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Статті в журналах з теми "Landscape design South Australia history"
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Briedis, Tim. "“The NOSCA Mafia”: overseas student activism in Australia, 1985–1994." History of Education Review 49, no. 2 (March 18, 2020): 117–32. http://dx.doi.org/10.1108/her-08-2019-0030.
Повний текст джерелаАнотація:
PurposeThe purpose of the paper is to explore and analyse the history of the predominantly Malaysian Network of Overseas Students Collectives in Australia (NOSCA), that existed from 1985–1994.Design/methodology/approachThe paper is based on extensive archival research in the State Library of New South Wales, the National Library of Australia and the University of New South Wales (UNSW) Archives. It makes particular use of the UNSW student newspaper Tharunka and the NOSCA publications Truganini and Default. It also draws upon nine oral history interviews with former members of NOSCA.FindingsThe NOSCA was particularly prominent at the UNSW, building a base there and engaging substantially in the student union. Informed by anarchism, its activists were interested in an array of issues–especially opposition to student fees and in solidarity with struggles for democracy and national liberation in Southeast Asia, especially around East Timor. Moreover, the group would serve as a training ground for a layer of activists, dissidents and opposition politicians throughout Southeast Asia, with a milieu of ex-NOSCA figures sometimes disparagingly referred to as “the NOSCA Mafia.”Originality/valueWhile there has been much research on overseas students, there has been far less on overseas students as protestors and activists. This paper is the first case study to specifically hone in on NOSCA, one of the most substantial and left wing overseas student groups. Tracing the group's history helps us to reframe and rethink the landscape of student activism in Australia, as less white, less middle class and less privileged.
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H. Kelly, Andrew. "Amenity enhancement and biodiversity conservation in Australian suburbia." International Journal of Law in the Built Environment 6, no. 1/2 (April 8, 2014): 91–105. http://dx.doi.org/10.1108/ijlbe-05-2013-0022.
Повний текст джерелаАнотація:
Purpose – The purpose of this paper is to critically explore the historical background and current approach of the most common statutory instrument to maintain green landscapes in private residential gardens in cities and townships in suburban New South Wales (NSW), Australia. Design/methodology/approach – The narrative presents a transdisciplinary study. While its emphasis is on law and town planning, it also encompasses local government and legal history while touching upon environmental management and ecological science. This panoply of areas reflects the sheer complexity of the topic. While the presentation is initially descriptive, it moves on to a critique of the NSW Government's recent statutory approach. Findings – The paper demands that further attention must be paid to improving the design and architecture of statutory plans and underlying policies to not only improve urban biodiversity but also retain, as far as practicable, the visual beauty of the suburban landscape. This means reliance on local government to devise their own acceptable approaches. Flexibility rather than rigidity is warranted. Originality/value – The amount of scholarly material on this topic is relatively rare. The majority of information relies on excellent on-ground research and experience on the part of local experts, namely council employees and consultants. Academic and practical material must be drawn together to improve biodiversity conservation at both the local and regional spheres.
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Lindenmayer, DB. "Wildlife Corridors and the Mitigation of Logging Impacts on Fauna in Wood-Production Forests in South-Eastern Australia: a Review." Wildlife Research 21, no. 3 (1994): 323. http://dx.doi.org/10.1071/wr9940323.
Повний текст джерелаАнотація:
Retained systems of linear habitat or wildlife corridors are used widely in Australian temperate wood-production forests as a strategy to mitigate the effects of logging on populations of animals. Investigations of corridors in Australian forests are limited and there are few data to determine whether such approaches will be effective for the long-term conservation of forest fauna. However, a review of the range of studies completed to date indicates that many factors have the potential to influence the use of corridors by wildlife. These include: (1) the biology, ecology and life history of species; (2) habitat suitability and attributes (width, length) of retained strips; (3) the location of sites in the landscape; (4) the type of logging operations and their intensity and pattern at a landscape scale; (5) the suitability of habitats for fauna in the areas surrounding retained strips; and (6) the value for fauna of reserves connected by corridors. This diverse array of factors means that it is important to identify explicitly both the species targeted for conservation and the principal objectives of establishing a network of wildlife corridors within a given area of wood-production forest. Such an analysis may reveal that, within the constraints that typically apply in timber-production forests, it may not be possible to design corridor systems that conserve all of those species that are vulnerable to the effects of timber harvesting. As a result of limited data, it is presently not possible to assess the adequacy of most prescriptions for wildlife corridors. Consequently, more investigations of wildlife corridors are required to provide data to guide their design. Until these studies are completed, a conservative approach to forest management is recommended.
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FIELKE, SIMON J., and DOUGLAS K. BARDSLEY. "A Brief Political History of South Australian Agriculture." Rural History 26, no. 1 (March 9, 2015): 101–25. http://dx.doi.org/10.1017/s095679331400017x.
Повний текст джерелаАнотація:
Abstract:This paper aims to explain why South Australian agricultural land use is focused on continually increasing productivity, when the majority of produce is exported, at the long-term expense of agriculturally-based communities and the environment. A historical analysis of literature relevant to the agricultural development of South Australia is used chronologically to report aspects of the industry that continue to cause concerns in the present day. The historically dominant capitalist socio-economic system and ‘anthropocentric’ world views of farmers, politicians, and key stakeholders have resulted in detrimental social, environmental and political outcomes. Although recognition of the environmental impacts of agricultural land use has increased dramatically since the 1980s, conventional productivist, export oriented farming still dominates the South Australian landscape. A combination of market oriented initiatives and concerned producers are, however, contributing to increasing the recognition of the environmental and social outcomes of agricultural practice and it is argued here that South Australia has the opportunity to value multifunctional land use more explicitly via innovative policy.
