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Статті в журналах з теми "Indians movies"
Si, Aung. "A diachronic investigation of Hindi–English code-switching, using Bollywood film scripts." International Journal of Bilingualism 15, no. 4 (January 7, 2011): 388–407. http://dx.doi.org/10.1177/1367006910379300.
Повний текст джерелаRehman, Sharaf N. "Om Puri: The man who presented the real faces of the subcontinent of India." Asian Cinema 31, no. 2 (October 1, 2020): 269–78. http://dx.doi.org/10.1386/ac_00028_7.
Повний текст джерелаMichael, Noela, Sreejith Balasubramanian, Ian Michael, and Anestis Fotiadis. "Underlying motivating factors for movie-induced tourism among Emiratis and Indian expatriates in the United Arab Emirates." Tourism and Hospitality Research 20, no. 4 (March 26, 2020): 435–49. http://dx.doi.org/10.1177/1467358420914355.
Повний текст джерелаGupta, Annie. "THE REPRESENTATION OF GULF BETWEEN DIFFERENT CULTURES AND DESIRES - A CRAZY SPECTACLE, THE HUNDRED-FOOT JOURNEY." International Journal of Advanced Research 10, no. 08 (August 31, 2022): 383–92. http://dx.doi.org/10.21474/ijar01/15190.
Повний текст джерелаNagar, Komal. "Consumer Response to Brand Placement in Movies: Investigating the Brand-Event Fit." Vikalpa: The Journal for Decision Makers 41, no. 2 (May 24, 2016): 149–67. http://dx.doi.org/10.1177/0256090916642678.
Повний текст джерелаCarpenter, Kristen A., Sonia K. Katyal, and Angela R. Riley. "Clarifying Cultural Property." International Journal of Cultural Property 17, no. 3 (August 2010): 581–98. http://dx.doi.org/10.1017/s0940739110000317.
Повний текст джерелаLutz, Hartmut. "“Indians” and native Americans in the movies: A history of stereotypes, distortions, and displacements." Visual Anthropology 3, no. 1 (January 1990): 31–48. http://dx.doi.org/10.1080/08949468.1990.9966521.
Повний текст джерелаToka, Karolina. "Progression or Stagnancy? Portraying Native Americans in Michael Apted’s Thunderheart (1992)." Ad Americam 22 (March 28, 2021): 87–100. http://dx.doi.org/10.12797/adamericam.22.2021.22.06.
Повний текст джерелаSaxena, Rochak, and Mukshita Dhrangadharia. "Hindi Cinema and Society: A study on the perception of Indian youth." Journal of Communication and Management 2, no. 01 (March 18, 2023): 67–71. http://dx.doi.org/10.58966/jcm20232111.
Повний текст джерелаSalwathura, A. N. "EVOLUTIONARY DEVELOPMENT OF 'HINGLISH' LANGUAGE WITHIN THE INDIAN SUB-CONTINENT." International Journal of Research -GRANTHAALAYAH 8, no. 11 (November 24, 2020): 41–48. http://dx.doi.org/10.29121/granthaalayah.v8.i11.2020.2278.
Повний текст джерелаДисертації з теми "Indians movies"
Black, Liza. "Picturing Indians : American Indians in movies, 1941-1960 /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/10418.
Повний текст джерелаBah, Alpha Amadou. "Guru Dutt : Contributions à l'art cinématographique d'un artiste légendaire." Electronic Thesis or Diss., Montpellier 3, 2022. http://www.theses.fr/2022MON30025.
Повний текст джерелаThirsty (Pyaasa, 1957), Paper Flowers (Kaagaz Ke Phool, 1959) and The Master, the Mistress and the Slave (Sahib Bibi Aur Ghulam, 1962) are the three most famous, well-known and analyzed films by Guru Dutt. This thesis aims to broaden the field of possibilities by summoning its filmic totality. Legendary, mythical, personal, sincere, self-destructive, desire for life and or death... these are the qualifiers found in cinematographic literature to designate Guru Dutt and his work. The interest in India and its cinema stems from an observation : there are few Indian films distributed in France, whereas India is the leading film-producing country in the world. Who is Guru Dutt ? What is his contribution to cinema ? How did he take melodrama to an epic dimension ? Why today do the young filmmakers who, following Satyajit Ray, are now beginning to shake up the system, refer to him as a precursor, a master ? This thesis intends to highlight the cinephilico-filmic contributions of this author to understand Indian cinema through the prism of his work through a socio-historical and phenomenological approach allowing us to retrace the itinerary of the greatest popular, musical filmmaker that the India has ever brought up. So that the work of Guru Dutt, which has successfully passed the test of time, now only has to pass the test of space
D'souza, Ryan A. "Representations of Indian Christians in Bollywood Movies." Scholar Commons, 2019. https://scholarcommons.usf.edu/etd/7772.
