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Статті в журналах з теми "Influence of cinema"
Permatasari, Hani Indah, and Mulyadi Mulyadi. "The Influence of Interior Design on Consumer Decisions in Choosing a Cinema Building." Pendhapa 12, no. 1 (January 24, 2022): 33–40. http://dx.doi.org/10.33153/pendhapa.v12i1.3560.
Повний текст джерелаJefferson Kline, T. "The Film Theories of Bazin and Epstein: Shadow Boxing in the Margins of the Real." Paragraph 36, no. 1 (March 2013): 68–85. http://dx.doi.org/10.3366/para.2013.0078.
Повний текст джерелаPutra, Ramadhan Maulana, and Intan Primadini. "Covid-19 and Cinemas: The Importance of Creating the Engagement with Customers through Social Media." Ultimacomm: Jurnal Ilmu Komunikasi 13, no. 1 (June 30, 2021): 82–92. http://dx.doi.org/10.31937/ultimacomm.v13i1.1994.
Повний текст джерелаSheremeta, Bozhena, Nataliya Chukhray, and Oleh Karyy. "Marketing tools as the competitiveness enhancer of the Ukrainian film distribution market entities." Innovative Marketing 15, no. 4 (December 18, 2019): 88–101. http://dx.doi.org/10.21511/im.15(4).2019.08.
Повний текст джерелаRachamalla, Suresh. "Influence of Liberalisation & Globalisation on Indian Cinema - A study of Indian cinema and it’s diasporic consciousness." Journal of Advanced Research in Journalism & Mass Communication 05, no. 01 (February 27, 2018): 18–24. http://dx.doi.org/10.24321/2395.3810.201804.
Повний текст джерелаManghani, Sunil. "The influence of cinema on painting." Journal of Contemporary Painting 1, no. 1 (April 1, 2015): 123–46. http://dx.doi.org/10.1386/jcp.1.1.123_1.
Повний текст джерелаSpence, Charles. "Scent and the Cinema." i-Perception 11, no. 6 (November 2020): 204166952096971. http://dx.doi.org/10.1177/2041669520969710.
Повний текст джерелаRosskam, Jules. "Making Trans Cinema: A Roundtable Discussion with Felix Endara, Reina Gossett, Chase Joynt, Jess Mac, and Madsen Minax." Somatechnics 8, no. 1 (March 2018): 14–26. http://dx.doi.org/10.3366/soma.2018.0234.
Повний текст джерелаWan, Xing, Nianxin Wang, and Ben Shaw-Ching Liu. "Impact of O2O platform multihoming and vertical integration on performance of local service firms – a quantile regression approach." Internet Research 30, no. 5 (May 7, 2020): 1583–610. http://dx.doi.org/10.1108/intr-03-2019-0087.
Повний текст джерелаSwetha.S. "CONTEMPORARY TAMIL CINEMA & DISCUSSIONS ON CASTE IDENTITY." Journal of English Language and Literature 09, no. 01 (2022): 74–80. http://dx.doi.org/10.54513/joell.2022.9108.
Повний текст джерелаДисертації з теми "Influence of cinema"
Codó, Martínez Jordi. "El cinema com a espai intercultural. La influència asiàtica en el cinema d'Occident: contextos, conceptes i casos." Doctoral thesis, Universitat Ramon Llull, 2013. http://hdl.handle.net/10803/104535.
Повний текст джерелаEn un mundo social cada vez más nutrido por las interconexiones culturales, el cine expresión artística que es hija inequívoca de su tiempo- se conforma desde sus inicios a través de la integración y la interacción de formas expresivas diversas y alejadas. Los últimos tres lustros han visto un impulso en la referida tendencia, promovida por la globalización de la industria fílmica y, en buena medida también, por el crecimiento (y/o la voluntad exportadora) de los cines asiáticos. La influencia de estos cines en el mainstream internacional (ya sea el del entretenimiento o el de arte y ensayo) es cada vez más patente, y se aventuran nuevas formas de expresión cinematográfica y de análisis. El presente trabajo quiere reflexionar sobre la naturaleza de estos intercambios, observando qué ideas y prácticas se ponen en juego en la producción de filmes de carácter transnacional. Conceptos como 'interculturalidad', 'cine nacional', 'autoría' u 'orientalismo' son los protagonistas, junto con el estudio de un caso: la influencia del cine japonés en la obra de Jim Jarmusch.
