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Добірка наукової літератури з теми "James I Stuart"

Автор: Grafiati

Опубліковано: 11 березня 2023

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Статті в журналах з теми "James I Stuart"

Corp, Edward. "STUART AND STUARDO: JAMES III AND HIS NEAPOLITAN COUSIN." Papers of the British School at Rome 83 (September 16, 2015): 221–43. http://dx.doi.org/10.1017/s0068246215000094.

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King Charles II's first illegitimate son, the little-known Jacques de La Cloche, married a lady in Naples and had a posthumous son, born in 1669 and known as Don Giacomo Stuardo. Although his father was illegitimate and he himself a Catholic, Stuardo hoped that he might one day become King of England. The Glorious Revolution resulted in opposition between supporters of the Protestant Succession to the British thrones and supporters of the exiled Catholic Stuarts, James II and then his son James III. When the Protestant Queen Anne was succeeded by the unpopular Hanoverian George I in 1714, James III was still unmarried and had no children, so Stuardo hoped that James might recognize him as the Jacobite heir. When James married and had two sons, Stuardo hoped that his cousin would at least receive him as a Stuart prince. All his attempts to meet James III and secure recognition were unsuccessful, and he died disappointed and in poverty in about 1752. In the tercentenary of the Hanoverian Succession, enough archival information finally has emerged to provide a study of the life of this alternative claimant to the British thrones.

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Wright, John. "Ndukwana kaMbengwana as an Interlocutor on the History of the Zulu Kingdom, 1897–1903." History in Africa 38 (2011): 343–68. http://dx.doi.org/10.1353/hia.2011.0018.

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In the six years from October 1897 to October 1903, Ndukwana kaMbengwana engaged in scores of conversations in numerous different locations with magistrate James Stuart about the history and culture of the nineteenth-century Zulu kingdom. In the 1880s Ndukwana had been a lowranking official in the native administration of Zululand; at an unknown date before late 1900 he seems to have become Stuart's personalindunaor “headman,” to give a common English translation. Stuart's handwritten notes of these conversations, as archived in the James Stuart Collection, come to a total of 65,000 to 70,000 words. As rendered in volume 4 of theJames Stuart Archive, published in 1986, these notes fill 120 printed pages, far more than the testimonies of any other of Stuart's interlocutors except Socwatsha kaPhaphu. From 1900, Ndukwana was also present during many of Stuart's conversations with other individuals.In the editors' preface to volume 4 of theJames Stuart Archive, after drawing attention to the length of Ndukwana's testimony, Colin Webb and I wrote as follows:Since these were the early years of Stuart's collecting career, it is probable that Ndukwana exercised a considerable influence on the presuppositions about Zulu society and history which Stuart took with him into his interviews. No less likely, however, is the reverse possibility that Ndukwana in turn became a repository of much of the testimony he heard while working with Stuart, and that, increasingly over the years, the information which he supplied would have been a fusion of data and traditions from a variety of sources.

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Kanemura, Rei. "Kingship by Descent or Kingship by Election? The Contested Title of James VI and I." Journal of British Studies 52, no. 2 (April 2013): 317–42. http://dx.doi.org/10.1017/jbr.2013.55.

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AbstractThroughout the reign of Elizabeth I, a steady stream of tracts appeared in English print to vindicate the succession of the most prominent contenders, Mary and James Stuart of Scotland. This article offers a comprehensive account of the polemical battle between the supporters and opponents of the Stuarts, and further identifies various theories of English kingship, most notably the theory of corporate kingship, developed by the Stuart polemicists to defend the Scottish succession. James's accession to the English throne in March 1603 marked the protracted end of the debate over the succession. The article concludes by suggesting that, while powerfully renouncing the opposition to his succession, over the course of his attempt to unify his two kingdoms, James and his supporters ultimately departed from the polemic of corporate kingship, for a more assertive language of kingship by natural and divine law.

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Wright, John. "Making the James Stuart Archive." History in Africa 23 (January 1996): 333–50. http://dx.doi.org/10.2307/3171947.