Повний текст джерелаWilliamson, Raya. "A Movement for Authenticity: American Indian Representations in Film, 1990 to Present." Kent State University Honors College / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1494330075140438.
Повний текст джерелаGirier, Jean-Philippe. "De la déconstruction du mythe de la femme soumise à la construction de la femme agent dans la littérature et le cinéma indiens contemporains." Thesis, Antilles, 2019. http://www.theses.fr/2019ANTI0382.
Повний текст джерелаContemporary Indian literature and cinema are part of a dynamic that goes hand in hand with the profound socio-economic changes that have affected India since the end of the nineteen eighties. Indeed, many novels and films are characterized by a freedom of expression that touches on many subjects that were once considered taboo. The wind of renewal sweeping India is also marked by the increase in the number of writers and directors who place women at the heart of their stories and intrigues. Thus, the objective of this study is to show, on the one hand, how the image of the passive and submissive Indian woman was constructed during the long process of colonization, on the other hand, how contemporary literature and cinema attempt to rehabilitate the place of women in history in order to build a new and dynamic representation which symbolizes the Indian woman of the 2000s. The respective novels of Anita Nair and Githa Hariharan, Ladies' Compartment and The Thousand Faces of the Night, as well as the films Fire, Water by Deepa Mehta as well as The Marriage of the monsoons by Mira Nair are part of a resistance movement. where the agency of the heroines testifies to the will and the difficulty of freeing oneself from three centuries of marginalization.In the first part, we propose to walk through the history, that which attributed to the man capacities superior to those of the woman, conferring upon him by extension an authority, a power of domination. This historical and sociological approach allows us to understand how the links which unite the human and the divine in India were built. Our gaze will also focus on the consequent upheavals engendered by British colonization. This period of Indian history will be analyzed in order to highlight the modus operandi by which the British Empire succeeded in imposing a lifestyle faithful to its vision of the world while excluding women from decision-making spheres in order to "consign" them in the domestic space.The second part of the thesis analyzes the family space, which has become the place par excellence for the reproduction of androcentric postulates. This private space will be closely observed and we will engage in an approach that combines psychoanalysis and sociology in order to demonstrate the importance of the construction of the feminine in the process of identity deconstruction. We will pay particular attention to the role played by the mother in the reproductive process. The ambivalent position it occupies often leads to a fragmentation between the physical being, the social being and the psychic being. The psyche then becomes a space inhabited by doubt and fear while being the ultimate refuge of comfort. This shift between body and mind will take us to the field of psychosomatics, where dreams are the privileged place for psychic reconstruction. We will also observe the strategies used by novelists and filmmakers to begin the process of rebuilding the identity of their heroines.The third part focuses on cinema and literature through their complementarity. First, we will retrace the history of cinema from the sidelines and highlight its committed character that sets it apart from some popular cinemas such as Bollywood. Subsequently, we make a connection between the novel and its adaptation to the cinema in order to highlight the complementarity of the works as well as the notion of solidarity which represents an essential point in this collaborative work. Indeed, diaspora filmmakers Deepa Mehta and Mira Nair have developed an activist and united approach that can be found both in the writing of the script and in the choice of actors and actresses. This activism will be illustrated by examples that highlight the many instances of agency staged in order to build a dynamic image of women in India
Curtis, Emily A. "Movies under the stars : a history and inventory of drive-in theaters in the Indianapolis area." Virtual Press, 1997. http://liblink.bsu.edu/uhtbin/catkey/1041913.
Повний текст джерелаDepartment of Architecture
Kvet, Bryan W. "Red and White on the Silver Screen: The Shifting Meaning and Use of American Indians in Hollywood Films from the 1930s to the 1970s." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1449250157.
Повний текст джерелаManirajah, Sanggeet Mithra. "Looking Back, Moving Forward: The Role of Gandhian Economic Philosophy in India's Development." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/397.
Повний текст джерелаMerchant, Zain Farook. "A study on the depiction of drug usage, alcohol consumption and cigarette smoking in movies and its perceived effect on a young audience. A comparative study of American and Indian cinema and their respective Audiences." Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4826.
Повний текст джерелаChilibeck, Gillian. "Moving mountains through women's movements : the"feminization" of development discourse and practice in the Indian Himalayas." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82696.
Повний текст джерелаКниги з теми "Indians movies"
Making the white man's Indian: Native Americans and Hollywood movies. Westport, Conn: Praeger, 2005.
Знайти повний текст джерелаFontes, Ron. Squanto, A Warrior's Tale: A novel. Mahwah, N.J: Troll Associates, 1994.