In a social world increasingly nourished by cultural interconnections, film -an artistic expression that is an unequivocal output of its time- has been shaped from its beginnings through the integration and interaction of various and distant forms of expression. The last fifteen years have seen a boost in the aforementioned trend, promoted by the globalization of the film industry and, to some extent also by the growth (and / or will to export) of Asian cinemas. The influence of these cinemas in the interntional mainstream (either for entertainment or arthouse) is increasingly evident, and puts forward new forms of cinematic expression and analysis. The present work reflects on the nature of these exchanges, by observing which ideas and practices come into play in producing films with a transnational personality. Concepts such as interculturality, national cinema, authorship or orientalism are the protagonists, along with a case study: the influence of Japanese cinema in the work of Jim Jarmusch.
Oliveira, Nuno António Grilo de. "Cinema de animação-metonímia americana." Master's thesis, Instituições portuguesas -- -Universidade Aberta, 2003. http://dited.bn.pt:80/29951.
Повний текст джерелаFerreira, Carlos Miguel de Sá e. Melo. "Para além das poéticas do cinema-o cinematógrafo." Phd thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas, 2001. http://dited.bn.pt:80/29591.
Повний текст джерелаPereira, Paula Cristina Esperanço. "The Burton/Depp partnership and its influence on modern cinema." Master's thesis, Universidade de Aveiro, 2012. http://hdl.handle.net/10773/9169.
Повний текст джерелаO presente trabalho pretende desvendar o singular universo cinematográfico de Tim Burton, autor de personagens e paisagens predominantemente góticas. Ao mesmo tempo, propõe-se descortinar o seu contributo para o cinema moderno através da colaboração regular que o realizador tem mantido com o ator Johnny Depp ao longo dos últimos vinte anos. O ponto de partida para este estudo compreende uma breve apresentação das origens, interesses e início da carreira do realizador e do ator no primeiro capítulo. De seguida, e no mesmo capítulo, são analisados os filmes resultantes da parceria entre o realizador e o ator dando-se especial relevo aos temas e elementos iconográficos mais frequentes e à influência que os filmes de terror gótico alcançaram na filmografia do realizador. No segundo capítulo, a carreira cinematográfica do ator Johnny Depp é alvo de análise discutindo-se o tipo de personagens que o ator protagoniza e a sua colaboração com vários realizadores do cinema atual, em particular a sua parceria com Burton. São ainda discutidas neste capítulo, as razões que conduziram ao sucesso artístico e comercial deste par. O terceiro capítulo centra-se na apreciação alargada da obra do realizador e a influência dos seus filmes no cinema contemporâneo através do ressurgimento de personagens bizarras e da perpetuação de mundos esteticamente irreais e sombrios próprios da cultura do gótico (em particular do teen gótico). A revitalização de técnicas de animação de stop-motion e a apropriação e subversão da narrativa do conto de fadas tradicional na obra de Tim Burton são também objeto de estudo neste último capítulo. Finalmente, a análise feita à ligação do realizador com os estúdios de Hollywood permite fazer uma apreciação crítica e chegar à conclusão que desta parceria profissional resultam filmes com um cunho pessoal que são, em simultâneo, comercialmente bem sucedidos e favoravelmente aceites pela crítica cinematográfica em geral.
In this work I intend to show Tim Burton’s peculiar filmic universe as an author of stereotypical characters and dark gothic atmospheres. Meanwhile, I also intend to unveil Burton’s contribution to modern cinema through his regular working collaboration with the actor Johnny Depp over the last twenty years. Starting first with a brief introduction to their childhood and family backgrounds, interests and formative years, I proceed to examine their common filmography as well as Burton’s most recurrent themes and iconography in the first chapter, including the influence of gothic horror films on Burtonian cinematic universe. The spotlight of the second chapter is a brief analysis on Johnny Depp’s acting career, thus discussing his portrayal of a certain typology of leading characters, along with his working collaboration with several contemporary directors, particularly his partnership with Burton. The reasons behind this working team’s artistic and commercial success are also discussed in this chapter. The third chapter will focus on an extended appreciation of Burton’s work and its influence on contemporary cinema as is illustrated by the resurgence of bizarre characters or monsters and heavily stylized unrealistic dark universes properly identifiable within contemporary gothic culture (particularly the teen gothic). The revival of stop-motion animation film techniques along with Burton’s appropriation and plot subversion of the traditional fairy tale in his films are also discussed in this last chapter. Finally, by examining the director’s working relationship within the Hollywood studio system, I arrive at the conclusion that Burton has been able to produce personal films that are nevertheless commercially successful and critically acclaimed by reviewers.
