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Статті в журналах з теми "Historiae Venetae"
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Aloy Ricart, Rita. "Venegas Ramos, Alberto [2020]. Pasado interactivo. Memoria e historia en el videojuego." IMAGO. Revista de Emblemática y Cultura Visual, no. 12 (January 28, 2021): 175. http://dx.doi.org/10.7203/imago.12.19088.
Повний текст джерела
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Sangster, Alan. "“De Raphaeli: Venetian Double Entry Bookkeeping in 1475”." De Computis - Revista Española de Historia de la Contabilidad 16, no. 1 (June 26, 2019): 115. http://dx.doi.org/10.26784/issn.1886-1881.v16i1.347.
Повний текст джерелаАнотація:
“De Raphaeli: Venetian Double Entry Bookkeeping in 1475” de Alan Sangster (Aberdeen University, UK). Comentario realizado por: Esteban Hernández Esteve (Comisión de Historia de la Contabilidad de AECA).
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Boza Araya, Virginia. "Le labyrinthe arabo-musulman dans les romans de Tahar Ben Jelloun." LETRAS, no. 54 (August 6, 2013): 71–90. http://dx.doi.org/10.15359/rl.2-54.4.
Повний текст джерелаАнотація:
El escritor marroquí Tahar Ben Jelloun reproduce en sus obras la estructura laberíntica de su medina. La circularidad que marca las historias de sus personajes constituye la muralla que protege los misterios, los secretos y los seres. La superposición de composiciones teje, en el interior de esta muralla, callejuelas obscuras que desembocan en la vida de seres cuyo destino fue alienado por los caprichos de la historia. Todo es sombrío: atmósfera, historias, personajes, y estos tan sombríos como la vida de los magrebís cuya identidad ha sido alienada y que están en búsqueda de sus raíces.
Tahar Ben Jelloun est un écrivain marocain d’expression française, cependant son œuvre reste foncièrement arabe autant dans la forme que dans le fond. Chaque roman harmonise différentes compositions pour créer le labyrinthe de la culture arabo-musulmane. Son œuvre s’articule, tant au niveau macro que micro, comme une Médina qui est au cœur même de la culture arabe. Chaque histoire constitue une micro cellule (histoire dans l’histoire) qui se cache au fond de ses impasses. Elle suit l’itinéraire de ces ruelles étroites et sinueuses, pour déboucher sur d’autres histoires aussi sombres que certains espaces qu’on trouve au détour d’une venelle dans les souks. En fait, la médina est indissociable des récits et d’événements historiques comme le souligne Tahar Ben Jelloun.
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Ohanian, Wahan. "Ojciec Ghewond Aliszan: poeta i historyk promiennej Armenii." Lehahayer 6 (December 31, 2019): 149–64. http://dx.doi.org/10.12797/lh.06.2019.06.05.
Повний текст джерелаАнотація:
Father Ghewond Alishan: Poet and Historian of Bright Armenia
The article is an attempt to present the legacy of the Venetian Mechitarist, Father Ghewond Alishan (1820-1901) and show him as an armenologist, poet and propagator of Armenian patriotism. In addition, the author examines Alishan’s correspondence (the collection of letters is currently being prepared for print), which offers a special, more personal perspective on Alishan and the Venetian monastery on the island of San Lazzaro, where he spent most of his life.
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Ferrarotti, Lorenzo. "L’Historia della guerra del Monferrato: un testo non piemontese." Zeitschrift für romanische Philologie 136, no. 1 (March 6, 2020): 228–45. http://dx.doi.org/10.1515/zrp-2020-0008.
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AbstractThe 17th century poem called Historia della guerra del Monferrato is generally deemed to be written in a Piedmontese dialect (specifically, in a variety from Monferrat) and for this reason it is included in Piedmontese anthologies and treated as a Piedmontese text by scholars. This paper aims to show, by a comparative linguistic analysis, that this text it is not actually written in Piedmontese, adding evidence to some neglected suggestions by Carlo Salvioni in this regard. In fact, he believed that the Historia was a text from Bergamo, but even this claim is inaccurate, because the main linguistic features of this text can show that its place of origin is probably an area between eastern Lombardy, Emilia and Venetia, perhaps in the surroundings of Mantua.
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Heller, Wendy. "Poppea's Legacy: The Julio-Claudians on the Venetian Stage." Journal of Interdisciplinary History 36, no. 3 (January 2006): 379–99. http://dx.doi.org/10.1162/002219506774929773.
Повний текст джерелаАнотація:
In a context already established by Claudio Monteverdi's L'incoronazione di Poppea and other Venetian treatments of the Julio-Claudians, Giovanni A. Boretti and Aurelio Aureli's opera Claudio Cesare bears the heavy influence of the Roman historian Cornelius Tacitus. Aureli took extraordinary care to incorporate specific details from Book 12 of Tacitus' Annals into his libretto, deftly blending fact with fanciful supposition in a manner that echoes many of the concerns about women and monarchy explored in Monteverdi's opera. An aria sung by the young Nero to his mother Agrippina demonstrates the complex ways in which music could teach the lessons of history—both seducing the listener and providing a chilling lesson about the political and moral liabilities of empire.
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Pfotenhauer, Bettina. "Luxuswaren und Wissensobjekte." Internationales Archiv für Sozialgeschichte der deutschen Literatur 46, no. 1 (June 1, 2021): 157–69. http://dx.doi.org/10.1515/iasl-2021-0009.
Повний текст джерелаАнотація:
Abstract The Venetian incunabula and post-incunabula traced in the library of the Nuremberg humanist Willibald Pirckheimer express the significant influence of the two cities’ relationship on shaping early modern culture in North-alpine Europe: The books, traded by Franconian merchants as luxury goods and, due to the miniatures added by Albrecht Dürer, examples of the influence of Italian Renaissance art north of the Alpes, also shaped the development of Greek humanism in the north and played an important role in constituting learned networks. The ambivalent and always shifting relation of their status as luxury goods or as objects of intellectual knowledge continued after Pirckheimer’s death as they became part of important English book collections and in the 1920 s precious pieces of the stocks of the famous Munich antiquarians Jacques and Erwin Rosenthal, the latter studying as an art historian the artistic importance of Dürer’s miniatures in Pirckheimer’s Venetian books.
