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Статті в журналах з теми "Kyrgyz Small art works"
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Ormonova, Sabira. "THE HISTORY OF THE DEVELOPMENT OF THE GENRE OF SATIRE IN KYRGYZ LITERATURE." Alatoo Academic Studies 20, no. 4 (December 30, 2020): 270–77. http://dx.doi.org/10.17015/aas.2020.204.32.
Повний текст джерелаАнотація:
This article examines the history of the origin of Kyrgyz satire, the beginning and the emergence of satire in oral folk art, and development trends of Kyrgyz satire during the Soviet period. The origins of the history of the birth of Kyrgyz satire lie in the inexhaustible folk oral creativity. Due to the fact that satire by its nature is closely related to mentality, everyday life of the people and focuses on the character, behavior of a person, its examples can be considered in the proverbs, fables, stories of Apendi, Zhaerenche Chechen, Akyl Karachach, stories of the people's humorists and many others. Also, in the trilogy "Manas" and in such small epics as "Er Toshtuk", "Zhanyl Myrza" and in a lot of satirical ridicule. Satirical elements at the end of XIX-th at the beginning of the XX-th centuries developed in the work of akyns-improvisers, in professional literature - in the works of M. Elebaev, A. Tokombaev, K. Malikov, J. Bokonbaeva, later R. Shukurbekov, M. Alybaeva, B. Sarnoeva, E. Ibraeva, J. Ryspaeva and others. In general, Kyrgyz satire, like world satire, has recently been developing into traditional and new format, innovative in nature.
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Borbuchalova, Baktygul. "THE MAIN ELEMENTS OF FOLK SATIRE IN ORAL CREATIVITY." Alatoo Academic Studies 23, no. 3 (September 30, 2023): 236–48. http://dx.doi.org/10.17015/aas.2023.233.25.
Повний текст джерелаАнотація:
Having a separate place in the public consciousness (according to the critical point of view), satirical or humorous artistic thinking, which manages to approach literary creativity from a different angle, acquires a specific form as a work of art, and the personal creativity of a poet or writer is of great importance. Of course, when a creative person expresses his attitude to funny events, he does not intend to write in only one genre, but at the same time he is engaged in a wide genre range in order to make the thought satirical or humorous, and tries to place his own content from it. Typing genres, based on a known research problem, should generalize and draw a conclusion. Since 1957, satirical magazines have become more active, which, along with operational reviews, began to publish purposefully readable small satirical works, accompanied by funny words. Since it was impossible to raise the prestige of a magazine that was limited to criticism in all cases, poets and writers who turned to this genre were obliged to write original works that would cheer up the people using various genres of satire and humor. The fact that the authors, who began to gain fame in their chosen direction, found their place in Kyrgyz literature and began to be discussed in different conditions, also revealed the need to study this issue in literary science.
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Abdybaev, Kurmanbai. "WORKS OF ART OF THE ENESAI KYRGYZ." Известия Кыргызского государственного технического университета им. И. Раззакова, no. 3 (2022): 239–44. http://dx.doi.org/10.56634/16948335_2022_3_239.
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Kudaibergenova, Zeynep. "WOMEN’S PLACE IN ASSEMBLED WORKS OF K. MIFTKOV OF KYRGYZ NATIONAL TRADITIONS." Alatoo Academic Studies 22, no. 2 (June 30, 2022): 296–302. http://dx.doi.org/10.17015/aas.2022.222.38.
Повний текст джерелаАнотація:
The article provides information about the collection of national traditions and rituals in the Kyrgyz folklore of K. Miftakov. K. Miftakov collected manuscripts from the Talas, Chui and Naryn valleys in 1923. In the Fund of Manuscripts of the Department of Social Sciences of the Academy of Sciences of the Kyrgyz SSR, he handed over materials on the topic “Games”, “Folk crafts”, “Folk rituals”, “Wedding, “Seeing the bride » and Kyrgyz costumes, food, crafts, entertainment, customs, rituals and religious beliefs. He submitted a 599-page manuscript titled "Kyrgyz Ethnography".Among the ethnographic materials collected by K. Miftakov, there is a lot of information about the ancient art of making Kyrgyz ornaments. Miftakov spoke about blacksmithing, a form of folk art: “Kyrgyz craftsmen make the most expensive things from the simplest tools. He says that Kyrgyz craftsmen can make bird guns, shotguns, knives, axes, stirrups, saddles, swords, hoes, dishes and pans, ancient weapons and much more.
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Koichumanova, Gulzhan. "PHILOSOPHICAL IDEAS IN THE KYRGYZ POETS WORKS." Alatoo Academic Studies 2020, no. 3 (September 30, 2020): 218–25. http://dx.doi.org/10.17015/aas.2020.203.25.
