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Добірка наукової літератури з теми "Italian twentieth century"

Автор: Grafiati

Опубліковано: 28 вересня 2022

Оновлено: 22 жовтня 2022

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Статті в журналах з теми "Italian twentieth century"

1

Pace-Jordan, Rosetta Di, and Alba Amoia. "Twentieth-Century Italian Women Writers." World Literature Today 71, no. 2 (1997): 368. http://dx.doi.org/10.2307/40153106.

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2

Vitti-Alexander, Maria Rosaria, John Picchione, and Lawrence R. Smith. "Twentieth-Century Italian Poetry: An Anthology." Modern Language Journal 78, no. 3 (1994): 402. http://dx.doi.org/10.2307/330138.

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3

Carle, Barbara, John Picchione, and Lawrence R. Smith. "Twentieth-Century Italian Poetry: An Anthology." Italica 72, no. 3 (1995): 419. http://dx.doi.org/10.2307/479743.

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4

Carle, Barbara, and Catherine O'Brien. "Italian Women Poets of the Twentieth Century." Italica 76, no. 2 (1999): 251. http://dx.doi.org/10.2307/479759.

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5

Farina, Luciano F., Giuseppe Savoca, Maria Caterina Paino, and Alida D'Aquino. "A New Dictionary of Twentieth Century Italian Poetry." Italica 74, no. 4 (1997): 576. http://dx.doi.org/10.2307/479485.

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6

Rishoi, N. "Two Preeminent Italian Sopranos of the Twentieth Century." Opera Quarterly 16, no. 4 (January 1, 2000): 668–73. http://dx.doi.org/10.1093/oq/16.4.668.

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7

Signorelli-Pappas, Rita. "The FSG Book of Twentieth-Century Italian Poetry." World Literature Today 86, no. 5 (2012): 72. http://dx.doi.org/10.1353/wlt.2012.0195.

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8

De Angeli, Aglaia. "Italian land auctions in Tianjin: Italian colonialism in early twentieth-century China." Journal of Modern Italian Studies 15, no. 4 (September 2010): 557–72. http://dx.doi.org/10.1080/1354571x.2010.501976.

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9

Shacklock, Vincent, and David Mason. "Survey and Investigation of a Twentieth-Century Italian Garden." Garden History 23, no. 1 (1995): 113. http://dx.doi.org/10.2307/1587015.

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10

Liberatori Prati, Elisa Vittoria. "Book Review: Italian Women Poets of the Twentieth Century." MLN 113, no. 1 (1998): 252–53. http://dx.doi.org/10.1353/mln.1998.0004.

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Дисертації з теми "Italian twentieth century"

1

Feltrin-Morris, Marella. "Hanging by a thread marionette figures in twentieth-century Italian literature /." Diss., Online access via UMI:, 2005.

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2

Taviano, Stefania. "Italians on the twentieth century stage : theatrical representations of Italianness in the English speaking world." Thesis, University of Warwick, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.247985.

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3

Paoli, Caterina. "Greek tragedy in twentieth-century Italian literature : the poetic translations of Camillo Sbarbaro and Giovanna Bemporad." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:e817afb9-621b-466e-93a3-5a20a5458340.

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Анотація:

This thesis deals with poetic translations of Greek tragedy in twentieth-century Italian literature, aiming to intertwine the discourse on poetics with the practice of translation and, in particular, exploring specimens of translations from the Greek tragedies of two twentieth-century Italian authors: Camillo Sbarbaro (1888-1967) and Giovanna Bemporad (1923-2013). Firstly, I locate Sbarbaro's and Bemporad's poetic translations within the Italian cultural scene of their times and discuss the role of poet-translators within the wider debate on the reception of Greek tragedy. Secondly, I analyse Sbarbaro and Bemporad's translation methodologies. Thirdly, I trace the impact of translations on their poetic works, unveiling the profound influence of Greek tragedy on Sbarbaro's and Bemporad's poetic discourse. Through textual and stylistic analysis, archival research and examination of their collected letters, my research shows the fundamental role of the translations of Greek tragedy in these authors' poetic trajectories. While the thesis deals exclusively with Greek tragedy, I must note that the translations of Greek tragedies are but specific instances of the two poets' wider and systematic relationship with classical literature as a whole. In light of this, I consider the pedagogical commitment of these poets as being at the heart of their relationship with the Classics. Through an analysis of their experiences as teachers of Classics, which intensified while they translated Greek tragedy, I uncover an aspect of their thought on the relationship between the Classics and poetry which so far has remained unknown. My analysis of their translations of Greek tragedies reveals Sbarbaro's and Bemporad's intense negotiations with the Classics - shedding light on their poetics and asserting their key role in education.

