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Статті в журналах з теми "Italian Historical Novel"
Lucamante, Stefania. "The Anti-Illusionist Italian Historical Novel." Forum Italicum: A Journal of Italian Studies 41, no. 1 (March 2007): 219–24. http://dx.doi.org/10.1177/001458580704100113.
Повний текст джерелаGlynn (book author), Ruth, and Jacqueline Samperi Mangan (review author). "Contesting the Monument. The Anti-Illusionist Italian Historical Novel." Quaderni d'italianistica 29, no. 2 (June 1, 2008): 190–92. http://dx.doi.org/10.33137/q.i..v29i2.8481.
Повний текст джерелаParisi, Luciano, and Ruth Glynn. "Contesting the Monument: The Anti-Illusionist Italian Historical Novel." Modern Language Review 101, no. 4 (October 1, 2006): 1150. http://dx.doi.org/10.2307/20467108.
Повний текст джерелаKatorova, A. A., and Y. S. Boronenkova. "The evolution of the Italian novel (based on the works of Clorinda Di Fini), part 1." Язык и текст 4, no. 1 (2017): 17–38. http://dx.doi.org/10.17759/langt.2017040103.
Повний текст джерелаKatorova, A. A., and Y. S. Boronenkova. "The evolution of the Italian novel (based on the works of Clorinda Di Fini), part 2." Язык и текст 4, no. 2 (2017): 14–31. http://dx.doi.org/10.17759/langt.2017040203.
Повний текст джерелаO'Connell, Daragh. "Contesting the Monument: The Anti-Illusionist Italian Historical Novel (review)." Italian Culture 24, no. 1 (2007): 226–29. http://dx.doi.org/10.1353/itc.2007.0001.
Повний текст джерелаSamir, Aseel, and Rabie Salama. "Struttura e narratore ne I Promessi Sposi di Alessandro Manzoni." Romanica Silesiana 17 (June 29, 2020): 138–50. http://dx.doi.org/10.31261/rs.2020.17.11.
Повний текст джерелаDe Angelis, Rose. "The American Nightmare: Reading and Teaching Pietro di Donato's Ethnographic Novel Christ in Concrete." Forum Italicum: A Journal of Italian Studies 39, no. 1 (March 2005): 137–56. http://dx.doi.org/10.1177/001458580503900108.
Повний текст джерелаParisi, Luciano. "Contesting the Monument: The Anti-Illusionist Italian Historical Novel by Ruth Glynn." Modern Language Review 101, no. 4 (2006): 1150–52. http://dx.doi.org/10.1353/mlr.2006.0385.
Повний текст джерелаChandler, S. Bernard. "Natural Scenes and their Effect upon Characters in the Italian Historical Novel." Forum Italicum: A Journal of Italian Studies 26, no. 1 (March 1992): 55–68. http://dx.doi.org/10.1177/001458589202600105.
Повний текст джерелаДисертації з теми "Italian Historical Novel"
Rebane, Gala [Verfasser]. "Re-Making the Italians : Collective Identities in the Contemporary Italian Historical Novel / Gala Rebane." Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2012. http://d-nb.info/1042415846/34.
Повний текст джерелаCarini, Michele. "Strategie testuali dell'umorismo nelle Confessioni d'un Italiano : Studio di forme e contenuti." Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030122.
Повний текст джерелаThis research articulates three main axes: a philological and semantic reading of Ippolito Nievo’s work, which is strictly associated with the study of the critical bibliography; the reasoned hypothesis of the fundamental existence of the humourous principle in the novel’s own structure and the systematic study of its theoretical problematisation; and, the location and methodical use of the most appropriate analytical instruments for an analysis of the novel based on these choices. Theoretical thought about the very notion of humor began during the first thirty years of the 20th century with Freud, Bergson and Pirandello’s renowned studies. What’s more, Francesco Orlando and Tzvetan Todorov’s arguments linked the Freudian perspective to structural linguistics as well as to Chaïm Perelman and Lucie Olbrechts-Tyteca’s neo-rhetorics. Thus, the analysis of the first chapter of Confessioni establishes an argumentative function of the notion of humor’s formal and fundamental phenomena. It also clearly reveals the strategic relevance of this fundamental section of the novel through the presence of a sort of koinè that becomes evidently manifest during the first chapter, but it also appears throughout the entire work
Tasca, Odete da Glória Oliveira. "II mulino Del Po: entre a história e a ficção na escritura de Bacchelli." Universidade Estadual do Oeste do Parana, 2016. http://tede.unioeste.br:8080/tede/handle/tede/2451.