Повний текст джерелаАнотація:
This article is investigating philosophical ideas in the Kyrgyz poet’s works based on theoretical problems of modern philosophical poetry and mastering the centuries-old heritage of the Kyrgyz people. It is known that the philosophical values of Kyrgyz people were formed through ancient time’s folklore, epics, proverbs, and singers’ work taken as a source of philosophical poetry in the modern professional literature. Aims of this research were to consider philosophical lyricism in the Kyrgyz poetry as a complex and contradictory issue from ancient nomadic times to the present days; finding the primary sources of philosophical lyricism; to consider the chosen scene in connection with the poet's philosophical thoughts and views following his artistic taste and worldview. Deep understanding of an artistic nature and philosophical thoughts, values of Kyrgyz poets' works achieved by focusing on their role in the literary process, and artistic values of Kyrgyz poetry, relying on literary and theoretical patterns in the synthesis of philosophical categories and art have been described.
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Khalilova, T. "Integration Teaching the Kyrgyz Language in the Kyrgyz Literature." Bulletin of Science and Practice 5, no. 12 (December 15, 2019): 442–49. http://dx.doi.org/10.33619/2414-2948/49/55.
Повний текст джерелаАнотація:
The article provides an example of the integration of antonyms, synonyms, homonyms in the Kyrgyz language. The novel The White Steamboat is analyzed. It has been established that many topics in Kyrgyz literature coincide with those of the Kyrgyz language and can be integrated. Any topic in the Kyrgyz language can be carried out by linking them to topics in Kyrgyz literature. If you teach students, comprehensively educating and guiding them into the future, through the integration of works of art, there will be an opportunity not only to interest students in learning, but also the possibility of education.
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Moldoshova, Gulmira. "KAYUM MIFTAKOV - IS THE FIRST FOUNDER OF KYRGYZ FOLKLORE." Alatoo Academic Studies 2021, no. 2 (June 30, 2021): 222–29. http://dx.doi.org/10.17015/aas.2021.212.25.
Повний текст джерелаАнотація:
This article provides a short excursion to the first sources of Kyrgyz folklore to collect and discuss scientific facts related to oral folk art. Then a complete overview of the life and work of one of the first founders of Kyrgyz folklore Kayum Miftakov is given. Kayum Miftakov from early childhood was interested in and knew well the content of oral folk art of the peoples of Bashkiria and Tatarstan. Accordingly, at one time, Kayum Miftakov made records of oral folk art of the above peoples. From the age of 14 he worked as a hired shepherd for the Kazakhs, which led to the interest and study of Kazakh folklore. Information about the Kyrgyz and the Kyrgyz people in 1912 from Kanatov and Arabaev, who were studying in Ufa at that time. After the information received, Kayum Miftakov decides to move to Kyrgyzstan. (Kyigizstan) At the beginning of his research, Kayum Miftakov spends a lot of time in Talas, Issyk-Kul, and Naryn. He meets and records (writes down) on paper the epic "Manas", several other works relating to the oral folk art of the Kyrgyz people. Summing up, we can say that in this article Kayum Miftakov is characterized as one of the first folklorists of oral folk art of the Kyrgyz people.
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Кенжешев, К. "ETHNOPEDAGOGY AND ANALYSIS OF LITERARY WORKS IN SENIOR GRADES." Vestnik Bishkek state university af. K. Karasaev 2, no. 60 (April 1, 2022): 26–30. http://dx.doi.org/10.35254/bhu/2022.60.26.
Повний текст джерелаАнотація:
This article examines the analysis of a literary work to address issues necessary for the development of a range of competencies in Kyrgyz literature in senior grade students. Its connection with ethno-pedagogy will be revealed during the analysis of the art work. What situations are taken into account when connecting the problem to Kyrgyz literary works depends on the content of the lesson. Competent analysis of literary works will increase the level of ethno-pedagogical education of students. Scientific and methodological development of the topics of Kyrgyz literature reveals to the students that ethno-pedagogical content is a social problem of cognition. Examples show that literary education is not taken into account in secondary school. It is interpreted on the basis of students' personal, socio-cultural competencies.
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Zhamangulova, Nazira. "LIFE AND WORK OF ABDYKALYK CHOROBAEV." Alatoo Academic Studies 2020, no. 3 (September 30, 2020): 238–44. http://dx.doi.org/10.17015/aas.2020.203.28.
Повний текст джерелаАнотація:
Abdykalyk Chorobaev is a great representative of the Kyrgyz poets of the older generation, an outstanding folklorist, Kyrgyz ethnologist, follower of Togolok Moldo, genealogist, Honored Worker of Culture of the Kyrgyz SSR, member of the Union of Writers of the USSR. The poet made a significant contribution to the development of Kyrgyz literature. He has his own writing style and his own creative theme, which makes him different from other poets. In the work of A. Chorobaev there are songs on the theme: Nostalgia for the homeland, longing, mourning, labor, love, falling in love, glorification of folk art, women's theme, freedom, children's world, the importance of education, etc. His works include art, sermons , legends and other diverse genres. What distinguishes the poet from his contemporaries is that he was able to move from folklore to professional literature and continue his activities in two main areas of literature: in folklore and in Kyrgyz written literature. This article provides a general overview of the life and work of the poet.
