Готові списки джерел за темами / Hawaiian politics

Добірка наукової літератури з теми "Hawaiian politics"

Автор: Grafiati
Опубліковано: 10 грудня 2022
Оновлено: 28 січня 2023

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Статті в журналах з теми "Hawaiian politics"

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FELLEZS, KEVIN. "Nahenahe (Soft, Sweet, Melodious): Sounding Out Native Hawaiian Self-Determination." Journal of the Society for American Music 13, no. 4 (November 2019): 411–35. http://dx.doi.org/10.1017/s175219631900035x.

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AbstractIn this essay, I explore the ways in which kī hō‘alu (Hawaiian slack key guitarists) articulated Native Hawaiian aspirations for self-determination and reterritorialization during the Second Hawaiian Renaissance. I argue that Hawaiian music speaks to a liberatory politics that is embedded within an aesthetic of nahenahe (soft, sweet, melodious). Nahenahe invests slack key guitarists with the mana (power, authority) to invoke a Native Hawaiian perspective that empowers and sustains Kanaka Maoli (native Hawaiian) efforts for self-determination and political autonomy. The connections between music and political activism were highlighted and strengthened throughout the period. Indeed, although numerous political groups organized throughout the period, providing the modern foundations to the struggles for sovereignty today, at the forefront of it all were the musicians.
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2

Tam CHO, Wendy K. "Foreshadowing Strategic Pan-Ethnic Politics: Asian American Campaign Finance Activity in Varying Multicultural Contexts." State Politics & Policy Quarterly 1, no. 3 (September 2001): 273–94. http://dx.doi.org/10.1177/153244000100100303.

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Research on Asian American politics is hampered by data limitations. Asian Americans comprise a small proportion of the population, and few political candidates are of Asian descent. However, because the Asian American population is growing quickly, interest in the group's political behavior has grown. One source of data that can be exploited to understand Asian American political behavior is the state of Hawaii. Hawaii provides a natural experiment since the majority of its citizens are Asian American and Asian political candidates are commonplace. This study of Hawaiian politics focuses on Asian American campaign finance behavior. I find that as Asian Americans locate themselves in more multicultural settings, they become more politically strategic, less focused on national-origin groupings, and more inclined to embrace a pan-ethnic identity.
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3

Maile, David Uahikeaikalei‘ohu. "Going Native." Cultural Studies ↔ Critical Methodologies 17, no. 1 (July 25, 2016): 60–66. http://dx.doi.org/10.1177/1532708616640562.

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In South Park’s “Going Native,” the white character Butters becomes inexplicably angry only to uncover that his family contends the anger is “biologically” caused by their “ancestral” belonging to Hawai‘i. He then travels to Kaua‘i to resolve this anger by connecting with his “native” home. To parody the materiality of white settlers playing and going native, Butters is represented as “native Hawaiian.” This parody functions as a satire to ridicule and criticize settler colonialism in Hawai‘i. Yet, it does so by distorting, dismembering, and erasing Hawaiian Indigeneity. By deploying an Indigenous-centered approach to critical theory, I analyze South Park’s “Going Native” as a popular culture satire to make three arguments. First, “Going Native” produces Indigeneity in racialized, gendered, and sexualized (mis)representations. The representations of “native Hawaiians” recapitulate marginalizing misrepresentations of Native Hawaiians, which inverts the parody. Second, as the parody breaks down, “native Hawaiians” reify settler colonialism. South Park’s satire fails and becomes haunted by specters of settlement that call into question its critique. When the “native Hawaiians” eventually liberate themselves from encroaching tourists and U.S. military forces, an impasse emerges. Rather than signifying Native Hawaiians with agency, only “native Hawaiians” demonstrate the possibilities of self-determination, sovereignty, and decolonization, which exempt white settlers from enacting colonization and produce a discursive impossibility for Native Hawaiians. Third, I suggest cultural studies reimagine its scholarship to exercise an alliance politics that interrupts knowledge produced by popular culture satire attempting critiques of settler colonialism that simultaneously naturalize the dispossession and elimination of Indigenous peoples.
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4

Paul, Justus F., and Roger Bell. "Last among Equals: Hawaiian Statehood and American Politics." Journal of American History 72, no. 3 (December 1985): 745. http://dx.doi.org/10.2307/1904401.