Повний текст джерелаCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
ABSTRACT: This article presents an analysis of the trilogy The Mill on the Po (1957), by Riccardo Bacchelli, a piece of work that portrays the complex story of a family of millers, which is seen in three successive generations. The novels include events of a whole century of history: from the period of Napoleon s defeat in Russia (1812) until the First World War (1918), and it depicts the banditry and the first social conflicts that occurred in the context of the struggle for Resurgence and Unification of Italy. In the perspective of the comparative studies and based upon reflections of writers such as Coutinho and Carvalhal (1994), Georg Lukacs (2011), Celia Fernández Prieto (2003), among others, a confrontation between the three novels that form the Bacchellian trilogy is established to compare the discourse of fiction with the discourse of History. This is done to acknowledge how the History of Italy dialogues with the fiction presented in the novel. It is also the objective of this research,through the use of some specific fragments of the novel, to analyze the poetic literary discourse in the rereading of the story, making sure the way the first one fictionalizes the official story and toshow how the popular masses begin to realize that they are the engine history. About the history of Italy s constitution, the novel also portrays the search for a national identity in this context. We notice, therefore, how Bacchelli s writing poeticizes the History through the use of a polysemic and metaphorical language, emphasizing also the question of religious discourse, making the reader notice, beyond the historical episode, a religious vision in the narrative, originated from popular traditions and legends. After some analysis of the characters relationship through life adversities, it is possible to comprehend that the human beings in Bacchelli s vision are temporal and historical beings. They are subjects of the flow of History and its irresistible force, but at the same time, through the matter that the History offers them, they have to build up their lives and confront their eternal destiny, for what they are also responsible. There is, consequently, a representation of human life in Bacchelli s writing between the material events of the human existence and the direction that is set beyond History
RESUMO: Este trabalho apresenta uma leitura da trilogia Il mulino del Po (1957), de Riccardo Bacchelli, obra que retrata a complexa história de uma família de moleiros, vista em três gerações sucessivas, abrangendo um século de história: o período que vai desde a derrota de Napoleão na Rússia (1812) até a Primeira Guerra Mundial (1918). Retrata o banditismo e os primeiros conflitos sociais que se deram no contexto da luta pelo Ressurgimento e Unificação da Itália. Na perspectiva dos estudos comparados, a partir das reflexões de Coutinho e Carvalhal (1994), Georg Lukács (2011), Celia Fernández Prieto (2003), entre outros, estabelecese um confronto entre os três romances que compõem a trilogia bacchelliana, a fim de comparar o discurso da ficção com o discurso da história, para verificar como a história da Itália dialoga com a ficção no romance. É objetivo também dessa pesquisa, a partir de fragmentos do romance, analisar a poeticidade do discurso literário na releitura da história, verificando de que modo aquele ficcionaliza a história oficial e mostra como as massas populares começam a se dar conta de que elas são o motor da história. Ao tratar da história da constituição da Itália, a obra também retrata a busca por uma identidade nacional neste contexto. Percebese, portanto, que Bacchelli trata os eventos históricos a partir de uma linguagem polissêmica e metafórica, dando ênfase também à questão do discurso religioso, fazendo com que o leitor perceba, além do episódio histórico, uma visão religiosa na narrativa, originada de tradições e lendas populares. Após algumas análises sobre a relação das personagens com as adversidades da vida, percebese que os seres humanos, na visão de Bacchelli, como seres temporais e históricos, estão sujeitos ao fluxo da história e à sua força irresistível, mas ao mesmo tempo, por meio da matéria que a história lhes oferece, eles têm que construir suas vidas e confrontarse com seus destinos eternos, dos quais também são responsáveis. Temse, portanto, uma representação da vida humana entre os acontecimentos materiais da existência e o sentido que se coloca para além da história.
