Готові списки джерел за темами / Hermetism

Зміст

  1. Статті в журналах
  2. Дисертації
  3. Книги
  4. Частини книг
  5. Тези доповідей конференцій
  6. Звіти організацій

Добірка наукової літератури з теми "Hermetism"

Автор: Grafiati
Опубліковано: 4 червня 2021
Оновлено: 30 липня 2024

Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями

Оберіть тип джерела:

Ознайомтеся зі списками актуальних статей, книг, дисертацій, тез та інших наукових джерел на тему "Hermetism".

Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.

Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.

Статті в журналах з теми "Hermetism"

1

Hanegraaff, Wouter J. "How Hermetic was Renaissance Hermetism?" Aries 15, no. 2 (January 1, 2015): 179–209. http://dx.doi.org/10.1163/15700593-01502001.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
2

Vieira, Thiago Barbosa. "MAGIA E HERMETISMO NAS ORIGENS DA CIÊNCIA." Revista Relicário 8, no. 15 (September 23, 2021): 15–31. http://dx.doi.org/10.46731/relicario-v8n15-2021-182.

Повний текст джерела
Анотація:
Este artigo realiza um estudo introdutório sobre a relação entre Hermes Trismegisto e os textos atribuídos a ele (especialmente o Corpus Hermeticum) com o pensamento filosófico do Renascimento. Conduz uma investigação a respeito da influência dessa eminente figura na mentalidade renascentista sobre a construção de uma ciência moderna. Para este fim, levamos em consideração a sua recepção, leitura e interpretação por parte dos homens do Renascimento. Palavras-chave: Hermetismo. Hermes Trismegisto. Corpus Hermeticum. Filosofia do Renascimento. Ciência. Abstract This article carries out an introductory study on the relationship between Hermes Trismegistus and the texts attributed to him (especially the Corpus Hermeticum) with the philosophical thought of the Renaissance. It conducts an investigation into the influence of this eminent figure in the Renaissance mentality on the construction of a modern science. For this purpose, we take into account its reception, reading and interpretation by Renaissance men. Keywords: Hermetism. Hermes Trismegistus. Corpus Hermeticum. Renaissance Philosophy.
Стилі APA, Harvard, Vancouver, ISO та ін.
3

Rudbøg, Tim. "Hermetiske reformationer i det 15.-16. århundrede." Religionsvidenskabeligt Tidsskrift, no. 68 (September 14, 2018): 39–50. http://dx.doi.org/10.7146/rt.v0i68.109105.

Повний текст джерела
Анотація:
ENGLISH ABSTRACT: This article seeks to nuance the classic narrative of the Reformation in which Martin Luther is singled out and the Reformation, directly linked to Luther, is equally portrayed as a very specific singular event. Based on a perspective of pluralism this article shows that several reformative attempts inspired by Hermetism and the notion of a prisca theologia had already begun prior to Luther and was subsequently continued in connection with the Counter-Reformation and in other circles. Persons such as Marsilio Ficino and Pico della Mirandola and later heirs of Hermetism, are for example only very rarely mentioned directly in connection with the ongoing reformations of the Church. The reason why these persons are overlooked might be rooted in the concept of the Reformation itself and the Christian antipathy for the foreign pagan traditions by which these very persons sought to reform the Church. DANSK RESUME: Denne artikel forsøger at nuancere den klassiske fortælling om Reformationen, hvor alene Martin Luther bliver fremhævet, og hvor Reformationen direkte forbundet med Luther ligeledes er afbilledet som en meget specifik og enkeltstående begivenhed. Baseret på et pluralistisk perspektiv viser artiklen, at flere forsøg på reformation af den kristne kirke, inspireret af hermetisme- og prisca theologia-tanken, allerede var begyndt før Luther og fortsatte efterfølgende i forbindelse med modreformationen og i andre kredse. Personer som Marsilio Ficino og Pico della Mirandola samt senere hermetiske arvetagere bliver fx kun meget sjældent nævnt i direkte forbindelse med de fortsatte reformationer af kirken. Grunden, til at disse personer traditionelt bliver overset, er måske rodfæstet i selve reformationsbegrebet og den kristne antipati mod de fremmede hedenske traditioner, som netop disse personer forsøgte at reformere kirken med.
Стилі APA, Harvard, Vancouver, ISO та ін.
4

Polizzi, Gaspare, and Trina Marmarelli. "Hermetism, Messages, and Angels." Configurations 8, no. 2 (2000): 245–69. http://dx.doi.org/10.1353/con.2000.0017.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
5

Bull, Christian H. "Ancient Hermetism and Esotericism." Aries 15, no. 1 (January 1, 2015): 109–35. http://dx.doi.org/10.1163/15700593-01501008.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
6

Voss, Karen-Claire, and Antoine Faivre. "Western Esotericism and the Science of Religions." Numen 42, no. 1 (1995): 48–77. http://dx.doi.org/10.1163/1568527952598756.