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Wakelin-King, Gresley. "Using geomorphology to assess contour furrowing in western New South Wales, Australia." Rangeland Journal 33, no. 2 (2011): 153. http://dx.doi.org/10.1071/rj10080.
Повний текст джерелаАнотація:
This study examines landscape rehabilitation treatments installed 20–40 years ago in the Western Catchment of NSW. Treatment outcomes were assessed using geomorphic criteria, because geomorphic processes are fundamental to ecological permanence. Contour furrowing creates artificial runoff-runon sets which intercept runoff (resistance to flow by windrows microrelief and surface roughness) and promote infiltration (artificial permeability by ripping). As originally conceived, after windrows subside, flow resistance would be afforded by surface roughness under belts of vegetation. This study shows that rehabilitation treatments have a more complex relationship with the landscape than this would suggest, and that the final effect of the treatment depends on the geomorphic processes natural to the site. Treatment design should therefore be site-specific. The relevant aspects of treatment design are site location, runoff : runon ratio (expressed as furrow spacing and furrow length), furrow placement, and post-treatment management. Some long-term successes are documented. In ironstone ridge country affected by impermeable hard-setting soils, furrowing creates artificial permeability, allowing plant germination; plant material in the soil reverses hard-setting and establishes self-sustaining permeability. In stony gilgai country furrowing through vegetated patches can aid in re-establishing vegetation, but furrowing through stony runoff patches only diminishes, rather than improves, landscape function. Other landscape types will have different key attributes. In all cases, selection of appropriate sites for rehabilitation treatment is of primary importance. The 1990s NSW Soil Conservation Service best-practice included a specialised furrower, surveying techniques for accurate furrow placement along the contour, staggered gaps along each furrow line to reduce risks of gullying by windrow breakthrough, and post-treatment management of total grazing pressure. New guidelines for treatment design developed from this study include determining for each site the optimum runoff:runon ratio (which varies according to climate, gradient, vegetation, and regolith), and matching furrow spacing and furrow/gap length to local runoff:runon ratios. In stony gilgai country, furrow placement should be along the contour but within non-stony patches; elsewhere, placement should be rigorously along the contour. In ironstone ridge country, a greater runoff:runon ratio, commensurate with the area’s apparently larger patch scale, can be achieved by having more gap than furrow along each furrow line. No single rehabilitation technique will fit all landscape types, and these guidelines will ideally be developed further with investigation of other landscapes.
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Su, Yang, and David Jones. "Healing the ‘Scar’ of the Landscape: Post-Mining Landscape in Anglesea." KnE Engineering 2, no. 2 (February 9, 2017): 182. http://dx.doi.org/10.18502/keg.v2i2.613.
Повний текст джерелаАнотація:
<p>The nexus between environmental bio-remediation and environmental design, as it pertains to disused coal mining sites in Australia, is little investigated. Increasingly, many of these open cut extraction holes around south-eastern Australia, are becoming redundant as their resources are exhausted or non-economic viability creeps into the industry or are becoming management ‘nightmares’. The recently announced March 2017 cessation of the Yallourn Power Station and associated brown coal Open Cut, and the recent fires and insurance liability legal determinations of the Yallourn Open Cut are exemplar of the former and latter respectively.</p>This paper surveys the deeper bio-remediation and ecological transformative issues directly associated with the Anglesea brown coal Open Cut, and offers an ecological design lens insight as to possible treatments and scenarios that can be offered to guide the future use and management of the site. The lens demonstrates the richness that interdisciplinary design and applied research offers in assisting the healing and mediation of sites. The extraordinary nature and scope of the Anglesea coal mine site provides an opportunity to create a range of cultural attractions, natural succession treatments, natural bio-remediation strategies and educational opportunities. One scenario, for an Anglesea Lake Eco-Resort, proposes to incorporate an integrated Aboriginal cultural destination, performance centre, art installations and recreational venues, engaging the Anglesea community, visitors, researchers and students towards creating a vibrant and unique environment.
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Fanning, Patricia C. "Recent landscape history in arid western New South Wales, Australia: a model for regional change." Geomorphology 29, no. 3-4 (September 1999): 191–209. http://dx.doi.org/10.1016/s0169-555x(99)00014-8.
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Wardell-Johnson, G. W., M. R. Williams, A. E. Mellican, and A. Annells. "Floristic patterns and disturbance history in karri forest, south-western Australia." Forest Ecology and Management 199, no. 2-3 (October 2004): 449–60. http://dx.doi.org/10.1016/j.foreco.2004.05.057.
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Piddock, Susan, Pam Smith, and F. Donald Pate. "A Changed Landscape: Horticulture and Gardening in the Adelaide Hills Face Zone, South Australia, 1836–1890." Historical Archaeology 43, no. 3 (September 2009): 65–81. http://dx.doi.org/10.1007/bf03376761.
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Lullfitz, Alison, Margaret Byrne, Lynette Knapp, and Stephen D. Hopper. "Platysace (Apiaceae) of south-western Australia: silent story tellers of an ancient human landscape." Biological Journal of the Linnean Society 130, no. 1 (March 31, 2020): 61–78. http://dx.doi.org/10.1093/biolinnean/blaa035.