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Domingues, Beatriz Helena. "Política missionária e secular em escritos jesuíticos sobre a Baixa Califórnia no século XVIII." Revista Brasileira de História 23, no. 45 (July 2003): 261–80. http://dx.doi.org/10.1590/s0102-01882003000100011.
Повний текст джерелаАнотація:
O objetivo deste artigo é analisar a conjugação de preocupações espirituais e temporais nos escritos jesuíticos mexicanos referentes às missões da Baixa Califórnia em meados do século XVIII, período em que a Companhia de Jesus vinha se enfrentando com as reformas bourbônicas. Toma como exemplos os escritos de dois jesuítas: um missionário (Miguel Venegas) e um educador (F. X. Clavijero). Venegas foi missionário na Baixa Califórnia e autor de Notícia de la California y de su conquista temporal y espiritual hasta el tiempo presente (1739). Clavijero foi principalmente um educador, mas envolvido com o desempenho das missões, conforme pode ser visto na sua Historia de la Antigua o Baja California (1790). Ambos são aqui considerados como representantes da geração de jesuítas mexicanos que, poucas décadas antes da expulsão da Cia de Jesus da Nova Espanha, que combinaram trabalho espiritual com o temporal, dos quais resultou uma bem sucedida experiência missionária e uma rica produção intelectual.
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Zocal, Barbara. "CULTURAS LEGÍTIMAS: LA TRADUCCIÓN DE HISTORIETAS LATINOAMERICANAS EN BRASIL." Trabalhos em Linguística Aplicada 57, no. 1 (April 2018): 245–64. http://dx.doi.org/10.1590/010318138651707357271.
Повний текст джерелаАнотація:
RESUMEN En este artículo, realizamos un sobrevuelo sobre cuestiones sociales de las últimas décadas con respecto al lugar de la traducción de la lengua española en Brasil. Además, tratamos de presentar la relevancia de la traducción en el mercado editorial de las historietas, sobre todo de las latinoamericanas traducidas al portugués, con el objetivo de observar las regularidades del mercado editorial de las historietas traducidas. Al final, presentamos un estudio de caso de la traducción brasilera, intitulada Sendero Luminoso (Editorial Veneta, 2016), de las novelas gráficas peruanas Rupay. Historias gráficas de la violencia política en el Perú (1980-1984), de Luis Rossell, Alfredo Villar y Jesús Cossio (Editorial Contracultura, 2008), y Barbarie. Comics sobre Violencia Política en el Perú, 1985-1990, de Jesús Cossio (Editorial Contracultura, 2010).
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Muñoz C., Andrés David. "Venegas de la Torre, Águeda. Los avatares de la administración de justicia en Zacatecas, 1812 a 1835. México: Instituto de Investigaciones Dr. José María Luis Mora, 2016, 239 p." Historia y Espacio 14, no. 50 (June 4, 2018): 223. http://dx.doi.org/10.25100/hye.v14i50.6559.
Повний текст джерелаАнотація:
Águeda Goretty Venegas de la Torre, Dra en Historia por el Instituto Mora y perteneciente al Grupo HICOES (Historia Cultural e Institucional del Constitucionalismo en España y América) -presidido por historiadores de la talla de Carlos Garriga-, pretende en esta obra estudiar las oscilaciones o avatares de la administración de justicia en el Estado de Zacatecas en una época de transición política, caracterizada por la connivencia de dos modelos como el propio del Estado jurisdiccional y el del Estado de Derecho. Dichos modelos figuraban como la representación de lo viejo y lo nuevo; lo tradicional y lo moderno; la justicia de jueces y la justicia de leyes; lo justo y lo legal, si bien lo que se presentó en los territorios independientes de la América hispánica fue una abigarrada mezcla de elementos que bebían de uno y otro orden político-jurídico.
Дисертації з теми "Historiae Venetae"
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Paulino, Sibele. "O espaço literário em Ana de Veneza." reponame:Repositório Institucional da UFPR, 2011. http://hdl.handle.net/1884/26391.
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ResumoA presente dissertação analisa o romance Ana em Veneza (1994), de João Silvério Trevisan, a partir de sua figuração do espaço e mobilidade cultural de personagens em contexto estrangeiro. Considera, de modo especial, o diálogo do romance com as obras de Julia Mann e Thomas Mann. O viés reflexivo com o qual se ocupa é o dos Estudos Culturais, pois o romance apresenta programaticamente problemas e questões de ordem cultural, social e política do Brasil, o que reflete na obra um diálogo com outros campos do conhecimento e com a sociedade de maneira geral. Os protagonistas da obra, Alberto Nepomuceno, Julia Mann e sua mucama Ana, são todos baseados em personalidades reais. Assim, a pesquisa abarcou, além da leitura de textos dos Estudos Culturais, do Espaço Literário e da fortuna crítica sobre Ana em Veneza e as obras de Julia e Thomas Mann, textos de ordem documental e biográfica que subsidiam a compreensão do romance.
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veronesi, gene p. "Collateral Promoters of the Venetian Myth: Veronese Chronicles in the Age of Venetian Hegemony." University of Akron / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=akron1444476739.
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Corradini, Martina <1995>. "Investigation of the rising damp phenomenon in historical Venetian buildings by a new multianalytical approach." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/16661.
Повний текст джерелаАнотація:
Rising damp of sea water in Venice is a serious issue in the conservation field, due to the absorption of soluble salts which lead to physical degradation of bricks and mortars in masonries. The evaluation of the rising damp trend and its evolution through the time is useful for a future perspective and monitoring of the phenomenon, considering also the climate changes effects.
The aim of the thesis is the evaluation of the effects over time and on an urban scale of the rising damp phenomenon. The research consists of two parts: i) evaluation of the rising damp process extent over time, through analysis of archive photos and comparison with the current situation ii) analysis of the actual conservation state through moisture content, soluble salts and soluble ions distribution evaluation in some historical buildings (Ca’Foscari, Ca’ Bottacin, Ex Slaughterhouse San Giobbe, Badoer Palace, Ca’ Tron and Malipiero Palace) and through non invasive methods (thermograms, visual documentation).