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Shagdurova, Olga Yu, and Elena V. Tyuntesheva. "Lexical and semantic correlations of verbs with figurative-characterizing meaning in the Khakas and Altai languages (in Contrast with the Kipchak languages)." Sibirskiy filologicheskiy zhurnal, no. 4 (2021): 241–51. http://dx.doi.org/10.17223/18137083/77/18.
Повний текст джерелаАнотація:
We study the correlations between figurative-characterizing verbs in Turkic languages of Siberia (Altai, Khakas) and Kipchak languages (Kyrgyz, Kazakh, Bashkir). In these languages, we distinguish a small ancient group of figurative stems common for all Turkic, and sometimes also Mongolian and Tungusic languages. In the Altai and Khakass languages, there are commonalities and differences in the formation of complex words from figurative bases both between these languages themselves and with Kipchak. One common trait of these languages is the simultaneous formation of figurative-characterizing verbs and their Aktionsart meaning defined by an auxiliary verb (in analytic word formation) or certain affixes: =y characterizes a state while =ŋda ~ =ŋna ~ =ŋnaa denotes an evenly distributed meaning of action. The =(а)y affix is also found in the Mongolian language while =ŋda ~ =ŋna ~ =ŋnaa is typical for the Siberian and Kipchak languages. The difference in the formation of complex verbs with figurative-characterizing meaning lies in the usage of different verb components: Alt. et= ‘to do’; Khak. tüs= ‘to go down’, pol= ‘to be’, it= ‘to do’ (rarely); Kyrg., Kaz. et= ‘to do’, ber= ‘to take’, qaq= ‘to knock’, etc. The analysis of correlations has shown their small number among complex words and greater number among synthetic words, with a high number of Mongolian loanwords common for Siberian and Kipchak languages. In figurative-characterizing verbs, most correlations found in Siberian languages (without those in Kipchak) are derived from all-Turkic stems. No Altai-Kipchak correlations without their presence in the Khakass language were found, while there are a few correlations with Kyrgyz language. Also, no Khakas-Kipchak correlations were detected.
Дисертації з теми "Kyrgyz Small art works"
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Clark, W. Andrew, Cher L. Cornett, and Peter M. Hriso. "Linking Art to Science: Digital Media as a Technology Translation Tool." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etsu-works/2524.
Повний текст джерелаАнотація:
Technology translation can be achieved through the blending of the sciences and arts in the form of digital imagery. Digital animation and video can be utilized to portray molecular events where the mechanism of action is known but the process occurs at a sub-microscopic level. There needs to be a strong collaboration between scientific advisors and digital artists when creating the animation such that the artistic interpretation of the molecular event conforms to the known and accepted confines of science. The finished animation may be used for information, education or persuasion as entrepreneurial biotechnical companies attempt to find markets, customers and investors interested in their inventions. Educational institutions with programs in the sciences, arts, digital media and medicine need to promote the interaction of students from these disciplines through cross-functional teams and courses. Solutions to problems developed by these teams tend to be broader and more comprehensive than more homogeneous teams.
Книги з теми "Kyrgyz Small art works"
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Bossan, Enrico. Worlds: Contemporary artists from Kyrgyzstan, Tajikistan and Turkmenistan. Crocetta del Montello]: Antiga edizioni, 2016.
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Ghana, FCA, ed. Small works, big city. [Accra]: FCA Ghana, 2005.
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Ghana, FCA, ed. Small works, big city. [Accra]: FCA Ghana, 2005.
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Ghana, FCA, ed. Small works, big city. [Accra]: FCA Ghana, 2005.
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Gallery, Sligo Art. Íontas: Sixth small works art exhibition. Sligo: Sligo Art Gallery, 1995.
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Gallery, Sligo Art. Íontas: Second small works art exhibition. Sligo: Sligo Art Gallery, 1991.
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Gallery, Sligo Art. Íontas: Eigth small works art exhibition. Sligo: Sligo Art Gallery, 1997.
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Romanow, Joanna Kleinberg. Small. New York: Drawing Center, 2014.
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Tynaev, Zhanuzak. "Mu̇rgu̇bȯs talant izderi": Attuu : ȯzdu̇k kȯrgȯzmȯsu̇nu̇n katalogu. Bishkek: [publisher's name not identified], 2011.
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Íontas, (8th 1997 Sligo Ireland). Íontas eighth small works art exhibition, 1997. [Sligo]: Sligo Art Gallery, 1997.
Знайти повний текст джерелаЧастини книг з теми "Kyrgyz Small art works"
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Mehl, Margaret. "11. The World in Sendai." In Music and the Making of Modern Japan, 345–86. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0374.11.