Повний текст джерела
Анотація:
AbstractThe term “esotericism” refers here to the modern esoteric currents in the West (15th to 20th centuries), i.e. to a diverse group of works, authors, trends, which possess an “air de famille” and which must be studied as a part of the history of religions because of the specific form it has acquired in the West from the Renaissance on. This field is comprised of currents like: alchemy (its philosophical and/or “spiritual” aspects); the philosophia occulta; Christian Kabbalah; Paracelsianism and the Naturphilosophie in its wake; theosophy (Jacob Boehme and his followers, up to and including the Theosophical Society); Rosicrucianism of the 17th century and the subsequent similarly-oriented initiatic societies; and hermetism, i.e. the reception of the Greek Hermetica in modern times.
Стилі APA, Harvard, Vancouver, ISO та ін.
7

Wouter J. Hanegraaff. "Better than Magic: Cornelius Agrippa and Lazzarellian Hermetism." Magic, Ritual, and Witchcraft 4, no. 1 (2009): 1–25. http://dx.doi.org/10.1353/mrw.0.0128.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
8

Ipinza-Regla, Joaquín, Ana María Fernández, María Angélica Morales, and Jaime E. Araya. "Hermetism between Camponotus morosus Smith and Linepithema humile Mayr (Hymenoptera: Formicidae)." Gayana (Concepción) 81, no. 1 (June 2017): 22–27. http://dx.doi.org/10.4067/s0717-65382017000100022.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
9

Böhler, Michael. "Scientific Writing Between Tabloid Storytelling, Arcane Formulaic Hermetism, and Narrative Knowledge." Journal for General Philosophy of Science 49, no. 4 (February 26, 2018): 551–67. http://dx.doi.org/10.1007/s10838-017-9396-6.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
10

Beylot, Robert. "Une source nouvelle de l’Histoire de la Reine du Matin et de Soliman, Prince des Génies de Gérard de Nerval." Aethiopica 11 (April 26, 2012): 203–5. http://dx.doi.org/10.15460/aethiopica.11.1.156.

Повний текст джерела
Анотація:
In his work about Solomon and the Queen of Sheba, Gérard de Nerval brings three characters together, Solomon, the Queen and Adoniram. He was interested in a French author of the XVIIIth century, Nicolas Lenglet-Dufresnoy. Nerval seems to have read in a book of the same, about Hermetism, the title of a work from Michael Maier, German alchemist of the late Renaissance, the Septimana Philosophica which consists of a philosophical dialogue between Solomon, the Queen of Sheba and Hyram, Prince of Tyre, about Nature’s aenigma. It is suggested that the French writer could have known also two other works from Michael Maier.
Стилі APA, Harvard, Vancouver, ISO та ін.
Більше джерел

Дисертації з теми "Hermetism"

1

Lira, David Pessoa de. "O batismo do coração no vaso do conhecimento; uma análise do Corpus Hermeticum IV.3-6a." Faculdades EST, 2014. http://tede.est.edu.br/tede/tde_busca/arquivo.php?codArquivo=554.

Повний текст джерела
Анотація:
Conselho Nacional de Desenvolvimento Científico e Tecnológico
A presente pesquisa do Corpus Hermeticum IV.3-6a trata de um objeto da História do Mundo Contemporâneo do Novo Testamento, da História das Antigas Religiões Mediterrâneas e da História da Filosofia. Sendo assim, objetiva-se analisar a concepção de βαπτίζω [baptizō] em Ὁ Κρατήρ (Corpus Hermeticum IV.3-6a), levando em consideração sua intertextualidade e sua correlação histórico-religiosa. Especificamente, analisa-se a concepção de βαπτίζω neste texto, com o intuito de examinar sua correlação com o hino da Aparição Onírica de Háthor (Estela Wien 8390) e sua intertextualidade, por meio da Alegoria da Cratera, com Timaeus 41D, De somniis II. 183, 190, 249, e Provérbios 9.1-6 (LXX). Em particular, esta pesquisa demonstra que o Corpus Hermeticum IV.3-6a descreve um banquete ou um simpósio (symposium). Ademais, ao cotejar frases em que ocorrem os verbos ϰεράννυμι e μίγνυμι em relação ao ϰρατήρ, percebe-se que a acepção do verbo βαπτίζω, na frase βάπτισον σεαυτὴν ἡ δυναμένη εἰς τοῦτον τὸν ϰρατῆρα (do Corpus Hermeticum IV.4a), significa misturar. Por último, a presente pesquisa afirma que o verbo βαπτίζω, nessa frase, com sentido de misturar, tem influência egípcia e correspondência com a palavra jʻj e a palavras tḫ e suas derivações.
The current inquiry into the Corpus Hermeticum IV.3-6a deals with an object of the History of the Contemporary World of the New Testament, the History of the Ancient Mediterranean Religions and the History of Philosophy. As such, it aims to analyze the conception of βαπτίζω [baptizo] in Ὁ Κρατήρ (Corpus Hermeticum IV.3-6a), taking into account its intertextuality and its religious-historical correlation. Specifically, the conception of βαπτίζω is analyzed in this text, with the intention of examining its correlation with the hymn of the Dreamlike Apparition of Hathor (Stela Wien 8390) and its intertextuality, through the Allegory of the Crater, with Timaeus 41D, De Somniis II. 183, 190, 249, and Proverbs 9.1-6 (LXX). In particular, this inquiry demonstrates that the Corpus Hermeticum IV.3-6a describes a banquet or symposium. Moreover, comparing sentences in which the verbs ϰεράννυμι and μίγνυμι take place in connection with ϰρατήρ, one perceives that the sense of the verb βαπτίζω, in the sentence βάπτισον σεαυτὴν ἡ δυναμένη εἰς τοῦτον τὸν ϰρατῆρα (of the Corpus Hermeticum IV.3-6a), means to mix. Finally, the present inquiry asserts that the verb βαπτίζω, in this sentence, with the sense of mixing, has Egyptian influence and correspondence with the word jʻj and the word tḫ and its derivations.
Стилі APA, Harvard, Vancouver, ISO та ін.
2

Ribeiro, Rodrigo Petronio. "Cartografia de Orfeu:analogia e assurreição nas Soledades de Luis de Góngora y Argote." Universidade do Estado do Rio de Janeiro, 2013. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=5055.