Arsuffi, Benedetta. "Marc Márquez, la historia de un sueño: particolarità del genere graphic novel e proposta di traduzione di alcuni capitoli." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2017.
Знайти повний текст джерелаGARAVELLI, BIANCA MARIA. "Il giallo italiano 1980-2010. Le tendenze di un genere in rapporto con la realtà contemporanea." Doctoral thesis, Università Cattolica del Sacro Cuore, 2012. http://hdl.handle.net/10280/1292.
Повний текст джерелаIn Italy the crime novel, that can be also defined “detective story”, “thriller”, or more recently “noir”, between the last twenty years of Twentieth century and the first decade of Two Thousand, shows an interesting evolution, that can handle with some recent historical events, or can be linked with the end of Millennium fears. On the one hand, we can see the rise of “metropolitan crime novel”, in which many writers set their novels always in the same city, their native one or the city in which they live; Milan is the most important in this list and wins the prize of “crime city” in Italy. On the other hand, many novelists establish a strong relationship with their own region, creating a new “crime” regionalism. The most interesting trend is that science fiction and supernatural events enter the crime novel, with policemen that can hear the thoughts of the victims, or have mystic visions, and killers that are guided by a whispering devil. All these aspects appear also in the historical crime novel, that shows how history is often a sort of pretext to stage some problems of the current society.
Giugliarelli, Letizia. "Un univers ouvert, hétérogène et incomplet : Textes et contextes dans les romans des Wu Ming." Thesis, Université Côte d'Azur, 2020. http://www.theses.fr/2020COAZ2024.
Повний текст джерелаThis research focuses on collective novels by the group of writers known before as Luther Blissett and afterward as Wu Ming: these literary works constitute a compact corpus as regards both formal features and messages transmitted by the plots. The six novels, as a whole, are expressive of showing to the readers and the critics many references and stimulations of reflection: observing their morphology, considering their expressive potential, they can understand that the literary works are structured as a network of relationships between events and people. The authors handle such a narrative material with audacious ability, by experimenting and innovating models: this research is structured to consider both resemblances persistence and differences diachronic evolution. The Wu Ming’s idea of literature social role is substantial. The group cultural activity openly aims at claiming literature political value. Indeed, we investigate the importance in the novels of communities and of the knowledge spread within them. Furthermore, we would verify the coherence between texts substance and reflection sparks that the writers would come to let their audience share. Intending to gather Wu Ming’s writing tendencies, we employ a method which is a key of highlighting novels different facets, in order to understand their rich meaning. So this investigation is structured on many levels. At the beginning it is focused on texts morphology and narrative structure elements; then, it is enriched by the comparison with significant resemblances of other literary works; in conclusion, it is oriented to reach the novels specific meaning in relation to necessities and features of the cultural milieu they are produced in
Waters, Sandra A. "Narrating the Italian historical novel." 2009. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.000051078.
Повний текст джерелаClivio, Claudio. "Rilettura della storia e attivismo politico nei romanzi dei Wu Ming." Thèse, 2012. http://hdl.handle.net/1866/9689.
Повний текст джерелаMy thesis presents an attentive analysis of the rewriting of history, articulated in three novels of the group of Italian authors publishing under the pseudonym Wu Ming: "Q", "54" and "Manituana". Starting from the pamphlet published by the Wu Ming in 2008, on their conception of the historical novel and the romantic writing in general, the New Italian Epic (NIE), I propose two ways to put in evidence the review of History that emerges from the novels mentioned above: the notion of the oblique gaze (mentioned in the NIE); and the concept of the multitude. The technique of the oblique gaze implies a reflexion on the narration, a "mise en abyme" of the narrative process which is made by the way of an unusual point of view. This technique already has some litterary precedents in the works of writers such as Italo Calvino or Thomas Pynchon,*but in the new form that it aquires in the texts of the Wu MIng, it allows the articulation of a transversal review of history. This transversal review emerging from the novels of the Wu Ming is analysed in the first part of the thesis. The conceptualization of the oblique gaze that I develop in this section is based on the theory of the Anamorphosis of Jacques Lacan, in addition to the concept of the "Third person" suggested recently by the philosopher Roberto Esposito. The second part of the thesis focuses on Wu Ming’s analysis and interpretation of the contemporary socio-political situation, namely how their re-writing of history is inserted in the global biopolitical situation. In the novels of the Wu Ming we observe the emergence of an interpretation of this global situation which subverts the classical notions of the State and the citizen. The concept of biopolitics lends itself to different interpretations: in his writings of the 1970's, Michel Foucault, who is one of the major theorists of biopower and biopolitics, does not succeed in suggesting a unique and precise interpretation of this concept. Many Italian philosophers have worked on this notion, each one of them developping it in her own way. Some, such as Paolo Virno and, some time later Toni Negri, see in the concept of the multitude a possibility to balance the rapport power/people and therefore to develop new revolutionary possibilities for the deconstruction of the biopower. The Wu MIng seem to follow the positive reading of the multitude, which according to their conception, corresponds more to a neo-marxist interpretation of History.