Повний текст джерелаАнотація:
Chapter 11, ‘The World in Sendai’ investigates the types of ‘Western music’ that were actually performed in concerts in Sendai. This is the main theme of. Based on the programmes of local concerts between 1907 and 1921 published in the magazine Ongakukai (World of music), this chapter shows how local concerts, in which different groups came together to perform an eclectic repertoire to a mixed audience, helped transform the people of Sendai into members of a nation within a wider world of nations. The modern institution of the public concert represented a space where Japanese and foreigners met and played and listened to music that was being performed and heard worldwide. The repertoire included a wide range of genres and countries of origin. Together, this variety, and the locations, scenes, and stories evoked by the pieces reveal much that is obscured by the blanket term, ‘Western music’. Works from the narrow canon of the ‘great masters’ of European art music, in fact, represented only a small fraction of what was performed. For example, the programme of a concert in Sendai in February 1916 included the ‘Tipperary Song’, sung by a Japanese high school student. Published in 1912 and first recorded in 1914, the song evokes to this day the image of British Soldiers marching in the First World War. In fact, three months after the Sendai concert, in the naval battle of Jutland, 26 survivors of the wreck of the Tipperary were reportedly recognized and rescued, when they sang, ‘It’s a long, way...’ It is hard to beat this conjunction as an illustration of music’s power as a force of global integration.
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Philbrick, Ethan. "Introduction." In Group Works, 1–24. Fordham University Press, 2023. http://dx.doi.org/10.5422/fordham/9781531502690.003.0101.
Повний текст джерелаАнотація:
In the introduction, Philbrick sets up the conceptual and historical terrain of the book by offering three short essays on the group tuned to three different registers—group theory, group politics, and group art—before turning to archival traces of one visionary small group from the 1970s, the Combahee River Collective, and the resonance of their work in Cauleen Smith’s 2018 film Sojourner.
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Harold, James. "Wicked Artists." In Dangerous Art, 51–69. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197519769.003.0004.
Повний текст джерелаАнотація:
This chapter takes up the problem of immoral artists, as well as related questions, like immoral production. When an artist commits great crimes, some are tempted to treat the art itself as though it were also tainted. The question is whether this is the right thing to do. This chapter argues that the question can be approached in two ways. First, the chapter considers the possibility that works by bad artists are in themselves morally bad. It argues that this view is plausible in only a small number of cases. Second, the chapter considers the possibility that communities around bad artists are tainted by the artist’s bad actions. It defends this view against objections. The primary conclusion is that we should not, for the most part, think of works themselves as being moral or immoral because their creators are.
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"Batya Brutin, Holocaust Icons in Art: The Warsaw Ghetto Boy and Anne Frank. Berlin: Walter de Gruyter; Jerusalem: The Hebrew University Magnes Press, 2020. xvi + 213 pp." In No Small Matter, edited by Anat Helman, 283–85. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197577301.003.0025.
Повний текст джерелаАнотація:
This chapter reflects on Batya Brutin's Holocaust Icons in Art: The Warsaw Ghetto Boy and Anne Frank (2020). This volume documents the engagement of artistic creativity with the photographs of the boy with raised hands in the Warsaw ghetto (1943) and those of Anne Frank. In the six chapters detailing the various ways in which artists from different cultures and countries integrated these iconic figures into their oeuvre, Brutin acquaints the reader with dozens of artists who, at some point in their artistic development, opted to “express their thoughts, emotions and perceptions of the Holocaust.” These artists' works touch on various themes elaborated upon by Brutin: the fate of Jewish children in the Holocaust; personal identification with the iconic figures; their use to represent Jewish identity and universal human situations; their uniqueness; their imaginative connection with the state of Israel; and their “facelessness,” “disappearance,” and “disintegration.” Thus, the photographs have been used for decades by artists to perform a function in their art.
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Lipps, Jere H., Ajit Vartak, Ton Van Eijden, C. Rajshekhar, Sudha Vaddadi, and Rohit Vartak. "Paleontological postage stamps in art and education." In The Evolution of Paleontological Art. Geological Society of America, 2022. http://dx.doi.org/10.1130/2021.1218(25).
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ABSTRACT Postage stamps are small works of art seen by people worldwide that can be used effectively in education. The first paleontological stamp was released by India in 1951. Since then, over 4000 stamps with fossils, paleontologists, museums, and collecting sites have been issued by almost 200 countries. Stamps that illustrate fossils or reconstructions are intrinsically interesting and popular with many of the millions of stamp collectors. All disciplines of paleontology are represented, but dinosaurs are by far the most common subject, although even bacteria appear on a few stamps. Most of the stamps were scientifically accurate at the time they were issued though some artists took artistic liberties to fashion unique stamps. Overall, the stamps are artistic and educational because their small sizes and low cost make them easily accessible for classroom activities, exhibits, and presentations. They cover topics such as biodiversity, geology, ecology, oceanography, and evolution, among others. Paleophilately has provided art, education, joy, and happiness to people worldwide.
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Cleempoel, Koenraad Van. "Representations of astrolabes in Western art." In Astrolabes At Greenwich, 99–112. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780198530695.003.0009.