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Since the first of its volumes appeared in 1976, the James Stuart Archive of Recorded Oral Evidence Relating to the History of the Zulu and Neighbouring Peoples has become well known to students of the precolonial history of southern Africa generally, and of the Natal-Zululand region in particular. The four volumes, edited by Colin Webb and myself, which were published by the University of Natal Press between 1976 and 1986, have become a major source of evidence for students of the history of African communities in the region from the late eighteenth to the early twentieth centuries.Although the various volumes have been reviewed in a number of international academic journals, the Stuart Archive is still, I suspect, little known outside the ranks of historians of southern Africa. The hiatus that has occurred in the process of publication since volume 4 came out has not helped in drawing the series to the attention of a wider circle of scholars. In writing this paper, one of my aims is to bring the existence of the Stuart Archive to the attention of Africanists at a time when work on the projected three volumes which still remain to be published is about to resume.Another and more specific aim is to outline the nature of the processes by which the Stuart Archive was brought into existence, in order to underscore for users and potential users the need to use it critically as a source of evidence.

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Silva, Evander Ruthieri da. "narradores africanos de James Stuart." Afro-Ásia, no. 66 (February 3, 2023): 273–315. http://dx.doi.org/10.9771/aa.v0i66.48637.

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O artigo trata dos testemunhos de Socwatsha kaPhaphu e Baleka kaMpitikazi registrados pelo administrador colonial James Stuart, na Colônia de Natal e na Zululândia (atualmente partes da África do Sul) entre as décadas de 1890 e 1920, com ênfase nas memórias referentes à consolidação do centro de poder zulu, no início do século XIX. A documentação analisada pode ser considerada a partir da noção de “zonas de contato” (expressão de Mary Louise Pratt) para demarcar as dimensões interativas dos encontros coloniais, mesmo em discursos construídos com o fito de reforçar distinções entre “colonizadores” e “colonizados”. A despeito do enquadramento da memória promovido por Stuart, comprometido com os meandros da elaboração de políticas coloniais de tratamento à população “nativa”, os testemunhos evidenciam a reelaboração do passado a partir da memória e da oralidade, em especial, os diferentes alinhamentos de poder e estratégias políticas empreendidas por suas comunidades no contexto de expansão do poder zulu.

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Thompson, Paul S. "A Critical Analysis of James Stuart’s A History of the Zulu Rebellion 1906." History in Africa 41 (February 26, 2014): 195–220. http://dx.doi.org/10.1017/hia.2014.3.

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AbstractJames Stuart was employed by the Natal government to make a “compilation” describing British military operations against a Zulu insurrection in 1906, but he took so long to complete the work that it was published in 1913 with private funds and included a discussion of the event’s aftermath. In this critical analysis of Stuart’s work, emphasis is placed on the long process of its compilation and writing as well as Stuart’s use of sources, and the internal coherence of his argument.

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Ripoli, Mariangela. "The Return of James Mill." Utilitas 10, no. 1 (March 1998): 105–21. http://dx.doi.org/10.1017/s0953820800006026.

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This paper argues that James Mill is worthy of greater study than he now receives. It outlines the course of scholarship on James Mill, and considers various hypotheses to explain the decline of interest in his writings. Two examples, in education and penal theory, are presented of cases in which James Mill's views differed significantly from Bentham's, and anticipated those of John Stuart Mill.

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Bristol, Kerry. "A Newly-Discovered Drawing by James Stuart." Architectural History 44 (2001): 39. http://dx.doi.org/10.2307/1568732.

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Jenkyns, R. "James "Athenian" Stuart: The Rediscovery of Antiquity." Common Knowledge 14, no. 3 (October 1, 2008): 501. http://dx.doi.org/10.1215/0961754x-2008-027.

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Spencer, S. "James "Athenian" Stuart and the Greek Revival." Eighteenth-Century Life 33, no. 3 (August 4, 2009): 127–41. http://dx.doi.org/10.1215/00982601-2009-006.

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Дисертації з теми "James I Stuart"

Haslem, Michelle. "Familial politics and the Stuart court masque." Thesis, University of Liverpool, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367810.