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Reichard, Gary W., and Roger Bell. "Last among Equals: Hawaiian Statehood and American Politics." American Historical Review 90, no. 2 (April 1985): 517. http://dx.doi.org/10.2307/1852851.

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McCleskey, Clifton, and Roger Bell. "Last Among Equals: Hawaiian Statehood and American Politics." Political Science Quarterly 100, no. 3 (1985): 536. http://dx.doi.org/10.2307/2151093.

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J. Kēhaulani Kauanui. "Native Hawaiian Decolonization and the Politics of Gender." American Quarterly 60, no. 2 (2008): 281–87. http://dx.doi.org/10.1353/aq.0.0000.

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Yun Chai, Alice, and Cambra Ho'oipo De. "Evolution of global feminism through Hawaiian feminist politics." Women's Studies International Forum 12, no. 1 (January 1989): 59–64. http://dx.doi.org/10.1016/0277-5395(89)90080-0.

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Reddinger, Amy. "Eating ‘Local’: The Politics of Post-Statehood Hawaiian Cookbooks." Nordic Journal of English Studies 9, no. 3 (September 1, 2010): 67. http://dx.doi.org/10.35360/njes.230.

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Schachter, Judith. "One Hundred Percent Hawaiian: Life Stories, Politics, and Anthropology." Anthropology and Humanism 35, no. 1 (June 2010): 81–100. http://dx.doi.org/10.1111/j.1548-1409.2010.01054.x.

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Дисертації з теми "Hawaiian politics"

1

Janssen, Savanah. "Haole Like Me: Identity Construction and Politics in Hawaii." Chapman University Digital Commons, 2019. https://digitalcommons.chapman.edu/english_theses/12.

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Haole is a contested, multi-faceted word in Hawaii. It generally means “foreigner,” or “white person.” It is used to refer to both tourists, and haoles like me, or those who are born and raised in Hawaii. In either case, it is always negative, referring to something “other” and really, colonial. Paraphrasing rhetorician Kenneth Burke, this thesis analyzes how this word “works in the world,” and from there, explores how identity, culture, and belonging are constructed through language. The essential questions become: are culture and identity constructed and performed, through language, tradition, and cultural engagement? Or is some blood content or ethnicity warranted to claim cultural belonging, and in this case, a Hawaiian identity? The method for this research began with seven interviews with people from Hawaii—a mix of haoles, hapa (mixed race) people, and ethnic Hawaiians—followed by the analyzing of these interviews, and ending with my personal engagement with these findings autoethnographically. Writing this thesis has changed how I see my own identity in Hawaii. I have used this autoethnographic method to share this transformation, explore it, and through it, mimic the in-flux nature of identity construction and language at large. I see this thesis as fluid and subject to change; as a jumping off point for future research on an otherwise “silent” topic, silent in that people in Hawaii do not openly discuss this issue; as the beginning of a necessary dialogue on what it means to be haole, what it means to be Hawaiian, and the nature of identity and cultural construction at large.
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2

Medeiros, Megan. "Hawaiian History: The Dispossession of Native Hawaiians' Identity, and Their Struggle for Sovereignty." CSUSB ScholarWorks, 2017. https://scholarworks.lib.csusb.edu/etd/557.

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In Hawaiian History: The Dispossession of Native Hawaiians’ Identity and Their Struggle for Sovereignty, three of the Western constructed narratives of Hawai’i are identified and juxtaposed with Hawai’i’s historical facts taken primarily from the late 1800s through the mid 1900s. These Western narratives contribute to an identity crisis experienced by Native Hawaiians during a time when their culture was almost lost, due to the colonial powers assimilating Hawai’i to America. An account of the historical events of the Kingdom of Hawai’i is then reviewed, which includes the diplomatic moves of the Hawaiian monarchs, the changes in the statuses of the Kingdom, and the overthrow of Queen Lili’uokalani. Evidence explored throughout “The Hawaiian Kingdom” section, proves the native Hawaiians adjusted swiftly to a diplomatic means of resolving issues, which refute a frequently taught Western constructed narrative that the “savage native Hawaiian political leaders” needed Americas aid in governance. The Hawaiian sovereignty movement’s history is reviewed, leading up to the creation of U.S. Public Law 103-150. This resolution was made in response to the demand from Hawaiian sovereignty movements for the United States to acknowledge its role in the overthrow of the Kingdom of Hawai’i. The U.S. political agenda found in this resolution is so deeply embedded and disguised in the diplomatic language used, that without careful examination could go completely undetected by the reader. At the surface level, the Apology Resolution acknowledges the historical injustices faced by the native Hawaiians, apologizes for the events, and seeks reconciliation with the native Hawaiians. Concealed in the U.S. Public Law 103-150, is the manipulation of language as means to use the apology as a disclaimer, which allows the United States to continue to suppress the inherent sovereignty of the Kingdom of Hawai’i and nullifies any claims to rights, titles, and possessions against the United States.
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Scanlan, Emma. "Ominous metaphors : the political poetics of native Hawaiian identity." Thesis, University of Sussex, 2017. http://sro.sussex.ac.uk/id/eprint/71812/.

