive Nattorienterarnafrån 1998. I min analys utgår jag från en tematisk läsning för att ta fasta på förgänglighetstematiken, för att vidare undersöka hur tematiken tar sig uttryck i respektive genre. Jag tar bland annat hjälp av begreppet ”genericitet”, som ser genre ”som ett material som texten produktivt bearbetar”. Analysen visar att förgänglighetstematiken är påtaglig i de båda verken. Analysen visar också att förgänglighetstematiken tar sig uttryck på olika sätt i respektive genre; dramatiken uttrycker förgänglighetstematiken på ett teatraliskt och humoristiskt sätt, medan lyriken uttrycker förgänglighetstematiken på ett mer avskalat och direkt sätt. Förordet till Nattorienterarna, där Kristina Lugn skriver om sitt förhållande till respektive genre, underbygger min tolkning. Lugn låter allvaret komma närmre läsaren genom sin lyrik.

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Книги з теми "Lyric genres"

1941-, Paden William D., ed. Medieval lyric: Genres in historical context. Urbana: University of Illinois Press, 2000.

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Introduction to Psalms: The genres of the religious lyric of Israel. Macon, Ga: Mercer University Press, 1998.

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Skrebneski, Victor. Bravi: Lyric Opera of Chicago. New York: Abbeville Press, 1994.

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Ku, Tim-hung. A Comparative Study of Reception, Lyric Genres, and Semiotic Tools: Essays in Literary Criticism. Lewiston: The Edwin Mellen Press, 2014.

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Génetiot, Alain. Les genres lyriques mondains (1630-1660): Étude des poésies de Voiture, Vion d'Alibray, Sarasin et Scarron. Genève: Droz, 1990.

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Génetiot, Alain. Les genres lyriques mondains: 1630-1660 : étude des poésies de Voiture, Vion d'Alibray, Sarasin et Scarron. Genève: Libr. Droz, 1990.

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Gershwin, Ira. Lyrics on several occasions: A selection of stage & screen lyrics written for sundry situations, and now arranged in arbitrary categories : to which have been added many informative annotations & disquisitions on their why & wherefore, their whom-for, their how, and matters associative. New York: Limelight Editions, 1997.

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The power of genre. Minneapolis: University of Minnesota Press, 1985.

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Sting. Lyrics. New York: Random House Publishing Group, 2009.

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Lyrics. New York: Dial Press, 2007.

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Частини книг з теми "Lyric genres"

Vedder, Ulrike. "Poetological Lists: Writing-Scenes in Contemporary Literature." In Forms of List-Making: Epistemic, Literary, and Visual Enumeration, 209–24. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-76970-3_10.

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AbstractThe article focuses on literary lists the items of which demonstrate the practice of writing, that is, those which evoke a “writing-scene” (R. Campe). These poetological lists consolidate the self-reflexive potential of literary texts, gather elements of narration in list form, stage the conditions for a non-linear narrative in the list or even thematize the “genea-logic” of narrative and writing. Under consideration are four lists (all in the second half of the twentieth century) from the most disparate of genres: lyric poetry (Inger Christensen), the manifesto (Jack Kerouac), the novel (Italo Calvino), and the autobiography (Roland Barthes). Each of these lists reflects not only the process of writing and poetics but also genre specificity.

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Parker, Sarah. "The Muse Writes Back: Lyric Poetry and Female Poetic Identity." In Genre Trajectories, 89–108. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137505484_6.

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de Lima, Adriano A., Rodrigo M. Nunes, Rafael P. Ribeiro, and Carlos N. Silla. "Nordic Music Genre Classification Using Song Lyrics." In Natural Language Processing and Information Systems, 89–100. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-07983-7_14.

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Murata, Takayuki. "Encyclopedia of EBV-Encoded Lytic Genes: An Update." In Advances in Experimental Medicine and Biology, 395–412. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-7230-7_18.

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Sinichkina, Daria. "Entre mythe et histoire, syncrétisme et fracture, universalité et russité: le recueil Mednyj Kit (Baleine de bronze) au coeur de l’esthétique révolutionnaire de Nikolaj Kljuev." In Biblioteca di Studi Slavistici, 235–57. Florence: Firenze University Press, 2017. http://dx.doi.org/10.36253/978-88-6453-507-4.18.