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This thesis contends that the monarch-centred view of the masque, which has prevailed since the publication in the 1960s and 1970s of Stephen Orgel's seminal works on the genre, needs to be challenged in the light of recent scholarship on the cultural agency of other members of the royal family. In my introduction I argue that while the New Historicism has been crucial in elucidating the theatricalization of power in the early Stuart court, its insistence on the inevitability of the collusion between art and sovereign power needs to be questioned. The masque has long been seen as a monolithic and univocal celebration of monarchical power, despite the fact that it was promoted at court not by King James but by other members of the royal family. Adopting a loosely chronological approach, this thesis retells the story of the 'Jacobean' court masque by recovering the role played in the commissioning and performance of masques by James's wife, his children, and his male favourites. The chapters set out to hear voices other than that of the King, and discover that, while panegyric was part of each masque, it was rarely as unequivocal as traditional criticism has suggested. On the contrary, the annual masques were frequently appropriated to express the oppositional agendas of factions at court, and above all, of members of James's own family. I argue that Queen Anne set a precedent for the disruptive use of the masque which she exploited to present herself as independent from the King, and to emphasise her importance as the mother of the royal children. Prince Henry, and later Prince Charles, both used the masque to contest the pacifist policies of the King, while Buckingham's success as a favourite was linked to his skilful exploitation of the masques as an integral part of his self-fashioning. Above all by shifting the focus away from King James to consider the more active participation in the masque of other members of the royal family, this thesis offers a possibility of moving beyond the current impasse of the subversion / containment debate to a more nuanced reading of the culture of the early Stuart court which recognises the delicate process of negotiation and accommodation in which the masquers and their audiences were engaged.

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Stevenson, Kyle. "From Medieval to Modern Union: The Development of the British State between the Union of the Crowns of 1603 and the Acts of Parliament in 1707." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/13326.

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Empirical studies in the sub-field of European state-building within political science have centered on material or institutional explanations for the development of the modern state. These cross-case analyses ignore key distinctions amongst cases, such as the importance of ideational factors in the modernizing process. This case study of the development of the British state looks at how changes in the conceptualization of the state and the nature of constitutionalism evolved over the course of the 17th century through the political writings of several influential theorists. This evolutionary process highlights distinctions in British constitutionalism between the personalist Union of the Crowns and the constitutionalist parliamentary Acts of Union. This study concludes with a discussion of the Scottish independence movement and the possible effects of the 2014 referendum on the British state.

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Bristol, Kerry A. C. "James 'Athenian' Stuart (1713-1788) and the genesis of the Greek Revival in British architecture." Thesis, Courtauld Institute of Art (University of London), 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.299166.

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Doyle, Kerry Delaney. "Agnostos Dei: staging Catholicism and the anti-sectarian aesthetic in early-Stuart England." Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/1589.

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My dissertation, Agnostos Dei: Staging Catholicism and the Anti-Sectarian Aesthetic in Early-Stuart England, traces over four chapters the emergence of a literary counter-aesthetic to the increasingly violent sectarianism of Post-Reformation England. I focus primarily on popular plays that dramatize the destabilizing effects of radical beliefs on a society, whether small town or royal court, culminating in blood and exile. I argue that the plays' destructive conflicts and redemptive moments suggest the potential worth of cross-sectarian belief and ritual. In doing so, John Fletcher's The Faithfull Shepherdess (1608), William Shakespeare and John Fletcher's Henry VIII (1613), Dekker, Ford, and Rowley's The Witch of Edmonton (1621), and John Ford's `Tis Pity She's a Whore (1629) participate in an aesthetic that rejects the disunity promoted by radical sectarians and revises the rhetoric of English Protestantism. Kings James and Charles promoted, ultimately unsuccessfully, a via media (middle way) for the Church of England, seeking reunification of divergent Christian sects. At the same time, these works used the theatre as a space of free play to consider the possibility of ecumenical success in fictionalized worlds removed from the clashing rhetoric of real kings and clergy. My project responds to the revitalized return to religion in the scholarship of early modern England, which has included a renewed interest in the English Catholic experience and a reconsideration of the variety of believers within the nation, loosely grouped into categories like Puritans and High Church Anglicans. My work presents a correlative- and counter-narrative to these well-established readings. I consider the historical and literary analogues of the plays and the contemporary religiopolitical realities of the times of their staging. Rather than attempting to discover crypto-sectarian messages in the tales or intentions of the playwrights behind them, I argue that such categorizations can reduce and obscure the broader, ecumenical implications of these works. In speaking to a range of sectarian audiences, these playwrights exceed the limitations of clear affiliation to address a wider Christian possibility.