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This thesis examines poetry by Native Hawaiian activists written between 1970 and 2016 in order to develop a detailed understanding of the multi-faceted ways poetry incorporates, transmits and enacts contemporary political identity. Whilst fundamentally a literary analysis, my methodology is discursive, and draws on a range of critical approaches, archival research and interviews with poets, in order to address why poetry is such a powerful form of resistance to American hegemony. By reading contemporary poetry as an expression of deeply held cultural and political beliefs, this thesis suggests that writing and performing poetry are powerful forms of political resistance. Adopting a lens that is attentive to both the indigenous and colonial influences at play in Hawaiʻi, it elucidates the nuanced ways that traditional literary techniques enter contemporary Native Hawaiian poetry as vehicles for cultural memory and protest. Attention to the continuities between traditional Hawaiian epistemology and the ways those same methods and values are deployed in twentieth and twenty-first century poetry, means this thesis is a part of a growing body of work that endeavours to understand indigenous literature from the perspective of its own cultural and political specificity. The introduction establishes the historical and critical context of the Hawaiian Sovereignty Movement and the Hawaiian Renaissance. It outlines the main developments in Native Hawaiian literary criticism since the late 1960s, including the reclaiming of traditional narratives and the privileging of indigenous epistemologies. Chapters One to Seven proceed chronologically, each addressing a particular collection, anthology or body of work. Chapter One focuses on Wayne Kaumualiʻi Westlake's radical rejection of Westernised Waikīkī, whilst Chapter Two explores the anthologies Mālama: Hawaiian Land and Water and HoʻiHoʻi Hou: A Tribute to George Helm and Kimo Mitchell, in relation to the Sovereignty Movement's dedication to Aloha ʻĀina (love the land). Chapters Three to Five deal with five poetry collections, two by Haunani-Kay Trask, and one each by Imaikalani Kalahele, Brandy Nālani McDougall and Māhealani Perez-Wendt. The chapters address how these poets articulate Native Hawaiian identity, nationalism and continuity through traditional moʻolelo (stories), which underpin the political beliefs of three generations of sovereignty activists. Chapters Six and Seven address contemporary performance poetry in both published and unpublished formats by Jamaica Osorio, David Kealiʻi MacKenzie, Noʻukahauʻoli Revilla and Kealoha, demonstrating how a return to embodied performance communicates aloha (love, compassion, grace). The conclusion, Chapter Eight, indicates projects that are already productively engaging Hawaiian epistemology in the areas of geography and science, and points towards developments in the digital humanities that could extend this indigenised methodology into literary studies, in order to further engage with the depth and multiplicity of storied landscapes in Hawaiʻi.
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Chandler, Andrew. "Innovating for a Sleeker, Greener, Friendlier Ride." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/cmc_theses/1715.

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Innovating for Sleeker, Greener, Friendlier Rides critiques the ethical implications behind the meaning of sustainability in the surfboard manufacturing industry because surfers by origin have a kinship with the environment. First the paper discovers the origins of surfers, how surfing became a sport, and who are the major influencers in the industry. Second, this thesis analyzes three different sustainability approaches, repurpose, reduce, and self-sustainment. Repurpose method examines to decrease the amount CO2 in inputs and outputs of materials throughout surfboard construction. Reduce method innovates surfboard that are more durable so that there are less wasted surfboards going into landfills. Self-sustainment practices a variant of permaculture to construct surfboards out of only natural materials from the earth in order to diminish non-ecofriendly byproducts. Thirdly, the conversation regards towards permaculture as the better option, which requires comprehensive experiments to produce materials meeting the performance of non-sustainable resources. Lastly, the thesis provides areas of research for possible raw materials and a way to implement into the industry.
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5

Otsuka, Cuyler. "Aloha, Marriage Equality: Unsettling Gay Constructions of Paradise." Oberlin College Honors Theses / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1399982466.