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Abstract The relatively infrequent depiction of astrolabes in works of art seems disproportionately small in relation to the large amount of instruments that have survived and to the high number of contemporary treatises that discuss the astrolabe. In comparison, its three-dimensional counterparts – the armillary sphere, and the celestial and the terrestrial globe – have experienced wider acclaim from artists throughout the ages. The immediate ornamental and didactic appeal of these other instruments may be responsible for this trend. But also, in a broader sense, the image of the globe and the armillary sphere became a popular visual metaphor for disciplines such as geometry and astronomy, where they are still used until the present day.
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Rodowick, D. N. "The Force of Small Gestures." In Indefinite Visions. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474407120.003.0012.
Повний текст джерелаАнотація:
In The Logic of Sensation, Gilles Deleuze describes sensation as a domain that lies beneath, over, or inside quotidian vision as if in another dimension of intensive qualitative experience masked by habitual perception. Sensation is also a way of grasping the immanence of philosophy to works of art. The logic of sensation is part and parcel of our world as lived; one might say that sensation is immanent to perceptual experience as force is immanent to matter. In Deleuze’s account of sensation, the plastic arts are less concerned with matter and figuration than they are with force and becoming. Perhaps the problem for both painting and cinema is how to see time and force differently, and to release the figural force of sensation in the image. The chapter continues by investigating the logic of sensation in recent experimental video, primarily Ernie Gehr’s Glider (2001), but also two of the author’s own recent artworks, Waterloo and Plato’s Phaedrus. The chapter concludes with an account of Henri Bergson’s lecture on philosophical intuition to argue that there is a continuous dynamic line that runs between intuition and philosophy, Image and Concept
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Fabrizi, Elisabetta. "From Exodus to Small Axe : Steve McQueen’s Filmic World of Two Halves." In ReFocus: The Films of Steve McQueen, 17–29. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399510936.003.0002.
Повний текст джерелаАнотація:
Traces how McQueen cemented his position in the art world early in his career and forged a springboard from which he could experiment with feature filmmaking. Analyses how creating the conditions for viewers to become aware of their own presence is at the core of McQueen’s oeuvre, in both his feature films and his gallery works.
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Tilmouth, Michael, David Kimbell, and Roger Savage. "Frederick Septimus Kelly Serenade For Flute And Small Orchestra, Op. 7." In The Classics of Music, 124–25. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198162148.003.0015.
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Abstract Commander F. S. Kelly, DSC, RNVR, left but a small collection of compositions to represent him as a musician.1 Those who have known him, and watched the steady irresistible growth of his mastery of life, will always be convinced that music, which was his central means of expression, was an art in which he was sure to achieve something unique and complete. The two works produced on this occasion can do no more than indicate the beginnings of what was, in process of expression, restrained only because it was all comprehending. With him there was a time for everything. His duty towards music did not distract him from his duty towards life, nor did life distract him from music.
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Husovec, Martin, and João Pedro Quintais. "Too Small to Matter? On the Copyright Directive’s Bias in Favour of Big Right-Holders." In Global Intellectual Property Protection and New Constitutionalism, 219–38. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198863168.003.0010.
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This chapter shows how Art 17 of the Copyright in the Digital Single Market Directive (DSM Directive) contains an inherent bias favouring large right-holders to the prejudice of small creators. It studies the likely trajectories and incentives of the relevant actors and concludes that the licensing model of Art 17 is tailored to the needs of powerful content owners. Only smaller right-holders must monitor the market, review the use of their works by third parties, and approach each online-content sharing service provider separately. The enforcement mechanism of Art 17 has similar effects on amateur creators, who will often have to rely on exceptions to copyright when creating content in distinction to larger units that can typically resort to licensing. Collective licensing could offer a potential solution to alleviate the identified problems in unequal treatment of different types of copyright owners. The chapter discusses these effects from the perspective of the principle of equal treatment, protected under Art 20 of the EU Charter. It argues that, unless Member States resort to legal mechanisms—such as collective licensing—that can better balance competing rights and interests and not discriminate between different actors, the end-result will be unconstitutional.
Тези доповідей конференцій з теми "Kyrgyz Small art works"
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A., TISHKIN, TABALDIEV K., and BONDARENKO S. "USE OF DIGITAL TECHNOLOGIES IN THE DOCUMENTATION OF “DEER” STONES IN KYRGYZSTAN." In MODERN SOLUTIONS TO CURRENT PROBLEMS OF EURASIAN ARCHEOLOGY. Altai State Univercity, 2023. http://dx.doi.org/10.14258/msapea.2023.3.57.
Повний текст джерелаАнотація:
A small number of “deer” stones have been discovered in Kyrgyzstan so far. However, their study is important for the implementation of the Russian Science Foundation project. These ancient statues mark the western border of an archaic nomadic empire that existed in Inner Asia at the end of the Bronze Age and the beginning of the Early Iron Age. This article demonstrates the use of digital technology in documenting one of the “deer” stones now standing by the National History Museum of the Kyrgyz Republic. Other similar objects studied in the course of the surveys are indicated. Prospects for further identification of ancient sculptures are outlined. At the same time, it is important to establish their context with other archaeological sites on the basis of the existing experience of work.
