Добірка наукової літератури з теми "Irish language traditional songs"
Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями
Ознайомтеся зі списками актуальних статей, книг, дисертацій, тез та інших наукових джерел на тему "Irish language traditional songs".
Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.
Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.
Статті в журналах з теми "Irish language traditional songs"
Fahey, Hannah. "‘Take it away, sure ’tis your own’: Negotiating authoritative voice in Irish traditional song performance through autoethnography." Journal of Interdisciplinary Voice Studies 7, no. 2 (December 1, 2022): 187–202. http://dx.doi.org/10.1386/jivs_00064_1.
Повний текст джерелаNí Riain, Nóirín. "The nature and classification of Traditional Religious Songs in Irish." Mot so razo 1 (June 18, 2012): 69. http://dx.doi.org/10.33115/udg_bib/msr.v1i0.1403.
Повний текст джерелаMillar, Stephen R. "Let the people sing? Irish rebel songs, sectarianism, and Scotland's Offensive Behaviour Act." Popular Music 35, no. 3 (September 14, 2016): 297–319. http://dx.doi.org/10.1017/s0261143016000519.
Повний текст джерелаAkinrinlola, Temidayo. "A Stylistic Analysis of Ṣeun Ògúnfìdítìmí’s Songs". Yoruba Studies Review 4, № 1 (21 грудня 2021): 1–26. http://dx.doi.org/10.32473/ysr.v4i1.130033.
Повний текст джерелаLove, Timothy M. "Irish Nationalism, Print Culture and the Spirit of the Nation." Nineteenth-Century Music Review 15, no. 2 (February 7, 2017): 189–208. http://dx.doi.org/10.1017/s1479409817000015.
Повний текст джерелаSundari, Wiwiek. "Javanese Language Maintenance Through Javanese Traditional and Modern (Folk) Songs." Culturalistics: Journal of Cultural, Literary, and Linguistic Studies 4, no. 1 (July 12, 2020): 11–16. http://dx.doi.org/10.14710/culturalistics.v4i1.8143.
Повний текст джерелаIvanauskaitė-Šeibutienė, Vita. "The Resonant Table: Drinking-Songs in the Traditional Community Gatherings." Tautosakos darbai 50 (December 28, 2015): 113–34. http://dx.doi.org/10.51554/td.2015.28993.
Повний текст джерелаAl-Khalili, Raja. "Resisting cultural colonization: the role of folk songs in modern Irish drama." Journal of Language and Literature 5, no. 3 (August 30, 2014): 33–38. http://dx.doi.org/10.7813/jll.2014/5-3/6.
Повний текст джерелаNí Riain, Isobel. "Drama in the Language Lab – Goffman to the Rescue." Scenario: A Journal of Performative Teaching, Learning, Research VIII, no. 2 (July 1, 2014): 115–23. http://dx.doi.org/10.33178/scenario.8.2.11.
Повний текст джерелаBudiawan, Hery, and Nurul Ulfa Aulia. "Violin Teaching in Sanggar Merah Putih: Case Study of Budi Yuntono's Teaching Style." Gondang: Jurnal Seni dan Budaya 6, no. 2 (December 6, 2022): 272. http://dx.doi.org/10.24114/gondang.v6i2.35692.
Повний текст джерелаДисертації з теми "Irish language traditional songs"
DeSilva, Dominique Carmen. "MUSIC LEARNING THROUGH TRADITION: COUNTY CLARE SINGING SESSIONS AND POTENTIAL BENEFITS OF CLASSROOM ADAPTATION." Master's thesis, Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/591453.
Повний текст джерелаM.M.
The Irish singing session has provided a safe community where singers of all abilities are welcome to share with and learn from one another. Through British occupation and into independence, the Irish session has transformed tremendously from its original form. Still, the session carries on the Irish tradition of music learning and enculturation through oral transmission. Singing sessions provide a unique opportunity for the many songs of Irish history to be sung and learned; passed down from generation to generation! Singers learn new songs through listening to and watching other singers, imitating material, experimenting with new ideas, and discussing musical performances with others. Session leaders may attempt to create an encouraging and accepting environment where singers feel secure, resulting in the unbridled sharing of singers’ deep connections with a song. Such methods, including personal choice and a safe environment, have been observed through field research and have shown to positively affect singers and communities related to singing sessions in County Clare, Ireland. In this study, I pose that the methods used in singing sessions may also be beneficial when adapted for use in the music classroom.