Nella mia tesi esamino l’emergenza di una riscrittura della Storia proposta dai tre romanzi: Q, 54 e Manituana, del collettivo di scrittori italiani che pubblicano sotto lo pseudonimo Wu Ming, i quali, attraverso una nuova proposta di romanzo storico e lo sguardo della Moltitudine, rimettono in questione la struttura del biopotere. Da un’attenta analisi dei testi sopracitati fuoriescono le peculiarità di un nuovo modo di concepire il romanzo storico in cui, fra le varie caratteristiche emerge quella dello “sguardo obliquo”, tecnica basata nell’esporre al lettore la narrazione facendola provenire da un punto di vista che non è quello che solitamente ci si attende, ma piuttosto un punto di vista insolito che può provenire da animali, oggetti animati, o addirittura da oggetti misteriosi come flussi immateriali. Questa tecnica ha già visto alcuni illustri precedenti letterari nelle sperimentazioni di scrittori quali Italo Calvino o Thomas Pynchon, ma nella nuova forma che fuoriesce dalla scrittura dei Wu Ming acquista la particolare capacità di leggere la storia in un contesto che si accosta in modo accentuato alle problematiche del contemporaneo. L’analisi di questa lettura trasversale, che copre la prima parte della tesi, è stata effettuata con l’aiuto di alcune teorie come quelle dell’Anamorfosi di Jacques Lacan, ma è attraverso il concetto della “terza persona”, riproposto recentemente da Roberto Esposito, che ho inquadrato lo sguardo obliquo come essenza estranea al rapporto dialogico io/tu. Nella seconda parte della tesi affronto la problematica dell’allineamento della scrittura dei Wu Ming alla situazione socio-politica internazionale contemporanea; detta in altre parole cerco di far emergere come la loro riscrittura della storia si inserisca nella situazione biopolitica globale. Nei romanzi dei Wu Ming, infatti, si scorge un’interpretazione del contemporaneo che sorpassa le categorie classiche di Stato e cittadino in favore di un’idea di egemonia universale esercitante un bio-potere globale. Il concetto di biopolitica si apre a varie interpretazioni. Già dalle prime iniziative negli anni Settanta Michel Foucault si era trovato in una situazione di ambigua difficoltà nel poter dare un’interpretazione unica e precisa dei concetti da lui stesso proposti. Vari filosofi italiani hanno ripreso questo discorso incompiuto sviluppandogli intorno una parte importante del proprio pensiero, ognuno però scegliendo una propria strada. Alcuni di loro come Paolo Virno e, successivamente, Toni Negri vedono nella categoria della “Moltitudine” una possibile via per equilibrare il rapporto Potere/persona e quindi ottenere nuove possibilità rivoluzionarie per poter decostruire il biopotere. I Wu Ming sembrano seguire la strada positivista della moltitudine, la quale si allinea alla loro natura marxiana.
Книги з теми "Italian Historical Novel"
Glynn, Ruth Sarah. Contesting the monument: The anti-illusionist Italian historical novel. Birmingham: University of Birmingham, 1998.
Знайти повний текст джерелаContesting the monument: The anti-illusionist Italian historical novel. Leeds, England: Northern Universities Press, 2005.