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Fujarra, André L. C., Guilherme F. Rosetti, Jaap de Wilde, and Rodolfo T. Gonçalves. "State-of-Art on Vortex-Induced Motion: A Comprehensive Survey After More Than One Decade of Experimental Investigation." In ASME 2012 31st International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/omae2012-83561.
Повний текст джерелаАнотація:
After one decade of experimental investigation, the Vortex-Induced Motion – VIM phenomenon deserves a comprehensive survey concerning the advances related to its understanding, mainly under the consideration of the fundamental aspects that keep it in a close relationship to the dynamic behavior of the same phenomenon acting on slender bodies, the well known Vortex-Induced Vibration – VIV. A considerable amount of results can be found in the literature, although there are few works dealing with a general view of the problem. Probably, the main reason for such a large amount of works with no interaction between themselves and, consequently, without a common understanding about VIM might be due to its technological origin, featured by huge platforms with a variety of geometrical details, which ends up placing the researches more on the field of the faithful reproduction of the features in small-scale and less on the global understanding of the phenomenology regardless the floating system, e.g. a spar platform, a monocolumn or even a semi-submersible or a tension-leg platform. Obviously, no one should disagree that there is part of the research that must keep a faithful relationship with the full scale, however, in most of them it is possible to identify the common fundamentals concerning the fluid-structural interaction. The aim of the present work is to address a comprehensive evaluation of the experimental investigations during the past decade on the VIM, trying to gather a general understanding about its phenomenology including some comparisons to VIV. As a result, some relevant aspects are pointed out for a more prospective way of research.
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Некрасова-Каратеева, О. Л., and Е. П. Сталинская. "AUTHOR’S SOUVENIRS BY CERAMIST VYACHESLAV SHVETSOV." In Образ, знак и символ сувенира. Материалы IX Всероссийской национальной научно-практической конференции. Crossref, 2023. http://dx.doi.org/10.54874/9785605054283_136.
Повний текст джерелаАнотація:
В статье представлены материалы о творчестве художника-керамиста В. А. Швецова — о создании авторских произведений в разряде минискульптуры, характеризующихся особой темой «Воспоминания» и реализуемых в качестве оригинальных сувениров. Целью статьи является попытка расширить содержательный аспект функции сувениров за счет уникальных художественных произведений небольшого формата, создаваемых и ориентированных на личные воспоминания и сопереживания многих людей. Темы авторских скульптурных мини-композиций В. Швецова: сельская природа (лес, река, радуга); деревенская тематика детства художника; темы материнства, любви («Двое»), Петербурга («Петербургские настроения», «Белые ночи»). Исполненные искренно, душевно, они вызывают у зрителей соучастие, приятные ассоциации и личные воспоминания. Исследование обладает новизной, т. к. материалы его оригинальны и предлагаются к публикации впервые, продолжая ряд представленных на предыдущих конференциях примеров авторских сувениров (2020 — «Авторская серия деревянных скульптурных композиций “арт-сувенир”»; 2021 — «Авторские новогодние картинки К. О. Почтенной как уникальные сувениры»; 2022 — «Ялтинский пейзаж как авторский видовой сувенир»). Результаты и методы исследования этой статьи могут быть полезны в искусствоведении для применения анализа конкретных явлений в культуре и искусстве, новых жанровых образований. The article presents materials about the work of the ceramist artist V. A. Shvetsov – about the creation of author’s works in the category of minisculpture, characterized by a special theme “Memories” and implemented as original souvenirs. The goal of the article is an attempt to expand the content aspect of the function of souvenirs due to the unique artistic works of small format, created and oriented to personal memories and empathy of many people. The themes of the author’s sculptural mini-compositions by V. Shvetsov: rural nature (forest, river, rainbow); village themes from the artist’s childhood; themes of motherhood, love (“Two”), Petersburg (“Petersburg moods”, “White Nights”). Performed sincerely, soulfully, the works evoke in the audience emotional response from the audience, as well as pleasant associations and personal memories. The study has a novelty as its materials are original and are offered for publication for the first time, continuing a number of examples of author’s souvenirs presented at previous conferences (2020 – “Author’s series of the Art Souvenir wooden sculpture compositions”; 2021 – “Author’s New Year pictures by K. O. Pochtennaya as unique souvenirs”; 2022 – “Yalta landscape as author’s souvenir with a view”). The results and methods of the study can be useful in art criticism for the analysis of specific phenomena in culture and art, as well as new genre formations.
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Marquis, Fabien. "Inductors and Coils New Production Solutions using Additive Manufacturing such as EBM 3D Printing and Precision Casting—A Presentation of the Current State-of-the-Art Technologies." In HT 2017. ASM International, 2017. http://dx.doi.org/10.31399/asm.cp.ht2017p0236.