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4

Hiller, Jonathan Robert. "Bodies that tell physiognomy, criminology, race and gender in late nineteenth- and early twentieth-century Italian literature and opera /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1835144651&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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5

Figueredo, Dheisson Ribeiro. "Tensões e ambivalências no Canzoniere de Umberto Saba." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-28092010-153733/.

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Анотація:

Esta dissertação tenciona fazer uma leitura da obra Il Canzoniere, de Umberto Saba, com base na linha tensiva descendente que se inicia na coletânea Trieste e una donna (1910-1912), e cujo ponto de menor temperatura é Cose leggere e vaganti (1920). Procuramos focar nossa leitura nas tensões e ambivalências que perpassam a produção poética do triestino nesse período. Desse modo, o trabalho está estruturado em três capítulos: no primeiro, centramos atenção em Trieste e una donna e tentamos compreender como se estabelece a relação de confluencia entre o eu-lírico e o sensível, como busca de apreensão da elementaridade das coisas e conseqüente aceitação da vida em toda sua variedade; no segundo, tratamos de La serena disperazione(1913-1915) e Poesie scritte durante la guerra (1917), mantendo o foco na dinâmica entre permanência e ruptura, e tendo como base os motivos da tentativa de recuperação de recursos usados em coletâneas anteriores; no terceiro, abordamos Cose leggere e vaganti, com vistas a tentar entender a aparente leveza que perpassa a coletânea, e mostrar como, em última instância, subjaz nela a oposição entre peso e leveza. Com o presente trabalho, procuramos evidenciar, assim, que a linha descendente de tensão estaria, em última instância, associada à tentativa de fuga da dor e do sofrimento.
This dissertation intends to read the work Il Canzoniere, by Umberto Saba, based on the tensed descendent line which begins with the collection Trieste e una donna, and which point of lower temperature is Cose leggere e vaganti. We sought to focus our reading in the tensions and the ambivalence that go across the poetic production of the Triestian in such period. So, this work is structured in three chapters: on the first one, we centered the attention in Trieste e una donna and tried to understand how the confluent relation between the lyric-self and the sensory is established, as we seek to seize the elementary things and its consequent acceptance of life in all its variety; on the second one, we approached La serena disperazione and Poesie scritte durante la guerra, keeping the focus on the dynamics between permanence and rupture, being based on the motives to attempt the recall of the resources used in previous collections; on the third one, we approached Cose leggere e vaganti, in order to attempt to understand the apparent lightness which goes along the collection, and to show how, in a last stage, it is underlain the opposition between weight and lightness. Within this work, we seek to emphasize that the descendent tension line would be, in a last level, associated to the scape of pain and suffering.

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6

Capello, Francesco Lorenzo. "Ideologies and Representations of the City in Early Twentieth-Century Italian Literature: the Crepuscolari and the Vociani." Thesis, University of Leeds, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.490577.

