Добірка наукової літератури з теми "Luigi"
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Статті в журналах з теми "Luigi"
Bobbio, Norberto. "Luigi Einaudi, Federalista / Luigi Einaudi, Federalist." Brazilian Journal of International Relations 3, no. 3 (November 4, 2020): 548–65. http://dx.doi.org/10.36311/2237-7743.2014.v3n3.p548-565.
Повний текст джерелаLepschy, A. L., and Harold Bloom. "Luigi Pirandello." Modern Language Review 86, no. 1 (January 1991): 224. http://dx.doi.org/10.2307/3732156.
Повний текст джерелаBayer, Francis, and Pierre Michel. "Luigi Dallapiccola." Revue de musicologie 83, no. 2 (1997): 318. http://dx.doi.org/10.2307/946932.
Повний текст джерелаColonnelli, Enzo. "Luigi Magnano." Memorie della Società Entomologica Italiana 88, no. 1 (June 30, 2009): 3. http://dx.doi.org/10.4081/memoriesei.2009.3.
Повний текст джерелаSilva, Valmir Luis. "Luigi Pirandello." Tabuleiro de Letras 15, no. 1 (July 1, 2021): 44–54. http://dx.doi.org/10.35499/tl.v15i1.10366.
Повний текст джерелаLongman, Stanley V., Susan Basnett-McGuire, and A. Richard Sogliuzzo. "Luigi Pirandello." Theatre Journal 37, no. 3 (October 1985): 392. http://dx.doi.org/10.2307/3206877.
Повний текст джерелаThomas, Gavin, LaSalle Quartet, Slavka Taskova, Laren Driscoll, Saarlandischen Radio SO, Berlin Radio SO, and Gielen. "Luigi Nono." Musical Times 134, no. 1810 (December 1993): 715. http://dx.doi.org/10.2307/1002949.
Повний текст джерелаFitch, Fabrice, Soloists, Stuttgart State Opera, Beethoven, Prometeo, Liszt, Scriabin, Vienna Philharmonic, and Claudio Abbado. "Luigi Nono." Musical Times 136, no. 1829 (July 1995): 366. http://dx.doi.org/10.2307/1004340.
Повний текст джерелаJay, Venita. "Luigi Rolando." Journal of Histotechnology 25, no. 3 (September 2002): 149. http://dx.doi.org/10.1179/his.2002.25.3.149.
Повний текст джерелаGesnerus, Editors. "Luigi Belloni." Gesnerus 47, no. 2 (November 21, 1990): 187–90. http://dx.doi.org/10.1163/22977953-04702006.
Повний текст джерелаДисертації з теми "Luigi"
Nardin, Elisa <1986>. "Luigi Basiletti." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3123.
Повний текст джерелаGiachino, Monica. "L'opera di Luigi Carrer." Doctoral thesis, Università Ca' Foscari Venezia, 1994. http://hdl.handle.net/10579/349.
Повний текст джерелаGiacomello, Irene <1986>. "Luigi Ramello: erudito rodigino." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/9417.
Повний текст джерелаTortella, Jaime Gérard Yves. "Boccherini, un músico italiano en la España ilustrada /." Madrid : Sociedad Española de Musicología, 2002. http://catalogue.bnf.fr/ark:/12148/cb40156614g.
Повний текст джерелаLazzarini, Guilia. "Luigi Nono : espace et composition." Paris, EHESS, 2014. http://www.theses.fr/2014EHES0049.