Знайти повний текст джерелаThe scarlet contessa: A novel of the Italian Renaissance. New York: St. Martin's Press, 2010.
Знайти повний текст джерелаVirginia, Jewiss, ed. Vita: A novel. New York: Farrar, Straus and Giroux, 2005.
Знайти повний текст джерелаTrigiani, Adriana. Lucia, Lucia: A novel. Waterville, Me: Thorndike Press, 2003.
Знайти повний текст джерелаTrigiani, Adriana. Lucia, Lucia: A novel. New York: Random House, 2003.
Знайти повний текст джерелаLucia, Lucia: A novel. New York: Random House, 2003.
Знайти повний текст джерелаBlack Widow: A Novel. New York: Bloomsbury, 2010.
Знайти повний текст джерелаMafia summer: A novel. New York: Bloomsbury, 2005.
Знайти повний текст джерелаCurrie, Sheldon. Down the Coaltown road: A novel. Toronto, Ont: Key Porter Books, 2002.
Знайти повний текст джерелаЧастини книг з теми "Italian Historical Novel"
Pesce, Monica. "Alla cieca e il testimone di secondo grado." In Biblioteca di Studi di Filologia Moderna, 335–53. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-338-3.26.
Повний текст джерелаSirtori, Marco. "Translating History: The Reception of 19th-Century Italian Historical Novels Abroad." In Translation and Interpretation, 105–14. Göttingen: V&R unipress, 2022. http://dx.doi.org/10.14220/9783737014731.105.
Повний текст джерелаScibetta, Andrea. "Chinese migration(s) to Italy beyond stereotypes and simplistic views: the case of the graphic novels Primavere e Autunni and Chinamen." In Studi e saggi, 91–108. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-260-7.05.
Повний текст джерела"On the Historical Novel." In Unidentified Narrative Objects and the New Italian Epic, 80–113. Modern Humanities Research Association, 2019. http://dx.doi.org/10.2307/j.ctv16kkz01.7.
Повний текст джерелаRagusa, Olga. "Alessandro Manzoni and developments in the historical novel." In The Cambridge Companion to the Italian Novel, 42–60. Cambridge University Press, 2003. http://dx.doi.org/10.1017/ccol0521660181.003.
Повний текст джерелаBode, Rita. "Wharton’s Italian Women." In Edith Wharton and Cosmopolitanism. University Press of Florida, 2016. http://dx.doi.org/10.5744/florida/9780813062815.003.0005.
Повний текст джерелаHamnett, Brian. "History and invention in the Italian question." In The Historical Novel in Nineteenth-Century EuropeRepresentations of Reality in History and Fiction, 147–70. Oxford University Press, 2011. http://dx.doi.org/10.1093/acprof:oso/9780199695041.003.0008.
Повний текст джерелаSchwetman, John D. "“I Was in Italy … and I Spoke Italian”." In Hemingway and Italy. University Press of Florida, 2017. http://dx.doi.org/10.5744/florida/9780813054414.003.0011.
Повний текст джерелаTonfoni, Virginia. "La frontera México-Estados Unidos en las novelas gráficas." In America: il racconto di un continente | América: el relato de un continente. Venice: Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-319-9/023.
Повний текст джерелаMariani, Maria Anna. "Sabotage Logic." In Italian Literature in the Nuclear Age, 98–135. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192868855.003.0004.
Повний текст джерелаТези доповідей конференцій з теми "Italian Historical Novel"
Marcattili, Letizia, and Maria Canavan. "Retouching a Retouched Painting: Evaluation and re-treatment of historic retouchings in the conservation of a painting by Lavinia Fontana." In RECH6 - 6th International Meeting on Retouching of Cultural Heritage. València: Editorial Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/rech6.2021.13544.
Повний текст джерелаNoever, David, Josh Kalin, Matthew Ciolino, Dom Hambrick, and Gerry Dozier. "Local Translation Services for Neglected Languages." In 8th International Conference on Artificial Intelligence and Applications (AIAP 2021). AIRCC Publishing Corporation, 2021. http://dx.doi.org/10.5121/csit.2021.110110.
Повний текст джерела