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Статті в журналах з теми "Late Antique Rome"

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Foster, Frances. "Teaching ‘correct’ Latin in late antique Rome." Language & History 62, no. 2 (May 4, 2019): 57–73. http://dx.doi.org/10.1080/17597536.2019.1641936.

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Hillner, Julia. "Domus, Family, and Inheritance: the Senatorial Family House in Late Antique Rome." Journal of Roman Studies 93 (November 2003): 129–45. http://dx.doi.org/10.2307/3184642.

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Scholars have traditionally believed that the late antique city of Rome concretely reflected the organization of late Roman senatorial society in terms of gentes. It is assumed that grand senatorial houses, each occupied by the leader of a gens, and passed down from father to son, characterized the urban landscape. This has led to a number of conclusions about the diachronic and synchronic aspects of domestic property ownership in late antique Rome.
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Curran, John. "Moving statues in late antique Rome: Problems of perspective." Art History 17, no. 1 (March 1994): 46–58. http://dx.doi.org/10.1111/j.1467-8365.1994.tb00561.x.

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Hillner, Julia. "A woman’s place: imperial women in late antique Rome." Antiquité Tardive 25 (January 2017): 75–94. http://dx.doi.org/10.1484/j.at.5.114851.

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Valenzani, Riccardo Santangeli. "PUBLIC AND PRIVATE BUILDING ACTIVITY IN LATE ANTIQUE ROME." Late Antique Archaeology 4, no. 1 (2008): 435–49. http://dx.doi.org/10.1163/22134522-90000097.

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This article charts the transformation of the organisation of building work at Rome during Late Antiquity and the social changes that underlay it. In Late Antiquity, the reduction and total cessation of brick manufacture, and the use instead of recycled materials, made it much harder to maintain the standardised, large-scale building methods of the Early Roman period. The scarcity of good-quality materials led to a growing discrepancy between monumental public works, sponsored by imperial and ecclesiastical authorities, and private and residential architecture. Such a development was not merely a sign of ‘decadence’ or ‘decline’, but resulted from the emergence of a society rigidly divided between a ruling class that controlled the means of production and an oppressed inferior class, responsible for production activity.
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MacRae, Duncan E. "Late Antiquity and the Antiquarian." Studies in Late Antiquity 1, no. 4 (2017): 335–58. http://dx.doi.org/10.1525/sla.2017.1.4.335.

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Arnaldo Momigliano, the most influential modern student of antiquarianism, advanced the view that there was a late antique antiquarianism, but also lamented the absence of study of the history of antiquarianism in this period. Part of the challenge, however, has been to define the object of such a study. Rather than “finding” antiquarianism in late antiquity as Momigliano did, this article argues that a history that offers explicit analogies between late antique evidence and the avowed antiquarianism of early modern Europe allows a more self-conscious and critical history of late antique engagement with the past. The article offers three examples of this form of analysis, comparing practices of statue collecting in Renaissance Rome and the late Roman West, learned treatises on the Roman army by Vegetius and Justus Lipsius, and feelings of attachment to a local past as a modern antiquarian stereotype and in a pair of letters to and from Augustine of Hippo.
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Orlandi, Silvia. "Urban prefects and the epigraphic evidence of late-antique Rome." Antiquité Tardive 25 (January 2017): 213–22. http://dx.doi.org/10.1484/j.at.5.114858.

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Ziegler, Michelle. "Malarial Landscapes in Late Antique Rome and the Tiber Valley." Landscapes 17, no. 2 (July 2, 2016): 139–55. http://dx.doi.org/10.1080/14662035.2016.1251041.

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Lapidge, Michael. "THE LATIN OF THE PASSIONES MARTYRVM OF LATE ANTIQUE ROME." Cambridge Classical Journal 66 (February 26, 2020): 96–143. http://dx.doi.org/10.1017/s1750270520000020.