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Анотація:

This thesis focuses on the representations of the city in the early twentieth-century literary works of two groups of Italian writers: the crepuscolari and the vociani. My analysis shows how the theme of the city is deeply connected with the conception of modernity of these authors. In particular, I focus, case by case, on the ways in which the representation of the the urbs (the physical city) reflects different approaches to the multifaceted modem civitas (understood as society, and sometimes more broadly as human companionship). . The quality of the urban depictions also appears to be linked to the different ways in which the authors conceived of the role and the value of poetry within the new capitalist society. The authors are analysed separately. This allows me to focus not only on the shared aspects of their approach to the city, but also on the autonomous developments of their poetics in this respect. The characteristics ofthe lyrical ios and their relationships with both the Other and temporality emerge as key parameters, in order to understand the significance of the city within the broader system of poetic objects of each writer. The Introduction addresses methodological issues. Chapters 1 and 2, which constitute the first part, provide a socio-economic; and a cultural and literary framework respectively. Chapter 2 also introduces the collective poetics of the vociani and the crepuscolari, and analyses the urban representations ofD'Annunzio, an important model for both groups. In the second part (Chapters 3 to 7), I analyse the urban poetics in the works of Fausto Maria Martini, Sergio Corazzini, Corrado Govoni, Guido Gozzano, Marino Moretti, Aldo Palazzeschi, Camillo Sbarbaro, Clemente Rebora, Giovanni Boine, Umberto Saba and Scipio Slataper.

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7

Ferguson, Christopher John. "Carlo Emilio Gadda as Catholic and 'man of science' : the case of Quer pasticciaccio brutto de via Merulana." Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/7545.

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Анотація:

The present study looks at the influence that two of the major cultural forces of the twentieth century had on the output of Carlo Emilio Gadda. It grew out of a search for ways of discussing Gadda and in particular his 1957 novel Quer pasticciaccio brutto de via Merulana that would be accessible to the widest possible audience. Ten chapters in length, the study treats first the influence that Christianity and in particular Italian Catholicism had on the avowedly atheist writer over five chapters, paying attention to the saints and holy places used in Gadda’s output, then moves on to consider the importance of his scientific training as an engineer and his interest in physics in the second half. Aside from examining the text of Quer pasticciaccio and other works such as Cognizione del dolore and La Madonna dei filosofi, I have used biographical information and in particular data gleaned from research in Gadda’s own personal library. The aims of the study are to introduce the reader unfamiliar with Gadda to his work, to offer a new framework by which the Gadda scholar may consider the Gran Lombardo, and to suggest new solutions to the unending puzzle that is Quer pasticciaccio.

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8

Zetter, Nathaniel Mark. "Warfare by other means : the rhetoric of war and sport in the twentieth century." Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/289758.

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This thesis identifies the existence and significance of a rhetorical gesture that has circulated widely since at least the nineteenth century: the comparison between war and sport. The introduction outlines the background for this rhetoric through a genealogy of the phrase, 'the battle of Waterloo was won on the playing fields of Eton', in nineteenth-century writing. Part one of the thesis examines the metaphors and cultural practices of energetics in European sporting life until the Second World War. The first chapter presents a cultural history of 'sporting aviation' between the Wright brothers' first European flight in 1908 and the declaration of war in 1914, arguing that the new technology of the aeroplane was initially understood through a tension between sporting and bellicose associations. The second chapter performs a close analysis of F.T. Marinetti's writings and Umberto Boccioni's paintings to reveal the role of sport in Italian Futurism and its significance for our understanding of its infamous glorification of warfare. Chapter three examines the militarist displays at the 1936 Olympic Games in Berlin and their enduring cultural legacy. Focusing on the role of crowds, rhythm is shown to be at the centre of how martial symbolism was embedded in the Games' sporting displays. Framing the transition into part two, the fourth chapter reads Georges Perec's use of the Olympics as an allegory for both the Second World War and the Holocaust in W, or the Memory of Childhood (1975) beside a number of post-war conceptualisations of 'play' and 'game'. The chapter identifies a re-organisation of the play concept according to an emerging concern with information, one which, in Perec, also articulates an alternative register for war's cultural memory. From here, the thesis' second part identifies the emergence of a metaphorical nexus of computation, war, and sport in post-war American culture. Chapter five argues that Don DeLillo's End Zone (1972) and David Foster Wallace's Infinite Jest (1996) satirise the logic of nuclear strategy by employing the formal properties of information theory in their language, collapsing the distinctions between war and sport when each is subjected to computational representation. The final chapter analyses the 'military shooter' videogame, and the new form of sport it has produced - 'e-sports' - considering these games as a material instantiation of the convergence between the discourses of military and sporting culture. Across the case studies presented in these six chapters, a transition is identified from metaphors concerned with war and sport's energetic qualities to those concerned with the processing and abstraction of war and sport as information. Rather than conceive of this transition as an epistemic break, however, the thesis identifies continuities across the principles to be found in cultural energetics and informatics.

