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Статті в журналах з теми "Iconology"
Davison, Jane. "Icon, iconography, iconology." Accounting, Auditing & Accountability Journal 22, no. 6 (July 31, 2009): 883–906. http://dx.doi.org/10.1108/09513570910980454.
Повний текст джерелаSinha, Chris. "Iconology and Imagination." Cultural Dynamics 5, no. 1 (March 1992): 57–82. http://dx.doi.org/10.1177/092137409200500104.
Повний текст джерелаBrown, Lee B., and W. J. T. Mitchell. "Iconology: Image, Text, Ideology." Journal of Aesthetics and Art Criticism 45, no. 2 (1986): 211. http://dx.doi.org/10.2307/430568.
Повний текст джерелаTopper, David, and W. J. T. Mitchell. "Iconology: Image, Text, Ideology." Leonardo 22, no. 3/4 (1989): 449. http://dx.doi.org/10.2307/1575437.
Повний текст джерелаElsner, Jaś, and Katharina Lorenz. "The Genesis of Iconology." Critical Inquiry 38, no. 3 (March 2012): 483–512. http://dx.doi.org/10.1086/664548.
Повний текст джерелаDick, B. F., and W. J. T. Mitchell. "Iconology: Image, Text, Ideology." World Literature Today 61, no. 1 (1987): 169. http://dx.doi.org/10.2307/40142719.
Повний текст джерелаRheinberger, Hans-Jörg. "Iconology: Image, text, ideology." Studies in History and Philosophy of Science Part A 25, no. 4 (August 1994): 647–54. http://dx.doi.org/10.1016/0039-3681(94)90055-8.
Повний текст джерелаGallegos, Eduardo, and Jaime Otazo. "To travel is to Look, to Look is to Relate." Journeys 21, no. 2 (December 1, 2020): 67–89. http://dx.doi.org/10.3167/jys.2020.210204.
Повний текст джерелаBeyers, Jaco, and Lize Kriel. "John Muafangejo’s How God Loves His People All Over the World as Material Religion." Religion and the Arts 24, no. 4 (October 26, 2020): 379–98. http://dx.doi.org/10.1163/15685292-02404002.
Повний текст джерелаGruzdev, А. А. "ICONOLOGICAL METHOD IN SEMIOTIC ANALYSIS OF ARTWORKS." Arts education and science 1, no. 4 (2021): 92–99. http://dx.doi.org/10.36871/hon.202104012.
Повний текст джерелаДисертації з теми "Iconology"
Wikramagamage, Chandra. "Principles of Buddhist iconology /." Polgasovita (Sri Lanka) : Academy of Sri Lankan culture, 1997. http://catalogue.bnf.fr/ark:/12148/cb370849024.
Повний текст джерелаMaçaranduba, Pedro Ernesto Rodrigues. "Encenações do desejo: contribuições para a iconologia do pornô." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/59/59141/tde-12122017-110913/.
Повний текст джерелаAcademic research related to pornography remained for a long time monopolized by the texts and effects logic. This means that scientific investigation was guided by the search of individual, interpersonal, and social consequences supposedly caused by the consumption of pornographic material. This line of research contributed to the polarization of the scientific discussion and stimulated the conformation of the rhetoric in pro/anti-pornography positions. Although this kind of research still prevails in international publications, studies began to analyze pornography under other perspectives by the late 1980s. The present work seeks to join this new line of studies that have already produced meaningful outcomes in Brazil and internationally. Following procedures based on Palofskys iconological method and managing theoretic and conceptual tools provided by psychoanalysis, we elected the Pornô com História category from Brasileirinhas website (greatest Brazilian pornographic film studio still in activity) as our data source. The category comprises 83 films; three of them were excluded from our study due to being foreign productions. The decision to work with films endowed with a fictional narrative was based on the very dimension of pornography we want to highlight, namely, its fantastical nature. The visualization of each film was followed by the iconographical description of scenarios, plots, characters and dialogues. The collected material was organized into three axes: scenarios, pornographic vocabulary and gender representations. We observed that Brasileirinhas pornographic films present a particular representation of eroticism: while addressed to a male heterosexual public, they try to keep distance from non-heteronormative practices. We also noted the presence of ambivalent behavior toward the sexual object in the fetish-words that constitute the pornographic vocabulary. Finally, we concluded that pornography offers a utopian solution for male anxieties in times of increasing gender equality and problematization of masculinity. This utopian solution is materialized in female characters easily available for sex and the impassive phallus endowed with the capacity to provide extraordinary pleasures (for itself and for others).