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A substantial number of passiones (some forty) of Roman martyrs was composed at Rome and its environs between the early fifth and late seventh century (c. 425 – c. 675). Although these texts have hitherto been neglected by students of the Latin language (not least because they are only available in early printed editions dating from the fifteenth to seventeenth centuries, none of which are easily accessible), they provide a valuable witness to changes in the language during that period, when, as a reflex of developments in the spoken language and of deterioration in educational standards, written Latin began to exhibit a rightward shift of verb satellites (change to VO-order in main clauses, placement of the infinitive after the modal auxiliary, placement of the dependent genitive after its noun etc.), as well as a number of associated linguistic features. These changes are illustrated by statistical analyses, the results of which are presented in accompanying tables.
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JOHN, ALISON. "LEARNING GREEK IN LATE ANTIQUE GAUL." Classical Quarterly 70, no. 2 (December 2020): 846–64. http://dx.doi.org/10.1017/s0009838821000112.

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Greek had held an important place in Roman society and culture since the Late Republican period, and educated Romans were expected to be bilingual and well versed in both Greek and Latin literature. The Roman school ‘curriculum’ was based on Hellenistic educational culture, and in the De grammaticis et rhetoribus Suetonius says that the earliest teachers in Rome, Livius and Ennius, were ‘poets and half Greeks’ (poetae et semigraeci), who taught both Latin and Greek ‘publicly and privately’ (domi forisque docuisse) and ‘merely clarified the meaning of Greek authors or gave exemplary readings from their own Latin compositions’ (nihil amplius quam Graecos interpretabantur aut si quid ipsi Latine composuissent praelegebant, Gram. et rhet. 1–2). Cicero, the Latin neoteric poets and Horace are obvious examples of bilingual educated Roman aristocrats, but also throughout the Imperial period a properly educated Roman would be learned in utraque lingua. The place of Greek in Quintilian's Institutio Oratoria reveals the importance and prevalence of Greek in Roman education and literature in the late first century a.d. Quintilian argues that children should learn both Greek and Latin but that it is best to begin with Greek. Famously, in the second century a.d. the Roman author Apuleius gave speeches in Greek to audiences in Carthage, and in his Apologia mocked his accusers for their ignorance of Greek.
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Дисертації з теми "Late Antique Rome"

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Kneafsey, Maria Anne. "The city boundary in Late Antique Rome." Thesis, University of Exeter, 2017. http://hdl.handle.net/10871/34000.

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This thesis examines the changing meaning and conceptualisation of the city boundary of Rome, from the late republic and imperial periods into late antiquity. It is my aim in this study to present a range of archaeological and historical material from three areas of interest: the historical development of the city boundary, from the pomerium to the Aurelian wall, change and continuity in the ritual activities associated with the border, and the reasons for the shift in burial topography in the fifth century AD. I propose that each of these three subject areas will demonstrate the wide range of restrictions and associations made with the city boundary of Rome, and will note in particular instances of continuity into late antiquity. It is shown that there is a great degree of continuity in the behaviours of the inhabitants of Rome with regard to the conceptualisation of their city boundary. The wider proposal made during the course of this study, is that the fifth century was significant in the development of Rome – archaeologically, historically, and conceptually – but not for the reasons that are traditionally given. I have pushed back against the idea that this era was defined by its turbulence, and have constructed an argument that highlights the vast inheritance of the city of Rome that is so often ignored in discussions of the fifth century.
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Machado, Carlos. "Urban space and power in late antique Rome." Thesis, University of Oxford, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.439814.

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McMahon, Lucas. "The Foederati, the Phoideratoi, and the Symmachoi of the Late Antique East (ca. A.D. 400-650)." Thesis, Université d'Ottawa / University of Ottawa, 2014. http://hdl.handle.net/10393/31772.

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This thesis is a systematic examination of the use of the term phoideratos in Greek and how it relates to the Greek word symmachos. The term was recognized as not precisely equivalent to its Latin cognate foederatus over a century ago by Jean Maspero, but no complete study of every use of the term has been made until now. This has been facilitated by the Thesaurus Linguae Graecae, an online database of searchable Greek texts. These terms are important since they provide a framework within which foreigners came to serve the Roman army. They also reveal the changing nature of that army, and how the foederati, formerly allies who came to serve the Roman state in exchange for a combination of land, supplies, and cash became the phoideratoi, an elite regular unit in the Roman army. Meanwhile, symmachos came to refer to those who were formerly called phoideratoi. This interpretation is crucial since some modern historiography has considered the phoideratoi of the sixth century as equivalent to the foederati of the fourth.
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Jewell, Kaelin. "Architectural Decorum and Aristocratic Power in Late Antique Rome, Constantinople, and Ravenna." Diss., Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/526134.