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9

Santos, Jaqueline Araujo dos. "A alienação da figura feminina nos contos de Alberto Moravia." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-30042010-103426/.

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Анотація:

A partir de uma seleção de contos das obras neo-realistas Racconti romani e Nuovi racconti romani, o presente trabalho propõe um estudo do projeto ideológico do escritor Alberto Moravia através da análise de personagens femininas submetidas ao estado de alienação. A fim de sublinhar uma das principais temáticas do escritor, voltada para questões referentes ao capitalismo e a burguesia, analisam-se alguns contos em que as personagens femininas vivem situações problemáticas. Além disto, procura-se ressaltar a importância que estas figuras exercem na narrativa moraviana ao intermediarem problemas existenciais que desencadeiam as sensações de falimento existencial, desamparo e angústia.
Based on a selection of short stories from the neo-realistic literary works Racconti romani and Nuovi racconti romani, this paper proposes a study of the Alberto Moravias ideological Project through the analysis of his female characters who are submitted to an alienation state. In order to sublimate one of the authors main thematic towards issues about capitalism and bourgeoisie, short stories in which female characters. Moreover, it has been aimed to highlight the importance these figures exert within Moravians narrative by intermediating existential problems which initiate feelings of existential failure, abandonment and distress.

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10

Osti, Clementina. "Utopian identities : an enquiry into the cognitive and social function of cultural institutions : a case study of French, Italian and Spanish literary competitions in the twentieth century." Thesis, University of Cambridge, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.611207.

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Книги з теми "Italian twentieth century"

1

Italian women poets of the twentieth century. Dublin: Irish Academic Press, 1996.

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2

Ricciardelli, Michele. Writings on twentieth century Italian literature, 1964-1984. New York: Forum Italicum, 1992.

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3

A, Sensi Isolani Paola, and Tamburri Anthony Julian, eds. Italian Americans: A retrospective on the twentieth century. Lafayette, IN: American Italian Historical Association, 2001.

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4

Trudeau, Lawrence J., and Thomas J. Schoenberg. Twentieth-century literary criticism. Detroit, Mich: Gale, 2009.

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5

The FSG book of twentieth-century Italian poetry: An anthology. New York: Farrar, Straus and Giroux, 2012.

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6

Bregoli, Francesca, Carlotta Ferrara degli Uberti, and Guri Schwarz, eds. Italian Jewish Networks from the Seventeenth to the Twentieth Century. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-89405-8.

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7

After words: Suicide and authorship in twentieth-century Italy. Toronto: University of Toronto Press, 2011.

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8

Corporeal bonds: The daughter-mother relationship in twentieth century Italian women's writing. Toronto: University of Toronto Press, 2012.

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9

Healey, Robin. Twentieth-century Italian literature in English translation: An annotated bibliography, 1929-1997. Toronto: University of Toronto Press, 1998.

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10

La Grande Italia: The myth of the nation in the twentieth century. Madison, Wis: University of Wisconsin Press, 2009.

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Частини книг з теми "Italian twentieth century"

1

Caprara, Giovanni. "Early Twentieth Century Pioneers and Visionaries." In A History of the Italian Space Adventure, 29–49. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-73987-8_3.

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2

Willson, Perry. "Italian Women at the Dawn of the Twentieth Century." In Women in Twentieth-Century Italy, 4–23. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-12287-2_2.