Повний текст джерелаАнотація:
Abstract In induction heating process, coils and inductors are the core of the heating process. They are the end tool where the magnetic process affecting the part or material to be heated occurs. For more than a century, the dominant manufacturing process has been based, mainly, upon joining technologies where the coppersmith skill has been the safeguard of the quality. Use of fixtures, mandrels, and machined parts have improved the repeatability and quality of the produced elements but high volume, dimensional repeatability has always been source of problems. GH Induction continuously works on the improvement of such relatively artisanal methods to allow better lifetime, minimized production time and overall better quality. Following a first development work bringing a patented innovation in 2011 using a precision casting solution (Microfusion – Wax casting), with a solution provided a single piece coil, GH Induction has, after 2 years of development, patented a new additive manufacturing solution (3D printing concept) based on the use of Electron Beam Melting (EBM). The EBM solution benefits from the latest technology in additive manufacturing, both technologies present tremendous advantages for the designer and user. Complex shape, very small inductors can be manufactured, which are impossible to do with standard method. This presentation and article summarized the concept, manufacturing principle and technical benefits that the final users can have using such innovative solutions.
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Mortensen Steagall, Marcos, and Sergio Nesteriuk Gallo. "LINK 2021 3rd International Conference on Practice-led research in Art and Design: Forward." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.174.
Повний текст джерелаАнотація:
The LINK conference emerged from reflections and concerns that we always had about our own actions as educators, researchers, and practitioners in the field of Art and Design. Over the years, we have noticed that such concerns have not disappeared. On the contrary: they have multiplied, diversified, and become more complex. The more we dialogued with people worldwide, especially from the socalled “Global South”, the more we realised that these same issues were also dear to our colleagues, albeit with their own colours and contours. This is the LINK that unites us. The first step was taken as a small in-person event for guests, held in 2019 at the AUT’s South Campus in Manukau. At that time, there was no intention of organising an annual conference. The magnitude of the issues raised seemed to have a particular inhibiting effect on the incompleteness of the conference itself, considering the potential for the rich and fruitful exchange of ideas. Despite, or perhaps precisely because of the difficulties and adversities, this new scenario compelled us to move forward. The second edition of LINK, carried out in a hybrid way in 2020, expanded the quantity, diversity and quality of the works presented. Emerging themes, new epistemologies, and the multiple relationships between theory and practice (if such a distinction can be made) have consolidated as a sort of amalgam of LINK’s main issues. It covers, in a transversal and interdisciplinary way, arguably the entire field of Arts and Design. These discussions expanded beyond the event, and a special issue with 13 articles was published in the DAT Journal in 2021. At this moment, our doubts and uncertainties gave way to the commitment to promote a better event in each new edition. Furthermore, this commitment is only possible thanks to a team that is both dedicated and passionate about this purpose that unites us. Later that year, the Covid-19 pandemic began to spread across the world. In a short time, uncertainty gave way to millions of people’s anguish, suffering, and pain. At the same time, many ideas, beliefs, and values are starting to be reconsidered, bringing new challenges for a new era. Science, the construction of knowledge, and the University itself have a paradigmatic role in this moment of transformation and the search for the construction of a better world. Research changes the world. LINK’s community is constated by researchers to leverage parameters to activate different ways in which practice can create knowledge. They are based on cultural, geographic, and ideological positions shaped by the communitarian and the glocal. Thus, in offering these practice-oriented research considerations, we propose that we can learn “from” rather than “about”. This feeling emanates from recognising that the peculiar stories that generate social and artistic practices form dialogic encounters with voices on the periphery of authority and loop an iterative process to generate their own theoretical foundations.
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Zhao, Xin, Liufang Sang, Guiguang Ding, Yuchen Guo, and Xiaoming Jin. "Grouping Attribute Recognition for Pedestrian with Joint Recurrent Learning." In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. California: International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/441.
Повний текст джерелаАнотація:
Pedestrian attributes recognition is to predict attribute labels of pedestrian from surveillance images, which is a very challenging task for computer vision due to poor imaging quality and small training dataset. It is observed that semantic pedestrian attributes to be recognised tend to show semantic or visual spatial correlation. Attributes can be grouped by the correlation while previous works mostly ignore this phenomenon. Inspired by Recurrent Neural Network (RNN)'s super capability of learning context correlations, this paper proposes an end-to-end Grouping Recurrent Learning (GRL) model that takes advantage of the intra-group mutual exclusion and inter-group correlation to improve the performance of pedestrian attribute recognition. Our GRL method starts with the detection of precise body region via Body Region Proposal followed by feature extraction from detected regions. These features, along with the semantic groups, are fed into RNN for recurrent grouping attribute recognition, where intra group correlations can be learned. Extensive empirical evidence shows that our GRL model achieves state-of-the-art results, based on pedestrian attribute datasets, i.e. standard PETA and RAP datasets.
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Li, Haoming, Xinzhuo Lin, Yang Zhou, Xiang Li, Yuchi Huo, Jiming Chen, and Qi Ye. "Contact2Grasp: 3D Grasp Synthesis via Hand-Object Contact Constraint." In Thirty-Second International Joint Conference on Artificial Intelligence {IJCAI-23}. California: International Joint Conferences on Artificial Intelligence Organization, 2023. http://dx.doi.org/10.24963/ijcai.2023/117.