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Art History
Ph.D.
This dissertation explores in the ways in which decorum, or the appropriateness of form and behavior, served as an underlying principle in the patronage, design, and construction of monumental architecture, sculpture, and inscriptions by the aristocratic elite of late antique urban environments. Throughout the dissertation, I deliberately turn my attention away from imperial buildings like Emperor Justinian's (r. 527-565) Hagia Sophia and towards those projects financed by aristocrats and elites, with a focus placed upon those associated with the gens Anicii and their sphere. It is through the discussions of the built environments of Rome, Constantinople, and Ravenna in the fourth through sixth centuries CE, that my dissertation reveals the ways in which aristocrats and elites, like members of the gens Anicii and wealthy bankers like Julianus Argentarius, were able to concretize their power in periods of political change. Their employment of a decorum of architecture, based upon Vitruvian and Ciceronian ideals, demonstrates the central role these individuals played in the shaping of the visual culture of the late antique Mediterranean. It was through the patronage of statues and buildings that were thoughtfully dedicated, strategically located, and purposefully decorated that these wealthy patrons were able to galvanize their non-imperial authority. In historical moments wracked by war, plague, and political instability, the finance and construction of large-scale statuary on prominently inscribed plinths, as well as solid, immovable buildings afforded these elites with a sense of permanence and stability that, they hoped, would last in perpetuity.
Temple University--Theses
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Weisweiler, John. "State aristocracy : resident senators and absent emperors in Late-Antique Rome, c. 320-400." Thesis, University of Cambridge, 2011. https://www.repository.cam.ac.uk/handle/1810/265516.

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In the early fourth century AD, the Roman Empire underwent at least two significant transformations in the ways it was governed. Firstly, Rome ceased to be the residence of emperors. From the last visit of the emperor Constantine in 326 until the end of the century, there were only two imperial visits to Rome. Secondly, a series of ceremonial, institutional and fiscal recalibrations magnified the visibility and extractive capacity of the imperial state. This doctoral thesis explores the impact of these developments on senators in Rome. Late Roman aristocrats were an imperial aristocracy, whose social life, cultural identity and economic survival were inextricably intertwined with the institutions of the Roman state. Imperial withdrawal and the late-antique strenghthening of imperial institutions did not lead to the outbreak of a fierce ideological conflict between resident senators and court, but rather intensified divisions within aristocratic society. New fiscal pressures, a rise in competitive expenditure and a narrowing of access to senior government posts had the consequence that many aristocrats could no longer participate in the competition for honour, wealth and offices. But not all suffered from the new configuration of power. After imperial . withdrawal, resident aristocrats were no longer the the proclaimed peers and potential rivals of the emperor. As a result, the most successful and imperiallyfavoured amongst them enjoyed chances for enrichment, patronage and self-display which far exceeded those of early imperial senators. A gap opened between few successful aristocrats, deeply involved in imperial government and ready to spend vast sums in the pursuit of their ambitions, and others who could no longer participate in the harsh competition for imperial and popular favour.
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Kipling, Roger William. "Life in towns after Rome : investigating late antique and early medieval urbanism c.AD 300-1050." Thesis, University of Leicester, 2000. http://hdl.handle.net/2381/30791.

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Through extensive use of primary and secondary material, this study examines the development of the late classical and early medieval town across three regions of north-western Europe in order to map physical and functional urban change and to identify the key factors linking a spatially and temporally broad study area. The three diverse but complementary areas of investigation consist of Britain, a region with a relatively tenuous, discontinuous urbanism, Gaul, with its persistence of urban functions and populations throughout the period of study, and Scandinavia and Ireland, regions revealing a late urbanism. In each core chapter the archaeological and documentary data for towns are reviewed followed by presentation of key case studies. Selected for their level/quality of investigation, these provide the essential platform for a wider discussion of urban roles between c. AD 300-1050. The thesis establishes that urban form and developmental trajectories were highly intricate, with considerable temporal and spatial diversity and, as a result, towns demonstrate strongly individualistic histories, with a heavy dependency upon setting, role(s) and, above all, human presences. Despite this variety, the emergence of royal authority, the Christian Church and inter-regional market economies are recognised as fundamental and consistent factors in the establishment, and continued existence, of a stable urban network.
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Mulryan, Michael James John. "The religious topography of late antique Rome (AD 313-440) : a case for a strategy." Thesis, University College London (University of London), 2008. http://discovery.ucl.ac.uk/1444463/.