Повний текст джерелаАнотація:
Abstract High gene flow and a population structure corresponding to human rather than geographical drivers are likely to be genetic patterns of human-dispersed plant taxa. We examined variation in geographical structure and gene flow estimates based on three non-coding regions of plastid DNA in three south-west Australian members of the Platysace genus to identify whether a human influence on dispersion of utilized taxa was detectable. Edible tubers of Platysace deflexa and Platysace trachymenioides have been harvested historically by Noongar traditional owners, whereas Platysace effusa has no known cultural significance. We found differences between utilized and non-utilized taxa, particularly when considered against the generally complex phylogeographical patterning in south-west Australian plant taxa. Platysace effusa showed a pattern of high population divergence, low gene flow and multiple refugia, consistent with a long evolutionary history, past climatic oscillations and persistence in a highly fragmented landscape. In contrast, higher gene flow estimates, less divergence between populations and common haplotypes in P. deflexa and in P. trachymenioides over the south-eastern part of its range are consistent with anthropogenic influences. This study contributes to the understanding of human influences on south-west Australian plant taxa that have been present since the late Pleistocene, but to date have received little scientific attention.
Дисертації з теми "Landscape design South Australia history"
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Cooper, Robyn Elizabeth. "A 'Greater Britain' : the creation of an Imperial landscape, 1880-1914." Thesis, University of Leicester, 2013. http://hdl.handle.net/2381/28235.
Повний текст джерелаАнотація:
This thesis examines the representation of the settler societies of the British Empire during the late nineteenth and early twentieth centuries. Australia, New Zealand, Canada and South Africa were represented as a distinct part of the Empire, united by the idea that these parts of the Empire were ‘more British’ than the rest, and, had a shared heritage and culture and a predominant British settler population. It was represented as a landscape of opportunity built on layers of representations in the sources of the period from advertisements and panoramas to travel accounts and emigration literature. The settler societies were represented as a ‘Greater Britain’ or ‘Better Britains’, an imagining of the settler societies based on what the British wanted for themselves rather than as a true representation of four parts of the Empire. The notion of ‘Better Britains’ delves into British ideas of their past, present and future. If they were ‘better’, what were they improving on? What qualities and aspects of society were included and excluded? It was an idealised image but also flexible, a malleable landscape where the British could live out desires. Opportunity was found in the land, resources and climate, but also within the modernity of the cities and ideas of social advancement and of the freedom of the frontier.
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Fang, Zihan 1962. "Chinese city parks: Political, economic and social influences on design (1949-1994)." Thesis, The University of Arizona, 1997. http://hdl.handle.net/10150/278614.
Повний текст джерелаАнотація:
This thesis is an attempt to understand the purposes of modern Chinese park design. The goal of this work was to identify the social, economic, and political factors influencing contemporary park design. The primary approach was analysis of case studies. By analyzing characteristics of parks constructed at different stages in urban park history and in the cultural history of China, the results provide strong support for important political, economic, and social influences on park design.
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Davis, Jane. "Longing or belonging? : responses to a 'new' land in southern Western Australia 1829-1907." University of Western Australia. History Discipline Group, 2009. http://theses.library.uwa.edu.au/adt-WU2009.0137.
Повний текст джерелаАнотація:
While it is now well established that many Europeans were delighted with the landscapes they encountered in colonial Australia, the pioneer narrative that portrays colonists as threatened and alienated by a harsh environment and constantly engaged in battles with the land is still powerful in both scholarly and popular writing. This thesis challenges this dominant narrative and demonstrates that in a remarkably short period of time some colonists developed strong connections with, and even affection for, their 'new' place in Western Australia. Using archival materials for twenty-one colonists who settled in five regions across southern Western Australia from the 1830s to the early 1900s, here this complex process of belonging is unravelled and several key questions are posed: what lenses did the colonists utilise to view the land? How did they use and manage the land? How were issues of class, domesticity and gender roles negotiated in their 'new' environment? What connections did they make with the land? And ultimately, to what extent did they feel a sense of belonging in the Colony? I argue that although utilitarian approaches to the land are evident, this was not the only way colonists viewed the land; for example, they often used the picturesque to express delight and charm. Gender roles and ideas of class were modified as men, as well as women, worked in the home and planted flower gardens, and both men and women carried out tasks that in their households in England and Ireland, would have been done by servants. Thus, the demarcation of activities that were traditionally for men, women and servants became less distinct and amplified their connection to place. Boundaries between the colonists' domestic space and the wider environments also became more permeable as women ventured beyond their houses and gardens to explore and journey through the landscapes. The selected colonists had romantic ideas of nature and wilderness, that in the British middle and upper-middle class were associated with being removed from the land, but in colonial Western Australia many of them were intimately engaged with it. Through their interactions with the land and connections they made with their social networks, most of these colonists developed an attachment for their 'new' place and called it home; they belonged there.
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Blom, Natanja. "The narrative of a sanctuary : a didactic design approach for the cultural and biophysical heritage of Wonderboom fort and Nature Reserve, Pretoria, South Africa." Diss., University of Pretoria, 2011. http://hdl.handle.net/2263/29599.