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3

"Chapter Seven: The twentieth century." In Italian Music in Dakota, 197–234. Göttingen: V&R Unipress, 2017. http://dx.doi.org/10.14220/9783737006552.197.

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4

"Four Twentieth-Century Italian Poets." In Sappho to Valéry, 279–94. University of Arkansas Press, 1990. http://dx.doi.org/10.2307/j.ctvrdf290.15.

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5

"Acknowledgments." In Twentieth-Century Italian Poetry, edited by John Picchione, xxi—xxii. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442682801-001.

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"Foreword." In Twentieth-Century Italian Poetry, edited by John Picchione, xxiii—xxvi. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442682801-002.

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7

"Introduction." In Twentieth-Century Italian Poetry, edited by John Picchione, 1–18. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442682801-003.

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8

"GIOVANNI PASCOLI." In Twentieth-Century Italian Poetry, edited by John Picchione, 21–39. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442682801-004.

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9

"GABRIELE D'ANNUNZIO." In Twentieth-Century Italian Poetry, edited by John Picchione, 40–62. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442682801-005.

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"GUIDO GOZZANO." In Twentieth-Century Italian Poetry, edited by John Picchione, 65–85. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442682801-006.

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Тези доповідей конференцій з теми "Italian twentieth century"

1

Brusa, Enrica, and Chiara Stanga. "Architettura fortificata tra conservazione e riuso: i progetti di restauro novecenteschi del forte di Castelfranco a Finale Ligure." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11501.

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Анотація:

Fortified architecture between preservation and reuse strategies: the twentieth century restoration projects of Castelfranco in Finale LigureThe town of Finale Ligure, situated on the western coast of Liguria, was the site of the Del Carretto Marquisate until the sixteenth century. After that, it was under the control of the Spanish Crown (seventeenth century) and it has been an independent territory of the Republic of Genoa for a long time. The three castles were built on the top of Finale hills and they were the symbol of its independence. Gavone castle, established on the top of the historical town, has been the site of the Marquisate since the twelfth century. S. Giovanni castle was built by the Spanish in order to improve the town defensive system in the second half of the seventeenth century. Castelfranco, built by the Genoese in the fourteenth century, was rehashed many times by the Spanish and in the nineteenth century by the Savoia family. The three castles still recall these historical events and are therefore witnesses of the Finale present and past history. They are the result of the different transformations occurred over the centuries. In recent times, Castelfranco has been opened to the public and today it houses art exhibitions and cultural events. The restoration of the castle is the last step of a long-lasting rehabilitation project history that has been developed since the 1900s, when the Municipality suggested to turn it into a hotel. The article analyses the restoration projects of Castelfranco that have been carried out in the first half of the twentieth century, which had different methodologies and approaches. Though this study the article highlights the perception that the town had about the castle, identifying the changes in the balance between reuse and conservation strategies after the first Italian preservation laws.

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2

Jimenez Vicario, Pedro Miguel, and Amanda Cirera Tortosa. "La red social: del Ágora al Whatsapp." In International Conference Virtual City and Territory. Roma: Centre de Política de Sòl i Valoracions, 2014. http://dx.doi.org/10.5821/ctv.8034.

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En el Mediterráneo han coexistido dos importantes tradiciones urbanas, la ciudad clásica grecolatina y la ciudad islámica. El modo de habitar la ciudad, el uso de los espacios públicos y la naturaleza de las relaciones sociales difieren en ambos casos. El siglo XX ha supuesto un cambio trascendental en la forma de interacción social en la ciudad. Gracias a los avances tecnológicos, el espacio físico urbano convive ahora con un espacio virtual que nos permite interaccionar de una forma hasta hace solo unas décadas desconocida. Del Ágora al Whatsapp es la metáfora de la evolución de la red social tradicional de plazas y patios mediterráneos a la comunicación basada en las nuevas aplicaciones sociales a través de internet y las nuevas tecnologías. El resultado es el cambio de uso de los espacios físicos urbanos y su coexistencia con un nuevo espacio de comunicación. Este nuevo fenómeno fue anticipado por el Futurismo Italiano, Le Corbusier o Marshall McLuhan y su teoría de la aldea global Two importants traditions have coexisted in the Mediterranean, classical city and islamic city. The mode of live the city, the use of public spaces and the nature of social relations are different in both cases. The twentieth century has meant an important change in the way of social interaction in the city. Thanks to technological advances, the physical urban space coexists now with a new virtual space. From Agora to Whatsapp means the evolution of communication in mediterranean square and courtyard to communication based on a new social applications trough Internet and new technologies. This new phenomenon was anticipated by Italian Futurism, Le Corbusier or Marshall McLuhan and his theory of the global village.