Повний текст джерела
Анотація:
O tema desta Dissertação de Mestrado é a análise dos conceitos de analogia e assurreição (objetos formais) na obra Soledades (objeto material) de Luis de Góngora, bem como suas implicações filosóficas e formais. Pretendi fazer uma análise do poema, tendo em vista perseguir a seguinte hipótese: a desmesura e a desproporção que as Soledades apresentam não são fruto de um mero capricho estilístico. Elas nascem de uma intervenção do furor poético, entendido como furor divino. Góngora teve acesso a essas concepções mediante o influxo de ideias herméticas e neoplatônicas na Península Ibérica. Tais influxos são responsáveis por uma amplificação especialmente aguda da doutrina da analogia. O desdobramento máximo dessa ênfase no princípio da analogia é propriamente a assurreição, tal como definida por Claude-Gilbert Dubois. A partir desses elementos, esta Dissertação de Mestrado pretendeu proceder a uma análise de alguns motivos, cenas e trechos do poema narrativo Soledades, de Luis de Góngora y Argote, mostrando como ele elabora a doutrina da analogia de proporcionalidade e em que momento essa analogia aguda produz a assurreição, ou seja, o corte transversal na hierarquia dos corpos institucionais, movimento este em geral entendido em termos teológicos e políticos como heresia. Por outro lado, há a importante relação entre hermetismo, neoplatonismo e literatura na Renascença, bem como a maneira pela qual a doutrina do furor poético se infiltrou nas artes e na poesia espanholas por via italiana nos séculos XVI e XVII. Concentrei-me no conceito de assurreição e na análise do deslocamento metafísico-teológico das analogias de proporcionalidade presentes nas Soledades, cotejando-as com a distribuição dos lugares naturais de cada elemento do cosmos, fixada sobretudo por Santo Tomás de Aquino, a maior autoridade da teologia católica na Península Ibérica do século XVII
The theme of this Master Thesis is the analysis of the concepts of analogy and assurreição (formal objects) in the work Soledades (material object) of Luis de Góngora, as well as formal and philosophical implications. Wanted to do an analysis of the poem in order to pursue the following hypothesis: the excesses and the disproportion that Soledades have are not the result of a stylistic whim. They are born of an intervention poetic furor, understood as divine wrath. Góngora had access to these conceptions by the influx of Hermetic and Neoplatonic ideas in Iberia. Such inflows are responsible for a particularly acute amplification of the doctrine of analogy. The splitting up of this emphasis on the principle of analogy is properly assurreição as defined by Claude-Gilbert Dubois. From these elements, this Dissertation intended to carry out an analysis of some reasons, scenes and snippets of narrative poem Soledades, Luis de Góngora y Argote, showing how he prepares the doctrine of proportionality and analogy in that moment that analogy acute assurreição produces, ie the cross section in the hierarchy of institutional bodies, this movement generally understood in theological and political terms as heresy. On the other hand, there is the important relationship between Hermeticism, Neoplatonism and literature in the Renaissance, as well as the manner in which the doctrine of poetic fury seeped in arts and poetry by Italian Spanish in the sixteenth and seventeenth centuries. I focused on the concept of assurreição and analysis of the shifting metaphysical and theological analogies of proportionality present in Soledades, comparing them with the distribution of natural places for each element of the cosmos, basically fixed by St. Thomas Aquinas, the greatest authority of Catholic theology in seventeenth-century Iberian Peninsula
Стилі APA, Harvard, Vancouver, ISO та ін.
3

Marvell, Leon Leibniz Gottfried Wilhelm Fludd Robert. "Hermes Recidivus : a postmodern reading of the recrudescence of the Hermetic imagary /." [Richmond, N.S.W.] : School of Humanities, University of Western Sydney, Hawkesbury, 1998. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030509.150003/index.html.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
4

Ferrer, Ventosa Roger. "Mágica belleza. El pensamiento mágico como fundamento original de la teoría del arte." Doctoral thesis, Universitat de Girona, 2018. http://hdl.handle.net/10803/664425.