Повний текст джерелаАнотація:
Many past events go unmarked and unremembered, and eventually lose their significance. One such area is the Wonderboom fort, tree and the Nature Reserve. The research investigates how the landscape design can strengthen the existing spirit of place. The place’s identity - that of a refuge – is intangible and unconscious, but can be made tangible through a narrative that engaged with the cultural and biophysical history of the site (the tangible world) by means of didactics and semiotics. This will provide a learning experience with added meaning that gives added identity of place. Furthermore, specific design principles are investigated namely: better access, heightened awareness, and heightened interest created through complexity and coherence in design. Complexity and coherence will generate interest in the user to engage with the physical/conscious experience, engaging and learning about the physical aspects of the site’s nature and culture. The unconscious experience will be guided through semiotics – the use of symbols that give meaning and add identity to place and user. The design intervention will be a landscape which tells the story of the place and unveils the heritage and history of the site in such a way that visitors will have an engaging and informative experience of the past events. The site can be the northern link and gateway into the city of Pretoria, a destination for local and international tourism, and a green corridor for people to experience the city in a different way. The design approach ties in with the Burra Charter approach, namely “changing as much as necessary but as little as possible” but also with the Ename charter stating that Heritage sites should be presented to the public and the public should be educated to ensure their protection. Hampton Adams rightfully says that: 'Only by looking at the past, can we plan the future.'Dissertation (ML(Prof))--University of Pretoria, 2011.
Architecture
unrestricted
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Carroll, Rachel Art College of Fine Arts UNSW. "What kind of relationship with nature does art provide?" Awarded by:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/43308.
Повний текст джерелаАнотація:
The relationship with nature through art has been explored as a two fold bond. The first considers a relationship with nature via art and science, where the history and contemporary application of scientific illustration in art is explored; while the second explores past and present connections with nature via art and the landscape, particularly the panoramic tradition. Historically these relationships have predominately been about dominating nature, mans dominion over the land. Science was seen as the only authority, while our relationships with the land in art, positioned the viewer at a commanding distance above and over the land, as seen in the post colonial panoramic tradition. In contrast, -The Coorong Series- explores a lived history with nature rather than the historical role of dominance. -The Coorong Series" explores a relationship of knowledge, understanding, and the experience of nature; through two parts. The first combines art and science in -The Coorong Specimen Series', to explore the facts and knowledge that science has provided about certain plants, birds and marine life from the Coorong. Inspiration has been derived from 19thC scientific illustrations and the lyrical prints of the Coorong by Australian Artist John Olsen. Part two explores the immersive experience of the iconic landscape in ???The Coorong Landscape Series" providing a relationship that seeks to understand the functionality of the location and to celebrate the unique beauty of this diverse region. Inspiration has been gained from the landscapes by l8th and 19th C artists John Constable and Claude Monet, along with landscapes by contemporary artists, John Walker and Mandy Martin. Through aesthetic notions such as scientific illustration, panoramic landscape, immersive scale, the collection of work, an expressionistic use of paint, and labeling of each piece like a museum display. -The Coorong landscape series" provides an exploration of a region that immerses the viewer in an experience of the location. The series portrays a relationship with nature through art that educates the viewer about The Coorong region. Connections are made between the land, birds, plants, fish, and human interaction; which results in an ecological consideration of the Coorong. Ultimately it is the educational experience that art provides allowing the viewer to explore a plethora of relationships within nature, and to explore how these relationships have changed or continue to exist within this era.
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Emond, Matthew W. "Endogenous Process & Designing Through Change." Amherst, Mass. : University of Massachusetts Amherst, 2009. https://scholarworks.umass.edu/theses/300.
Повний текст джерелаАнотація:
This project was an exercise in aligning my intuition, community experience, and design sensitivities under the pretext of an architectural expression. My desire was to work endogenously, or out of my home environment, on a project that had no clear programmatic or formal requirements or limitations. I began by assessing a prevalent issue in my home town (a connection between the river and the town center) both from the top down and the bottom up. Throughout, I sought to challenge my preconceived notions of what might be, and allow a design process to emerge out of the layers of information I had absorbed as a participant in this holistic landscape. Inflection and change became a driving force in this pared down design process, and through them came a working territory that framed the programmatic and formal specificities of the South River P.O.R.T.
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Dourado, Guilherme Onofre Mazza. "Belle époque dos jardins: da França ao Brasil do século XIX e início do XX." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/18/18142/tde-07042009-154158/.
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Estudo sobre a presença de jardineiros e paisagistas franceses na América do Sul, entre 1820 e 1920, e as relações entre a cultura paisagística francesa e a nascente arte dos jardins no Brasil. A primeira parte estabelece um quadro referencial da atividade desses franceses na Argentina, Uruguai, Chile e Brasil, destacando as realizações de Édouard André, Eugène Courtois, Charles Thays, Joseph Bouvard, Pedro Margat, Charles e Louis-Ernest Racine, Édouard Gauthier, Georges Dubois, Grandjean de Montigny, Pierre Pézérat, Charles Pinel, Jean Binot, Auguste Glaziou, Júlio Joly, Ambrósio Perret, Paul Villon, Jules Vacherot e Cochet, entre outros. A segunda parte verifica as repercussões da presença e cultura francesas no deslanchar das primeiras gerações de paisagistas e horticultores brasileiros, concentrando-se na análise do trabalho de Frederico Guilherme de Albuquerque, entre 1874 e 1892. Esse segmento discute tanto o papel desse horticultor gaúcho como editor da Revista de horticultura, primeiro mensário brasileiro voltado às plantas ornamentais e jardins, quanto destaca sua atuação pioneira na introdução e difusão de plantas ornamentais.A study on the presence of french gardeners and landscape designers in South America, from 1820 to 1920, and the relationship between french landscape culture and the nascent art of gardens in Brazil. The first part establishes a frame of reference for the activities of these frenchmen in Argentina, Uruguay, Chile and Brazil, featuring especially the work of Édouard André, Eugène Courtois, Charles Thays, Joseph Bouvard, Pedro Margat, Charles and Louis-Ernest Racine, Édouard Gauthier, Georges Dubois, Grandjean de Montigny, Pierre Pézérat, Charles Pinel, Jean Binot, Auguste Glaziou, Júlio Joly, Ambrósio Perret, Paul Villon, Jules Vacherot and Cochet, among others. The second part investigates the repercussions of the french presence and culture on the first generations of brazilian landscape designers and horticulturists, concentrating on an analysis of the work of Frederico Guilherme de Albuquerque, between 1874 and 1892. This section discusses both the role of this horticulturist from the state of Rio Grande do Sul as editor of the Revista de horticultura (Magazine of horticulture), the first brazilian monthly dedicated to ornamental plants and gardens, as well as his pioneering activities in the introduction and dissemination of ornamental plants.