This research represents an implementation of the already existing dataset on moisture distribution in Venetian masonries and buildings.
The thesis is implemented within the framework of “Venezia 2021, Linea 5.3 Piano di adattamento al cambiamento climatico e implementazione di strategie di intervento per la salvaguardia del patrimonio architettonico”, project leaded by CORILA in partership with Ca’ Foscari.
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Gois, Diego Marinho de. "Jardim do Serid?: A constru??o dos espa?os p?blicos na Veneza Seridoense nas primeiras d?cadas do s?culo XX." Universidade Federal do Rio Grande do Norte, 2012. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16964.
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Previous issue date: 2012-09-13As the space and the city are objects of desires, interests, seduction, sedition, appropriations, battles, victories, defeats, require to be analyzed historically. This research investigates and discusses the construction of public spaces in Jardim do Serid? City, backwoods of Rio Rio Grande do Norte, in the first decades of twentieth century, when the municipality was chaired by Her?clio Pires Fernandes, who ruled from 1917 to 1930 and was graduated from the University of Pharmacy of Recife, where he contacted the architectural, political and artistic influences circulating in the capital of Pernambuco. In the first decades of the twentieth century, the space of Jardim earns statements and practices, against the discourse of modernity, which sought to justify the title of Veneza Seridoense . At the time, the city had undergone several transformations in its public spaces through the construction of the Butchery, the Market, the Public Roads connecting the city to other urban centers, the building of the Bridge of the Pedra Lavrada Farm, the Elementary School Ant?nio de Azevedo , the creation of the Music Band Euterpe Jardinense , the Literary and Recreative Guild, the pavilion, the paving, tree planting, lighting, streets naming and listing of the annual painting of households, the arrival of automobiles, mail and telegraph. The construction of these new sceneries and the arrival of equipments generated impacts in the daily life of the population and were received differentiated ways by individuals involved in the process, which shows the tension between old and new, the relationship between history and space
Sendo o espa?o e a cidade objetos de desejos, interesses, sedu??es, sedi??es, apropria??es, batalhas, vit?rias, derrotas; requerem que se analisem historicamente. Esta pesquisa investiga e problematiza a constru??o dos espa?os p?blicos da cidade de Jardim do Serid?, sert?o do Rio Grande do Norte, nas primeiras d?cadas do s?culo XX, quando a municipalidade jardinense foi presidida por Her?clio Pires Fernandes, que governou a cidade de 1917 a 1930 e era formado pela Faculdade de Farm?cia do Recife, onde entrou em contato com as influ?ncias arquitet?nicas, pol?ticas e art?sticas que circulavam na capital pernambucana. Nas primeiras d?cadas do s?culo XX, o espa?o jardinense passa a ganhar enunciados e pr?ticas, frente ao discurso da modernidade, que buscava legitimar o t?tulo de Veneza Seridoense . Nessa ?poca, a cidade passou por diversas transforma??es em seus espa?os p?blicos, atrav?s da constru??o do A?ougue, o Mercado, as Estradas P?blicas ligando a cidade aos outros centros urbanos, a edifica??o da Ponte da Fazenda Pedra Lavrada, o Grupo Escolar Ant?nio de Azevedo , a cria??o da Banda de M?sica Euterpe Jardinense , o Gr?mio Liter?rio e Recreativo Jardinense, o Coreto, o cal?amento, arboriza??o, ilumina??o, nomea??o e numera??o das ruas, a pintura anual das resid?ncias, a chegada dos autom?veis, os correios e o tel?grafo. A constru??o desses novos cen?rios e a chegada de equipamentos geraram impactos no cotidiano da popula??o e foram recepcionados de forma diferenciadas pelos sujeitos envolvidos no processo, o que mostra a tens?o entre o velho e o novo na rela??o em hist?ria e espa?o
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Moraes, Junior Helvio Gomes. "A crítica historiográfica de Francesco Patrizi nos Dez diálogos da história (Veneza, 1560) = estudo e tradução comentada." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269937.
Повний текст джерелаАнотація:
Orientador: Carlos Eduardo Ornelas BerrielTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: Esta tese apresenta a tradução comentada dos Dez Diálogos da História de Francesco Patrizi da Cherso, uma ars histórica publicada em Veneza em 1560. Tal tradução e acompanhada de um estudo que busca colocar em evidencia aqueles que, para nos, são os aspectos mais relevantes deste texto: a revisão critica das principais idéias humanistas sobre a historia, essencialmente embasadas nos postulados de auctoritates como Cícero e Luciano, e a proposta de uma nova concepção historiográfica, de forte inspiração neoplatônica, que prescreve a união entre conhecimento histórico e filosófico como instrumentos úteis para a finalidade ultima da comunidade política, a felicidade civil. Também são trazidas para a cena dialógica as contribuições do pensamento político florentino da primeira metade do Cinquecento, que se aliam a defesa da tradição política veneziana (plasmada sobre um pano de fundo utópico), promovendo uma espécie de fusão que dara a esta ars histórica um perfil único entre os vários escritos que compõem o gênero.
Abstract: This thesis presents the Portuguese commented translation of Francesco Patrizi's Della historia diece dialoghi, an ars historica published in Venice in 1560. It is complemented by a study which is aimed at emphasizing the most relevant aspects of this text: a critical review of the main humanistic ideas on history, essentially founded on the statements pronounced by auctoritates like Cicero and Lucian, and the proposal of a union of historical and philosophical knowledge as useful means to the ultimate end of the political community, the civil happiness. The dialogical scene also brings the contributions from the Florentine political thought of the first half of the Cinquecento, sided with the defense of Venetian political tradition (formulated in a utopian background), and the result is a kind of fusion that gives this ars historica a unique profile among the many works which belong to this literary genre.
Doutorado
Historia e Historiografia Literaria
Mestre em Teoria e História Literária
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Delmedico, Sara. "From the Restoration to the Pisanelli code (1815-1865) : a cultural and historical assessment of the legal status of women in the north of the Italian peninsula." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/284721.
