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Статті в журналах з теми "Image de la mère – Dans la littérature"
Madsen, Deborah L. "The rhetoric of double allegiance : Imagined communities in North American diasporic Chinese literatures." Recherches anglaises et nord-américaines 46, no. 1 (2013): 29–44. http://dx.doi.org/10.3406/ranam.2013.1442.
Повний текст джерелаGodard, Barbara. "La traduction comme réception : les écrivaines québécoises au Canada anglais." TTR : traduction, terminologie, rédaction 15, no. 1 (July 29, 2003): 65–101. http://dx.doi.org/10.7202/006801ar.
Повний текст джерелаKunešová, Květuše. "Apprendre à vivre avec la nature." Ondina - Ondine, no. 8 (December 22, 2022): 96–112. http://dx.doi.org/10.26754/ojs_ondina/ond.202285835.
Повний текст джерелаSilva Ochoa, Haydée. "Où est maman ? Paysages de l’absence dans deux albums jeunesse illustrés." Verbum et Lingua, no. 7 (December 30, 2015): 123–40. http://dx.doi.org/10.32870/vel.vi7.68.
Повний текст джерелаMcDonald, Christie. "Ethnographie, littérature et art dans l’oeuvre d’Anne Eisner (Putnam)." Anthropologie et Sociétés 28, no. 3 (September 12, 2005): 105–26. http://dx.doi.org/10.7202/011285ar.
Повний текст джерелаGangloff, Frédéric. "La «Grande Déesse» dans le Proche-Orient ancien et dans l'Ancien Testament." Études théologiques et religieuses 74, no. 1 (1999): 1–19. http://dx.doi.org/10.3406/ether.1999.3535.
Повний текст джерелаBlons-Pierre, Catherine. "Le statut de la mère célibataire dans la littérature médiévale." Bien Dire et Bien Aprandre, no. 16 (April 1, 2022): 35–47. http://dx.doi.org/10.54563/bdba.1466.
Повний текст джерелаBoekholt, Monika. "Une mère battue : du réel au fantasme." Psychologie clinique et projective 3, no. 1 (1997): 157–75. http://dx.doi.org/10.3406/clini.1997.1106.
Повний текст джерелаLemelin, Isabelle. "La mère de 2 Maccabées 7 chez Ambroise, Augustin et quelques rabbins." Studies in Religion/Sciences Religieuses 49, no. 2 (April 16, 2020): 216–35. http://dx.doi.org/10.1177/0008429820911642.
Повний текст джерелаCaron, Valérie. "Le bruit des choses vivantes et Tableaux : voix et représentations inédites de la maternité dans la littérature québécoise." Études 28, no. 1 (July 9, 2003): 126–41. http://dx.doi.org/10.7202/000838ar.
Повний текст джерелаДисертації з теми "Image de la mère – Dans la littérature"
Besse, Nadège. "Réfléchir la transmission au féminin. Étude de la relation mère-fille chez sept auteures catalanes." Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUL138.
Повний текст джерелаThe purpose of this thesis is to analyze the mother-daughter relationship in a corpus composed of thirteen works, mainly novels, published between 1962 and 2015, by seven Catalan authors. The latter write in Castilian (Esther Tusquets, Ana María Moix and Milena Busquets), in Catalan (Mercè Rodoreda, Carme Riera and Maria Mercè Roca) or in both languages (Jenn Díaz). The mother is linked to origins and identity and, in fact, the mother-daughter relationship is often a ravaged, conflicting, at least complex, area, which makes it an extremely rich subject for writing. We thus propose an analysis at the crossroads of history, sociology, psychology, psychoanalysis and literature which offers a new approach to the relationship of mother to daughter and of daughter to mother. This comparative work allows us to establish similarities between the representations of the maternal figure, typologies of mothers, while noting the diversity and complexity of the mother-daughter relationships in these works and their literary treatment. The mother becomes under the pen of these seven authors a central character, both real and symbolic, who is revisited, reinvented and transmitted through the pages of the literary work. Through this process, writing becomes a means of perpetuating the presence of the mother, of making her exist immortally in the collective memory
Brouard, Isabelle. "Vies et images maternelles dans la littérature francaise du XVIIIe siècle." Paris 4, 1987. http://www.theses.fr/1987PA040045.