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Mas, Vicente, and Giancarlo Cataldi. "Valencia: the territorial structures of the Roman city substratum." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5304.

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Authors: Giancarlo Cataldi. Via dei Rustici 8, 50122 Firenze +39 055295380 Vicente Mas Llorens. Plaza de José María Orense 5 pta. 2. +34 629629226. Keywords: Roman Valencia, substratum permanent structures, city planning, historical transformations Text abstract: The shape of the territory and the urban settlement of numerous Valencian cities were strongly conditioned by the original imprinting of Roman planning, characterized –as it is known- by large scale infrastructures, by settlements of orthogonal axes and by the allocation of the plot division into square modular divisions called centuriae. All the later interventions took necessarily into account such structures, which underwent numerous transformations over time, especially from the second half of the twentieth century. Then innovations and developments in modern technology contributed –more than in any other period– to neglect and override the traces of the original configuration. Territorial and urban research into Roman structures in the Italian peninsula has allowed the recognition of a sufficiently large number of plans, thus allowing the development of a complete general research method to read analogous structures in different Romanized territories. The authors now propose to apply this method to the territory of the Valencian Community. The rectilinear outline of Via Augusta with its forking side paths, the orthogonal signs of the agrarian fabric, the military milestones and the administrative divisions suggest, also in this case, the possibility of retracing the original pattern. Its structure could contribute, among other things, to explain the logic of the expansions outside the walls of the historic centre of Valencia that might otherwise seem arbitrary and meaningless.

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Lucchini, Marco, and Gaspar Jaen y Urban. "Barcelona and Milan: two cities one architecture: typological similarities in residential architecture from the 1950’s - 60’s." In Virtual City and Territory. Barcelona: Centre de Política de Sòl i Valoracions, 2016. http://dx.doi.org/10.5821/ctv.8050.

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The paper deals with mutual relationship between Barcelona and Milan concerning modernist architectural and urban design. Barcelona and Milano despite their different cities morphology and urban history, have similar characteristics. They can be easily recognized as they relates to many pieces of modern architecture constructed from the early fifties of the twentieth century, when the most significant architects of both cities entered into a friendly, intense and continuous contact. One could speak of a reciprocal fascination between architectural cultures of the two cities, especially as concerns the relationship between architectural design and urban morphology. This relationship was accomplished by means of three remarkable factors: the way a building is located in the urban space, the arrangement of the plan layout of each floor, and the aspects of the building referred to tectonic. The second one is a recognizable only through a carefully study of plans. Nevertheless it affects the identity of the two cities as involves the people way of living. We can identifiy typological analogies and organisational similarities in many exemplary residential buildings like Antonio Coderch’s ISM house in Barcelona or several house designed by Ignazio Gardella in Milan. The most remarkable topics about housing types are related to the H model plan, and double winged plan. These types are well-known in some small Italian residential building called palazzine, usually in central Italy but they are recognizable even in several housing building in Milan.

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Bianchi, G. "Research activities at the new Italian photovoltaic center in Portici, Naples, Italy." In Conference Record of the Twentieth IEEE Photovoltaic Specialists Conference. IEEE, 1988. http://dx.doi.org/10.1109/pvsc.1988.105928.

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Cecamore, Stefano. "Il castello di Morrea. Evoluzione e destino delle strutture fortificate nel centro Italia." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11391.