Повний текст джерелаАнотація:
In the context of a changing political landscape, where shifts in state boundaries and socio-economic structures deeply affected the Italian peninsula and its people, this thesis analyses women and the law in action in the years from the Restoration up to the enactment of the Pisanelli code (1815-1865). It does so with particular reference to the Kingdom of Sardinia and the Kingdom of Lombardy-Venetia. These years also saw a number of changes in the legal system with various new laws instituted. The quick succession of these legal acts testified to the new ideas, behaviours and perceptions that began to take form in the period in question, but which the patriarchal and hierarchical nineteenth century society - so reliant on strict class stratification to perpetuate its status quo - resisted fully accepting. Within this context, women began to redefine their sense of self and to think of themselves as having an identity which went beyond their traditional domestic roles of mother, wife or daughter. This work aims to describe this process by focusing on women's attitudes towards the law and their interactions with the legal system. The thesis is structured in the following way: the first part focuses on the Ottocento context, the ideals promulgated about women in public discourse and the legal framework of the Italian peninsula. In the second part attention turns to relevant case studies from the Kingdom of Sardinia and the Kingdom of Lombardy-Venetia, brought to light by first-hand examination of archival documents and court proceedings preserved in legal journals of the time. Each part is subdivided into three chapters. After an examination of the social, political and economic context of the nineteenth-century Italian peninsula (Chapter one), the discussion presents a picture of contemporary views about women according to scientists, theorists, moralists and jurists (Chapter two). Chapter three is devoted to the law in force in the pre-unification states with regard to women, paying close attention to the institution of dowry. Chapter four deals with a selection of case studies concerning marriage promises, seduction, and extramarital relations. What emerges from the investigation is the intrusiveness of authorities and the reach they extended into people's private lives in an effort to maintain social order and exercise power within a society founded on hierarchy, immobility, and obedience. Chapter five examines lawsuits questioning dowries and wills. These acts show the families' choices to preserve their wealth, often inevitably paving the way to future discord, with women initiating lawsuits to obtain more money from their relatives. Finally, Chapter six analyses widowhood and separation, two possible moments in a woman's existence that had important implications in terms of both their intimate sphere and the devolution of wealth. In particular, the chapter traces widows' actual access to inheritance, and women's requests for separation, focusing on the reasons that drove them before a court to relate issues pertaining to their very intimate lives, such as contracting diseases. Through the analysis of the law in action and women's use of the law itself, this thesis will recover the forgotten voices and lives of those ordinary women, who, in their everyday life, reacted against the limitations and constraints imposed upon them by society and decided not to passively accept their status.
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Byström, Emelie. "Poseidonia-Paestum revisited : Tracing aspects of place attachment in an ancient context." Thesis, Stockholms universitet, Institutionen för arkeologi och antikens kultur, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-158800.
Повний текст джерелаАнотація:
The city of Poseidonia-Paestum on the Italian peninsula has a long and manifold history throughout Antiquity. The city was founded by Greek settlers in the seventh century BC, put under Lucanian rule around 400 BC, and was finally colonized by the Romans in the year of 273 BC. This study aims to connect the tangible traces of history to the intangible feelings for a place and explore how these elements give rise to the psychological process of place attachment. The concept holds and interdisciplinary potential and thus is possible to apply to the ancient material from Poseidonia-Paestum. The Greek agora, the Roman forum and the extramural Sanctuary of Santa Venera is approached and analysed from this perspective. A close reading of previous research on place attachment in combination with the archaeological record from Poseidonia-Paestum has formed the basis for analysing the material. This study has shown that it is possible to contextualize the theoretical framework of place attachment in an ancient material by pointing out the semiotic potency of the material remains from Poseidonia-Paestum. Through this perspective new questions have been raised and interpreted. Ultimately, a deeper understanding of the attitudes and ideas that formed the basis of human actions and decisions in the ancient city of Poseidonia-Paestum has been reached.
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Capellà, Galmés Miquel Àngel. "El vidre a Mallorca entre els segles XIV i XVIII." Doctoral thesis, Universitat de les Illes Balears, 2009. http://hdl.handle.net/10803/9408.
Повний текст джерелаАнотація:
La Història del vidre a Mallorca entre els segles XIV i XVIII està determinada per la forta influència exercida per la vidrieria catalana i la veneciana. El marc cronològic ampli té la finalitat de precisar les continuïtats i canvis que es produeixen en l'artesanat. En aquest sentit, s'ha de destacar com un factor fonamental la presència de vidriers procedents d'Itàlia, que situen l'illa de ple en les dinàmiques que caracteritzen l'art del vidre. Per a cada època s'han situat els principals obradors, les famílies de vidriers i els sistemes de treball desenvolupats. En relació als objectes catalogats, hem constatat l'arribada d'importacions islàmiques, catalanes i venecianes. Les tipologies s'han elaborat amb les peces arqueològiques, les citacions d'inventaris de cada període i la iconografia. La investigació es tanca amb un panorama general corresponent a inicis del segle XVIII, moment d'irrupció de noves modes procedents de Bohèmia i Alemanya, que canviaran l'art del vidre a Europa.La Historia del vidrio en Mallorca entre los siglos XIV y XVIII está determinada por la importante influencia ejercida por la vidriería catalana y la veneciana. El marco cronológico amplio tiene la finalidad de precisar las continuidades y los cambios producidos en el artesanado. En este sentido, tiene que destacarse como factor fundamental la presencia de vidrieros procedentes de Italia, que sitúan la isla en las dinámicas que caracterizan el arte del vidrio en otros territorios europeos. Para cada época se han situado los principales talleres, las familias de vidrieros y los sistemas de trabajo desarrollados. En relación a los objetos catalogados, hemos constatado la llegada de importaciones islámicas, catalanas y venecianas. Las tipologías se han elaborado con las piezas arqueológicas, las citaciones de inventarios de cada período y la iconografía. La investigación se cierra con un panorama general correspondiente a inicios del siglo XVIII, momento de irrupción de nuevas modas procedentes de Bohemia y Alemania, que cambiaran el arte del vidrio en Europa.