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The thesis argued is that in the fourth and fifth centuries ecclesiastical authorities in Rome sought to Christianise the city and its inhabitants through the location of new basilicas within the walls. The current consensus argues that all the churches constructed within the city were built where they were due to Christian land ownership of that site, because an area was a particularly populous one, or that there was a pre-Constantinian 'house-church' on the spot. This, for me, is looking at the city on too superficial a level. If we move away from this perspective and more towards a viewpoint that actually sees these fourth and fifth century churches in the context of the buildings that surrounded them, we can then regard them in the way the contemporary population of Rome would have. In this way, I believe we can reveal an intentional programme by the Roman Church of placing many of its centres of worship in strategically useful areas for its own benefit. In other words, the frequent proximity of these churches to other important buildings or public areas I believe had an effect on worshippers at those churches and on general passers-by. The intended effect, I would argue, was to increase church attendance and create visible and memorable Christian markers throughout the city in order to gradually 'Christianise' it. I put forward the idea that there were four main factors that Christian builders of this period consciously considered and looked for when they were building a new church. They were: (i) is it easily accessible or highly visible (ii) is it close to an area of frequent public congregation (iii) is it near to a significant pre-existing pagan structure or (iv) is it proximate to a bath house and therefore having some sort of relationship with it Not all the Christian churches of this period fit these criteria but, I conclude, most do and therefore argue for a conscious strategy by the Church to Christianise and consequently 'de-paganise' the city. The criteria I have described are not however new maxims for religious buildings. Most of these considerations were followed by the builders of pagan structures in the Classical city, although here for the benefit and notoriety of the builder rather than any desire to promote a specific cult. The increased popularity of a deity may have been an unintentional side-effect however, but whatever the case, such considerations certainly made temples the most visible and prominent buildings in a city. As a result, as well as examining Christian case-studies to argue my case, I will also look at the pagan structures that follow the same rules, as their prominence and importance was something the Church wanted to replicate for its centres of worship. This, I hope, will serve as a comparison and show how builders of churches were merely using more ancient techniques to achieve their ends. My thesis begins with a broad introduction including the historiography of the topic, which in fact overlaps many fields, and where I stand within it. My first chapter sets out my reasoning for thinking that the Roman Church controlled its own building programme independently from the state and so could potentially choose sites on which to build for its own benefit. The second chapter begins my discussion of these churches by looking at those where visibility and easy accessibility was a priority. The third section looks at those Christian centres that can claim an association with a pagan temple or shrine and what the implications of this may be. The fourth and fifth chapters examine those churches that have some sort of relationship with a theatre or circus or a bath-house respectively. Finally, I argue against the theory that some intra-mural churches were built on the site of famous martyrdoms by showing how the evidence for this is anachronistic and suspicious. To serve as a comparison, the belief that certain churches were built over a martyr's tomb is justifiable, as here we have reliable and convincing evidence. To complete the thesis I draw together the accumulated evidence and make my conclusions.
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Mahieu, Vincent. "Temps, espace et identités : recherches sur les coexistences religieuses dans la Rome tardo-antique (312-410)." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEP029.