Повний текст джерела
Анотація:
Artistic forms seem to be closely related to magical thinking, because of their use of symbols and representations, the creation of talismanic objects and the articulation of ritual practices. This link has fluctuated throughout history. There were periods in which they were intricately related, whereas in other times the threads almost released themselves. However, it seems that they never managed to separate completely. That is because of the link, present since the origins of art. For this investigation, there will be a very broad historical framework, from that initial focus up to the present. That is because the goal is to articulate certain aesthetic ideas, a theory that helps us understand better the foundations of art. Among all art forms, schools, artists and tendencies, the focus will be in those closer to the visionary. That is because that kind of link is more visibly present in those creators or currents.
Les formes artístiques semblen mantenir una relació molt estreta amb el pensament màgic, gràcies a l’ús de símbols i representacions, a la creació d’objectes talismànics i a l’articulació de pràctiques rituals. Aquest vincle ha fluctuat històricament, amb períodes en que ambdós estaven nuats indeslligablement, amb altres en els quals les fibres varen intentar deslligar-se, com durant l’apogeu del racionalisme; malgrat això, sembla que aquell objectiu de separació no pot obtenir-se, donat el vincle, ja des dels orígens de l’art. A la investigació s’utilitzarà un marc històric amplíssim, des del focus inicial fins al present, ja que l’objectiu es més aviat articular unes idees estètiques, una teoria que ajudi a comprendre millor allò que fonamenta l’art. D’entre totes les formes d’art, escoles, artistes i tendències, es prioritzaran les més properes a allò visionari, degut a que aquests creadors i corrents presenten de manera més intensa la relació.
Стилі APA, Harvard, Vancouver, ISO та ін.
5

Marvell, Leon, of Western Sydney Hawkesbury University, Faculty of Social Inquiry, and School of Humanities. "Hermes Recidivus: a postmodern reading of the recrudescence of the Hermetic imaginary." THESIS_FSI_HUM_Marvell_L.xml, 1998. http://handle.uws.edu.au:8081/1959.7/114.

Повний текст джерела
Анотація:
It is proposed that there exist unmistakable resonances of the Hermetic world-view in much of the science of the modern period. Hermes Recidivus examines key figurations operating within both the imaginaries of Hermeticism and modern(ist) science with a view to developing a postmodern critical position in regard to the discourse of the modernist scientific project. It is proposed that a re-examination of the notions surrounding these key figurations may provide new hermeneutical tools, and that the imaginary of Hermeticism represents a potentially rich resource from which to develop alternative modes of critical enquiry. It is furthermore proposed that the mechanism by which these Hermetic resonances are perpetuated within the discourse of modernist science takes the form of a logic of the imaginary associated with key figurations within Hermeticism. Certain figural elements associated with the Hermetic imaginary seem to possess a constancy that travels across temporal and disciplinary barriers, encouraging the assumption that these figures are central organising principles within both Hermeticism and modern science. Specifically these figurations are those of the anima mundi and the Gnostic 'alien light' or spintheros. It is proposed that these figurations take the form of 'ideal objects' within both the discourses of Hermeticism and modernist science. The individual chapters respectively examine the relevance of the Hermetic imaginary to Artificial Intelligence research and cybernetic theory; occidental and oriental traditions of the 'subtle body' and their relevance to developing a postmodern perspective on the question of mind-body dualism; the 'metaphysical geometry' of key figures within the Hermetic and Kabbalistic traditions and their resonances within mathematical 'catastrophe theory' as developed by Rene Thom; the Hermetic alchemy of Robbert Fludd as revealed in his text Truth's Golden Harrow, and its relevance in regard to the subject-object split of modern(ist) scientific consciousness and, finally, the influence of Kabbalistic and Hermetic figuration on the development of Leibniz's monadological philosophy and on the notion of the 'field' in contemporary physical theory
Doctor of Philosophy (PhD)
Стилі APA, Harvard, Vancouver, ISO та ін.
6

BAIONI, PAOLA. "La nascita della poesia ermetica nelle riviste degli anni Trenta." Doctoral thesis, Università Cattolica del Sacro Cuore, 2007. http://hdl.handle.net/10280/186.

Повний текст джерела
Анотація:
Muovendo da una vasta ricognizione sulle riviste letterarie degli anni Trenta, la ricerca si è concentrata sui principali periodici a cui hanno collaborato poeti e critici ermetici: Interessanti si sono rivelati i rapporti epistolari tra i poeti e i direttori e redattori delle riviste: nella tesi sono state riportate le lettere più significative, con privilegio per quelle inedite. Sono stati riportati diversi documenti di natura critico-teorica, alcuni testi poetici rari di Mario Luzi (mai confluiti in una silloge e mai riproposti da alcuno studioso) e sono state antologizzate (con trascrizione dei testi e apparato in calce) le liriche di alcuni poeti che presentano varianti rispetto all'ultima edizione in volume: si tratta di versi di Mario Luzi, Umberto Saba, Carlo Betocchi, Giuseppe Ungaretti, Salvatore Quasimodo, Alessandro Parronchi. Almeno un terzo della tesi è dedicato a questo.
Starting from a wide investigation in the literary reviews in the '30s, the research has focused on the major magazines, for which hermetic poets and critics worked. The correspondence between poets and editors in chief and members of the editorial staff has proved extremely interesting; the most meaningful letters, especially the unpublished ones, are presented in the thesis. Many critic-theoretic documents and some rare poetries by Mario Luzi (never collected nor published by critics) are also reproduced. Moreover lyrics by various poets, such as Mario Luzi, Umberto Saba, Carlo Betocchi, Giuseppe Ungaretti, Salvatore Quasimodo, Alessandro Parronchi, have been anthologised (with text transcription and apparatus criticus below); all of them present some changes in text compared to the final version, printed in volume. This analysis represents, at least, the third part of the thesis.
Стилі APA, Harvard, Vancouver, ISO та ін.
7

BAIONI, PAOLA. "La nascita della poesia ermetica nelle riviste degli anni Trenta." Doctoral thesis, Università Cattolica del Sacro Cuore, 2007. http://hdl.handle.net/10280/186.