Araújo, Cristina Manuela Mendes de. "Violência sexual e famílias disfuncionais no cinema americano contemporâneo." Master's thesis, Instituições portuguesas -- -Universidade do Minho -- -Instituto Letras e Ciências Humanas, 1996. http://dited.bn.pt:80/29923.
Повний текст джерелаNogueira, António Couceiro da Cruz. "Cinema, narratologia, jornalismo-um travelling pela cultura cinematográfica." Master's thesis, Instituições portuguesas -- UC-Universidade de Coimbra -- -Faculdade de Letras, 2002. http://dited.bn.pt:80/29599.
Повний текст джерелаBarroso, Eduardo Paz. "Justificação e crítica do cinema português-anos 60, anos 70." Phd thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas, 2002. http://dited.bn.pt:80/29616.
Повний текст джерелаGirina, Ivan. "Cinematic games : the aesthetic influence of cinema on video games." Thesis, University of Warwick, 2015. http://wrap.warwick.ac.uk/74038/.
Повний текст джерелаKnollmueller, Marit R. "A cinema under the influence? : contemporary European auterism beyond the postmodern." Thesis, University of Kent, 2009. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.499694.
Повний текст джерелаAmado, Luís Pedro Castanheira de Aguiar. "Identidade e complexidade cultural-reminiscências culturais irlandesas no cinema de John Ford." Master's thesis, Instituições portuguesas -- -Universidade Aberta, 2002. http://dited.bn.pt:80/29594.
Повний текст джерелаКниги з теми "Influence of cinema"
The Turkish cinema in the early republican years. Beylerbeyi, Istanbul: Isis Press, 2007.
Знайти повний текст джерелаThe transatlantic gaze: Italian cinema, American film. Albany: SUNY Press, 2014.
Знайти повний текст джерелаStefano, Milioto, and Lauretta Enzo, eds. Quel che il cinema deve a Pirandello. Pesaro: Metauro, 2011.
Знайти повний текст джерелаBarzanti, Roberto. I confini del visibile: Televisione e cinema senza frontiere nelle politiche dell'Unione europea. Milano, Italy: Lupetti, 1994.
Знайти повний текст джерелаExistentialism and contemporary cinema: A Sartrean perspective. New York: Berghahn Books, 2011.
Знайти повний текст джерелаCinema, tempo e soggetto: Il sublime kantiano secondo Deleuze. Milano: Mimesis, 2008.
Знайти повний текст джерелаIsaacs, Bruce. Orientation of future cinema: Technology, aesthetics, spectacle. New York: Bloomsbury, 2014.
Знайти повний текст джерелаKrämer, Lucia. Bollywood in Britain: Cinema, brand, discursive complex. New York: Bloomsbury Academic, 2016.
Знайти повний текст джерелаBresson and others: Spiritual style in the cinema. Newcastle upon Tyne, UK: Cambridge Scholars Pub., 2009.
Знайти повний текст джерелаCardullo, Bert. Bresson and others: Spiritual style in the cinema. Newcastle upon Tyne, UK: Cambridge Scholars Pub., 2009.
Знайти повний текст джерелаЧастини книг з теми "Influence of cinema"
Forshaw, Barry. "The Legacy: Gothic Influence on Television." In British Gothic Cinema, 157–64. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137300324_12.
Повний текст джерелаGiles, Jane. "Genet and Cinema: Adaptations and Influence." In Jean Genet: Performance and Politics, 169–78. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230595439_14.
Повний текст джерелаBuonanno, Milly. "Italian TV Drama: The Multiple Forms of European Influence." In European Cinema and Television, 195–213. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137356888_10.
Повний текст джерелаRushton, Richard. "Discovering a Politics of Cinema: The Influence of Althusser." In The Politics of Hollywood Cinema, 33–56. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137316165_2.
Повний текст джерелаDonovan, Barna William. "Asian Action Cinema and Its Influence on Hollywood." In A Companion to the Action Film, 118–39. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2019. http://dx.doi.org/10.1002/9781119100744.ch6.