Gambling, Stella. "Iconology in The Merchant of Venice." Thesis, University College London (University of London), 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325295.
Повний текст джерелаThompson, Marc. "Mimbres iconology, analysis and interpretation of figurative motifs." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ47916.pdf.
Повний текст джерелаYeh, Grace I.-chun. "Asian fighters in U.S. minority literature iconology, intimacy, and other imagined communities /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1481671281&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Повний текст джерелаServa, Leão Pinto. "A “fórmula da emoção” na fotografia de guerra: como as imagens de conflitos se relacionam com a tradição iconográfica explorada por Aby Warburg." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/20631.
Повний текст джерелаMade available in DSpace on 2017-12-05T13:17:47Z (GMT). No. of bitstreams: 1 Leão Pinto Serva.pdf: 8064382 bytes, checksum: d00f2189fa468bbe9388bd17152b07c9 (MD5) Previous issue date: 2017-11-10
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This research seeks to identify the element responsible for the attractiveness of war photography, considering that conflict scenes are responsible for increasing audience of the media. The hypothesis of the research is that they contain Pathosformeln ("pathos formulas" or "passion formulas", concept created by the German critic Aby Warburg, 1866-1929), which cause impact by the immediate recognition of the emotions of the characters portrayed. Warburg pointed to the presence of ancient images from Pagan (Greek or Roman) culture appropriated by Renaissance artists and used as precoined forms for elements of expression of sentiment in paintings and sculptures from after the Middle Ages on. Since his death, the disciples of the German thinker have kept him as a reference to the study of ancient or Renaissance cultural manifestations, with rare exceptions (such as Carlo Ginzburg and Pablo Schneider, who use their concepts in analyzes of contemporary images). This research, which is linked to studies and reflections on Norval Baitello Jr.'s "Image Theory", applies to the War Photography, as a method, Warburg's analyzes of classical works, breaking his containment on ancient subjects. The chosen corpus is formed by photographs that obtained repercussion and recognition, participants of anthologies of this genre. The work, innovative as to the composition of the applied method and its object, detected in the analysis of the images several “formulas of emotion” used as paradigms in photos of conflicts
Este trabalho busca identificar o elemento responsável pela atratividade da fotografia de guerra, considerando que as cenas de conflito são responsáveis pelo aumento da audiência dos meios de comunicação. A pesquisa tem a hipótese de que tais imagens contêm Pathosformeln (“fórmulas de páthos” ou “fórmulas de paixão”) – segundo o conceito criado pelo crítico alemão Aby Warburg (1866-1929) –, que provocam impacto pelo reconhecimento imediato das emoções dos personagens retratados. Warburg apontou a presença de imagens antigas, oriundas da cultura pagã (como grega ou romana), apropriadas pelos artistas do Renascimento e usadas como “fôrmas” pré-moldadas para elementos de expressão de sentimentos em pinturas e esculturas posteriores à Idade Média. Desde sua morte, os discípulos do pensador alemão o mantêm como a principal referência para ao estudo de manifestações culturais antigas ou renascentistas, com raras exceções (como Carlo Ginzburg e Pablo Schneider, que usam os conceitos também nas análises de imagens contemporâneas). Esta pesquisa – que se vincula aos estudos e às reflexões da Teoria da Imagem de Norval Baitello Jr. – aplica à fotografia de guerra, como método, as análises de Warburg sobre obras clássicas, rompendo sua contenção a objetos antigos. O corpus escolhido para o estudo é formado por fotografias que obtiveram repercussão e reconhecimento, tendo sido incluídas em antologias do gênero. O trabalho, inédito quanto ao método aplicado e a seu objeto, detectou nas imagens analisadas diversas “fórmulas de emoção” usadas como paradigmas em fotos de conflitos
Vale, Charles Vasconcelos. "A imagem inquieta: pÃs- produÃÃo e sobrevivÃncia no cinema de Gus Van Sant." Universidade Federal do CearÃ, 2017. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=20274.