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Salazar, Gregory Adam. "Daniel Featley and Calvinist conformity in early Stuart England." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/278216.

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This thesis examines the life and works of the English Calvinist clergyman Daniel Featley (1582-1645) through the lens of various printed and manuscript sources, especially his manuscript notebooks in Oxford. It links his story and thought to the broader themes of early Stuart religious, political, and intellectual history. Chapter one analyses the first thirty- five years of Featley’s life, exploring how many of the features that underpin the major themes of Featley’s career—and which reemerged throughout his life—were formed and nurtured during Featley’s early years in Oxford, Paris, and Cornwall. There he emerges as an ambitious young divine in pursuit of preferment; a shrewd minister, who attempted to position himself within the ecclesiastical spectrum; and a budding polemicist, whose polemical exchanges were motivated by a pastoral desire to protect the English Church. Chapter two examines Featley’s role as an ecclesiastical licenser and chaplain to Archbishop George Abbot in the 1610s and 1620s. It offers a reinterpretation of the view that Featley was a benign censor, explores how pastoral sensitivities influenced his censorship, and analyses the parallels between Featley’s licensing and his broader ecclesiastical aims. Moreover, by exploring how our historiographical understandings of licensing and censorship have been clouded by Featley’s attempts to conceal that an increasingly influential anti- Calvinist movement was seizing control of the licensing system and marginalizing Calvinist licensers in the 1620s, this chapter (along with chapter 7) addresses the broader methodological issues of how to weigh and evaluate various vantage points. Chapters three and four analyse the publications resulting from Featley’s debates with prominent Catholic and anti-Calvinist leaders. These chapters examine Featley’s use of patristic tradition in these disputes, the pastoral motivations that underpinned his polemical exchanges, and how Featley strategically issued these polemical publications to counter Catholicism and anti-Calvinism and to promulgate his own alternative version of orthodoxy at several crucial political moments during the 1620s and 1630s. Chapter five focuses on how, in the 1620s and 1630s, the themes of prayer and preaching in his devotional work, Ancilla Pietatis, and collection of seventy sermons, Clavis Mystica, were complementary rather than contradictory. It also builds on several of the major themes of the thesis by examining how pastoral and polemical motivations were at the heart of these works, how Featley continued to be an active opponent—rather than a passive bystander and victim—of Laudianism, and how he positioned himself politically to avoid being reprimanded by an increasingly hostile Laudian regime. Chapter six explores the theme of ‘moderation’ in the events of the 1640s surrounding Featley’s participation at the Westminster Assembly and his debates with separatists. It focuses on how Featley’s pursuit of the middle way was both: a self-protective ‘chameleon- like’ survival instinct—a rudder he used to navigate his way through the shifting political and ecclesiastical terrain of this period—and the very means by which he moderated and manipulated two polarized groups (decidedly convictional Parliamentarians and royalists) in order to reoccupy the middle ground, even while it was eroding away. Finally, chapter seven examines Featley’s ‘afterlife’ by analysing the reception of Featley through the lens of his post-1660 biographers and how these authors, particularly Featley’s nephew, John Featley, depicted him retrospectively in their biographical accounts in the service of their own post-restoration agendas. By analysing how Featley’s own ‘chameleon-like’ tendencies contributed to his later biographers’ distorted perception of him, this final chapter returns to the major methodological issues this thesis seeks to address. In short, by exploring the various roles he played in the early Stuart English Church and seeking to build on and contribute to recent historiographical research, this study sheds light on the links between a minister’s pastoral sensitivities and polemical engagements, and how ministers pursued preferment and ecclesiastically positioned themselves, their opponents, and their biographical subjects through print.