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Soon after greeting the February revolution, Klyuev turns to an aesthetic of violence and disruption. In the poetic cycle Medny Kit (1918), the utopia of “peasant paradise” stems from the apocalyptic destruction of old Russia. While the poet contemplates the cyclicity of Russian history, the lyrical subject comes transfigured out of the “red” baptism, identifying himself simultaneously to Rasputin and Avvakum. As the cycle captures the brutal melody of the times, the lyric genre is pushed to its limit – polyphony, which announces the transition to narrative and epic poetry.

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Swift, L. A. "Understanding Lyric Genres." In The Hidden Chorus, 6–34. Oxford University Press, 2010. http://dx.doi.org/10.1093/acprof:oso/9780199577842.003.0002.

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Sampson, Fiona. "Introduction: A Little Conversation." In Lyric Cousins. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474402927.003.0001.

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This introductory chapter ponders on the connections between poetry and music, their similarities, and also what sets them apart. It talks about music and poetry from a maker's standpoint, in particular how poetry and music are performed and that poetry turns out to share with music in performance, was connected with other qualities both genres share. These qualities, in turn, have more to do with technical, makerly concerns than with types and occasions of performance. They are more concerned with something intrinsic to how music and poetry are structured than simply with the giving and receiving of a particular experience.

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Sampson, Fiona. "Drawing the Line." In Lyric Cousins. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474402927.003.0004.

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This chapter considers the logic or the ‘line’ or linearity, which signifies the connectedness, or the ‘and then … and then’ process in music and poetry. It illustrates the continuous pattern of notes in a melody and how the notes come one at a time and have a stronger relationship to each other than to other musical lines going on at the same time. They are chronologically connected. Residually, and often actually, they are also connected by something internal, yet constitutive: they share a ‘breath’. In addition, music demonstrates linearity in a different way, by ‘growing’ in parallel to poetry. Fleshing out the themes of linearity between the two genres are rhythms, grammar, and semantics, among many others.

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Sampson, Fiona. "Song." In Lyric Cousins. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474402927.003.0008.

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This chapter looks at how music and poetry meet in song. The ballad form is one way of recognising the continuity between genres, with its familiarity and narrative potential. Song also links music and poetry by the obvious means of making them collaborate directly with each other. But this is also where tensions between the two forms are most marked. Precisely because they must work most closely together, we see here the ways they struggle with each other: for example, in ongoing debate about the status of song lyrics. As well as such arguments about songs, makerly tensions exist within them, as music and words struggle for priority, and force each other into compromises.

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"Lyric resonances in Statius’ Achilleid." In The Literary Genres in the Flavian Age, 283–96. De Gruyter, 2017. http://dx.doi.org/10.1515/9783110534436-016.

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Тези доповідей конференцій з теми "Lyric genres"

Yi, Xiaoyuan, Maosong Sun, Ruoyu Li, and Zonghan Yang. "Chinese Poetry Generation with a Working Memory Model." In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. California: International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/633.

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As an exquisite and concise literary form, poetry is a gem of human culture. Automatic poetry generation is an essential step towards computer creativity. In recent years, several neural models have been designed for this task. However, among lines of a whole poem, the coherence in meaning and topics still remains a big challenge. In this paper, inspired by the theoretical concept in cognitive psychology, we propose a novel Working Memory model for poetry generation. Different from previous methods, our model explicitly maintains topics and informative limited history in a neural memory. During the generation process, our model reads the most relevant parts from memory slots to generate the current line. After each line is generated, it writes the most salient parts of the previous line into memory slots. By dynamic manipulation of the memory, our model keeps a coherent information flow and learns to express each topic flexibly and naturally. We experiment on three different genres of Chinese poetry: quatrain, iambic and chinoiserie lyric. Both automatic and human evaluation results show that our model outperforms current state-of-the-art methods.

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Misael, Luan, Carlos Forster, Emanuel Fontelles, Vinicius Sampaio, and Mardônio França. "Temporal Analysis and Visualisation of Music." In Encontro Nacional de Inteligência Artificial e Computacional. Sociedade Brasileira de Computação - SBC, 2020. http://dx.doi.org/10.5753/eniac.2020.12155.

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This paper proposes a temporal analysis for music metadata using a generative probabilistic model for collections the discrete datasets such as text corpora. This method is also a topic model that is used for discovering abstract topics from a collection of documents. The method is then applied to audio metadata and song lyrics extracted with Echo Nest® engine, Spotify® Lyrics Genius® API. Song data time series are generated by grouping data items by release date, genre and dominant topics (from LDA analysis). Using a technique from Network Theory we visualise how these topics, in this case, genres, are related to each other through time.