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Le IVe siècle de notre ère représente indéniablement un tournant majeur dans l’histoire de l’Europe occidentale. Le passage du christianisme du statut de culture marginale d’une communauté religieuse à celui de pôle culturel et normatif à l’échelle d’une société constitue une transition caractéristique de l’Antiquité tardive, qui s’est d’abord opérée sur le terrain des systèmes sociaux de référence que sont le temps et l’espace – lieux d’expression identitaire. La richesse documentaire de l’"Vrbs" ajoutée à sa position de capitale historique et de cité de première importance pour le christianisme en font un cadre d’étude singulier. Cette enquête sur le partage du temps et de l’espace, entre la victoire du Pont Milvius (312) et le sac d’Alaric (410), propose une reconstruction des temps de la cité et une exploration des mécanismes de développement de l’organisation calendaire de l’Église et d’insertion au sein de la trame temporelle urbaine (partie 1). Sur la base d’un catalogue qui actualise le "LTVR(S)", elle reconstitue la topographie polythéiste et examine l’inscription de l’ancrage matériel du culte chrétien au sein du territoire romain (partie 2). Au travers de ces analyses transversales et d’études de cas (partie 3), elle tente aussi de comprendre des modes d’interaction, de coexistence religieuse au sein d’une société. La recherche replace le curseur sur la continuité plutôt que la rupture. Elle révèle un modèle prioritairement intégratif et une stratégie de conformité aux dynamiques romaines dans le partage du temps et de l’espace. Elle argumente sur une cohabitation religieuse globalement pacifique portée par un investissement identitaire commun focalisé sur la "Romanitas"
The fourth century AD is admittedly a major turning point in the history of Western Europe. The evolution of Christianity from the status of a marginal culture within a religious group to that of a cultural and normative pole within society constitutes an important transition specific to Late Antiquity. This transition from margin to norm started from the social frameworks of time and space, acting as strong identity markers. The great amount of evidence from the "Vrbs", its position as historical capital, as its recognized status as important city for the development of Christianity, make it a specific research framework. This study, which focuses on the sharing of time and space between the victory of the Milvius Bridge (312) and the sack of Alaric (410), reconstructs the organization of the times in the city and explores the mechanisms behind the development of the calendar structure of the Church within this urban space (part 1). On the basis of a catalogue that brings up to date the "LTVR(S)", this study rebuilds the polytheistic topography and scrutinizes the material inscription of the Christian cult on the Roman territory (part 2). On the basis of these cross-sectional analyses and case studies (part 3), it also attempts at understanding the modes of religious co-existence and interaction within a society. The results point towards a sense of continuity rather than breaking. This dissertation reveals a model that favours integration and conformation strategies to the Roman dynamics in the sharing of time and space. It argues in favour of a religious cohabitation mostly peaceful led by a common identity investment focused on the "Romanitas"
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Johnson, Paul S. "The Eternal City? : economic evidence and the changing nature of urban spaces in Late Antique Rome." Thesis, University of Southampton, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.444956.

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Nicolas, Charles. "Les prières de l'empereur romain : Pratiques religieuses du gouvernant, de la collectivité et de l'individu, d'Auguste à Théodose Ier." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040185.

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La prière, parce qu’elle suppose une reconnaissance du pouvoir des mots et des gestes, est une pratique tangible et un fait historique. Étudier sa nature et ses évolutions fait progresser la connaissance des comportements et des dispositifs religieux. Ainsi, les prières formulées par les empereurs romains, qu’ils soient païens ou chrétiens, participent de la manifestation de leur pouvoir et de l’expression des rapports complexes entre l’individu, la communauté et le monde divin. Néanmoins la nature de la documentation et la spécificité des différents systèmes religieux conduisent à privilégier une relative synchronie. L’étude des prières récitées par l’empereur dans la célébration des cultes publics permet de préciser l’articulation entre la personne impériale et la communauté publique. Sur le temps long, il est alors possible de discuter les supposées évolutions ou mutations de ces responsabilités et de leurs représentations. Aussi la nature même des prières romaines peut-elle être éclairée au regard des interrogations modernes sur les religions antiques et des concepts de spiritualisation, d’individualisation ou de performance collective. La définition du paysage cultuel des empereurs romains permet de reconsidérer le sens même de la prière individuelle et de ses enjeux religieux et sociaux. L’ensemble de ces approches se prolonge harmonieusement avec le passage du paganisme au christianisme. La place des empereurs dans le culte communautaire, la possible élaboration de dispositifs cultuels spécifiques et la représentation de leurs prières individuelles ou personnelles participent de l’étude historique de la lente constitution d’un christianisme impérial romain divers
The prayer is a tangible practice and a historical fact. It implies recognition of the power of words and gestures. The study of its nature and evolutions improves knowledge of religious behaviours and setups. Prayers made by pagan or Christian Roman emperors involve representation of their power and show the complex relationship between the person, the community and the divine world. However, the available documentation and the specificity of different religious systems lead to adopt a relative synchrony. The prayers said in public cults are used to study the relationship between the imperial person and public community. It is then possible to have a long-term discussion of the supposed changes or mutations of these responsibilities and their images. The nature of Roman prayers can be discussed by the modern interrogations about antique religions and concepts such as spiritualization, individualization and collective performance. The definition of the Roman emperors worship landscape allows reconsidering the very meaning of individual prayer together with its religious and social issues. All these approaches extend harmoniously from Paganism to early Christianity. The position of emperors in community worship, the development of specific worship setup and representation of individual or personal prayers are part of an historical study focused on the slow formation of a diverse Roman imperial Christianity
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Книги з теми "Late Antique Rome"