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Bird, Louise. "The interwar gardens of Elsie Marion Cornish: a comparative and contextual analysis." Thesis, 2006. http://hdl.handle.net/2440/70159.
Повний текст джерелаАнотація:
A study on Adelaide landscape designer Elsie Cornish who mostly worked in an English Arts and Crafts garden style that was interpreted for Australian conditions and the needs of her clientele. Influencing her stylistic designs was a philosophical understanding of the interconnection between house and garden and the need for the space to be designed as an integrated whole.Thesis (M.L.Arch.) -- University of Adelaide, School of Architecture, Landscape Architecture and Urban Design, 2006.
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Taylor, C. J. "Collapsible Time: Contesting Reality, Narrative And History In South Australian Liminal Hinterlands." Phd thesis, 2017. http://hdl.handle.net/1885/131791.
Повний текст джерелаАнотація:
My practice-led project explores the indexical lamination of memory, history, narrative and reality afforded by photography imbued with the illusion of spatial dimensionality. This thesis investigates the notion that far from freezing a ‘slice of time’ photography reanimates perception through sensation rendering duration flexible and elastic. Using the liminal landscape of South Australia as time’s stage, I contend that time is ‘collapsible’, constantly unfolding and repeating. In embracing this temporal flow, I submit that photomedia becomes our most compelling connection to time itself, as lived experience. It is this connection that can act as an ethical agent of change for the betterment of the landscape in which we live. The project includes work created in South Australia, the ACT, the United States and the Outer Hebrides and Shetland Islands of Scotland. It includes artefacts photographed in the Adelaide Civic Collection, The South Australian Museum and the National Museum of Australia.
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Cooper, Jayson. "Co-creating with, and in, a southern landscape." Thesis, 2015. https://vuir.vu.edu.au/30165/.
Повний текст джерелаАнотація:
As an artist and musician, ‘place’ has always been entwined in my creative
work and thinking. This arts-based autoethnography (Manovski, 2014), and
music-based research (Leavy, 2015) draws deep connections between being an
artist, researcher and educator in relation to the conceptual and physical local
landscapes I move through. Situated in local places this research explores the
dynamic overlaps (Yunkaporta, 2009) found across cultures, places, time and
space. In response to this sense of place this thesis presents an intertextual
artistic and scholarly celebration of this Wurundjeri landscape—this southern
place—while critically gazing at myself in relation to land, people, climates, skies,
waterways, and animals as I co-create with, and in ‘the south’ (Connell, 2007b).
A complex polyphonic layering and re-presentation is thus expressed through
the arts-based knowledge and narratives created as part of this artful inquiry. In
this way a multimodal engagement with place, autoethnography and arts-based
narratives is established.
Книги з теми "Landscape design South Australia history"
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1956-, Thompson Christopher, ed. Sydney: History of a landscape. Paris: Vilo, 2000.
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University of South Australia. Centre for Children's Literature. Conference. Landscape and identity: Perspectives from Australia : proceedings of the 1994 Conference of the Centre for Children's Literature, University of South Australia. Adelaide: Auslib Press, 1994.
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Lines, William J. Taming the great south land: A history of the conquest of nature in Australia. Berkeley: University of California Press, 1991.
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Taming the great south land: A history of the conquest of nature in Australia. Sydney: Allen & Unwin, 1992.
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Taming the great south land: A history of the conquest of nature in Australia. Athens, Ga: University of Georgia Press, 1999.
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Technologie, Karlsruher Institut für, Queensland University of Technology, and International Symposium on Water Landscapes (2009 : Sydney, N.S.W.), eds. Towards resilient water landscapes: Design research approaches from Europe and Australia : proceedings of the International Symposium on Water Landscapes at the University of New South Wales, Sydney, October 2009. Karlsruhe: KIT Scientific Pub., 2010.
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Hill End: An historic Australian goldfields landscape. Carlton, Vic: Melbourne University Press, 2003.
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Claudia, Uribe Touri, and Mejía Hernández Cecilia, eds. Gardens of Colombia. Bogotá, Colombia: Villegas Editores, 1996.
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1950-, Kornhauser Elizabeth Mankin, Sayers Andrew 1957-, Ellis Amy, National Gallery of Australia, National Gallery of Victoria, Wadsworth Atheneum, and Corcoran Gallery of Art, eds. New worlds from old: 19th century Australian & American landscapes. Canberra: National Gallery of Australia, 1998.
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Antonella, Boisi, ed. Living in Sydney =: Vivre à Sydney. Köln: Taschen, 2001.
Знайти повний текст джерелаЧастини книг з теми "Landscape design South Australia history"
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Campbell, Gordon. "9. America, Africa, and Australia." In Garden History: A Very Short Introduction, 116–32. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780199689873.003.0009.