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The castle of Morrea. Evolution and destiny of fortified structures in Central ItalyThe shape that today characterizes the fortified building of the castle of Morrea is only the last of the various stratifications that have modified the original layout thorughout the centuries. The current aspect of the building is most likely linked to the interventions promoted by the Piccolomini family between the twentieth and twenty-first century. The building represents the evolution from castrum to aristocratic residence that involves the various fortified structures placed along the Apennine ridge between the eastern and western front of Central Italy. In this area the various degrees of transformations of the castles, which are periodically updated for reasons due to oxidation and representative natures, are clearly readable. The artifacts analyseable represent a wide range of samples of fortifications of the most ancient form of specialized buildings which were often largely left in the state of ruins, including that of buildings yet still functional, however, far from their consistency and original purpose. The overall panorama of this architectural heritage outlines a complex scenario consisting of problems related to the conservation and maintenance where restoration projects need to find and be in the proper position of restoration and respect of the bond between the building environment, the landscape and the identities of the territory.

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Salamone, Giancarlo. "Towards the contemporary city. Reading method of post-unification restructuring of Trastevere in Rome." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6046.

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Towards the contemporary city. Reading method of post-unification restructuring of Trastevere in Rome Giancarlo Salamone Dipartimento di Architettura e Progetto. Università degli Studi di Roma “La Sapienza”. Roma. via Flaminia, 359. 00196 Roma. Dottorato di Ricerca in Architettura e Costruzione. Università degli Studi di Roma “La Sapienza”. Roma. via Antonio Gramsci, 53. 00197 Roma. E-mail: giancarlo.salamone@uniroma1.it Keywords (3-5): Restructuring, Rome, Trastevere, process, reading method, tools, analysis in urban morphology Conference topics and scale: Tools of analysis in urban morphology Trastevere, the only area of the historic center of Rome (together with the Vatican / Borgo complex) located on the right side of the Tiber river, shows a morphological structure that depends on the pre-existing substrate, both road that typological, which was modified during the post-unity period by the establishment of the Tiber fronts and, above all, by the opening of Viale Trastevere. In the way of thinking about urban morphology as a scalar product of the factors that influence each other, in particular building typology, local structure, overall structure and territory, and that contribute together to generate an organism, it is therefore possible to read this part of the historical center as the last product, but not definitive, of a "process". The reading method on the consolidated structure, later renovated in a post-unification era, is based on the analysis of the most abundant building typology and on the permanence and derivations of local typological processes that led to the formulation of the “line house” in nineteenth-century line, the predominant building type of roman expansion in nineteenth-twentieth century. The reading of the restructuring, understood as synchronic action on the historical center, has been implemented instead by the analysis of synchronic variations at “line house” through the research of all projects registered for the edification of each block. Thus we can see how the blocks resulting from the transformation, in the logic of a restructuring "contromaglia" like the one for the opening of Viale Trastevere, will be the result of the disconnection of the existing blocks in which the building type adopted has had to adapt to a lower return situations: a reading of a synchronic action on a diachronic process that gives us the modern morphological apparatus. References Muratori, S., Bollati, R., Bollati, S. and Marinucci, G. (1963) Studi per una operante storia urbana di Roma (Consiglio Nazionale delle ricerche, Roma). Maffei, G. L. and Caniggia, G. (1979) Lettura dell’edilizia di base (Marsilio, Venezia). Maffei, G. L. and Caniggia, G. (1984) Progetto nell’edilizia di base (Marsilio, Venezia). Vaccaro, P. and Ameri, M. (1984) Progetto e realtà nell’edilizia romana dal XVI al XIX secolo (Edizioni Calosci, Cortona). Corsini, M. G. (2001) Il tessuto e l’edilizia progettati in Italia dal 1870 al 1930. Permanenza e derivazioni dei processi tipologici locali (Edizioni Kappa, Roma). Archivio Storico Capitolino, archival sources on restructuring area of Trastevere and permanence and derivations of local typological processes.

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