1

The Ionic capital in late antique Rome. Roma: G. Bretschneider, 1988.

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2

Families in the Roman and late antique world. London: Continuum, 2012.

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3

Kalas, Gregor, and Ann Dijk, eds. Urban Developments in Late Antique and Medieval Rome. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462989085.

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A narrative of decline punctuated by periods of renewal has long structured perceptions of Rome’s late antique and medieval history. In their probing contributions to this volume, a multi-disciplinary group of scholars provides alternative approaches to understanding the period. Addressing developments in governance, ceremony, literature, art, music, clerical education and the construction of the city’s identity, the essays examine how a variety of actors, from poets to popes, productively addressed the intermittent crises and shifting dynamics of these centuries in ways that bolstered the city’s resilience. Without denying that the past (both pre-Christian and Christian) consistently remained a powerful touchstone, the studies in this volume offer rich new insights into the myriad ways that Romans, between the fifth and the eleventh centuries, creatively assimilated the past as they shaped their future.
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Lavan, Luke, and Michael Mulryan. The archaeology of late antique "paganism". Leiden: Brill, 2011.

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Epirus Vetus: The archaeology of a late antique province. London: Duckworth, 2003.

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Salzman, Michele Renee. Pagans and Christians in late antique Rome: Conflict, competition, and coexistence in the fourth century. New York: Cambridge University Press, 2015.

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Economic evidence and the changing nature of urban space in late antique Rome. Barcelona: Publicacions i Edicions de la Universitat de Barcelona, 2012.

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8

City and school in late antique Athens and Alexandria. Berkeley: University of California Press, 2006.

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9

Hidryma, Trapeza Kyprou Politistiko, ed. The international role of late antique Cyprus. Nicosia: The Bank of Cyprus Cultural Foundation, 2000.

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Ubric Rabaneda, Purificación. Writing History in Late Antique Iberia. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463729413.

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This volume reflects on the motivations underpinning the writing of history in Late Antique Iberia, emphasising its theoretical and practical aspects and outlining the social, political and ideological implications of the constructions and narrations of the past. The volume includes general topics related to the writing of history, such as the historiographical debates on writing history, the praxis of history writing and the role of central and local powers in the construction of the past, the legitimacy of history, the exaltation of Christian history to the detriment of other religious beliefs, and the perception of time in hagiographical texts. Further points of interest in the volume are the specific studies on the historiographical culture. All these issues are analysed from an innovative perspective, which combines traditional subjects with new historiographical topics, such as the configuration of historical discourse through another type of documentation like councils, hagiography or legislation.
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Частини книг з теми "Late Antique Rome"

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Freu, Christel. "The “Poor” Facing Late Antique Justice." In Poverty in Ancient Greece and Rome, 258–76. London: Routledge, 2022. http://dx.doi.org/10.4324/9780367221157-16.

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Machado, Carlos. "Looking for the Poor in Late Antique Rome." In Poverty in Ancient Greece and Rome, 232–57. London: Routledge, 2022. http://dx.doi.org/10.4324/9780367221157-15.

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Machado, Carlos. "The aristocratic domus of late antique Rome: public and private." In Spazio pubblico e spazio privato, 37–57. Turnhout: Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.scisam-eb.5.116179.