The history of glass in Majorca between the 14th and 18th centuries has been determined by the strong influences exerted by the catalan and venetian glassworks. The wide chronologic framework responds to the intention of specifying the continuities and changes undergone in the craftsmanship. In this sense, it must be highlighted as a fundamental fact the presence of glassmakers coming from Italy, which place the island in the midst of the dynamics characterizing the art of glassmaking. The main glassmakers, families and the working systems developed, have been placed in each period. As for the catalogued pieces, the coming of Islamic, catalan and venetian importations have been stated. Typologies have been stated with archeological pieces, inventory citations for each period and the iconography. The research concludes with a general overview corresponding to the early 18th century, the moment of the arrival of new modes coming from Bohemia and Germany, which would change the art of glass in Europe.
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Facchin, Carlo. "Nei frammenti della storia: l'edizione delle carte autografe delle "Historiae Venetae" di Pietro Bembo." Doctoral thesis, 2021. http://hdl.handle.net/2158/1238939.
Повний текст джерелаАнотація:
Edizione parziale dei manoscritti autografi di Pietro Bembo: Quirini cl. VI, 4 (=1043) e il ms. Marc. cl. X, 256 (=3134), solo le parti relative alle "Historiae Venetae" e ricostruzione della genesi dell'opera e un breve commento di alcune parti significative per evidenziare il metodo storiografico del Bembo .
Partial edition of Pietro Bembo's autograph manuscripts: Quirini cl. VI, 4 (=1043) and ms. Marc. cl. X, 256, only for the parts of "Historiae Venetae", and reconstruction of the writing process and a brief commentary of some relevant parts to show Bembo's historiographical method.
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MacNayr, Linda C. "SITUATING CHARLOTTE: Reading Politics in Portraits of Belgian Princess Charlotte, Vicereine of Lombardy-Venetia, Empress of Mexico." Thesis, 2009. http://hdl.handle.net/1974/5332.
Повний текст джерелаАнотація:
The political significance of portraits of Charlotte of Saxe Coburg Gotha (1840-
1927) has been obscured by her historical liminality and by romantic myths that have
prevailed since the late nineteenth century and influenced interpretations of her visual
representations. This thesis reassembles a wide range of images of Charlotte and
analyzes these as sequential representations of an individual participating, across diverse
cultures, in defining episodes of the nineteenth century. Strategies of allegory,
programmatic intertextuality, and revisionism are revealed when these images are read
within their political circumstances of production and complicate the dominance of a few
late, iconic portraits of Charlotte and their entrenched associations. The use of costume,
essential in certain portraits commissioned during Charlotte’s childhood in Belgium, is
revisited in images depicting her during a brief position as Vicereine of Lombardy-
Venetia and in another dating from her role - of equal brevity but indelible historical
resonance - as Empress of Mexico. The significance of dress is explored in relation to
agency and political influence and as demonstrating compliance with, or negotiation of,
gender conventions. Charlotte’s public life was abruptly terminated upon her 1866 return
to Europe by a diagnosis of ‘madness.’ Napoleon III was withdrawing troops supporting
the Mexican Empire and her journey was made seeking to reverse this decision. I
speculate a painting by French artist Edouard Manet allegorically records this episode of
Charlotte’s life and that other factors relating to this episode subsequently influenced the
erasure of her imperial images until their reappearance in the twentieth century.Thesis (Ph.D, Art History) -- Queen's University, 2008-11-28
Книги з теми "Historiae Venetae"
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Fabris, Antonio. I dispacci di Francesco Vendramin, ultimo bailo a Costantinopoli (1796-1797). Venice: Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-372-4.
Повний текст джерелаАнотація:
The transcripts of the 55 dispatches written by Francesco Vendramin, the last Venetian bailo of Constantinople between 1796 and 1797, appear very important to the eye of the historian. Even though they were written in Constantinople, they reflect the hardships of the political climate that the fall of the Veneta Repubblica and the establishment of the Municipalità Provvisoria brought to Venice.Moreover, they provide a unique insight into the bailo house in Constantinople. Vendramin had to explain the functioning of the bailaggio and the necessity of the diplomatic office to maintain a decorum of credibility for the State (both the Repubblica and the Municipalità). This needed to be clarified to the new rulers, who were mostly bourgeois and not experts in political issues, especially issues of an international nature, while the old rulers, the august senators, have been experts for decades in both internal and external political affairs of the Republic.The first 27 dispatches were written when the Veneta Repubblica was still alive. The remaining 28 were written after its fall (12th May 1797), when Vendramin had no official role. He was accredited with the Porta Ottomana, as the Venetian delegate of the Doge, but he never received any formal task by the Municipalità. Nevertheless the Ottoman government continued to consider Vendramin as an ambassador, not knowing how to act otherwise.The first collection of dispatches again proposes, with proper adjustments to the new situation, the schemes and the themes that characterize the Venetian-Ottoman relationship in the modern age. The second group is full of information on the Venetian colony in the Empire. As a consequence, it gives information on the functioning of the consulates and on the personal licenses given to merchants and vendors. Moreover, the figure of the French ambassador du Bayet appears strong. He stands as a supporter of many choices in the name of an effective French supremacy on Venice, that in Constantinople is shown without the shield of the Municipalità.
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Rosalind, Laker. The Venetian mask. New York: Doubleday, 1993.
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Rosalind, Laker. The Venetian mask. Bath: Chivers Press, 1994.
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Rosalind, Laker. The venetian mask. London: Corgi, 1993.
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Heyer, Georgette. Venetia. Naperville, Ill: Sourcebooks Casablanca, 2011.
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Vasil, Gi︠u︡zelev, and Bulgaria. Glavno upravlenie na arkhivite., eds. Documenta Veneta historiam Bulgariae et bulgarorum illustrantia saeculis XII-XV. Serdicae [Sofii︠a︡]: Glavno upravlenie na arkhivite pri Ministerskii︠a︡ Sŭvet, 2001.
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The Venetian mask. Thorndike, Me: Thorndike Press, 1993.
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Heyer, Georgette. Venetia. Thorndike, Me: Thorndike Press, 1993.
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Heyer, Georgette. Venetia. Waterville, Me: Thorndike Press, 2011.
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Venetia. Don Mills, Ont: HQN, 2009.
Знайти повний текст джерелаЧастини книг з теми "Historiae Venetae"
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Facchin, Carlo. "Mappare il cantiere delle Historiae Venetae del Bembo. Il ms. marciano cl. x 256 (=3134)." In Studi e ricerche del Dipartimento di Lettere e Filosofia, 303–15. Firenze: Società Editrice Fiorentina, 2023. http://dx.doi.org/10.35948/dilef/978-88-6032-688-1.17.