Повний текст джерела
Анотація:
Muovendo da una vasta ricognizione sulle riviste letterarie degli anni Trenta, la ricerca si è concentrata sui principali periodici a cui hanno collaborato poeti e critici ermetici: Interessanti si sono rivelati i rapporti epistolari tra i poeti e i direttori e redattori delle riviste: nella tesi sono state riportate le lettere più significative, con privilegio per quelle inedite. Sono stati riportati diversi documenti di natura critico-teorica, alcuni testi poetici rari di Mario Luzi (mai confluiti in una silloge e mai riproposti da alcuno studioso) e sono state antologizzate (con trascrizione dei testi e apparato in calce) le liriche di alcuni poeti che presentano varianti rispetto all'ultima edizione in volume: si tratta di versi di Mario Luzi, Umberto Saba, Carlo Betocchi, Giuseppe Ungaretti, Salvatore Quasimodo, Alessandro Parronchi. Almeno un terzo della tesi è dedicato a questo.
Starting from a wide investigation in the literary reviews in the '30s, the research has focused on the major magazines, for which hermetic poets and critics worked. The correspondence between poets and editors in chief and members of the editorial staff has proved extremely interesting; the most meaningful letters, especially the unpublished ones, are presented in the thesis. Many critic-theoretic documents and some rare poetries by Mario Luzi (never collected nor published by critics) are also reproduced. Moreover lyrics by various poets, such as Mario Luzi, Umberto Saba, Carlo Betocchi, Giuseppe Ungaretti, Salvatore Quasimodo, Alessandro Parronchi, have been anthologised (with text transcription and apparatus criticus below); all of them present some changes in text compared to the final version, printed in volume. This analysis represents, at least, the third part of the thesis.
Стилі APA, Harvard, Vancouver, ISO та ін.
8

Magriñá, Badiella Carles. "Post tenebras spero lucem : Alquimia y ritos en el Quijote y otras obras cervantinas." Doctoral thesis, Uppsala universitet, Romanska språk, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-218904.

Повний текст джерела
Анотація:
This study focuses on two areas: alchemy (Part I) and rituals of initiation (Part II) in the works of Miguel de Cervantes, focusing on Don Quijote de la Mancha as my main case study. The first part analyses the function of alchemy and how it can be interpreted throughout the works and various literary genres of Cervantes. It will demonstrate that the texts of Cervantes contain both explicit and implicit allusions to, as well as different aspects of alchemy, such as operative and spiritual alchemy and how these are ultimately used by Cervantes as a means of expression. The author draws from this rich source and modifies these means of expression in order to achieve various results: sometimes with wit or in relation to fraud; at other times it focuses on inner alchemy relating to chivalry in what I have called spiritual chivalry, which has the aim of self-improvement and ultimately, gnosis.  Regarding the chivalric rituals of initiation, according to this investigation chivalry serves as both satire and representation of the alchemical process in the case of Don Quijote, which finds its key moments during the rituals. In this sense alchemy and chivalry are studied as two sides of the same coin, in which the search for something higher, an object (the philosopher stone, the beloved), subjects the protagonist to continuous transmutations and puts him in contact with the transitory, that is, liminal states, people and spaces. From this perspective Don Quixote de la Mancha is built upon liminal poetics. My approach, which follows the tenets of analogical hermeneutics, is included within the framework of the Western Esotericism Studies. The 16th and 17th centuries were a fertile age for alchemy throughout Europe. In Spain, alchemy and other esoteric disciplines co-existed with the Spanish Inquisition and its body for the control of ideas and texts: censorship. By being ambiguous and putting into dialogue different ideas of alchemy, Cervantes not only allowed readers to reach their own conclusions, he also protected his work from censorship.
Стилі APA, Harvard, Vancouver, ISO та ін.
9

Magrinyà, Badiella Carles. "Post tenebras spero lucem : Alquimia y ritos en el Quijote y otras obras cervantinas." Doctoral thesis, Uppsala universitet, Romanska språk, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:du-21770.

Повний текст джерела
Анотація:
This study focuses on two areas: alchemy (Part I) and rituals of initiation (Part II) in the works of Miguel de Cervantes, focusing on Don Quijote de la Mancha as my main case study. The first part analyses the function of alchemy and how it can be interpreted throughout the works and various literary genres of Cervantes. It will demonstrate that the texts of Cervantes contain both explicit and implicit allusions to, as well as different aspects of alchemy, such as operative and spiritual alchemy and how these are ultimately used by Cervantes as a means of expression. The author draws from this rich source and modifies these means of expression in order to achieve various results: sometimes with wit or in relation to fraud; at other times it focuses on inner alchemy relating to chivalry in what I have called spiritual chivalry, which has the aim of self-improvement and ultimately, gnosis. Regarding the chivalric rituals of initiation, according to this investigation chivalry serves as both satire and representation of the alchemical process in the case of Don Quijote, which finds its key moments during the rituals. In this sense alchemy and chivalry are studied as two sides of the same coin, in which the search for something higher, an object (the philosopher stone, the beloved), subjects the protagonist to continuous transmutations and puts him in contact with the transitory, that is, liminal states, people and spaces. From this perspective Don Quixote de la Mancha is built upon liminal poetics. My approach, which follows the tenets of analogical hermeneutics, is included within the framework of the Western Esotericism Studies. The 16th and 17th centuries were a fertile age for alchemy throughout Europe. In Spain, alchemy and other esoteric disciplines co-existed with the Spanish Inquisition and its body for the control of ideas and texts: censorship. By being ambiguous and putting into dialogue different ideas of alchemy, Cervantes not only allowed readers to reach their own conclusions, he also protected his work from censorship.
Стилі APA, Harvard, Vancouver, ISO та ін.
10