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Teh Chao Ying, Shyamala Doraisamy, and Lili Nurliyana Abdullah. "Genre and mood classification using lyric features." In 2012 International Conference on Information Retrieval & Knowledge Management (CAMP). IEEE, 2012. http://dx.doi.org/10.1109/infrkm.2012.6204985.

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Coban, Onder, and Gulsah Tumuklu Ozyer. "Music genre classification from Turkish lyrics." In 2016 24th Signal Processing and Communication Application Conference (SIU). IEEE, 2016. http://dx.doi.org/10.1109/siu.2016.7495686.

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Sonntag, Inna. "Любовная лирика как предмет коммуникативного анализа". У Пражская Русистика 2020 – Prague Russian Studies 2020. Charles University, Faculty of Education, 2020. http://dx.doi.org/10.14712/9788076032088.19.

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The article considers the specifics of love lyrics from the point of view of rhetorical positions: the features of appropriate speech analysis of love poetry, as well as the genre repertoire (external and internal) of love poems are characterized.

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Akalp, Hasan, Enes Furkan Cigdem, Seyma Yilmaz, Necva Bolucu, and Burcu Can. "Language Representation Models for Music Genre Classification Using Lyrics." In ISEEIE 2021: 2021 International Symposium on Electrical, Electronics and Information Engineering. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3459104.3459171.

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Riyoichi Sawada Ueno, Caio Luiggy, and Diego Furtado Silva. "On Combining Diverse Models for Lyrics-Based Music Genre Classification." In 2019 8th Brazilian Conference on Intelligent Systems (BRACIS). IEEE, 2019. http://dx.doi.org/10.1109/bracis.2019.00033.

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Nakamura, Chisa, and Takehisa Onisawa. "Music/lyrics composition system considering user's image and music genre." In 2009 IEEE International Conference on Systems, Man and Cybernetics - SMC. IEEE, 2009. http://dx.doi.org/10.1109/icsmc.2009.5346636.

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Gao, Xiaoxue, Chitralekha Gupta, and Haizhou Li. "Genre-Conditioned Acoustic Models for Automatic Lyrics Transcription of Polyphonic Music." In ICASSP 2022 - 2022 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2022. http://dx.doi.org/10.1109/icassp43922.2022.9747684.

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Bassiou, Nikoletta, Constantine Kotropoulos, and Anastasios Papazoglou-Chalikias. "Greek folk music classification into two genres using lyrics and audio via canonical correlation analysis." In 2015 9th International Symposium on Image and Signal Processing and Analysis (ISPA). IEEE, 2015. http://dx.doi.org/10.1109/ispa.2015.7306065.

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Звіти організацій з теми "Lyric genres"

Droby, Samir, Michael Wisniewski, Martin Goldway, Wojciech Janisiewicz, and Charles Wilson. Enhancement of Postharvest Biocontrol Activity of the Yeast Candida oleophila by Overexpression of Lytic Enzymes. United States Department of Agriculture, November 2003. http://dx.doi.org/10.32747/2003.7586481.bard.

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Enhancing the activity of biocontrol agents could be the most important factor in their success in controlling fruit disease and their ultimate acceptance in commercial disease management. Direct manipulation of a biocontrol agent resulting in enhancement of diseases control could be achieved by using recent advances in molecular biology techniques. The objectives of this project were to isolate genes from yeast species that were used as postharvest biocontrol agents against postharvest diseases and to determine their role in biocontrol efficacy. The emphasis was to be placed on the yeast, Candida oleophila, which was jointly discovered and developed in our laboratories, and commercialized as the product, Aspire. The general plan was to develop a transformation system for C . oleophila and either knockout or overexpress particular genes of interest. Additionally, biochemical characterization of the lytic peptides was conducted in the wild-type and transgenic isolates. In addition to developing a better understanding of the mode of action of the yeast biocontrol agents, it was also our intent to demonstrate the feasibility of enhancing biocontrol activity via genetic enhancement of yeast with genes known to code for proteins with antimicrobial activity. Major achievements are: 1) Characterization of extracellular lytic enzymes produced by the yeast biocontrol agent Candida oleophila; 2) Development of a transformation system for Candida oleophila; 3) Cloning and analysis of C.oleophila glucanase gene; 4) Overexpression of and knockout of C. oleophila glucanase gene and evaluating its role in the biocontrol activity of C. oleophila; 5) Characterization of defensin gene and its expression in the yeast Pichiapastoris; 6) Cloning and Analysis of Chitinase and Adhesin Genes; 7) Characterization of the rnase secreted by C . oleophila and its inhibitory activity against P. digitatum. This project has resulted in information that enhanced our understanding of the mode of action of the yeast C . oleophila. This was important step towards enhancing the biocontrol activity of the yeast. Fungal cell wall enzymes produced by the yeast antagonist were characterized. Different substrates were identified to enhance there production in vitro. Exo-b-1, 3 glucanase, chitinase and protease production was stimulated by the presence of cell-wall fragments of Penicillium digitatum in the growing medium, in addition to glucose. A transformation system developed was used to study the role of lytic enzymes in the biocontrol activity of the yeast antagonist and was essential for genetic manipulation of C . oleqphila. After cloning and characterization of the exo-glucanase gene from the yeast, the transformation system was efficiently used to study the role of the enzyme in the biocontrol activity by over-expressing or knocking out the activity of the enzyme. At the last phase of the research (still ongoing) the transformation system is being used to study the role of chitinase gene in the mode of action. Knockout and over expression experiments are underway.