Повний текст джерелаA presente pesquisa propÃe fazer uma anÃlise iconolÃgica de parte da obra do cineasta norte- americano Gus Van Sant, utilizando para tanto dois conceitos fundamentais, a saber, PÃs- ProduÃÃo (BOURRIAUD, 2009) e SobrevivÃncia (WARBURG, 2013; DIDI- HUBERMAN, 2013). Selecionamos, para isso, cinco de seus principais filmes, sendo eles respectivamente: Psicose (1998), Gerry (2002), Elefante (2003), Last Days(2005) e Paranoid Park(2007), por acreditar que eles dÃo fÃlego as anÃlises e os conceitos supracitados. Noprimeiro momento tentamos pensar essa filmografia a partir de procedimentos artÃsticos como:apropriaÃÃo, remake, remix, releitura; procedimentos estes relacionados com a arte contemporÃnea, cujo modus operandi pode ser sintetizado pelo termo pÃs-produÃÃo. No segundo momento da pesquisa tentamos pensar essa filmografia em relaÃÃo com a histÃria da arte, analisando essa obra a partir da ideia de sobrevivÃncia (nachleben), um conceito derivado da singular iconologia criada pelo historiador da arte Aby Warburg, que tentou pensar a imagem pelo prisma das sobrevivÃncias das formas antigas em manifestaÃÃes culturais e artÃsticas diversas. Por fim, propomos um ensaio visual acerca dessas obras cinematogrÃficas, utilizando como inspiraÃÃo o âAtlas Mnemosyneâ - matlas de imagens que sintetiza o mÃtodo warburguiano de investigaÃÃo â privilegiando, portanto, a potÃncia imagÃtica em detrimento da historiografia tradicional calcada na palavra.
The present research proposes to make an iconological analysis of part of the work of the American filmmaker Gus Van Sant, using two fundamental concepts, namely Post-Production (BOURRIAUD, 2009) and Survival (WARBURG, 2013; DIDI- HUBERMAN, 2013). We chose five of their main films, respectively: Psycho (1998), Gerry (2002), Elefante (2003), Last Days (2005) and Paranoid Park (2007), for believing they give breaths to the analyzes and the above-mentioned concepts. At first we try to think of this filmography based on artistic procedures such as: appropriation, remake, remix, rereading; procedures related to contemporary art, whose modus operandi can be synthesized by the term post-production. In the second moment of the research we try to think about this filmography in relation to the history of art, analyzing this work from the idea of survival (nachleben), a concept derived from the singular iconology created by the historian of art Aby Warburg, who tried to think the image by prism of the survival of ancient forms in diverse cultural and artistic manifestations. Finally, we propose a visual essay about these cinematographic works, using as inspiration the "Atlas Mnemosyne" - matlas of images that synthesize the Warburguian method of investigation - thus favoring the imagery power to the detriment of the traditional historiography based on the word
Sutcliffe, Tami [Verfasser]. "The Iconology of Pinterest : Exploring Naming Behavior in Personal Digital Image collections / Tami Sutcliffe." Munich : GRIN Publishing, 2015. http://d-nb.info/1126252522/34.
Повний текст джерелаBerry, Christine A. (Christine Alyce). "Juan Bautista Maino's Adoration of the Shepherds: An Analysis of Iconography, Iconology, and Style." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc278375/.