Повний текст джерелаRafaelić, Daniel. "The Influence of German Cinema on Newly Established Croatian Cinematography, 1941–45." In Cinema and the Swastika, 99–111. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230289321_7.
Повний текст джерелаWinkel, Roel Vande. "German Influence on Belgian Cinema, 1933–45: From Low-profile Presence to Downright Colonisation." In Cinema and the Swastika, 72–84. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230289321_5.
Повний текст джерелаTomaselli, Keyan, and Michael Eckardt. "Brown-red Shadows: The Influence of Third Reich and Soviet Cinema on Afrikaans Film, 1927–48." In Cinema and the Swastika, 231–42. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230289321_17.
Повний текст джерелаCooke, Paul. "“Soft power” and shifting patterns of influence in global film culture." In The Routledge Companion to World Cinema, 299–309. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315688251-25.
Повний текст джерелаBarrow, Sarah. "Negotiating Neoliberal Demands on Contemporary Cinema: The Role and Influence of the Socially Committed Film Producer in Peru." In Contemporary Latin American Cinema, 119–34. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77010-9_7.
Повний текст джерелаТези доповідей конференцій з теми "Influence of cinema"
Босов, Дмитрий Вячеславович, Екатерина Викторовна Морозова, and Елена Александровна Солодова. "THE AMERICANIZED MAINSTREAM CINEMATOGRAPH AS A FACTOR OF SOCIALIZATION AND A TOOL OF INFLUENCE: SOCIOPOLITICAL ANALYSIS." In Сборник избранных статей по материалам научных конференций ГНИИ "Нацразвитие" (Санкт-Петербург, Июнь 2021). Crossref, 2021. http://dx.doi.org/10.37539/jun297.2021.33.76.007.
Повний текст джерелаNeviyarni, Hidayani Syam, and A. Muri Yusuf. "Group Guidance Model with Cinema Counseling Technique as A Prevention of Gay Influence for Students." In Proceedings of the Padang International Conference on Educational Management And Administration (PICEMA 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/picema-18.2019.27.
Повний текст джерелаWang, Zhuo. "The Development of Chinese Cinema Culture and Its Influence on Movie Education at the Present Stage." In 2018 8th International Conference on Social science and Education Research (SSER 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/sser-18.2018.153.
Повний текст джерелаVasilchenko, Diana Dmitrievna. "Influence of modern cinema in the social mood of students (for example, students of the Kursk region)." In International Research-to-practice Conference for students. TSNS Interaktiv Plus, 2016. http://dx.doi.org/10.21661/r-113123.
Повний текст джерелаSKVARCIANY, Viktorija, and Kristina ASTIKĖ. "THEORETICAL ASPECTS OF CULTURAL ECONOMICS CONCEPT." In International Scientific Conference „Contemporary Issues in Business, Management and Economics Engineering". Vilnius Gediminas Technical University, 2021. http://dx.doi.org/10.3846/cibmee.2021.626.
Повний текст джерелаMartínez Millana, Elena. "Le Corbusier versus Sergei Eisenstein. La construcción de un sueño." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.824.
Повний текст джерелаЯнковская, Е., Дмитрий Войтка, М. Федорович та А. Михнюк. "Антагонистическая активность энтомопатогенных грибов в отношении фитопатогенных микромицетов". У VIIth International Scientific Conference “Genetics, Physiology and Plant Breeding”. Institute of Genetics, Physiology and Plant Protection, Republic of Moldova, 2021. http://dx.doi.org/10.53040/gppb7.2021.85.
Повний текст джерелаKundu, Suman. "Total Influence and Hybrid Simulation of Independent Cascade Model using Rough Knowledge Granules." In 2020 4th International Conference on Computational Intelligence and Networks (CINE). IEEE, 2020. http://dx.doi.org/10.1109/cine48825.2020.234405.
Повний текст джерелаDyephart, Anouchka. "Concevoir aujourd’hui un film sur la villa Savoye." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.652.
Повний текст джерелаOctavia, Eva Nur, and Pandu Riono. "Effectivity of National Health Insurance on Maternal Health in Developing Countries: A Systematic Review." In The 7th International Conference on Public Health 2020. Masters Program in Public Health, Universitas Sebelas Maret, 2020. http://dx.doi.org/10.26911/the7thicph.04.03.
Повний текст джерела