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‘America, Africa, and Australia’ provides highlights of garden history in North America, Central America, South America, South Africa, and Australia. North America’s earliest traditional gardens were influenced by the settlers from Spain, France, the Netherlands, and England. After independence, garden design was transformed by designers such as Frederick Law Olmsted, the Colonial Revival movement, the Prairie School, and the California Style. The most important gardens in Central America are in Mexico and, in South America, the move away from European styles was led by the Brazilian plantsman and designer Roberto Burle Marx. Australia’s most important and influential garden designers have been William Guilfoyle and Edna Walling.
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Nobbs-Thiessen, Ben. "To Minister or Administer." In Landscape of Migration, 139–86. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469656106.003.0005.
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Across the Global South, missionary and religious organizations served as state proxies in “secular” modernization projects. In Bolivia, Protestants flocked to new colonization zones at the invitation of the MNR. This chapter explores the Methodist Mission Board and the Mennonite Central Committee (a North American relief agency). Each made Bolivia a center of its global operations and joined with several Maryknoll nuns in an improvised United Church Committee (CIU) in the wake of a devastating 1968 flood. The CIU would go on to administer the San Julián Project, the largest colonization program in Bolivian history during a period of authoritarian rule ushered in by General Hugo Banzer’s 1971 coup. Faith-based development practitioners worked on the ground with colonists, gained the confidence of Banzer, and channeled international funding. During that time, San Julián attracted a range of academics and planners who were drawn to its unique orientation program and spatial design. The chapter follows the trajectories of these mobile actors who leveraged their work in Bolivia into new roles with international agencies and NGOs across the Global South. These “go-betweens” crossed boundaries separating the revolutionary and the authoritarian, the secular and the sacred, and the frontier and the academy.
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Audain, Mekala. "“Design His Course to Mexico”." In Fugitive Slaves and Spaces of Freedom in North America, 232–50. University Press of Florida, 2018. http://dx.doi.org/10.5744/florida/9780813056036.003.0010.
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In the mid-1850s, Texas slaveholders estimated that some 4,000 fugitive slaves had escaped south to Mexico. This chapter broadly examines the process in which runaway slaves from Texas escaped to Mexico. Specifically, it explores how they learned about freedom south of the border, the types of supplies they gathered for their escape attempts, and the ways in which Texas’s vast landscape shaped their experiences. It argues that the routes that led fugitive slaves to freedom in Mexico were a part of a precarious southern Underground Railroad, but one that operated in the absence of formal networks or a well-organized abolitionist movement. The chapter centers on fugitive slaves’ efforts toward self-emancipation and navigate contested spaces of slavery and freedom with little assistance and under difficult conditions. It sheds new light on the history of runaway slaves by examining the ways in which American westward expansion and the U.S.-Mexico borderlands shaped the fugitive slave experience in the nineteenth century.
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Bringolf, Jane, and Phillippa Carnemolla. "Can I Get There? Can I Play? Can I Stay? Creating an Inclusive Playspace Guide in Australia." In Studies in Health Technology and Informatics. IOS Press, 2022. http://dx.doi.org/10.3233/shti220827.
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Playspaces bring children and adults together for fun and social interaction but are rarely designed for the inclusion of all community members. In Australia, local government authorities (councils) are responsible for parks and playspaces. The New South Wales state government launched their inclusive playspaces policy in 2017. A guideline document was proposed but a guideline does not guarantee implementation. Consequently, an inclusive design process for developing the guide became the strategy. The task was to develop a guide that explained the concepts of inclusion and universal design within the playspace context. The project took an iterative and collaborative approach to the design of the guide. Intended users were those involved in creating playspaces, not playspace users per se. The participatory governance structure involved three levels of collaboration: a small steering group of experts, a larger group with key stakeholders, and a wider group of stakeholders and interested persons. This collegial and participative process consisted of a series of meetings and workshops which fostered learning and ideation for all participants. Through this process three underpinning concepts emerged: Can I get there? Can I play? Can I stay? The process educated and informed stakeholders, encouraged participants to contribute to the outcomes and provided community-led guidance for those contracted to design the guideline. The result was an inclusive playspace guide that recognized the design guidance required by council personnel in the context of universal design. The process and governance structure provides a good working model to build on. The success of the guideline was recognized with a national award from the Institute of Landscape Architects for Community Contribution. The purpose of this paper is not to comment on or evaluate the outcome of the guidelines. Rather, it is to document the inclusive and participatory governance structure and iterative process from a professional participant perspective.
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Peters, Debra P. C., and William H. Schlesinger. "Future Directions in Jornada Research: Applying an Interactive Landscape Model to Solve Problems." In Structure and Function of a Chihuahuan Desert Ecosystem. Oxford University Press, 2006. http://dx.doi.org/10.1093/oso/9780195117769.003.0022.