Повний текст джерелаАнотація:
Il lavoro descrive il ms. autografo del Bembo marciano cl. X 256 (3134). in particolare, analizza l’aspetto del riordino delle carte. Infatti, la presenza della numerazione antica farebbe pensare a un riordino delle carte, che sono tra loro molto disomogenee, da parte dell’autore per orientarsi all’interno della sua opera. In realtà chi ha riorganizzato il codice sembrerebbe essere il Morelli.
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Zabbia, Marino. "Carlo Cipolla, Amedeo Crivellucci e l’edizione della Historia Langobardorum di Paolo Diacono." In Reti Medievali E-Book, 317–31. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-423-6.19.
Повний текст джерелаАнотація:
During the congress on Paolo Diacono held in Cividale del Friuli in 1899 (eleven centuries after Paolo's death) a scientific committee decided to publish a new edition of Paolo’s opera omnia. A sort of scholar jealousy arised: the Istituto storico italiano thought that its own duty was to publish the Historia romana and the Historia Langobardorum, the main works written by Paolo. The eminent scholar Carlo Cipolla, on the contrary, believed that task was of the Deputazione veneta di storia patria. A compromise was signed: Amedeo Crivellucci (of the Istituto storico) invited Cipolla to collaborate on the edition of both Histories. The present essay recalls that collaboration (that unfortunately was interrupted in 1904) studying the correspondence between Cipolla, Crivellucci and other historians (Villari, Crivellucci) and reopening an unknown page of the history of Italian medievistic scholarship.
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Verità, Marco. "Venetian Soda Glass." In Modern Methods for Analysing Archaeological and Historical Glass, 515–36. Oxford, UK: John Wiley & Sons Ltd, 2013. http://dx.doi.org/10.1002/9781118314234.ch24.
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Manenti, Lorenzo. "Storia di un paradosso. Il mito di Giorgio Luti in Età Moderna." In Le vestigia dei gesuati, 267–81. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-228-7.19.
Повний текст джерелаАнотація:
The essay resumes, with new historical sources, the research concerning the biography of the Sienese Jesuat Giorgio Luti, the prophecy of 1491 attributed to him and the exegetical evolution of this text in the Modern Age, published in Giorgio Luti da Siena a Lucca. Il viaggio di un mito fra Umanesimo e Controriforma, Siena, Accademia degli Intronati (Monografie di storia e letteratura senese, XV) 2008. The essay is divided into two parts. The first is a study of historical sources on Giorgio Luti in the Venetian area. The second part is dedicated to the study of historians from Lucca who lived between the XVI and XVIII centuries: Gherardo Sergiusti, Giovanni Cividale, Giuseppe Bonafede and Giovanni Domenico Mansi. They paid attention to the content of the Sienese prophecy for the description about wars and devastation of the Towers of Lucca, the conversion of Islamic peoples to Christianity, thanks to a company of Lucca men and women, attributing a meaning of political pacification and religious palingenesis. Overall, however, the evolution of the myth about Giorgio Luti, paradoxically, reflects in particulary the identity crisis of the Jesuats between the XV and XVI centuries.
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Gluzman, Renard, and Gerassimon Pagratis. "Tracking Venice’s Maritime Traffic \in the First Age of Globalization: A Geospatial Analysis." In Atti delle «Settimane di Studi» e altri Convegni, 135–53. Florence: Firenze University Press, 2019. http://dx.doi.org/10.36253/978-88-6453-857-0.08.
Повний текст джерелаАнотація:
The present collaborative work in progress is an empirical attempt verifying the interplay between political change, fleet nationality, and the evolution of shipping networks. On the basis of historical data on ship positions retracted from archival sources, we create GIS-based online maps to conduct a geospatial analysis of the traffic intensity and movement patterns along the regional and inter-regional sea routes that connected the Venetian port system with the Mediterranean ports, with special attention to the Eastern Mediterranean. In this sense, the platform “simulates” modern real-time technologies used to visualise shipping trends per vessel types.
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Cardini, Agnese. "Venere e Cupido di palazzo Pandolfini a Firenze: una scultura inedita di Chiarissimo Fancelli." In Studi e saggi, 59–67. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-181-5.05.
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This paper aims to add another piece of knowledge for Chiarissimo Fancelli, one of the leading sculptors in the Florentine art scene of the first thirty years of the Seventeenth century. The artwork, credited to the sculptor from Settignano, is located in palazzo Pandolfini (Florence) and represents Venus and Cupid. Through the analysis of both its style and available bibliographical and historical sources, the marble group can now be included in the corpus of Fancelli’s sculptures and dated to 1620-1625.
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"102. Venetic." In Handbook of Comparative and Historical Indo-European Linguistics, 1832–39. De Gruyter Mouton, 2018. http://dx.doi.org/10.1515/9783110542431-023.
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Iasbez, Vanna Vedaldi. "La Venetia orientale nella geografia tolemaica." In Geographica historica. Ausonius Éditions, 1998. http://dx.doi.org/10.4000/books.ausonius.6705.
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Drakakis, John. "Historical Difference and Venetian Patriarchy." In The Merchant Of Venice. Bloomsbury Academic, 1998. http://dx.doi.org/10.5040/9781350391765.ch-009.
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"7. Scribendae Historiae Gratia: The Oration of Sergius the Monk to the Prophet Muhammad." In The Venetian Qur'an, 136–58. University of Pennsylvania Press, 2018. http://dx.doi.org/10.9783/9780812294972-008.
Повний текст джерелаТези доповідей конференцій з теми "Historiae Venetae"
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Bonavoglia, Paolo. "Venetian Cryptanalysis Treatises of the Renaissance." In The 5th International Conference on Historical Cryptology HistoCrypt 2022. Linköping University Electronic Press, 2022. http://dx.doi.org/10.3384/ecp188389.
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Öngül, Zehra. "Venetian Walls of Nicosia: Between Kyrenia Gate - Barbaro Bastion." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11417.