Повний текст джерелаArchitecture and music. Space and time. Sound. Experience. These are the key words on which my research is based. It all started from the intuition of the existence of a link between two disciplines to which I have devoted much time and study, along two parallel academics paths: the school of architecture and the conservatory. After a long process of identification and analysis of the infinite possible approaches to the topic, I chose to focus on one of the most emblematic example of collaboration between an architect and a musician of the twentieth century: "Prometeo, tragedia dell’ascolto" (1984), composed by Luigi Nono in collaboration with Massimo Cacciari and Renzo Piano. Through the study of Prometeo, I was able to deal with many possible interpretations of the interdisciplinary relationship between music and architecture. The research was mainly carried out by analysing the writings of Nono and by studying the documents stored at Archivio Luigi Nono and Fondazione Renzo Piano. The dissertation consists of three parts: the first part deals with the role of space in Nono's works preceding the Prometeo, highlighting the importance of cultural and sound environment in Venice: the second part explores the composition process that led to the set-up Promefeo in Venice, Milan and Paris; the third part deepens what happened after Prometeo, and reflects on the contributions that this experience can give to the design of spaces for music, analysing different setups of the play without the ark, and studying the projects of Akiyoshidai's International Art Village and the concert hall of the new Philharmonie in Paris. The study of the experience of Prometeo aims to encourage the curiosity to research, and the experimentation of those 'infiniti possibili’ of the architectural and musical composition mentioned by Nono
Chessa, Luciano. "Luigi Russolo and the occult /." For electronic version search Digital dissertations database. Restricted to UC campuses. Access is free to UC campus dissertations, 2004. http://uclibs.org/PID/11984.
Повний текст джерелаLazzarini, Giulia <1985>. "Luigi Nono: spazio e composizione." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amsdottorato.unibo.it/6529/1/lazzarini_giulia_tesi.pdf.
Повний текст джерелаArchitecture and music. Space and time. Sound. Experience. These are the key words on which my research is based. It all started from the intuition of the existence of a link between two disciplines to which I have devoted much time and study, along two parallel academics paths: the school of architecture and the conservatory. After a long process of identification and analysis of the infinite possible approaches to the topic, I chose to focus on one of the most emblematic example of collaboration between an architect and a musician of the twentieth century: "Prometeo, tragedia dell'ascolto” (1984), composed by Luigi Nono in collaboration with Massimo Cacciari and Renzo Piano. Through the study of Prometeo, I was able to deal with many possible interpretations of the interdisciplinary relationship between music and architecture. The research was mainly carried out by analysing the writings of Nono and by studying the documents stored at Archivio Luigi Nono and Fondazione Renzo Piano. The dissertation consists of three parts: the first part deals with the role of space in Nono's works preceding the Prometeo, highlighting the importance of cultural and sound environment in Venice; the second part explores the composition process that led to the set-up Prometeo in Venice, Milan and Paris; the third part deepens what happened after Prometeo, and reflects on the contributions that this experience can give to the design of spaces for music, analysing different setups of the play without the ark, and studying the projects of Akiyoshidai's International Art Village and the concert hall of the new Philharmonie in Paris. The study of the experience of Prometeo aims to encourage the curiosity to research, and the experimentation of those 'infiniti possibili' of the architectural and musical composition mentioned by Nono.
Lazzarini, Giulia <1985>. "Luigi Nono: spazio e composizione." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amsdottorato.unibo.it/6529/.
Повний текст джерелаArchitecture and music. Space and time. Sound. Experience. These are the key words on which my research is based. It all started from the intuition of the existence of a link between two disciplines to which I have devoted much time and study, along two parallel academics paths: the school of architecture and the conservatory. After a long process of identification and analysis of the infinite possible approaches to the topic, I chose to focus on one of the most emblematic example of collaboration between an architect and a musician of the twentieth century: "Prometeo, tragedia dell'ascolto” (1984), composed by Luigi Nono in collaboration with Massimo Cacciari and Renzo Piano. Through the study of Prometeo, I was able to deal with many possible interpretations of the interdisciplinary relationship between music and architecture. The research was mainly carried out by analysing the writings of Nono and by studying the documents stored at Archivio Luigi Nono and Fondazione Renzo Piano. The dissertation consists of three parts: the first part deals with the role of space in Nono's works preceding the Prometeo, highlighting the importance of cultural and sound environment in Venice; the second part explores the composition process that led to the set-up Prometeo in Venice, Milan and Paris; the third part deepens what happened after Prometeo, and reflects on the contributions that this experience can give to the design of spaces for music, analysing different setups of the play without the ark, and studying the projects of Akiyoshidai's International Art Village and the concert hall of the new Philharmonie in Paris. The study of the experience of Prometeo aims to encourage the curiosity to research, and the experimentation of those 'infiniti possibili' of the architectural and musical composition mentioned by Nono.