Повний текст джерелаThe aim of our study is to show evolution of a character, of an image, that of the mother, through novels, poetry and theatre, deeply influenced by the philosophical speech - which includes a medical, a demographic and a political approach. Under the cover of an innovating appearance it results in a increased deep- rootedness of the most conservative functions and images of the mother. The approach marks out three historical periods corresponding to stages, which differ in their intensity to represent motherhood - 1690-1729, 1730-1759, 1760-1790. And important out put of works about motherhood is noticeable in the last period. Concurrently it opens the way to the beaming image of the father confirmed in his powers as head of the family. The approach of the revolutionary period reveals a family that became the XIXth century family - the mother keeping central position, at least in certain precise fields, i. E home and young children's education - such philosophers as Rousseau and Diderot, such moralists as Marmontel and Florian such realistic writers as Retif de la Bretonne and Mercier place her within a constellation - like family where her part appears as more important although it remains a secondary one. The study of the different literary genres shows a certain lack in poetry because poetry had not yet started its evolution and remained tied to a descriptive type of speech that could not allow a possible evocation of intimist scenes imposing the character of the mother. Theatre and comedy in particular, also remained tied to conventions, although some bold prospects appeared with plays such as la mere confidente by marivaux or l'ecole des meres by nivelle de la chaussee. Only novels, a new and promissing genre in the XVIIIth century, seemed to be able to offer new looks on the character of the mother
Sagaert, Martine. "L'image de la mère dans la prose narrative." Paris 4, 1992. http://www.theses.fr/1992PA040187.
Повний текст джерелаThe mother, more than any other character, is present in history, micro-history and the history of mentalities. Through its various evocations, in its very recurrence, she is a meaningful character. At first, we have confronted the romantic image of the mother with her social representation, we have focused on the middle class, the peasant and the working-class mothers, we have confronted legitimate and illegitimate motherhood, voluntary and compulsive motherhood. But analysing the mother character means concentrating on a romantic case, alchemy of numerous representations which participate in both the temporal and the timeless, the collective and the individual unconscious. We have studied the maternal declension from the glorious mother to the seven grieves blesses virgin, from the madonna to the scapegoat, until Colette tells us the story of Sido, until Cybele - the mother - goddess - dispenses death, until Mauriac gives birth to Genitrix, the mortiferous mother who condemns the king-child
Leymonie-Terrière, Pierrette. "L'image de la mère dans l'univers sandien." Bordeaux 3, 2007. http://www.theses.fr/2007BOR30002.
Повний текст джерелаThe subject will be looked at through a combined study of her novels, and correspodance, as well as writings by members of her family. The novels chosen all feature the family prominently. The others writings include little known papers, that are likely to refine the image of the mother among Sand's descendants. The concept of "image" , not necessarly a reproduction of the Real, was of special interest here. The study revolves around Lacan's three concepts of the Real, the Imaginary and the Symbolic. First, the study of the Real is based on biographical writings. Some of the doubts that remain as to certain aspects of her life have been underscored thanks to a critical study of the sources. Secondly, we pondered about the passage from the image to the Imaginary - how is it performed ? Another interrogation was about the influence of the mother along Sand's artistic career, whose writting is both a means of escape and a form of sublimation. In the autobiographical writings, the description of the mother opens out on the exaltation of the father ; this is much less the case in novels, which include autobiographical remembrances, but are much more influenced by imagination, an ability which Sand inherited from her mother. Finally, the Symbolical will focus on the three recurrent metaphors of water, caves, and birds, which are all endowes with maternal qualities. Ultimately, the adoption of a psychoanalytical viewpoint seems to be the best way to capture the image of the mother in Sand's novels
Houel, Annik. "De l'amant à la mère : une quête féminine." Paris 7, 1992. http://www.theses.fr/1992PA070094.
Повний текст джерелаThe study of woman adultery representation in woman litterature allows to explain her subversive function and tobring some permanent facts of female sexuality to light. The analysis of six excepts (from "guigemar" of marie de france, "la princesse de cleves" of mme de la fayette, "valen tine" of g sand, "l'ingenue libertine" of colette, "les mandarins" of s. De beauvoir and "la chambre des dames" of j. Bourin) is made with the concepts of greimas' semiotique. The mother image, hidden under the one of the lover, correpondsto the most repressed part of woman psychoanalytic history : her love for her mother, and tokes its roots in the most primary narcissism. This repression explains the way of functionning of feminine desire as it is represented : her desire is maintened secret and lays on a splitting body mind. It is linked to a seduction model which recalls the primary seduc -tion excerced by the mother during the bodycare. The present sentimental litterature obeys the same requirements, even if the adultery lover gives his place to a pre-marital lover ; despite of the emergence of love mariage, only the lover and not the husband can sustain this love figure, merged and mystical, which is based on an ideal image of mother daughter relationship
Feat, Anne-Marine. "De la mère à la mère-patrie : quête identitaire dans la littérature irlando-américaine féminine." Bordeaux 3, 2009. http://www.theses.fr/2009BOR30070.
Повний текст джерелаTakeuchi, Junko. "Marguerite Duras : l'écriture des relations mère-fille/." Paris 8, 1993. http://www.theses.fr/1993PA080799.