Повний текст джерелаАнотація:
Nicosia today has the characteristics of being the only divided city in Europe. By examining the inside of the walls, one observes that the structure of the city is determined by the circular plan of the walls that were constructed during the Venetian period. There are 11 bastions on the walls and three Venetian gates, namely Kyrenia Gate, Famagusta Gate and Paphos Gate, were originally designed to allow entrance to the city that is encircled by the walls. Nicosia continued to be the islands capital which has fallen under Ottoman rule in between 1571-1878. In the period of British occupation 1878-1960, as a result of the increasing population, the city of Nicosia overflew the walls and developed by spreading beyond the city walls and 8 new passages were opened. The organic fabric of the walled city, with the establishment of buffer zones after the peace operation of 1974, resulted in the division of the island that divided the capital city into two. In 1931, because of the increased vehicle needs through the north side, the walls around the Kyrenia Gate (Porta del Proveditore) were trimmed and designed as a single monumental building. Between Kyrenia Gate and Barbaro bastion wall height is lower than the existing. Public lavatory and 9 small shops were inserted. Sitting steps were designed on the walls and two stairs were constructed to reach these area. To give an access from the moat to the inner city there is a passage. In this context, identifying changes of the Kyrenia Gate-Barbaro bastion site, during this historic period, is the main goal of this study. Decisions with regard to these walls and observations to be made on right places to determine the changes are main focuses of the study.
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MENEGHELLO, SABRINA, and ERICA MINGOTTO. "NETWORKS OF HISTORIC HOUSES AS A STRATEGIC OPTION FOR SUSTAINABLE TOURISM DEVELOPMENT: THE VENETIAN VILLAS CASE." In SUSTAINABLE TOURISM 2018. Southampton UK: WIT Press, 2018. http://dx.doi.org/10.2495/st180191.
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Montoya, Catalina, Lina María Escobar-Ocampo, and Claudia María Vélez-Venegas. "Marinilla´s cultural landscape and spacial characterization (Colombia)." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6201.
Повний текст джерелаАнотація:
Marinilla´s cultural landscape and spacial characterization (Colombia). Catalina Montoya Arenas¹, Lina María Escobar Ocampo¹, Claudia Maria Venegas Velez¹ ¹Facultad de Arquitectura, UPB. Circular 1 N°70-01 Medellin, Colombia. E-mail: catalina.montoyaarenas@upb.edu.co, lina.escobar@upb.edu.co, claudia.ve7@gmail.com Keywords (3-5): Cultural landscape, social management, heritage, spacial transformations, tourism Conference topics and scale: Stages in territorial configuration The historic center of Marinilla, National Monument since 1959, is located sixty minutes from Medellin at San Nicolas Valley. It has exceptional landscape conditions, highly productive lands, and a large percentage of the water reserve that supplies the region and the country, giving the territory an economic center character since the colony. These physical values make part of collective imagination as a recreation area and an opportunity for development in the 1960s, according to the construction of large national infrastructure works. At the same time, it was object of armed conflict in the 1980s and 1990s, and more recently, directly related to the spatial dynamics of the region: unplanned urban expansion, changes in land use and vegetation cover, with effects on the cultural landscape. In a post-conflict situation, the economic strategies of different actors trust on tourism as a social-spatial management strategy to improve the territory. However, the identity of rurality shows spatial imbalances without recognizing elements of historical construction whose legacies must be revealed to ensure equitable development. To do this, we propose an approach from the cultural landscape in a revision of the historical, symbolic and relational transformation through five systems (anthropic, productive, political, symbolic and spatial), analyzing competitiveness, tourism, landscape and social management, in different scales and during three historical moments. References (100 words) Busquets, J., and Cortina, A. (2009). Gestión del paisaje: Manual de protección, gestión y ordenación del paisaje. Ariel, Barcelona. Sierra, P. A. (2003). Periferias y nueva ciudad: el problema del paisaje en los procesos de dispersión urbana. Universidad de Sevilla. Barrera, S. (2014). Consideraciones teóricas para el análisis del paisaje. La Metodología de Los eventos relacionales. Perspectivas sobre el paisaje. Varón, D. C. Z. (2015). El derecho al paisaje en Colombia.: Consideraciones para la definición de su contenido, alcance y límites. U. Externado de Colombia. Olmo, R. M. (2008). El paisaje, patrimonio y recurso para el desarrollo territorial sostenible. Conocimiento y acción pública. Arbor, 184(729).
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Trovo', Francesco, and Enrico Vettore. "The role of craftsmanship in the conservation of Venice. State of the art and perspective." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15690.
Повний текст джерелаАнотація:
The case of Venice shows how the overall image, the perception of vernacularity of the historical built aggregates, strongly depends on the ability not only to preserve as much as possible, but also to "replicate" the consolidated building techniques to ensure continuity with the actions of restoration and consolidation. This option also contemplates forms of substitution and refurbishment, in contrast with the principles of conservation which favor the criterion of recognizability of the addition and reject the replacement of components, even when executed in an appropriate and harmonious manner, often the only option possible when attempting to preserve the Venetian character of the city’s buildings.The most pressing issue is that of the progressive disappearance of local craftsmanship. This is particularly dramatic in the case of Venice, where specific knowledge is needed in order to carry out interventions on elements of historical buildings. The objectives of protection are also of relevance in this case as they present particular difficulty for foreign workers or workers who have completed different training. In this regard, this text examines the measures implemented to counteract this phenomenon, particularly the effectiveness and role of each of the hypotheses examined, already partially addressed in the city, training courses for artisans and technicians; public subsidies and incentives and the role of the authorities.
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Gron, Silvia, and Eleni Gkrimpa. "Le città nelle fortificazioni: le isole ioniche in Grecia. Conoscenza e valorizzazione di un patrimonio." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11533.