Zaffini, Sylvain. "De la mystique à la science : dictionnaire historique des termes de la tradition alchimique moderne." Thesis, Nice, 2013. http://www.theses.fr/2013NICE2035.

Повний текст джерела
Анотація:
Si, dès le XVIIIe siècle le vocabulaire de la chimie s’est unifié et s’est vu apposé une certaine nomenclature destinée à faciliter sa compréhension, il n’en a jamais été de même pour le vocabulaire alchimique. Un vocabulaire est généralement un ensemble cohérent dont les significations sont établies uniformément et non pas individuellement. La particularité du vocabulaire alchimique est de ne pas refléter cet idéal d’uniformisation et de faire primer les interprétations individuelles.Jamais les adeptes de l'art d'hermès n'ont voulu apporter une codification dans l'usage de leurs termes (que ce soit pour les ustensiles ou pour les composants). Ce refus de s'aligner sur une langue technique commune a ostracisé les alchimistes du monde des sciences souvent dites « raisonnées ». Ce fait peut donc amener à appréhender l'alchimie d'une mauvaise manière. En effet, les alchimistes ne sont pas tous des travailleurs isolés, coupés du monde, reclus dans leurs propres acceptions théoriques, leur science participe aussi de cette idée de ''cosmopolis'' très prisée au XVIIIe siècle.Le problème de la compréhension de ce vocabulaire exceptionnel se pose donc de manière récurrente lorsque l’on tented’appréhender l’histoire de l’alchimie et de la replacer dans les contextes socio-culturels auxquels elle ne pouvait éviter d’appartenir.Cette thèse a donc pour but de mieux définircertains termes du vocabulaire alchimique del’époque moderne, de leur donner un sens ausein de leurs environnements littéraires etculturels
During the XVIIIe century, chemistry has started its journey on the path of the unification, codification and normalization ofits vocabulary. The same process doesn’t apply to alchemy. The vocabulary of the hermetical arts has never managed toestablish a normalized lexical field. Considering that any vocabulary being essentially an attempt to unify ideas around asame concept, the alchemical one shows a particularity by being divided, fragmented and highly individualistic. This fact is most likely not a coincidence, it comes more from a secrecy measure wanted by the alchemists to prevent any greedy use of the powerful alchemical secrets. However, this way of secrecy and complexity has slowly but surely took alchemy away from the established sciences. This state of fact can easily bring one to mistake alchemy for a science of men disconnected from their social and cultural backgrounds, working only for themselves, which is not the case. The matter of the alchemical vocabulary understanding is therefore a reoccurring and prominent issue for whom wants to understand the implications of alchemy in the modern thinking and society. This thesis aims at giving a better understanding of several alchemical terms, concerning Modern era, both on a literary and cultural levels
Стилі APA, Harvard, Vancouver, ISO та ін.
Більше джерел

Книги з теми "Hermetism"

1

Freke, Timothy. The hermetica: The lost wisdom of the pharaohs. New York: Jeremy P. Tarcher/Penguin, 2008.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
2

Peter, Gandy, and Hermes Trismegistus, eds. The hermetica: The lost wisdom of the pharaohs. New York: J.P. Tarcher/Putnam, 1999.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
3

Miller, Maria Magdalena, and Alexander Schmid. Die Hermetischen Schriften: Corpus Hermeticum. Hildesheim: G. Olms Verlag, 2009.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
4

Lamoen, F. van. Hermes Trismegistus, pater philosophorum: Tekstgeschiedenis van het Corpus Hermeticum : tentoonstelling in de Bibliotheca Philosophica Hermetica. Amsterdam: Bibliotheca Philosophica Hermetica (Bibliotheek J.R. Ritman), 1990.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
5

Proto, Antonino. Ermete Trismegisto: Gli inni : le preghiere di un santo pagano. Milano: Mimesis, 2000.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
6

Alberto, Camplani, ed. Scritti ermetici in copto: L'Ogdoade e l'Enneade, Preghiera di ringraziamento, Frammento del discorso perfetto. Brescia: Paideia, 2000.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
7

Alberto, Camplani, ed. Scritti ermetici in copto: L'Ogdoade e l'Enneade, Preghiera di ringraziamento, Frammento del discorso perfetto. Brescia: Paideia, 2000.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
8

Frers, Ernesto. Secret societies and the hermetic code: The Rosicrucian, Masonic, and esoteric transmission in the arts. Rochester, Vt: Destiny Books, 2008.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
9