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C. Esterson, Zachary. "Martin Goodman, Rome and Jerusalem, The Clash of Ancient Civilizations (London: Allen Lane, 2007); 656 pp." In Journal for Late Antique Religion and Culture, edited by Daniel King, 45–48. Piscataway, NJ, USA: Gorgias Press, 2011. http://dx.doi.org/10.31826/9781463234621-004.

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Felle, Antonio E. "5. Late Antique Christian Graffiti: The Case of Rome (Third to Fifth Centuries ce)." In Cultic Graffiti in the Late Antique Mediterranean and Beyond, 57–76. Turnhout, Belgium: Brepols Publishers, 2021. http://dx.doi.org/10.1484/m.cs-eb.5.122919.

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Bjornlie, Shane. "The Sack of Rome in 410: The Anatomy of a Late Antique Debate." In Cultural Encounters in Late Antiquity and the Middle Ages, 249–79. Turnhout, Belgium: Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.celama-eb.5.118165.

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Carletti, Carlo. "6. At the Origins of European Pilgrimage: The Devotional Graffiti of the Anglo-Saxons in Rome (Seventh-Ninth Centuries)." In Cultic Graffiti in the Late Antique Mediterranean and Beyond, 77–89. Turnhout, Belgium: Brepols Publishers, 2021. http://dx.doi.org/10.1484/m.cs-eb.5.122920.

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Cuppo, Luciana. "Felix of Squillace and the Dionysiac computus II: Rome, Gaul, and the insular world." In Late Antique Calendrical Thought and its Reception in the Early Middle Ages, 138–81. Turnhout: Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.stt-eb.5.114736.

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Latham, Jacob A. "Battling Bishops, the Roman Aristocracy, and the Contestation of Civic Space in Late Antique Rome." In Religious Competition in the Third Century CE: Jews, Christians, and the Greco-Roman World, 126–38. Göttingen: Vandenhoeck & Ruprecht, 2014. http://dx.doi.org/10.13109/9783666550683.126.

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Machado, Carlos. "Building Late Antique Rome." In Urban Space and Aristocratic Power in Late Antique Rome, 62–92. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198835073.003.0003.

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This chapter examines the role played by member of the Roman aristocracy in the physical evolution of late antique Rome. Acting as representatives of the imperial government, aristocrats were directly responsible for the decision of when and what to build, advertising their social standing and political clout; as private builders, they sponsored projects that celebrated their families and prestige. The chapter examines the factors involved in the choice of building projects, as well as the social and economic opportunities offered by the intricate late antique system of funding building works, supplying building material for new projects, and the organization of the work force.
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Тези доповідей конференцій з теми "Late Antique Rome"

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Roma, Chiara. "Possibles liens avec le monde Antique. La suggestion des ruines dans les œuvres de Le Corbusier: de l'architecture Romaine au bâtiment de la Haute-Cour de Justice de Chandigarh." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.728.