Temple University--Theses
Phillips, Olivia H. "Marine Melodies: Traditional Scottish and Irish Mermaid and Selkie Songs as Performed by Top Female Vocalists in Contemporary Celtic Music." Digital Commons @ East Tennessee State University, 2021. https://dc.etsu.edu/honors/622.
Повний текст джерелаLe, Rol Yvon. "La langue des « gwerzioù » à travers l’étude des manuscrits inédits de Mme de Saint-Prix (1789-1869)." Thesis, Rennes 2, 2013. http://www.theses.fr/2013REN20029/document.
Повний текст джерелаOne of the major forms of oral literature in the Breton language – which includes songs, tales, proverbs and sayings- is the gwerz. This form of traditional song, passing on from one generation to another, most often evidences a historical as well as a fantastic character.Studying the language used in these songs helps highlight the existence of several standards or levels of language; indeed, while the dialectal mark of the interpreter generally makes no doubt, the presence of a form of standard Breton can also be noticed.In the early XIXth century, people in Brittany - similarly to what was taking place throughout Europe - started collecting oral literature in the Breton language. Most of the time they came from the lower rural aristocracy. Mme de Saint-Prix (1789-1869) was among these precursors. The two unpublished manuscripts which make the most part of her collection (MS 1 : 97 folios ; MS 2 : 45 folios) are currently kept in the Landevennec library
Ul lodenn eus al lennegezh dre gomz (kanaouennoù, kontadennoù, lavarennoù,…) brezhonek a zo ar gwerzioù anezhi : da lâret eo kanaouennoù hengounel savet alies a-walc’h diwar fedoù istorel ha burzhudus, ha legadet a-c’henoù a-rummad da rummad.Studiañ ar yezh a gaver implijet er gwerzioù-se a laka war-wel liveoù yezh disheñvel : ma kaver roud eus brezhoneg rannyezhel ar ganerien warni, e weler splann ivez an implij a vez graet gante eus ur yezh all, tostoc’h ouzh ur « standard lennegel ».Ken abred ha deroù an XIXvet kantved, diwar skouer ar broioù europat all, e kroge un nebeut tud e Breizh, o tont peurliesañ eus an noblañs vihan diwar ar maez, da zastum ar pezh a oa da vezañ anvet « lennegezh dre gomz » pelloc’h. En o zouesk e kaver ur plac’h, an Itron de Saint-Prix (1789-1869), a orin eus Kallag, e Kerne-Uhel. An daou dornskrid a ra ar lodennvrasañ eus he dastumadenn (Ds. 1 : 97 f° ; Ds. 2 : 45 f°) a zo miret e levraoueg abati Landevenneg hiziv an deiz
Coulter, William David. "Traditional Irish folk music, the Ó Domhnaill family, and contemporary song accompaniments." Diss., 1994. http://catalog.hathitrust.org/api/volumes/oclc/31274086.html.
Повний текст джерелаTheinová, Daniela. "Meze a jazyky v poezii současných irských autorek." Doctoral thesis, 2013. http://www.nusl.cz/ntk/nusl-327433.
Повний текст джерелаКниги з теми "Irish language traditional songs"
Harvey, Clodagh Brennan. Contemporary Irish traditional narrative: The English language tradition. Berkeley: University of California Press, 1992.
Знайти повний текст джерелаCróinín, Dáibhí Ó. The songs of Elizabeth Cronin, Irish traditional singer: The complete song collection. Dublin: Four Courts, 2000.
Знайти повний текст джерелаMcDonnell-Garvey, Maire. A traditional music journey 1600-2000: From Erris to Mullaghban. Nure, Manorhamilton, Co. Leitrim, Ireland: Drumlin Publications, 2000.