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The cities in the fortifications: the Ionian islands in Greece. Knowledge and enhancement of a heritage Residing in the Mediterranean Sea, Ionian islands signify the passage from the west to the east. A constantly sought-after region due to the trade routes, was for a long time garrisoned and under the authority of the Venetian Republic (fourteenth-eighteenth centuries) that hindered with its fleet the Turkish invasions. The bigger islands that constitute the cluster of the Eptanisa: Corfu, Lefkada or Santa Maura, Ithaka, Kefalonia, Kythira, Zakinthos and more, that had strategic positions with respect to the usual routes, had since the middle ages fortifications like walls, towers and castles, that over the time were expanded and restructured by the Venetians in order to defend those islands from the enemy attacks. The rich iconographic historic material, considering the Ionian Islands, allows to document the characteristics of those wide spread defensive structures and to identify each strong part of this big and unique fortification cluster. It has to be noted that every one of those structures gives us clues about the urban history of the city it resides since they were part of the urban landscape revealing this way the urban layout. The compelling story of the architectural consistency of those fortresses, as it is described in the historic documents, cannot be always verified. Many of those structures are nowadays completely destroyed and only a few remains are left. There are many ways to organize a project for saving those structures and in particular one that will be related with the cultural tourism.
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Perojević, Snježana, and Branislav Trifunović. "The Aquila tower: a part of the Renaissance coastal defence system of Pučišća." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11423.
Повний текст джерелаАнотація:
At the end of the fifteenth century the Ottoman Empire won the land at the middle of the eastern side of the Adriatic, between the town of Omiš and the Neretva River. Thus exposing the northern settlements of the island of Brač, which were under the Venetian Administration at the time, to immediate danger from the Turkish invasion. The settlement of Pučišća was particularly vulnerable. Therefore, the settlement was intensively fortified, and a series of thirteen individual small coastal towers was built, after which the entire settlement was named Castello Pucischia in 1600. One of these towers –the Aquila tower– had a key role in defending Pučišća during the Ottoman-Venetian War, also known as the War of Cyprus (1570-1573). The Aquila tower was built at the beginning of the sixteenth century and today it is a well-preserved detached building situated on the Pučišća coast. Despite all the damage and transformations endured in the past, all the tower elements have been sufficiently preserved to reconstruct its original appearance, including the residential character of the overall interior: a stone wardrobe and a built-in stone basin (Cro. pilo), a fireplace, stairs, as well as those of a defensive character: mechanisms for lifting the drawbridge, loopholes, cannon openings, channels for extracting gunpowder smoke. The wooden beams’ supports in the walls above the first floor have also been preserved, as well as the barrel vault over the ground floor and the groin vault over the second floor which are still intact even today. On the external of the tower, the original corbels of machicolations as well as the semi-circular cornice above the escarp are partially preserved. By analysing the remains of the tower and by studying historical and bibliographic sources, a reconstruction of the original appearance of the Aquila tower has been made, both for the external and internal part, including transformations that took place over the time, since its construction to the present day. This has contributed to the knowledge of the typology of Renaissance coastal fortifications as well as to providing basis for potential renovation and reconstruction of the Aquila tower.
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Salvalaggio, Matteo, Michele Monego, and Simone Maioli. "AN INTEGRATED APPROACH AIMED AT THE PROTECTION OF CULTURAL HERITAGE: FROM THE GEOMATIC SURVEY TO HBIM AND AR REPRESENTATION OF VILLA PISANI (STRA, ITALY)." In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia: Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12075.
Повний текст джерелаАнотація:
The topic of Cultural Heritage preservation has gained an increasing attention during last decades. The protection of such complex and delicate manufacts require the intervention of experts from different field (e.g. archaeology, restoration, survey, 3D modeler, structural engineering, architecture), addressed towards an integrated and multidisciplinary scientific approach. Recently, technology advancements have involved many scientific disciplines, affecting both the investigation tools and the data computing. In this paper, an approach aimed at assessing the health status and preserving a heritage building is presented and applied to a case study, exploiting the most effective tools nowadays available. Based on the so-called knowledge path, the study started from the analysis of historical data, through the collection of in-situ measures and towards the construction of a 3D digital model where the information is stored. In particular, a set of images taken by drone and processed by the photogrammetric technique of Structure from Motion, were used to produce detailed point clouds, mesh model, DEM and orthophotos that collect an accurate geometrical documentation, useful to analyse the conservation status and the crack pattern. Based on the detailed model from geomatic survey and drawings, a Heritage Building Information Modelling (HBIM) database was collected with the possibility of managing historical, geometric, structural and health status information. In the end, the study focused on the availability of the information collected for non-professional users or professionals from different fields, who do not have access to data kept in commercial database. Partly, this resulted in the elaboration of an augmented reality (AR) model, accessible by common mobile applications. The case study is Villa Pisani in Stra (Venice, Italy), a well-known example of venetian villa built in the XVIII century which hosted many protagonists of the European contemporary history.
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Squassina, Angela. "FROM INTANGIBLE TO TANGIBLE Artisan Skills and Traditional Crafts for Preserving Venice’s Built Heritage." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15716.
Повний текст джерелаАнотація:
Venice can be regarded as a test bed for any preservation strategy. From its very origins, the city has always had to withstand hostile environmental conditions, such as unstable soil, overflowing tides, and rising damp. Hence traditional materials and techniques are the result of a thousand-year-old selection aimed at improving their durability. Since the end of the nineteenth century, however, historical surfaces have been progressively replaced by new short-lasting plasters, following the trend of systematic refurbishment meant to maximize economic output with disregard for good practices. As tourism became the driving force of a social, cultural, and architectural transformation, a sharp decrease in local population and craftsmanship has caused the loss of traditional know-how, leading to irreversible decline and low-quality interventions. All this makes it necessary to reconsider the use of traditional materials and building skills, trusting, once again, in the Venetian craftsmen who are the repositories of local material culture and in the intangible know-how that can be crucial in protecting the city’s tangible built heritage. Joint efforts between the Iuav and local craftsmen are now underway in this regard. This synergy is making it possible to readdress an operational approach in which preservation is understood as the broadest possible care-for practice capable of providing continuous maintenance and control over architectural variances. Urgent too is the need to transfer traditional know-how from the elder custodians to the younger generations who will have the cultural and operational task of safeguarding Venice’s future. Finally, fostering traditional good practices may also help develop local, cost-effective, site-specific efforts capable of promoting positive economic-and-social reversion. Reintroducing traditional high-quality materials and artisan skills, together with controlled, compatible innovation, should be regarded as a sort of living idea of tradition, connecting past and future in protecting Venice’s material authenticity – its main tangible resource and a specific requisite for a UNESCO World Heritage Site.