Повний текст джерелаBrandão, Antonio Jackson de Souza. "Iconofotologia do barroco Alemão." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8144/tde-15122008-151940/.
Повний текст джерелаThe present Thesis intends to give a new approach to the reading of texts from the period known as Baroque and, for that, it was necessary to create new terms that corresponded to this expectation: the iconophotology and photographic poems. In order to enable a reader to read and understand texts of that period, he would have to have access to a signical key to which only readers of that moment had access: the iconologies. However, such reference has been lost; therefore, we have to replace it by another one, from the imagetic-photographic collection we have, which is called iconophotological. With this premise, it will be possible to read, under the contemporary point of view (not under the baroque point of view), the so- called photographic poems.
Книги з теми "Iconology"
G, Kippenberg Hans, ed. Approaches to iconology. Leiden: E.J. Brill, 1985.
Знайти повний текст джерелаMalla, Mala. Lord Vishnu: An iconology. Kathmandu: Ashok Hada, 2012.
Знайти повний текст джерелаIconology: Image, text, ideology. Chicago: University of Chicago Press, 1986.
Знайти повний текст джерела1937-, Sarma Inguva Karthikeya, ed. Iconology of the Hindus. Delhi: Caxton Publications, 1988.
Знайти повний текст джерелаErdberg, Eleanor von. Ancient Chinese bronzes: Terminology and iconology. Bad Wildungen: Siebenberg-Verlag, 1993.
Знайти повний текст джерелаAxel, Bolvig, and Lindley Phillip, eds. History and images: Towards a new iconology. Turnhout, Belgium: Brepols, 2003.
Знайти повний текст джерелаBakker, Hans. The Vākāṭakas: An essay in Hindu iconology. Groningen: E. Forsten, 1997.
Знайти повний текст джерелаCognitive iconology: When and how psychology explains images. Amsterdam: Rodopi, 2014.
Знайти повний текст джерелаTachikawa, Musashi. Mandara no kamigami: Bukkyō no ikonorojī = Nepalese Buddhist iconology. Tōkyō: Arina Shobō, 1987.
Знайти повний текст джерелаOsamu, Nakayama. Images of their glorious maker: Iconology in Milton's poetry. Tokyo: Macmillan Languagehouse, 2002.
Знайти повний текст джерелаЧастини книг з теми "Iconology"
Hönes, Hans Christian. "Flat Iconology." In Art Historiography and Iconologies Between West and East, 91–102. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003137528-7.
Повний текст джерелаSears, Elizabeth. "Iconology vs. Iconography." In Art Historiography and Iconologies Between West and East, 58–73. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003137528-5.
Повний текст джерелаKalinowski, Lech. "Iconology or Iconography?" In Art Historiography and Iconologies Between West and East, 29–57. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003137528-4.
Повний текст джерелаBarnard, Malcolm. "Semiology, Iconology and Iconography." In Approaches to Understanding Visual Culture, 143–67. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-137-11046-6_8.
Повний текст джерелаPurgar, Krešimir. "Introduction." In The Iconology of Abstraction, 1–18. New York: Routledge, 2020. | Series: Routledge advances in art and visual studies: Routledge, 2020. http://dx.doi.org/10.4324/9780429262500-1.
Повний текст джерелаCrowther, Paul. "Abstraction and Transperceptual Space." In The Iconology of Abstraction, 104–13. New York: Routledge, 2020. | Series: Routledge advances in art and visual studies: Routledge, 2020. http://dx.doi.org/10.4324/9780429262500-10.
Повний текст джерелаCernuschi, Claude. "The Visualization of Temporality in the Abstract Paintings of Barnett Newman 1." In The Iconology of Abstraction, 114–25. New York: Routledge, 2020. | Series: Routledge advances in art and visual studies: Routledge, 2020. http://dx.doi.org/10.4324/9780429262500-11.