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6

Cummings, Tracie Kuʻuipo. "Hawaiian sovereignty and nationalism : history, perspectives and movements." Thesis, 2004. http://hdl.handle.net/10125/11780.

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Isaki, Bianca. "A decolonial archive : The historical space of Asian settler politics in a time of Hawaiian nationhood." Thesis, 2008. http://hdl.handle.net/10125/20837.

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Thesis (Ph.D.)--University of Hawaii at Manoa, 2008.
I task this archive with creating a place of pausing. Outside of the prescriptive and diagnostic temporalities that are usual to politics, this locale paces un-thinking intimate attachments to colonial orders. Here, "un-thinking" hosts a double valence. As an adjective, it describes those attachments as unconscious directives of hegemony in everyday movements. As a verb, it acts on those attachments in material things that are inclusive, and in excess, of thought. Things like inheriting a family name, "everyday life," and feelings have political and economic rhythms that suffuse relationships to the colonial state (government, U.S. militaries, juridical institutions) and society (plantation owning elites, the health sector, academia, and the faith community).
The decolonial archive is a theoretical apparatus for approaching structures that alternately invest Asian settlers in an American-Hawaii, tense against U.S. hegemony, and recuperate those tensions into attachments to America.
To access the micrological textured of colonization, I've looked to the intimate paper-trails that my own family-names generate into one of Hawai'i's defining colonial institutions, the Territorial-era (1900-1959) plantation. These plantation communities were crucial arenas of the labor organizing, wartime economic expansion, patriotism and consumer socialization that contributed to the emergence of a new multiracial local ruling class in a post-Statehood epoch (1959). Their political and economic enfranchisement, gauged in increased property ownership, professional employment and public office-holding, has been adorned with liberatory signs of racial justice. But this format assumes only political-economic investments secure Asian settler allegiance to Hawai'i's U.S. occupation. To stop the translation of this history (acceleration of multiculturalism under globalization) into that evidence (proofs of American capitalism's capacity to incorporate difference), I archive Asian settlers colonialism in new capillary forms of power that target affect, feeling, sensation and memory. My use of the decolonial archive derails kinship's commitments to heteronormative conventions, while exploiting genealogy's idiomatic kinship with reproductive familiality to turn a (hetero)normative narrative of existential continuity into a narrative of political accountability to a Hawaiian-Hawaii.
Includes bibliographical references (leaves xxx-xxx).
Also available by subscription via World Wide Web
282 leaves, bound 29 cm
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8

Tamaira, Andrea Marata. "Frames and counterframes: envisioning contemporary Kanaka Maoli art in Hawai'i." Phd thesis, 2015. http://hdl.handle.net/1885/13866.

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Since the overthrow of the Hawaiian Kingdom in 1893 and the subsequent illegal annexation of the Islands by the United States in 1898, Native Hawaiians (Kānaka Maoli) have vigilantly contested U.S. colonialism in Hawaiʻi and have resolutely sought to defend and affirm their existence as the still sovereign people of their homeland through political, legal, cultural, and artistic means. While the first three instances of indigenous resistance have been well documented in numerous books, journal articles, and theses, there remains a largely untapped field of academic enquiry concerning the role of contemporary Kanaka Maoli art within this milieu. This dissertation seeks to close the gap with an examination of how Native Hawaiian artists use the visual arts as a tool to assert their socio-political aspirations, affirm their sovereign identity, and disrupt the colonial status quo by representing themselves on their own terms. Here, the visual arts function as an abstract expression of Native power. As an analytical anchor, I use Tuscarora scholar Jolene Rickard’s term “visual sovereignty” to investigate three discrete contexts in which Kanaka Maoli art is produced: “high” art, commercial art, and public art. For the purpose of this study, I define visual sovereignty as an aesthetic strategy through which Kanaka Maoli artists articulate an indigenous-centered perspective that conveys Native epistemologies, ongoing political struggles, and ancestral connection to place. An examination of contemporary Kanaka Maoli art using this paradigm has not yet been advanced in the Hawai‘i context but a growing body of scholarship by Native American and First Nations academics and art practitioners indicates the indispensability of opening up a discussion that attends to Kanaka Maoli visual culture as an articulation of indigenous sovereignty. This thesis is a nascent step toward that end.
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Earle, David William. "Coalition Politics in Hawaii--1887-90: Hui Kalai'aina and the Mechanics and Workingmen's Political Protective Union." 1993. http://hdl.handle.net/10125/21097.