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Cueto, Marcos. "LOCKHART, James y SCHWARTZ, Stuart B. Early LatinAmerica. Cambridge, Cambridge University Press, 1983.480 p. Mapas, cuadros, gráficos, bibliografía." Pontificia Universidad Católica del Perú, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/121914.

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Paul, Juliette. "The manuscript presentation volume of Jane Barker and her imaginative Catholic faith." Diss., Columbia, Mo. : University of Missouri-Columbia, 2006. http://hdl.handle.net/10355/5913.

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Thesis (M.A.)--University of Missouri-Columbia, 2006.
The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on August 30, 2007) Includes bibliographical references.

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Taylor, James Mark [Verfasser], Stuart S. P. [Gutachter] Parkin, Ingrid [Gutachter] Mertig, and Günter [Gutachter] Reiss. "Epitaxial thin films of the noncollinear antiferromagnets Mn3Ir and Mn3Sn for topological spintronic applications / James Mark Taylor ; Gutachter: Stuart S. P. Parkin, Ingrid Mertig, Günter Reiss." Halle (Saale) : Universitäts- und Landesbibliothek Sachsen-Anhalt, 2020. http://d-nb.info/1219508276/34.

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Strong, Edward Trowbridge. ""The Jaws of Mars are Traditionally Wide ... And His Appetite Is Insatiable": Truman, the Budget, and National Security." Miami University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1564568978026948.

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Brown, Morgan Alexander. "The Pleiadic Age of Stuart Poesie: Restoration Uranography, Dryden's Judicial Astrology, and the Fate of Anne Killigrew." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/77.

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The following Thesis is a survey of seventeenth-century uranography, with specific focus on the use of the Pleiades and Charles's Wain by English poets and pageant writers as astrological ciphers for the Stuart dynasty (1603-1649; 1660-1688). I then use that survey to address the problem of irony in John Dryden's 1685 Pindaric elegy, "To the Pious Memory of Mrs. Anne Killigrew," since the longstanding notion of what the Pleiades signify in Dryden's ode is problematic from an astronomical and astrological perspective. In his elegiac ode, Dryden translates a young female artist to the Pleiades to actuate her apotheosis, not for the sake of mere fulsome hypberbole, but in such a way that Anne (b. 1660-d. 1685) signifies for the reign of Charles II (1660-1685) in her Pleiadic catasterism. The political underpinnings of Killigrew's apotheosis reduce the probability that Dryden's hyperbole reserves pejorative ironic potential.

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Книги з теми "James I Stuart"

Greene, Meg. James Ewell Brown Stuart: Confederate general. Philadelphia: Chelsea House Publishers, 2002.

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Gilbert, Stuart. Reflections on James Joyce: Stuart Gilbert's Paris journal. Austin: University of Texas Press, Austin, 1993.

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Weber, Soros Susan, Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture., and Victoria and Albert Museum, eds. James 'Athenian' Stuart, 1713-1788: The rediscovery of antiquity. New Haven, CT: Yale University Press, 2007.

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Sweeney, Tony. Irish Stuart silver: A short descriptive catalogue of surviving Irish church, civic, ceremonial & domestic plate dating from the reigns of James I, Charles I, the Commonwealth, Charles II, James II, William & Mary, William III & Queen Anne, 1603-1714. Dublin: Éamonn de Búrca for Edmund Burke Publisher, 1995.

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Soros, Susan Weber. James "Athenian" Stuart, 1713-1788: The rediscovery of antiquity : gallery guide. Edited by Arbuthnott Catherine and Bard Graduate Center of Studies in the Decorative Arts, Design, and Culture. New Haven: Bard Graduate Center for Studies in the Decorative Arts, Design and Culture, 2006.

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Charles Edward Stuart: A tragedy in many acts. Oxford: Oxford University Press, 1991.