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The long history of research at the Jornada Basin (through the Agricultural Research Service [ARS] since 1912, New Mexico State University in the late 1920s, and joined by the Long-Term Ecological Research [LTER] program in 1981) has provided a wealth of information on the dynamics of arid and semiarid ecosystems. However, gaps in our knowledge still remain. One of the most perplexing issues is the variation in ecosystem dynamics across landscapes. In this concluding chapter to this volume, we propose a new conceptual model of arid and semiarid landscapes that focuses explicitly on the processes and properties that generate spatial variation in ecosystem dynamics. We also describe how our framework leads to future research directions. Many studies have documented variable rates and patterns of shrub invasion at the Jornada as well as at other semiarid and arid regions of the world, including the Western United States, northern Mexico, southern Africa, South America, New Zealand, Australia, and China (York and Dick-Peddie 1969; Grover and Musick 1990; McPherson 1997; Scholes and Archer 1997; see also chapter 10). In some cases, shrub invasion occurred very rapidly: At the Jornada, areas dominated by perennial grasses decreased from 25% to < 7% from 1915 to 1998 with most of this conversion occurring prior to 1950 (Gibbens et al. 2005; Yao et al. 2002a). In other cases, shrub invasion occurred slowly, and sites were very resistant to invasion; for example, perennial grasses still dominate on 12 out of 57 research quadrats originally established in black grama (Bouteloua eropoda) grasslands in the early twentieth century (Yao et al. 2002b). Soil texture, grazing history, and precipitation patterns are insufficient to account for this variation in grass persistence through time (Yao et al. 2002a). It is equally perplexing that although many attempts to remediate these shrublands back to perennial grasses have led to failure, some methods worked well, albeit with long (> 50 year) time lags (Rango et al. 2002; see also chapter 14). Although variations in vegetation dynamics and shrub invasion are the most well known, other lesser known aspects of arid and semiarid systems have been found to be quite variable as well.
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Leavesley, Adam, Marta Yebra, Petter Nyman, and Tony Scherl. "Manipulating fire regimes in sensitive ecosystems to adapt to climate change." In Advances in Forest Fire Research 2022, 914–20. Imprensa da Universidade de Coimbra, 2022. http://dx.doi.org/10.14195/978-989-26-2298-9_138.
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Fire regimes in Australian temperate forests have changed with the area burnt by bushfires having increased due to changing climate extremes every decade for the past 40 years. The Australian Capital Territory (ACT) has been heavily impacted with year-since-last-fire in forests being the shortest of all Australian jurisdictions due to large, intense bushfires during the droughts of 2003 and 2020. The forested landscapes of the ACT are predominantly mountainous and scattered throughout are species and communities which are likely to be disadvantaged by an increase in the frequency of high intensity fire. Examples include alpine bogs, Alpine Ash (Eucalyptus delegatensis) and Mountain Plum Pine (Podocarpus laurencei). Many of these systems were severely burnt in 2003 and 2020. Protection of these species and communities from bushfires is a high priority for conservation, but suppression operations are difficult due to inaccessibility and the danger to firefighters. A potential solution is to use prescribed burning to manipulate fire regimes to reduce risk. In this paper, we describe an approach designed to reduce bushfire risk while optimising land management workloads and total area burnt. The approach has two key components: 1) development of a method for managing landscape bushfire risk in time; and 2) utilisation of landscape flammability mapping to design burn infrastructure to meet ecological objectives. Bushfire risk planning is focused on space, but risk also changes in time with the effects of drought on fuel moisture accumulating and drying over multiple years. This time-scale offers an opportunity to intervene to reduce bushfire risk in fire sensitive ecosystems and influence fire regimes in favour of those ecosystems using prescribed burning. To do this, bushfire planners need to identify ecosystems at risk and develop burns which are to be implemented contingent on agreed climatic triggers. Landscape flammability in mountainous landscapes in southeastern Australia during the autumn prescribed burning season is driven by solar radiation with north faces being drier and much more likely to burn than south faces. This imposes a critical constraint on prescribed burn planning. We analysed conducted an assessment of the feasibility of designing burns to protect alpine bogs, Mountain Plum Pine and Alpine Ash. There appears to be some potential for reducing fuels around alpine bogs and good potential for emhancing protection of Mountain Plum Pine. On the other hand Alpine Ash stands largely occur on southern slopes are do not appear to be easily amenable to fire regime manipulation.
Тези доповідей конференцій з теми "Landscape design South Australia history"
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Waggitt, Peter, and Mike Fawcett. "Completion of the South Alligator Valley Remediation: Northern Territory, Australia." In ASME 2009 12th International Conference on Environmental Remediation and Radioactive Waste Management. ASMEDC, 2009. http://dx.doi.org/10.1115/icem2009-16198.
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13 uranium mines operated in the South Alligator Valley of Australia’s Northern Territory between 1953 and 1963. At the end of operations the mines, and associated infrastructure, were simply abandoned. As this activity preceded environmental legislation by about 15 years there was neither any obligation, nor attempt, at remediation. In the 1980s it was decided that the whole area should become an extension of the adjacent World Heritage, Kakadu National Park. As a result the Commonwealth Government made an inventory of the abandoned mines and associated facilities in 1986. This established the size and scope of the liability and formed the framework for a possible future remediation project. The initial program for the reduction of physical and radiological hazards at each of the identified sites was formulated in 1989 and the works took place from 1990 to 1992. But even at this time, as throughout much of the valley’s history, little attention was being paid to the long term aspirations of traditional land owners. The traditional Aboriginal owners, the Gunlom Land Trust, were granted freehold Native Title to the area in 1996. They immediately leased the land back to the Commonwealth Government so it would remain a part of Kakadu National Park, but under joint management. One condition of the lease required that all evidence of former mining activity be remediated by 2015. The consultation, and subsequent planning processes, for a final remediation program began in 1997. A plan was agreed in 2003 and, after funding was granted in 2005, works implementation commenced in 2007. An earlier paper described the planning and consultation stages, experience involving the cleaning up of remant uranium mill tailings and other mining residues; and the successful implementation of the initial remediation works. This paper deals with the final planning and design processes to complete the remediation programme, which is due to occur in 2009. The issues of final containment design and long term stewardship are addressed in the paper as well as some comments on lessons learned through the life of the project.