Повний текст джерелаIn the works of marguerite duras, the mother-daughter relationship indicates not only one of her central themes but il also determines the meaning of writing itself. Il order to make the act of writing possible, the daughter has to deprive herself of the mother. To achieve the separation, there in no other way but the act of writing. The difficulty involved in the process makes her work more than a simple description of the mother-daugter relationship. The act of writing transforms and recreatres this relationship. The act of writing transforms and substitute to each other. This reciprocal reference also affects the rapport between the writing and the mothe-daugter relationship. The writing and this relationship give birth to each other and transform each other, of which process problematizes the dichotomous framework created between the copy and the originel, the fusion and the separation, or the one and the other
Lafargue-Arnaud, Caroline. "Demeter et sa mère, ou Un aspect de la relation mère-fille chez Elisabeth Gaskell." Paris 4, 2000. http://www.theses.fr/2000PA040193.
Повний текст джерелаAbdeljalil, Dania. "La représentation féminine chez Alain Robbe-Grillet." Thesis, Mulhouse, 2016. http://www.theses.fr/2016MULH9213.
Повний текст джерелаThis thesis, which deals with the representation of women in Alain Robbe-Grillet’s work, aims at studying the essential place occupied by women in in his different novels. Naturally, women play an essential part in the life of men. They represent the essence of life. For centuries, she is artistic source of inspiration and place of controversy. That is why the role played by women in Alain Robbe-Grillet’s work seems to us particularly important. [...]
Morgan-Proux, Catherine. "Le thème de la mère dans l'œuvre de Kate Chopin (1850-1904)." La Réunion, 1999. http://elgebar.univ-reunion.fr/login?url=http://thesesenligne.univ.run/99_03_Morgan-Proux.pdf.
Повний текст джерелаThis thesis examines maternal figures in two novels and twenty-five short stories by Kate Chopin (1850-1904). It uses biographical, feminist, historical, psychoanalytical and structuralist approaches and is largely based on close literary analysis of the texts. Kate Chopin's fictional mothers overturn, in varying degrees, the traditional image of the nurturing, ever-present, protective mother. Motherhood is rarely complete, often distorted, always somehow failing. In these stories, the missing mother, repeatedly cut off by mourning, madness, separation or death, leaves a central gap. However, this absence is, paradoxically, essential to the narrative. Maternal lack literally generates the texts. Each story owes not only its drama but its very existence to the missing mother who, never quite present, is never explicitly expressed as such. In this way, the narrative process revolves around the unattainable "real" mother who resists the text, despite Chopin's repeated attempts to write her into this cycle of stories which, it becomes apparent, are woven around a series of repeated failures. The "real" mother, in Chopin’s work, lies elsewhere
Книги з теми "Image de la mère – Dans la littérature"
Omer, Massoumou, and Université Marien Ngouabi. Département de langue et littérature françaises., eds. L' image de l'autre dans la littérature française. Paris, France: Harmattan, 2004.
Знайти повний текст джерелаMaser, Simone. L' image de David dans la littérature française. Orléans [Ont.]: Éditions David, 1996.
Знайти повний текст джерелаOmer, Massoumou, and Université Marien Ngouabi. Département de langue et littérature françaises., eds. L' image de l'autre dans la littérature française. Paris: Harmattan, 2004.
Знайти повний текст джерелаFeat, Anne-Marine. De la mère à la mère-patrie: Quête identitaire dans la littérature irlando-américaine féminine. Villeneuve d'Ascq: Atelier national de reproduction des thèses, 2011.
Знайти повний текст джерелаShelton, Marie-Denise. Image de la société dans le roman haïtien. Paris: L'Harmattan, 1993.
Знайти повний текст джерелаLouvel, Liliane. L' œil du texte: Texte et image dans la litt rature de langue anglaise. Toulouse: Presses universitaires du Mirail, 1998.
Знайти повний текст джерелаHounhouenou, Yaovi Antoine. L' image de l'Allemagne et des Allemands dans la littérature ouest-africaine du 20ème siècle. Aachen: Shaker, 2006.
Знайти повний текст джерелаPouliot, Suzanne. L' image de l'Autre: Une étude des romans de jeunesse parus au Québec de 1980 à 1990. Sherbrooke, Qué: Éditions du CRP, 1994.
Знайти повний текст джерелаPike, Burton. The image of the city in modern literature. Ann Arbor: University Microfilms International, 1992.
Знайти повний текст джерелаMerle, Alexandra. Le miroir ottoman: Une image politique des hommes dans la littérature géographique espagnole et française (XVIe-XVIIe siècles). Paris: Presses de l'Université de Paris-Sorbonne, 2003.