Santini, Andrea. "The spatial performance of Luigi Nono." Thesis, Queen's University Belfast, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.603065.
Повний текст джерелаMagalhães, Michelle Agnes. "O estilo tardio de Luigi Nono." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-04112010-151812/.
Повний текст джерелаThis research studies some aspects of Luigi Nonos (1924-1990) late work. It is based on analysis and interpretation of three important works of the Venetian composer: Fragmente-Stille, an Diotima, for string quartet, Das atmende Klarsein, for bass flute, double-bass, choir and live electronics, and Omaggio a György Kurtág, for contralto, flute, bass clarinet and live electronics. Each of these investigations focuses on three important principles of Nonos late poetics: the ideas of fragmentation, limit and suspension.
Книги з теми "Luigi"
Einaudi, Luca, Riccardo Faucci, and Roberto Marchionatti, eds. Luigi Einaudi. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230522978.
Повний текст джерелаPerilli, Giorgio. Luigi Bonazza. Trento: Publiprint, 1992.
Знайти повний текст джерелаPellegrini, Ernestina. Luigi Meneghello. Fiesole (Firenze): Cadmo, 2002.
Знайти повний текст джерелаOntani, Luigi. Luigi Ontani. Torino: Galleria in arco, 1989.
Знайти повний текст джерелаPomini, Mario. Luigi Amoroso. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-10339-1.
Повний текст джерелаMichel, Pierre. Luigi Dallapiccola. Genève: Contrechamps, 1996.
Знайти повний текст джерелаManca, Gavino, and Marzio Achille Romani. Luigi Einaudi. Milano: Università Bocconi, 2011.
Знайти повний текст джерелаSenesi, Luigi. Luigi Senesi. Trento: Edizione d'arte, Studio d'arte Raffaelli, 1990.
Знайти повний текст джерелаMussini, Massimo. Luigi Ghirri. Milano: F. Motta, 2001.
Знайти повний текст джерелаFranco, Francesco. Luigi Pareyson. Città del Vaticano: Lateran University Press, 2014.
Знайти повний текст джерелаЧастини книг з теми "Luigi"
Rössner, Michael. "Luigi Pirandello." In Kindler Kompakt: Drama des 20. Jahrhunderts, 76–79. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04526-3_13.
Повний текст джерелаWild, Gerhard. "Capuana, Luigi." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2998-1.
Повний текст джерелаLeonelli, Antonella. "Luigi Onnis." In Encyclopedia of Couple and Family Therapy, 1748–50. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-49425-8_981.
Повний текст джерелаAlbèra, Philippe. "Nono, Luigi." In Metzler Komponisten Lexikon, 536–42. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_207.
Повний текст джерелаKämper, Dietrich. "Dallapiccola, Luigi." In Metzler Komponisten Lexikon, 186–87. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_74.
Повний текст джерелаLenort, Bernhard. "Luigi Cherubini." In Kammermusikführer, 127–30. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03514-1_20.
Повний текст джерелаKardos-Morin, Maria, and Frank Schneider. "Luigi Nono." In Kammermusikführer, 454–59. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03514-1_89.
Повний текст джерелаAlbèra, Philippe. "Nono, Luigi." In Komponisten Lexikon, 418–23. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_206.
Повний текст джерелаKämper, Dietrich. "Dallapiccola, Luigi." In Komponisten Lexikon, 144–45. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_72.
Повний текст джерелаBadolati, Ennio. "Lilio, Luigi." In Biographical Encyclopedia of Astronomers, 1322. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-9917-7_9349.