Повний текст джерелаLessard, Bruno. "Rethinking Abstraction Post-phenomenologically: Michel Henry and Henri Maldiney." In The Iconology of Abstraction, 126–40. New York: Routledge, 2020. | Series: Routledge advances in art and visual studies: Routledge, 2020. http://dx.doi.org/10.4324/9780429262500-12.
Повний текст джерелаBetancourt, Michael. "Visual Music and Abstraction." In The Iconology of Abstraction, 143–59. New York: Routledge, 2020. | Series: Routledge advances in art and visual studies: Routledge, 2020. http://dx.doi.org/10.4324/9780429262500-14.
Повний текст джерелаBurchert, Linn. "Ecology and Climatology in Modern Abstract Art." In The Iconology of Abstraction, 160–75. New York: Routledge, 2020. | Series: Routledge advances in art and visual studies: Routledge, 2020. http://dx.doi.org/10.4324/9780429262500-15.
Повний текст джерелаТези доповідей конференцій з теми "Iconology"
Bandalo, Visnja. "INTERDISCIPLINARITY OF LITERARY ICONOLOGY OF GIORGIO MANGANELLI." In 8th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS Proceedings 2021. SGEM World Science, 2021. http://dx.doi.org/10.35603/sws.iscss.va2021/s09.53.
Повний текст джерелаTao, Y., and B. Zhu. "Least-Squares High Resolution Processing Method based on Iconology." In 85th EAGE Annual Conference & Exhibition - Workshop Programme. European Association of Geoscientists & Engineers, 2024. http://dx.doi.org/10.3997/2214-4609.202410050.
Повний текст джерелаChen, Yimo. "Study of image evolution on the iconology theories and methodology." In IV International Scientific and Practical Conference, Chair Ariunaa Shajinbat. Publishing house Sreda, 2023. http://dx.doi.org/10.31483/r-106594.
Повний текст джерелаWang, YuLin. "Analysis of Monet’s “Water Lilies” Based on E.H.Gombrich’s Theory of Iconology." In 2022 International Conference on Social Sciences and Humanities and Arts (SSHA 2022). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220401.006.
Повний текст джерелаRovenko, Elena. "ERWIN PANOFSKY�S ICONOLOGY AND THE ANALYSIS OF MUSICAL COMPOSITION: ON SEARCHING NEW SEMANTIC STRATEGIES." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s08.08.
Повний текст джерелаDe Sousa Carvalho, Rafael. "VIOLENTAS APARIÇÕES FANTASMAIS: ICONOLOGIA POLÍTICA E ERRÂNCIA EM DORA LONGO BAHIA." In 30º Encontro Nacional da ANPAP - (RE)EXISTÊNCIAS. ,: Even3, 2022. http://dx.doi.org/10.29327/30enanpap2021.384030.
Повний текст джерелаLourenço, Emília Vicente. "Resgate da memória em Cândido Portinari." In Encontro da História da Arte. Universidade Estadual de Campinas, 2006. http://dx.doi.org/10.20396/eha.2.2006.3856.
Повний текст джерелаRizolli, Marcos, and Mariana Fontes. "A FANTASIA NO TRABALHO FOTOGRÁFICO DE CHARLES DODGSON: UM OLHAR ENTRE A ICONOLOGIA E A SEMIÓTICA." In VII World Congresson Communication andArts. Science and Education Research Council (COPEC), 2014. http://dx.doi.org/10.14684/wcca.7.2014.196-200.
Повний текст джерелаFerrari, Paula. "A história da Arte de Araújo Porto-Alegre." In Encontro da História da Arte. Universidade Estadual de Campinas, 2008. http://dx.doi.org/10.20396/eha.4.2008.3921.
Повний текст джерелаMiranda Mas, Carlos. "Arte vs turistificación: Souvenirs de resistencia." In V Congreso Internacional de Investigacion en Artes Visuales ANIAV 2022. RE/DES Conectar. València: Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/aniav2022.2022.15485.
Повний текст джерела