Trismegistus, Hermes, Salaman Clement, Oyen Dorine van, Wharton William D, and Mahé Jean-Pierre, eds. The way of Hermes. London: Duckbacks, 2001.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
10

Payeur, Rafaël. Le 5e avatar et sa mission: L'enseignement traditionnel de l'hermétisme chrétien. [Québec]: Editions de l'Aigle, 1992.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Більше джерел

Частини книг з теми "Hermetism"

1

Moreschini, Claudio. "Hermetism." In A Companion to Religion in Late Antiquity, 369–89. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118968130.ch17.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
2

Hanegraaff, Wouter J. "Hermes Trismegistus and Hermetism." In Encyclopedia of Renaissance Philosophy, 1–10. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-02848-4_180-1.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
3

Hanegraaff, Wouter J. "Hermes Trismegistus and Hermetism." In Encyclopedia of Renaissance Philosophy, 1511–21. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-14169-5_180.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
4

Idel, Moshe. "Hermeticism and Kabbalah." In Hermetism from Late Antiquity to Humanism, 385–428. Turnhout: Brepols Publishers, 2004. http://dx.doi.org/10.1484/m.ipm-eb.4.00106.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
5

Mahé, Jean-Pierre. "Théorie et pratique dans l'Asclepius." In Hermetism from Late Antiquity to Humanism, 5–23. Turnhout: Brepols Publishers, 2004. http://dx.doi.org/10.1484/m.ipm-eb.4.00086.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
6

Lucentini, Paolo. "Il problema del male nell'Asclepius." In Hermetism from Late Antiquity to Humanism, 25–44. Turnhout: Brepols Publishers, 2004. http://dx.doi.org/10.1484/m.ipm-eb.4.00087.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
7

Parri, Ilaria. "Tempo ed eternità nell'Asclepius." In Hermetism from Late Antiquity to Humanism, 45–62. Turnhout: Brepols Publishers, 2004. http://dx.doi.org/10.1484/m.ipm-eb.4.00088.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
8

Delp, Mark Damien. "The Immanence of Ratio in the Cosmology of the De sex rerum principiis." In Hermetism from Late Antiquity to Humanism, 63–79. Turnhout: Brepols Publishers, 2004. http://dx.doi.org/10.1484/m.ipm-eb.4.00089.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
9

Hudry, Françoise. "Le Liber viginti quattuor philosophorum et la génération en Dieu." In Hermetism from Late Antiquity to Humanism, 81–97. Turnhout: Brepols Publishers, 2004. http://dx.doi.org/10.1484/m.ipm-eb.4.00090.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
10

Kaluza, Zénon. "Comme une branche d'amandier en fleurs. Dieu dans le Liber viginti quattuor philosophorum." In Hermetism from Late Antiquity to Humanism, 99–126. Turnhout: Brepols Publishers, 2004. http://dx.doi.org/10.1484/m.ipm-eb.4.00091.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.

Тези доповідей конференцій з теми "Hermetism"

1

Korndorf, Anna. "Hermit VS Hermeticism Hermits and the Hermetic Tradition in European Art of the Seventeenth and Eighteenth Centuries." In Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.71.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
2

LU, K. E. "Hermetic coatings." In Optical Fiber Communication Conference. Washington, D.C.: OSA, 1990. http://dx.doi.org/10.1364/ofc.1990.thh4.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
3

Stirl, T., M. Saravolac, and J. Harthun. "The new hermetic power transformer generation “HERMETIC 2.0”." In 2017 INSUCON - 13th International Electrical Insulation Conference (INSUCON). IEEE, 2017. http://dx.doi.org/10.23919/insucon.2017.8097203.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
4

Inniss, Daryl, and John Krause. "Hermetic splice overcoating." In Optical Fiber Communication Conference. Washington, D.C.: OSA, 1991. http://dx.doi.org/10.1364/ofc.1991.thg4.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
5

Hwang, S. Y., J. H. Kim, B. G. Seong, and H. Yang. "SOFC Interconnector Coating using HVOF Process." In ITSC2006, edited by B. R. Marple, M. M. Hyland, Y. C. Lau, R. S. Lima, and J. Voyer. ASM International, 2006. http://dx.doi.org/10.31399/asm.cp.itsc2006p0357.

Повний текст джерела
Анотація:
Abstract This paper describes an initial development of oxidation resistant coatings for SOFC (solid oxide fuel cell) interconnectors using LaSrCoFe oxide (LSCF, (La0.6Sr0.4)(Fe0.8Co0.2)O3). The process involved the development of hermetic coatings using a HVOF (high velocity oxy-fuel) spray process, specifically a θ-gun spray process. The X-ray diffraction of the powder and the coating is analyzed at first. To get the hermetic coating, numerous process parameters were chosen using design of experiments (DOE). The hermeticity of the coating was tested using a salt spray test. After these tests, a hermetic LSCF coatings was obtained with virtually no interconnecting pores.
Стилі APA, Harvard, Vancouver, ISO та ін.
6

Lee, James, and Tony Rogers. "Hermetic Packaging Technique Featuring Through-Wafer Interconnects and Low Temperature Direct Bond." In 2008 Second International Conference on Integration and Commercialization of Micro and Nanosystems. ASMEDC, 2008. http://dx.doi.org/10.1115/micronano2008-70288.