Повний текст джерелаТези доповідей конференцій з теми "Luigi"
Kirman, Ben, Shaun Lawson, and Conor Linehan. "Mario, Luigi and Dave." In the 13th International MindTrek Conference: Everyday Life in the Ubiquitous Era. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1621841.1621872.
Повний текст джерела"Dedication: In memory of Luigi Ciminiera 1954-2012 [includes "In memory of Luigi Dadda 1923-2012"]." In 2013 IEEE 21st Symposium on Computer Arithmetic (ARITH). IEEE, 2013. http://dx.doi.org/10.1109/arith.2013.11.
Повний текст джерелаCosentino, O., and R. Ibba. "Luigi Broglio Base facilities and activities: The ASI balloon program." In ASTROPHYSICAL POLARIZED BACKGROUNDS: Workshop on Astrophysical Polarized Backgrounds. AIP, 2002. http://dx.doi.org/10.1063/1.1471852.
Повний текст джерелаCeravolo, R., G. De Lucia, E. Lenticchia, G. Miraglia, A. Quattrone, F. Tondolo, E. Matta, et al. "Challenges in the Reuse and Upgrade of Pier Luigi Nervi‘s Structures." In 12th International Conference on Structural Analysis of Historical Constructions. CIMNE, 2021. http://dx.doi.org/10.23967/sahc.2021.043.
Повний текст джерелаDaldoss, Ivan. "The problem of sovereignty according to Hans Kelsen and Luigi Ferrajoli." In Naděje právní vědy 2022. University of West Bohemia, Czech Republic, 2023. http://dx.doi.org/10.24132/zcu.nadeje.2022.31-41.
Повний текст джерелаTavoletta, Concetta. "Luigi Cosenza, Bernard Rudofsky and Gio Ponti and the Secret of the Mediterranean Sea." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 20-21 May 2021. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021186n6.
Повний текст джерелаdi Fraia, Guido, and Alessandra Massarelli. "DIGITAL PIRANDELLO: EDUCATIONAL INNOVATION THROUGH A VIRTUAL ASSISTANT INSPIRED BY NOBEL LAUREATE LUIGI PIRANDELLO." In 16th International Conference on Education and New Learning Technologies. IATED, 2024. http://dx.doi.org/10.21125/edulearn.2024.0698.
Повний текст джерелаRiva, MA, M. Belingheri, M. Turato, and G. Cesana. "754 carlo vallardi (1886–1962). an assistant of luigi devoto deported to mauthausen concentration camp." In 32nd Triennial Congress of the International Commission on Occupational Health (ICOH), Dublin, Ireland, 29th April to 4th May 2018. BMJ Publishing Group Ltd, 2018. http://dx.doi.org/10.1136/oemed-2018-icohabstracts.543.
Повний текст джерелаRoccetti, M., G. Marfia, A. Amoroso, S. Caraceni, and Angelo Varni. "Augmenting augmented reality with pairwise interactions: The case of Count Luigi Ferdinando Marsili shooting game." In 2012 IEEE Consumer Communications and Networking Conference (CCNC). IEEE, 2012. http://dx.doi.org/10.1109/ccnc.2012.6181002.
Повний текст джерелаTetti, Barbara. "THE TERMINOLOGY OF THE RESTORATION IN THE EIGHTEENTH CENTURY. RESTORATION AND RENEWAL IN LUIGI VANVITELLIS WORK." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s15.134.
Повний текст джерелаЗвіти організацій з теми "Luigi"
Brown, M., G. Huntington, and T. Brown. Identification of the mineral phases responsible for cementation of Lurgi spent oil shale. Office of Scientific and Technical Information (OSTI), February 1991. http://dx.doi.org/10.2172/5989897.
Повний текст джерелаBrown, M., G. Huntington, and T. Brown. Identification of the mineral phases responsible for cementation of Lurgi spent oil shale. Office of Scientific and Technical Information (OSTI), February 1991. http://dx.doi.org/10.2172/10114390.
Повний текст джерела