Знайти повний текст джерелаDarian, Adina. The Indian world and its movies. Bucharest: [publisher not identified], 2009.
Знайти повний текст джерелаUnderstanding Indian movies: Culture, cognition, and cinematic imagination. Austin: University of Texas Press, 2008.
Знайти повний текст джерелаNarwekar, Sanjit. Crafting movies: Exploring Hindi mainstream cinema. Mumbai: Mindscape, 2000.
Знайти повний текст джерелаBody moves. New York: Aphrodisia/Kensington Pub., 2008.
Знайти повний текст джерелаBala Joban: The first Indian movie in Trinidad (1935). La Romaine, Trinidad: Caribbean Educational Publishers, 2014.
Знайти повний текст джерелаCampbell, Black, Kahn James, and MacGregor Rob, eds. The adventures of Indiana Jones. New York: Lucas Books, 2008.
Знайти повний текст джерелаThomas, Jane Resh. Courage at Indian Deep. New York: Clarion Books, 1993.
Знайти повний текст джерелаMitos y cuentos chiquitanos, guarayos, movimas y mosetenes. La Paz, Bolivia: Universidad Mayor de San Andrés, Facultad de Humanidades y Ciencias de la Educación, Carrera de Literatura, 2011.
Знайти повний текст джерелаЧастини книг з теми "Indians movies"
Shah, Mihir, and P. S. Vijayshankar. "Symbiosis of Water and Agricultural Transformation in India." In India Studies in Business and Economics, 109–52. Singapore: Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-0763-0_5.
Повний текст джерелаBalabantaray, Subhra Rajat, and Jayaram Singh Samal. "Indian Movies’ Impact on World Culture and Society." In The Palgrave Encyclopedia of Interest Groups, Lobbying and Public Affairs, 635–42. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-44556-0_185.
Повний текст джерелаBalabantaray, Subhra Rajat, and Jayaram Singh Samal. "Indian Movies’ Impact on World Culture and Society." In The Palgrave Encyclopedia of Interest Groups, Lobbying and Public Affairs, 1–8. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-13895-0_185-1.
Повний текст джерелаGopalan, Lalitha. "Road Movie." In Cinemas Dark and Slow in Digital India, 261–96. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-54096-8_6.
Повний текст джерелаShah, Manjari, Dharti Takwani, Pooja Sharma, and Rajalakshmi Sriram. "Pitaji, Papa and Paa: Reflections of Fathering in Hindi Movies." In Fathering in India, 169–85. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-1715-6_11.
Повний текст джерелаFlint, Kate. "Indians, Modernity, and History." In The Transatlantic Indian, 1776-1930, 288–96. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691203188.003.0011.
Повний текст джерелаFox, Brian. "The New World Presses." In James Joyce's America, 61–105. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198814023.003.0002.
Повний текст джерела"Notes." In Understanding Indian Movies, 259–64. University of Texas Press, 2008. http://dx.doi.org/10.7560/717862-009.
Повний текст джерела"Introduction. Indian Movies and the People Who Love Them: Universality and Cultural Particularity in the Cinema." In Understanding Indian Movies, 1–13. University of Texas Press, 2008. http://dx.doi.org/10.7560/717862-002.
Повний текст джерела"Chapter Four. “So, What’s the Deal with All the Singing?”: The Cognitive Universality of the Hindi Musical (Kabhi Khushi Kabhie Gham . . .)." In Understanding Indian Movies, 160–93. University of Texas Press, 2008. http://dx.doi.org/10.7560/717862-006.
Повний текст джерелаТези доповідей конференцій з теми "Indians movies"
Vollmann, Ralf, and Soon Tek Wooi. "The Indian Hakkas of Vienna." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.4-2.
Повний текст джерелаS.P., Anusha. "Keynote Speech: Technologies for Smart Transportation." In International Web Conference in Civil Engineering for a Sustainable Planet. AIJR Publisher, 2021. http://dx.doi.org/10.21467/proceedings.112.keynote3.
Повний текст джерелаWang, Jian, Lulu Chen, and Yuanyuan Cai. "Baahubali: The Beginning, a Hamlet in Indian Movie." In 2017 International Conference on Society Science (ICoSS 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icoss-17.2017.34.
Повний текст джерелаAmaranti, P., R. Mau, and J. Tedesco. "Rottnest Island, Indian Ocean: moving towards sustainability." In SUSTAINABLE DEVELOPMENT AND PLANNING 2013. Southampton, UK: WIT Press, 2013. http://dx.doi.org/10.2495/sdp130321.
Повний текст джерелаHanagudu, Harish. "Biogas Fired Industrial Gas Turbines: A Technological and Potential Assessment." In ASME 1993 International Gas Turbine and Aeroengine Congress and Exposition. American Society of Mechanical Engineers, 1993. http://dx.doi.org/10.1115/93-gt-224.