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Pianca, Guilherme Moreno. "Le Corbusier and São Paulo – 1929: Architecture and Landscape." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.937.
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Abstract: This article looks into Le Corbusier’s urban proposal for the City of São Paulo, as formulated during his journey to South America in 1929. It highlights the relationship between Architecture and Landscape exposed by Le Corbusier’s plan. This paper sets out to investigate the analysis that the innovative Swiss architect performed of the geography and morphology of São Paulo. It contrasts to the works and plans carried out by technicians and engineers at that time. In order to explain how Le Corbusier’s treatment of nature and landscape differs from them, we study the extent to which Le Corbusier’s plans show design approaches, which were unusual in terms of Western History and Memory. He also looks into the relationship between Le Corbusier’s work, on the one hand, and new technological elements and changes in the visual culture at that time, on the other hand, thus seeking to highlight certain obscure spots within Le Corbusier’s work. This study aims at bringing forward some speculations and methods present in the work of Le Corbusier on cities. It deals with contradictory aspects in Le Corbusier’s work in order to deepen our understanding of contemporary urban problems. Resumen: Este artículo investiga la hipótesis de proyecto de Le Corbusier para la ciudad de San Pablo, propuesta durante su viaje a América Latina en 1929, focalizando en las relaciones entre arquitectura y paisaje. La primera cuestión analizada en este trabajo es el innovador análisis de la geografía y la morfología de San Pablo propuesto por el arquitecto suizo, que contrasta con la manera con que los técnicos e ingenieros locales desarrollaban sus propuestas en ese momento. Para explicar dicha diferencia en la manera de lidiar con la naturaleza y el paisaje, el autor de este articulo estudia como el trabajo de Le Corbusier presenta abordajes de proyecto inusuales para la Historia y la Memoria, y su relación con los nuevos elementos tecnológicos y de la cultura visual de la época, procurando así resaltar ciertos puntos oscuros en el trabajo del arquitecto. Esta discusión intenta cuestionar ciertas especulaciones proyectuales y metodologías de trabajo presentes en el trabajo de Le Corbusier sobre ciudades, utilizando sus aspectos contradictorios como modo de profundizar nuestro entendimiento de los problemas urbanos contemporáneos. Keywords: Modern Architecture; Modern Urbanism; Landscape Architecture; Le Corbusier; São Paulo. Palabras clave: Arquitectura Moderna; Urbanismo Moderno; Arquitectura Del Paisaje; Le Corbusier; São Paulo. DOI: http://dx.doi.org/10.4995/LC2015.2015.937
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Suematsu, Shinsuke, Yasuhiro Ota, and Hiroki Ikeda. "The Design of Composite Girder with UFC Deck (Rigid-Frame Structure with UFC Deck)." In Footbridge 2022 (Madrid): Creating Experience. Madrid, Spain: Asociación Española de Ingeniería Estructural, 2022. http://dx.doi.org/10.24904/footbridge2022.256.
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<p>The footbridge was selected in the proposal and has to be designed symbolic and nimble. It also has to guide many visitors from the current city area to other areas.</p><p>It is necessary to increase the number of visitors to the city and extend the sojourn time by improving the attractiveness of the city's coastal areas. The area around the main station, which has a history and charm since the opening of the port and has been the driving force of the regional economy as an area where business and commerce are concentrated, has been in the north area and south area with the relocation of the city hall in June this year. In both areas, many projects are developing in a continuous process. The location of large-scale facilities will continue, and it is expected that the area will become even more lively due to the increase in visitors.</p><p>For this background, many visitors to the main station are smoothly guided to other areas in the north area and south area, such as the famous Y-Park, Chinatown, and old town, to improve mobility. Since this will lead to the revitalization of those districts, a pedestrian deck will be constructed to connect the center buildings in front of the main station and the central Park.</p><p>We carried out preliminary bridge design and landscape design while considering future maintenance and the surrounding environment for the construction of a pedestrian deck that is safe and comfortable and is in harmony with the facilities near this one.</p><p>The footbridge has a moderate presence and is not heavy-looking in the town as an entrance gate of the main road.</p>
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Corkhill, Anna, and Amit Srivastava. "Alan Gilbert and Sarah Lo in Reform Era China and Hong Kong: A NSW Architect in Asia." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4015pq8jc.
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This paper is based on archival research done for a larger project looking at the impact of emergent transnational networks in Asia on the work of New South Wales architects. During the period of the Cultural Revolution in China (1966-1976), the neighbouring territories of Macau and Hong Kong served as centres of resistance, where an expatriate population interested in traditional Asian arts and culture would find growing support and patronage amongst the elite intellectual class. This brought influential international actors in the fields of journalism, filmmaking, art and architecture to the region, including a number of Australian architects. This paper traces the history of one such Australian émigré, Alan Gilbert, who arrived in Macau in 1963 just before the Cultural Revolution and continued to work as a professional filmmaker and photojournalist documenting the revolution. In 1967 he joined the influential design practice of Dale and Patricia Keller (DKA) in Hong Kong, where he met his future wife Sarah Lo. By the mid 1970s both Alan Gilbert and Sarah Lo had left to start their own design practice under Alan Gilbert and Associates (AGA) and Innerspace Design. The paper particularly explores their engagement with ‘reform-era’ China in the late 1970s and early 1980s when they secured one of the first and largest commissions awarded to a foreign design firm by the Chinese government to redesign a series of nine state- run hotels, two of which, the Minzu and Xiyuan Hotels in Beijing, are discussed here.