Повний текст джерелаАнотація:
3D grasp synthesis generates grasping poses given an input object. Existing works tackle the problem by learning a direct mapping from objects to the distributions of grasping poses. However, because the physical contact is sensitive to small changes in pose, the high-nonlinear mapping between 3D object representation to valid poses is considerably non-smooth, leading to poor generation efficiency and restricted generality. To tackle the challenge, we introduce an intermediate variable for grasp contact areas to constrain the grasp generation; in other words, we factorize the mapping into two sequential stages by assuming that grasping poses are fully constrained given contact maps: 1) we first learn contact map distributions to generate the potential contact maps for grasps; 2) then learn a mapping from the contact maps to the grasping poses. Further, we propose a penetration-aware optimization with the generated contacts as a consistency constraint for grasp refinement. Extensive validations on two public datasets show that our method outperforms state-of-the-art methods regarding grasp generation on various metrics.
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Meleško, Jaroslav. "ROBUST AUGMENTED REALITY SYSTEM." In Inžinerinė grafika ir projektavimas. Informacinių technologijų sauga ir informacinės sistemos. VGTU Technika, 2016. http://dx.doi.org/10.3846/itsis.2016.09.
Повний текст джерелаАнотація:
I developed an augmented reality system based on Hough transform to transcend limitations of popular Augmented Reality libraries such as ArUco. The purpose of the system is to project a digital image on to a real canvas, merging digital and traditional artistic media for ease of art production and practice. The technological challenges were identified in fiducial marker based prototype and overcome in the Hough transform based system are as follows: need for a printed marker, imprecision and weakness to occlusion. The developed software based on Hough transform works with any standard sheet of paper (A4, A3 formats). The system projects a photograph directly on to canvas or paper and automatically rotates and fits the image within the canvas. It is also resistant to occlusion, such as a hand on top of the canvas or canvas that is not fully within the frame. Resistance to small scale noise is achieved thought Hough transform and large occlusions are overcome by a line averaging algorithm. The software has shown 14% better performance than analogical ArUco library based software.
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Shi, Wei, Weihong Li, Bo Shi, Xueying Li, Jing Ren, and Hongde Jiang. "Uncertainty Quantification of Conjugate Heat Transfer of a Cooled Turbine Vane: Roughness Effect." In ASME Turbo Expo 2017: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/gt2017-63837.
Повний текст джерелаАнотація:
HP turbine usually works in complex operation conditions and subjects to strong temperature variability and thermal gradients. For these reasons, some small variations caused by manufacturing process and operation conditions will yield great effect on the heat transfer performance and the life of hot components. UQ is a state of the art that seeks to provide a framework for calculating the effects of input parameter uncertainty on model output variables. This study presents an investigation of the uncertainty quantification (UQ) of conjugate heat transfer of a typical high load HP cooled turbine vane, considering the influence of total inlet temperature, turbulence intensity and different surface roughness level. The non-intrusive Probabilistic Collocation Method, integrated with sparse grid quadrature has been used in the UQ analysis. The scaled sensitivity analysis is also carried out to assess the influence of each input uncertainty on the output response. The UQ analysis implies that the increasing of surface roughness will enlarge uncertainty of metal wall temperature. As a result, it needs to amplify the safety margin coefficient in order to assess the turbine guide vane surface temperature distribution and service life.
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Guo, Yuchen, Guiguang Ding, Jungong Han, Hang Shao, Xin Lou, and Qionghai Dai. "Zero-shot Learning with Many Classes by High-rank Deep Embedding Networks." In Twenty-Eighth International Joint Conference on Artificial Intelligence {IJCAI-19}. California: International Joint Conferences on Artificial Intelligence Organization, 2019. http://dx.doi.org/10.24963/ijcai.2019/337.
Повний текст джерелаАнотація:
Zero-shot learning (ZSL) is a recently emerging research topic which aims to build classification models for unseen classes with knowledge from auxiliary seen classes. Though many ZSL works have shown promising results on small-scale datasets by utilizing a bilinear compatibility function, the ZSL performance on large-scale datasets with many classes (say, ImageNet) is still unsatisfactory. We argue that the bilinear compatibility function is a low-rank approximation of the true compatibility function such that it is not expressive enough especially when there are a large number of classes because of the rank limitation. To address this issue, we propose a novel approach, termed as High-rank Deep Embedding Networks (GREEN), for ZSL with many classes. In particular, we propose a feature-dependent mixture of softmaxes as the image-class compatibility function, which is a simple extension of the bilinear compatibility function, but yields much better results. It utilizes a mixture of non-linear transformations with feature-dependent latent variables to approximate the true function in a high-rank way, which makes GREEN more expressive. Experiments on several datasets including ImageNet demonstrate GREEN significantly outperforms the state-of-the-art approaches.