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Résumé: La recherche s'intéresse à la formation de Le Corbusier et à sa capacité d'abstraction au travers des mémoires, images liées à la connaissance du monde antique; un approfondissement qui traite le lien entre les œuvres du Maître et l'étude de l'architecture romaine, soulignant ainsi deux clés de lecture: une liée à l'archétype des modèles classiques, et une seconde liée aux ruines et à son paysage archéologique. Si la première laisse apparaitre clairement la composante rationnelle, volonté de poursuivre une architecture universelle, dans laquelle s'affirme l'utilisation de la raison que seuls les archétypes peuvent enseigner; la seconde tente de délimiter la relation entre le pouvoir évocateur de la ruine et les suggestions personnelles de l'architecte. Parcourant les phases de sa formation, la recherche se concentre sur les connaissances que le jeune Jeanneret acquiert durant son séjour allemand (1910-1911), première phase d'étude de l'architecture romaine qui alimente un intérêt destiné à se développer grâce à l'expérience du Voyage d'Orient et à l'approfondissement de certaines sources, tels que les vues de Piranesi. Cet approfondissement se retrouve dans de nombreux dessins et réflexions contenus dans les carnets 4 et 5 rédigés durant le séjour romain. Ces expériences représenteront une source d'inspiration pour sa production architecturale et théorique, présuppositions qui semblent apparaitre dans certaines œuvres de l'architecte y compris la Haute Cour de Justice de Chandigarh en 1952. Abstract: The research focuses on Le Corbusier educational process and on his ability to abstract, through his memories, the images related to the knowledge of the Ancient World; a study that addresses the clear connection between the works of Le Corbusier and his knowledge of Roman architecture, outlining two interpretations: the first one linked to the archetype of classic models, and the second one to ruins and archaeological landscape. The first interpretation clearly illustrates the rational perspective, the will to pursue an universal architecture distinguished by use of reason, that only archetypes can teach, whereas the second interpretation attempts to outline the relationship between the evocative influence of the ruin and the personal suggestions of the architect. Retracing the steps of his educational process, the research investigates the knowledge acquired by the young Jeanneret during his German stay (1910-1911). This is the first phase of the study of Roman architecture, that inspires him an interest that will be pursued later through the experience of the Voyage d 'Orient and the study of some sources, such as Piranesi's views. This learning is reflected in numerous drawings and reflections contained in Carnet 4 and in Carnet 5, elaborated during his stay in Rome. These experiences will be a source of inspiration for his architectural production and theoretical assumptions, and they seem to be reflected in some works of the architect, as the Chandigarh Haute Cour of 1952. Mots-clés: ruines; architecture Romaine; Villa Adriana; Haute Cour. Keywords: ruins; Roman architecture; Villa Adriana; Haute Cour. DOI: http://dx.doi.org/10.4995/LC2015.2015.728
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Gonçalves, Clara Germana, and Maria João Dos Reis Moreira Soares. "Le Corbusier: architecture, music, mathematics: longing for classicism?" In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.791.

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Abstract: This paper aims to study the role of the relationships between architecture, music and mathematics in Le Corbusier's thought and work and their relevance in his reinterpretation of classical thinking. It seeks to understand to what extent working with this triad – a foundational and, up until the seventeenth century, dogmatic aspect of architecture in general and of its aesthetics in particular – expresses a will not to break with the fundamental and defining aspects of what could be considered as architectural thought rooted in classical tradition: that which is governed by the will to follow the universal order in the work of art; building a microcosmos according to the macrocosmos; linking, in proportion to one another, the universe, man and architecture. The Modulor presents itself as a manifestation of that will, synthesizing these aspects while proposing itself as an instrument for interdisciplinary thought and practice in which the aforementioned aspects of classical thought are present, clearly and pronouncedly. Le Corbusier’s thought and work presents itself as a twentieth century memory of an ancient and ever present tradition conscious of its struggle for “humanity”. Resumen: Este artículo pretende estudiar el papel de la relación entre arquitectura, música y matemática en el pensamiento y la obra de Le Cobusier y su significado en su reinterpretación del pensamiento clásico. Intenta entender en qué medida con esta triada – aspecto fundacional y hasta el siglo XVII dogmático de la arquitectura, en general, y de su estética, en particular – Le Corbusier expresa su recusa por cortar el vínculo con los aspectos fundamentales y definidores de lo que puede considerarse un pensamiento de tradición clásica en arquitectura: aquel tutelado por la voluntad de seguir el orden universal en la obra de arte – construyendo un microcosmos según un macrocosmos – para así vincular, a través de la proporción, universo, Hombre y arquitectura. El Modulor se presenta como manifestación de esa voluntad, sintetizando estos aspectos y presentándose como un instrumento para un pensamiento y una práctica interdisciplinares en los cuales el pensamiento clásico se encuentra clara y marcadamente presente. El pensamiento de Le Corbusier, través su mirada hacia la relación arquitectura-música-matemática, se presenta, en el siglo XX, como una memoria de una antigua y siempre presente tradición, consciente de su busca por “humanidad”. Keywords: Le Corbusier; Architecture, music and mathematics; classical thought; Modulor. Palabras clave: Le Corbusier; Arquitectura, música y mathematica; pensamiento clásico; Modulor. DOI: http://dx.doi.org/10.4995/LC2015.2015.791
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