Повний текст джерела
Анотація:
A novel wafer level packaging method suitable for low production volumes, R&D, and multi-project wafers is presented, providing a hermetic seal suitable for vacuum encapsulation with wafers bonded at a low temperature. Hermetic through-wafer interconnects are bump bonded to a CMOS chip encapsulated by bonding a cap wafer after activating surfaces with free radicals, the Silicon-Silicon direct bond is then annealed to a high strength at 200°C to avoid chip damage. The application for which this system is proposed is an implantable multi-contact active nerve electrode for the treatment of epilepsy via vagus nerve stimulation. Although intended for human implantation of integrated systems, this technology may be applied across a range of devices requiring hermetic or vacuum sealing and through-wafer interconnection. Solid electroplated through-wafer interconnects (aspect ratio 5) enable hermetic interconnection of direct bonded packages with low connection impedance, offering benefits across a range of packaging applications. A key feature of this packaging method is it’s versatility, the proposed embodiment features chip to wafer bonding with an ASIC, but the package is equally suitable for MEMS devices and also for wafer to wafer bonding.
Стилі APA, Harvard, Vancouver, ISO та ін.
7

SCHULTZ, PETER. "Polymer and hermetic fiber coatings." In Optical Fiber Communication Conference. Washington, D.C.: OSA, 1987. http://dx.doi.org/10.1364/ofc.1987.tup1.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
8

Chaudhuri, Sr., Ray, and P. C. Schultz. "Hermetic Coating On Optical Fibers." In Cambridge Symposium-Fiber/LASE '86, edited by Dilip K. Paul. SPIE, 1987. http://dx.doi.org/10.1117/12.937475.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
9

Ollila, Jyrki, Kari Kautio, Jouko Vahakangas, Tapio Hannula, Harri K. Kopola, Jorma Oikarinen, and Matti Sivonen. "Hermetic diode laser transmitter module." In Optoelectronics '99 - Integrated Optoelectronic Devices, edited by Mahmoud Fallahi, Kurt J. Linden, and S. C. Wang. SPIE, 1999. http://dx.doi.org/10.1117/12.345422.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
10

Songping Chen, Daoheng Sun, and Liwei Lin. "Nanogetters for MEMS hermetic packaging." In 2007 7th IEEE Conference on Nanotechnology (IEEE-NANO). IEEE, 2007. http://dx.doi.org/10.1109/nano.2007.4601334.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.

Звіти організацій з теми "Hermetism"

1

Hollar, D. L. Hermetic packaging for microwave modules. Final report. Office of Scientific and Technical Information (OSTI), October 1996. http://dx.doi.org/10.2172/416988.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
2

Chae, Junseok, Brian H. Stark, Andrew Kuo, Andrew David Oliver, and Khalil Najafi. Robust hermetic packaging techniques for MEMS integrated microsystems. Office of Scientific and Technical Information (OSTI), March 2005. http://dx.doi.org/10.2172/919644.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
3

Fuerst, J. Design and production of a hermetic bayonet isolation valve. Office of Scientific and Technical Information (OSTI), May 1993. http://dx.doi.org/10.2172/10171760.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
4

Camilletti, R., M. Loboda, and L. McCoy. ChipSeal Inorganic Sealing Technology for Hermetic-Like Integrated Circuits. Volume 1. Fort Belvoir, VA: Defense Technical Information Center, September 2000. http://dx.doi.org/10.21236/ada400209.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
5

Kit, Kevin. Development and Evaluation of Integrity Assessment Tests for Polymeric Hermetic Seals. Fort Belvoir, VA: Defense Technical Information Center, February 2006. http://dx.doi.org/10.21236/ada468015.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
6

Baca, J. R. F. Preliminary evaluation of hermetic JT/LJT/R P connector socket contact design. Office of Scientific and Technical Information (OSTI), October 1991. http://dx.doi.org/10.2172/5122058.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
7

Fuller, Robert L. Final Report. Conversion of Low Temperature Waste Heat Utilizing Hermetic Organic Rankine Cycle. Office of Scientific and Technical Information (OSTI), April 2005. http://dx.doi.org/10.2172/838860.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
8

Brow, R. K., D. R. Tallant, and S. V. Crowder. Advanced materials for aerospace and biomedical applications: New glasses for hermetic titanium seals. Office of Scientific and Technical Information (OSTI), November 1996. http://dx.doi.org/10.2172/510597.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
9

Joly, G., and J. Nikiema. Global experiences on waste processing with black soldier fly (Hermetia illucens): from technology to business. International Water Management Institute (IWMI), 2019. http://dx.doi.org/10.5337/2019.214.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
10

Mulholland, G. T. Comparitive Engineering Study of Cryostat Ssytems for Generic Hermetic Liquid Argon Calorimeters for the SSC. Office of Scientific and Technical Information (OSTI), January 1989. http://dx.doi.org/10.2172/1031149.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Також вас можуть зацікавити розширені добірки на тему "Hermetism" для конкретних типів джерел:
Статті в журналах Дисертації Книги
Ми пропонуємо знижки на всі преміум-плани для авторів, чиї праці увійшли до тематичних добірок літератури. Зв'яжіться з нами, щоб отримати унікальний промокод!

До бібліографії