Повний текст джерелаSinha, Nitesh, and Raj Kishore. "Deepwater Pipeline Challenges." In ASME 2015 India International Oil and Gas Pipeline Conference. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/iogpc2015-7932.
Повний текст джерелаBiswas, Sovan, and R. Venkatesh Babu. "Short Local Trajectory based moving anomaly detection." In the 2014 Indian Conference. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2683483.2683556.
Повний текст джерелаGijare, Sumant, Karthick K, Simhachalam Juttu, Sukrut Thipse, Akbar Badusha, and Jan Melin. "Development of Mission Profile Based Simulation Methodology for Fuel Consumption Prediction and Validation for Light, Medium and Heavy Commercial Vehicles." In FISITA World Congress 2021. FISITA, 2021. http://dx.doi.org/10.46720/f2020-epv-047.
Повний текст джерелаVogelmann, Lucas Graebin, Gabriela Giehl Kirinus, and Alan da Cruz Mafalda. "From Star Wars to Indiana Jones: brand building through posters from George Lucas movies." In 6th Information Design International Conference. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/designpro-cidi-18.
Повний текст джерелаTripathi, Ankita, and Shrawan Kumar Trivedi. "Sentiment analyis of Indian movie review with various feature selection techniques." In 2016 IEEE International Conference on Advances in Computer Applications (ICACA). IEEE, 2016. http://dx.doi.org/10.1109/icaca.2016.7887947.
Повний текст джерелаЗвіти організацій з теми "Indians movies"
Ghani, Ejaz, Arti Grover Goswami, and William Kerr. Is India's Manufacturing Sector Moving Away From Cities? Cambridge, MA: National Bureau of Economic Research, April 2012. http://dx.doi.org/10.3386/w17992.
Повний текст джерелаDeepak, Baindur. Urban transport in India: Moving Towards Equity and Sustainability. Indian Institute for Human Settlements, 2015. http://dx.doi.org/10.24943/9789387315082.
Повний текст джерелаYilmaz, Ihsan, and Raja M. Ali Saleem. https://www.populismstudies.org/hindutva-civilizational-populist-bjps-enforcement-of-digital-authoritarianism-in-india/. European Center for Populism Studies (ECPS), December 2022. http://dx.doi.org/10.55271/pp0017.
Повний текст джерелаBarnhardt, Sharon, Erica Field, and Rohini Pande. Moving to Opportunity or Isolation? Network Effects of a Randomized Housing Lottery in Urban India. Cambridge, MA: National Bureau of Economic Research, July 2015. http://dx.doi.org/10.3386/w21419.
Повний текст джерелаResearch Institute (IFPRI), International Food Policy. Is there a market for multi-peril crop insurance in developing countries moving beyond subsidies? Evidence from India. Washington, DC: International Food Policy Research Institute, 2019. http://dx.doi.org/10.2499/p15738coll2.133198.
Повний текст джерелаRaju, Saraswati, and Ann Leonard. Men as Supportive Partners in Reproductive Health: Moving from Rhetoric to Reality. Population Council, 2000. http://dx.doi.org/10.31899/rh2000.1040.
Повний текст джерелаNafakh, Abdullah Jalal, Franklin Vargas Davila, Yunchang Zhang, Jon D. Fricker, and Dulcy M. Abraham. Safety and Mobility Analysis of Rolling Slowdown for Work Zones: Comparison with Full Closure. Purdue University, 2022. http://dx.doi.org/10.5703/1288284317380.
Повний текст джерелаIslam, Asiya, and Preeti Manchanda. Gender Inequalities in Digital India: A survey on digital literacy, access, and use. Digital Futures at Work Research Centre (Digit), January 2023. http://dx.doi.org/10.20919/mcuu2363.
Повний текст джерелаKonstantinou, Theodora, Diala Haddad, Akhil Prasad, Ethan Wright, Konstantina Gkritza, Dionysios Aliprantis, Steven Pekarek, and John E. Haddock. Feasibility Study and Design of In-Road Electric Vehicle Charging Technologies. Purdue University, 2021. http://dx.doi.org/10.5703/1288284317353.
Повний текст джерелаYilmaz, Ihsan, Raja M. Ali Saleem, Mahmoud Pargoo, Syaza Shukri, Idznursham Ismail, and Kainat Shakil. Religious Populism, Cyberspace and Digital Authoritarianism in Asia: India, Indonesia, Malaysia, Pakistan, and Turkey. European Center for Populism Studies, January 2022. http://dx.doi.org/10.55271/5jchdy.
Повний текст джерела