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Reisch, Bruce, Avichai Perl, Julie Kikkert, Ruth Ben-Arie, and Rachel Gollop. Use of Anti-Fungal Gene Synergisms for Improved Foliar and Fruit Disease Tolerance in Transgenic Grapes. United States Department of Agriculture, August 2002. http://dx.doi.org/10.32747/2002.7575292.bard.

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Original objectives . 1. Test anti-fungal gene products for activity against Uncinula necator, Aspergillus niger, Rhizopus stolonifer and Botrytis cinerea. 2. For Agrobacterium transformation, design appropriate vectors with gene combinations. 3. Use biolistic bombardment and Agrobacterium for transformation of important cultivars. 4. Characterize gene expression in transformants, as well as level of powdery mildew and Botrytis resistance in foliage of transformed plants. Background The production of new grape cultivars by conventional breeding is a complex and time-consuming process. Transferring individual traits via single genes into elite cultivars was proposed as a viable strategy, especially for vegetatively propagated crops such as grapevines. The availability of effective genetic transformation procedures, the existence of genes able to reduce pathogen stress, and improved in vitro culture methods for grapes, were combined to serve the objective of this proposal. Effective deployment of resistance genes would reduce production costs and increase crop quality, and several such genes and combinations were used in this project. Progress The efficacy of two-way combinations of Trichoderma endochitinase (CHIT42), synthetic peptide ESF12 and resveratrol upon the control of growth of Botrytis cinerea and Penicillium digitatum were evaluated in vitro. All pairwise interactions were additive but not synergistic. Per objective 2, suitable vectors with important gene combinations for Agrobacterium transformation were designed. In addition, multiple gene co-transformation by particle bombardment was also tested successfully. In New York, transformation work focused on cultivars Chardonnay and Merlot, while the technology in Israel was extended to 41B, R. 110, Prime, Italia, Gamay, Chardonnay and Velika. Transgenic plant production is summarized in the appendix. Among plants developed in Israel, endochitinase expression was assayed via the MuchT assay using material just 1-5 days after co-cultivation. Plants of cv. Sugraone carrying the gene coding for ESF12, a short anti-fungal lytic peptide under the control of the double 358 promoter, were produced. Leaf extracts of two plants showed inhibition zones that developed within 48 h indicating the inhibitory effect of the leaf extracts on the six species of bacteria. X fastidiosa, the causal organism of Pierce's disease, was very sensitive to leaf extracts from ESF12 transformed plants. Further work is needed to verify the agricultural utility of ESF12 transformants. In New York, some transformants were resistant to powdery mildew and Botrytis fruit rot. Major conclusions, solutions, achievements and implications The following scientific achievements resulted from this cooperative BARD project: 1. Development and improvement of embryogenesis and tissue culture manipulation in grape, while extending these procedures to several agriculturally important cultivars both in Israel and USA. 2. Development and improvement of novel transformation procedures while developing transformation techniques for grape and other recalcitrant species. 3. Production of transgenic grapevines, characterization of transformed vines while studying the expression patterns of a marker gene under the control of different promoter as the 35S CaMV in different part of the plants including flowers and fruits. 4. Expression of anti-fungal genes in grape: establishment of transgenic plants and evaluation of gene expression. Development of techniques to insert multiple genes. 5. Isolation of novel grape specific promoter to control the expression of future antimicrobial genes. It is of great importance to report that significant progress was made in not only the development of transgenic grapevines, but also in the evaluation of their potential for increased resistance to disease as compared with the non engineered cultivar. In several cases, increased disease resistance was observed. More research and development is still needed before a product can be commercialized, yet our project lays a framework for further investigations.