Знайти повний текст джерела1910-1992, Fleischmann Aloys, Ó Súilleabháin Mícheál, and McGettrick Paul, eds. Sources of Irish traditional music, c. 1600-1855. New York: Garland, 1997.
Знайти повний текст джерелаThe globalization of Irish traditional song performance. Burlington, VT: Ashgate, 2013.
Знайти повний текст джерелаWhere songs do thunder: Travels in traditional song. Belfast: Appletree Press, 1991.
Знайти повний текст джерела1964-, SanGregory Paul, Healey Derek 1936-, Chen Chin-Chin 1964-, Huang Zi 1904-1938, Li Qingzhu, Huang Youdi 1912-2010, Li Yinghai, and Liu Wenjin, eds. Traditional and modern Chinese art songs. Geneseo, N.Y: Leyerle, 2009.
Знайти повний текст джерелаRussell, Micho. The Piper's Chair: A Collection of Tunes,Songs and Folklore from Micho Russell. Cork: Ossian Publications, 1989.
Знайти повний текст джерелаHyde, Douglas. Language, lore, and lyrics: Essays and lectures. Blackrock, County Dublin: Irish Academic Press, 1986.
Знайти повний текст джерелаHyde, Douglas. Language, lore and lyrics: Essays and lectures. Dublin: Irish Academic Press, 1986.
Знайти повний текст джерелаЧастини книг з теми "Irish language traditional songs"
"The Language Divide." In The Globalization of Irish Traditional Song Performance, 75–98. Routledge, 2016. http://dx.doi.org/10.4324/9781315557571-14.
Повний текст джерелаÓ Bróithe, Éamonn. "Canfar an Dán." In The Oxford Handbook of Irish Song, 1100-1850. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190859671.013.9.
Повний текст джерелаCarolan, Nicholas. "The Irish-Language Traditional Song Collection of Patrick Lynch, 1802–1803." In The Oxford Handbook of Irish Song, 1100-1850. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190859671.013.17.
Повний текст джерелаO’Regan, Susan. "Civic and Urban Performance of Song." In The Oxford Handbook of Irish Song, 1100-1850. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190859671.013.28.
Повний текст джерелаÓ Mainnín, Mícheál B. "Poetry and Performance in the Gaelic World, c.1200–c.1650." In The Oxford Handbook of Irish Song, 1100–1850, C40.P1—C40.N88. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190859671.013.40.
Повний текст джерелаÓ Cearbhaill, Pádraig, and Úna Nic Éinrí. "Jacobite Sentiment in Eighteenth-Century Irish Poetry, in Word and in Song." In The Oxford Handbook of Irish Song, 1100-1850, C38.P1—C38.N135. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190859671.013.38.
Повний текст джерелаCiosáin, Niall Ó. "Varieties of Literacy in Nineteenth-Century Ireland: Gender, Religion and Language." In Literacy, Language and Reading in Nineteenth-Century Ireland, 15–27. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781786942081.003.0002.
Повний текст джерелаStovbur, Liubov. "PECULIARITIES OF FUNCTIONING AND STYLISTIC ROLE OF DEMINUTIVES IN UKRAINIAN FOLK SONGS." In Integration of traditional and innovation processes of development of modern science. Publishing House “Baltija Publishing”, 2020. http://dx.doi.org/10.30525/978-9934-26-021-6-1.
Повний текст джерелаMoylan, Terry. "Political Song in the Age of Revolution." In The Oxford Handbook of Irish Song, 1100-1850, C39.P1—C39.N51. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190859671.013.39.
Повний текст джерелаRichards-Greaves, Gillian. "“Beat de Drum and de Spirit Gon Get Up”." In Rediasporization, 95–122. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496831156.003.0004.
Повний текст джерелаТези доповідей конференцій з теми "Irish language traditional songs"
Menon, Indu V., and Shebin M.S. "Shamanic Rituals and the Survival of Endangered Tribal Languages: An Anthropological Study in Gaddika." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.10-4.
Повний текст джерела