Знайти повний текст джерелаЧастини книг з теми "Image de la mère – Dans la littérature"
Ribémont, Bernard. "La figure de Jules César dans la littérature médiévale." In Jules César, construction d’une image de l’Antiquité à nos jours, 41–57. Besançon: Presses universitaires de Franche-Comté, 2024. https://doi.org/10.4000/139my.
Повний текст джерелаCatellani, Andrea. "Pour une sémiotique de l’‘image dirigée’ dans la littérature jésuite : syncrétisme, narrativité, énonciation dans le Chemin de la vie éternelle d’Antoine Sucquet S.J." In Imago Figurata. Studies, 109–25. Turnhout: Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.ifstu-eb.4.2017008.
Повний текст джерелаHertrampf, Marina Ortrud M. "Mater genetrix ?! Une introduction aux images de la mère dans la littérature contemporaine d’expression française." In Mater Genetrix, 1–12. De Gruyter, 2024. http://dx.doi.org/10.1515/9783111558752-001.
Повний текст джерелаManson, Michel. "Naissance d’une chanson pour enfants : la Mère Michel." In La chanson dans la littérature d’enfance et de jeunesse, 21–38. Artois Presses Université, 2020. http://dx.doi.org/10.4000/books.apu.22608.
Повний текст джерелаParat, Hélène. "Le père est celui qui possède sexuellement la mère." In Image du père dans la culture contemporaine, 294. Presses Universitaires de France, 2008. http://dx.doi.org/10.3917/puf.cupa.2008.01.0294.
Повний текст джерелаAUBRY-MORICI, Marine. "Ambivalence du récit de soi, tentation romanesque. La langue oubliée d’Emmanuel Carrère." In L'enfant plurilingue en littérature, 81–94. Editions des archives contemporaines, 2024. http://dx.doi.org/10.17184/eac.7811.
Повний текст джерелаPernoud, Hermeline. "Les Bottes de sept lieues, conte (1922) de Pauline Gonneau, institutrice et mère de famille : un roman-conte de fées ludique, didactique et artistique." In L’épanchement du conte dans la littérature, 231–41. Presses Universitaires de Bordeaux, 2018. http://dx.doi.org/10.4000/books.pub.7802.
Повний текст джерелаMarchand, Sandrine. "Traduire-écrire : la poésie de Hsia Yu entre son et image." In Ici et Ailleurs dans la littérature traduite, 207–18. Artois Presses Université, 2017. http://dx.doi.org/10.4000/books.apu.13558.
Повний текст джерелаYamada, Yoko, and Yoshinobu Kato. " Image du Moi dans le rapport mère-enfant ." In Aspects de la psychologie et de l'éducation de l'enfant au Japon, 167–84. Presses Universitaires de France, 1993. http://dx.doi.org/10.3917/puf.kobot.1993.01.0167.
Повний текст джерела"Itinéraire d’un “viator pictor” : Le regard de Corneille Le Brun dans son Voyage du Levant (1674–1693) et la mise en image de Smyrne/Izmir." In Art et littérature, 169–94. BRILL, 2006. http://dx.doi.org/10.1163/9789401203272_008.
Повний текст джерелаТези доповідей конференцій з теми "Image de la mère – Dans la littérature"
Piéjus, Anne. "Airs notés, poésie et actualité dans le Mercure galant." In Littérature, image, périodicité (XVIIe-XIXe siècles). Fabula, 2020. http://dx.doi.org/10.58282/colloques.6451.
Повний текст джерелаBrämer, Sarah Diane, and Adrien Paschoud. "Les régimes de périodicité dans l’Encyclopédie (1751-1772) de Diderot et d’Alembert." In Littérature, image, périodicité (XVIIe-XIXe siècles). Fabula, 2020. http://dx.doi.org/10.58282/colloques.6464.
Повний текст джерелаMarchal, Hugues. "Delille en îles : la saisie périodique d’un auteur dans la presse du Consulat et de l’Empire." In Littérature, image, périodicité (XVIIe-XIXe siècles). Fabula, 2020. http://dx.doi.org/10.58282/colloques.6468.
Повний текст джерелаGleizes, Delphine. "Images du futur, image au futur. L’expression du conjectural dans la presse de vulgarisation, du Musée des familles à Je sais tout." In Littérature, image, périodicité (XVIIe-XIXe siècles). Fabula, 2020. http://dx.doi.org/10.58282/colloques.6527.
Повний текст джерелаHohnsbein, Axel. "Politique du merveilleux dans la presse de vulgarisation scientifique du Second Empire et de la Belle Époque." In Séminaire PéLiAS (Périodiques, Littérature, Arts, Sciences). MSH Paris-Saclay Éditions, 2023. http://dx.doi.org/10.52983/weia2967.
Повний текст джерелаPonta, Radu Tudor. "Entre les lignes ou de bouche à l'oreille. Le Corbusier en roumain." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.770.
Повний текст джерела