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Ginzberg, Idit, Richard E. Veilleux, and James G. Tokuhisa. Identification and Allelic Variation of Genes Involved in the Potato Glycoalkaloid Biosynthetic Pathway. United States Department of Agriculture, August 2012. http://dx.doi.org/10.32747/2012.7593386.bard.

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Steroidal glycoalkaloids (SGAs) are secondary metabolites being part of the plant defense response. The two major SGAs in cultivated potato (Solanum tuberosum) are α-chaconine and α-solanine, which exhibit strong cellular lytic properties and inhibit acetylcholinesterase activity, and are poisonous at high concentrations for humans. As SGAs are not destroyed during cooking and frying commercial cultivars have been bred to contain low levels, and their content in tubers should not exceed 20 mg/100 g fresh weight. However, environmental factors can increase tuber SGA content above the safe level. The focus of the proposed research was to apply genomic approaches to identify candidate genes that control potato SGA content in order to develop tools for potato improvement by marker-assisted selection and/or transgenic approaches. To this end, the objectives of the proposal included identification of genes, metabolic intermediates and allelic variations in the potato SGAbiosynthetic pathway. The SGAs are biosynthesized by the sterol branch of the mevalonic acid/isoprenoid pathway. Transgenic potato plants that overexpress 3-hydroxy-3-methylglutaryl-CoA reductase 1 (HMG1) or squalene synthase 1 (SQS1), key enzymes of the mevalonic acid/isoprenoid pathway, exhibited elevated levels of solanine and chaconine as well as induced expression of genes downstream the pathway. These results suggest of coordinated regulation of isoprenoid (primary) metabolism and SGA secondary metabolism. The transgenic plants were further used to identify new SGA-related candidate genes by cDNA-AFLP approach and a novel glycosyltransferase was isolated. In addition, genes involved in phytosterol biosynthesis may have dual role and synthesize defense-related steroidal metabolites, such as SGAs, via lanosterol pathway. Potato lanosterol synthase sequence (LAS) was isolated and used to prepare transgenic plants with overexpressing and silencing constructs. Plants are currently being analyzed for SGA content. The dynamics of SGA accumulation in the various organs of a potato species with high SGA content gave insights into the general regulation of SGA abundance. Leaf SGA levels in S. chacoense were 10 to 20-fold greater than those of S. tuberosum. The leptines, SGAs with strong antifeedant properties against Colorado potato beetles, were present in all aerial tissues except for early and mid-developmental stages of above ground stolons, and accounted for the high SGA content of S. chacoense. These results indicate the presence of regulatory mechanisms in most tissues except in stolons that limit the levels of α-solanine and α-chaconine and confine leptine accumulation to the aerial tissues. The genomes of cultivated and wild potato contain a 4-member gene family coding for SQS. Three orthologs were cloned as cDNAs from S. chacoense and heterologously expressed in E. coli. Squalene accumulated in all E. coli lines transformed with each of the three gene constructs. Differential transcript abundance in various organs and amino acid sequence differences in the conserved domains of three isoenzymes indicate subfunctionalization of SQS activity and triterpene/sterol metabolism. Because S. chacoense and S. phureja differ so greatly for presence and accumulation of SGAs, we selected four candidate genes from different points along the biosynthetic pathway to determine if chcor phuspecific alleles were associated with SGA expression in a segregating interspecific diploid population. For two of the four genes (HMG2 and SGT2) F2 plants with chcalleles expressed significantly greater total SGAs compared with heterozygotes and those with phualleles. Although there are other determinants of SGA biosynthesis and composition in potato, the ability of allelic states at two genes to affect SGA levels confirms some of the above transgenic work where chcalleles at two other loci altered SGA expression in Desiree. Present results reveal new opportunities to manipulate triterpene/sterol biosynthesis in more targeted ways with the objective of altering SGA content for both human health concerns and natural pesticide content without disrupting the essential metabolism and function of the phytosterol component of the membranes and the growth regulating brassinosteroids.

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