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James and John Stuart Mill: Father and son in the nineteenth century. New Brunswick, USA: Transaction Books, 1988.

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C, Woosnam-Savage Robert, Glasgow Museums, and National Army Museum, eds. 1745: Charles Edward Stuart and the Jacobites. Edinburgh: HMSO, 1995.

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Australian Centre for Contemporary Art., ed. NEW05: Mutlu Çerkez, Destiny Deacon, Mira Gojak, James Lynch, Stuart Ringholt, Kathy Temin. Southbank, Vic: Australian Centre for Contemporary Art, 2005.

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Stuart, Wade, ed. Drop us a line-- sucker!: The prank letters of James and Stuart Wade. New York: Carroll & Graf Publishers, 1995.

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Частини книг з теми "James I Stuart"

Lockyer, Roger, and Peter Gaunt. "James I: Finance and religion." In Tudor and Stuart Britain 1485–1714, 295–318. Fourth edition. | Abingdon, Oxon ; New York, NY: Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9780429459856-11.

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Lockyer, Roger, and Peter Gaunt. "James I: the law and Parliament." In Tudor and Stuart Britain 1485–1714, 319–43. Fourth edition. | Abingdon, Oxon ; New York, NY: Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9780429459856-12.

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Fincham, Kenneth, and Peter Lake. "The Ecclesiastical Policies of James I and Charles I." In The Early Stuart Church, 1603–1642, 23–49. London: Macmillan Education UK, 1993. http://dx.doi.org/10.1007/978-1-349-22771-6_2.

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Yeomans, David, Jason M. Kelly, and Frank Salmon. "James “Athenian” Stuart and the Geometry of Setting Out." In Geometrical Objects, 281–312. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-05998-3_12.

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Lockyer, Roger, and Peter Gaunt. "James II, the Glorious Revolution and the reign of William III." In Tudor and Stuart Britain 1485–1714, 523–60. Fourth edition. | Abingdon, Oxon ; New York, NY: Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9780429459856-19.

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"James II, 1685–8." In Stuart England, 192–206. Routledge, 2002. http://dx.doi.org/10.4324/9780203067017-16.

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"James I, 1603–25." In Stuart England, 36–57. Routledge, 2002. http://dx.doi.org/10.4324/9780203067017-6.

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Stevenson, Elizabeth. "Settlers: James and Granville Stuart." In Figures in a Western Landscape, 53–61. Routledge, 2017. http://dx.doi.org/10.4324/9780203791912-5.

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"Jesse Stuart." In Writing Appalachia, edited by Katherine Ledford and Theresa Lloyd, 232–40. University Press of Kentucky, 2020. http://dx.doi.org/10.5810/kentucky/9780813178790.003.0033.

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Jesse Stuart was born in northeastern Kentucky’s Greenup County. His parents, hard-working tenant farmers, instilled in him and his four siblings a drive for education, a poignant emphasis given his father’s illiteracy and his mother’s second-grade education. Stuart graduated from Lincoln Memorial University with a BA in 1929, making friends while there with Don West and James Still. At Vanderbilt University, where he attended graduate school in 1931–1932, Stuart studied with influential southern writers and critics such as Donald Davidson, who also taught Appalachian authors Mildred Haun and Jim Wayne Miller. After graduate school, Stuart returned to Greenup to work as an educator and author....

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Bellany, Alastair. "Writing the King’s Death." In Stuart Succession Literature, 37–59. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198778172.003.0003.

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The writing produced around the succession of Charles I in 1625 was dominated by discussion of the life and death of his father, James I. Focusing on a range of texts about James I’s death and funeral—James Shirley’s poem on the king’s ritualized lying-in-state, John Williams’s funeral sermon for the king in Westminster Abbey, Abraham Darcie’s engraved memorial broadside, and George Eglisham’s infamous secret history of James’s murder—this chapter explores how panegyric succession writing was shaped and undermined by significant tensions within early Stuart political culture—about religion and monarchy, kings and court favourites, domestic and foreign policy, and royal authority and the public sphere.

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