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Lirette, Mélodie. "Ku Kia'i Mauna: Warriors Rising in Kapu Aloha Re-Branding the Hawaiian Identity Through the Revival of Place Authenticity." Thèse, 2016. http://hdl.handle.net/1866/18836.

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En 2010, la Thirty Meter Telescope Corporation, représentée par une alliance interuniversitaire de chercheurs en astronomie, a présenté le projet du Thirty Meter Telescope ayant comme lieu de prédilection la montagne sacrée Mauna Kea, située sur l’île d’Hawai’i. S’inspirant de Idle No More, un mouvement d’activisme Hawaiien est né afin d’empêcher la désacralisation de ce temple naturel. Rapidement, un mouvement est né : ‘A’ole TMT, signifiant « non au TMT ». Ce mémoire illustre les raisons motivant cette initiative sociale et les outils mobilisés par les agents actifs de ce mouvement. Cette dissertation montre comment – s’inscrivant dans le contexte, d’abord, du Mouvement des Droits Civiques aux États-Unis et, ensuite, du mouvement de justice sociale et environnementale Idle No More – les activistes du ‘A’ole TMT Movement ont su procéder au re-branding de leurs attributs culturels et spirituels et, ainsi raviver l’authenticité de leur nation et de leur environnement, caractérisée par la réappropriation des lieux de mémoire hawaiiens.
In 2010, the Thirty Meter Telescope Corporation, composed of an inter-university alliance of researchers in astronomy, presented the Thirty Meter Telescope project, proposed to be built on the sacred mountain Mauna Kea, located on Hawai’i Island. Inspired by Idle No More, a grassroots Hawaiian activism movement was formed in an attempt to stop the desecration of this natural temple. Rapidly, a movement was born: ‘A’ole TMT, meaning “No to the TMT”. This dissertation shows the reasons motivating such a social initiative and presents the resources that active agents to the ‘A’ole TMT Movement mobilized to formally halt the TMT project. This thesis establishes how – in the context, first, of the accomplishments of the American Civil Rights Movement and, second, of the social and environmental justice movement Idle No More – Hawaiians have managed to re-brand their cultural and spiritual attributes and hence revive the authenticity of their nation as a singular and unique place through a renewed connection with Hawaiian lieux de mémoire.
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Книги з теми "Hawaiian politics"

1

The ancient Hawaiian state. New York: Oxford University Press, 2013.

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2

Krauss, Bob. Johnny Wilson: First Hawaiian Democrat. Honolulu: University of Hawaii Press, 1994.

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3

Seeking the sacred raven: Politics and extinction on a Hawaiian Island. Washington: Island Press, 2006.

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4

The Hawaiian poetry of religion and politics: Some religio-political concepts in postcontact literature. [Laie, Hawaii]: Institute for Polynesian Studies, 1985.

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5

A, Thurston Lorrin. Memoirs of the Hawaiian revolution. Edited by Brin Gary. Hawaii: Book Company Publishing LLC, 2007.

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6

Dudley, Michael Kioni. A call for Hawaiian sovereignty. Honolulu, Hawai'i: Nā Kāne O Ka Malo Press, 1993.

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7

Inventing politics: A new political anthropology of the Hawaiian kingdom. Honolulu: University of Hawaii Press, 2003.

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8

Mykknen, Juri. Inventing politics: A new political anthropology of the Hawaiian kingdom. Honolulu, HI: University of Hawai`i Press, 2003.

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9

Unconquerable rebel: Robert W. Wilcox and Hawaiian politics, 1880-1903. Niwot, Colo: University Press of Colorado, 1996.

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10

Kauanui, J. Kēhaulani. Hawaiian blood: Colonialism and the politics of sovereignty and indigeneity. Durham, N.C: Duke University Press, 2008.

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Частини книг з теми "Hawaiian politics"

1

Brown, Marie Alohalani. "The Politics and Poetics of Märchen in Hawaiian-Language Newspapers." In The Fairy Tale World, 210–20. Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: The routledge worlds: Routledge, 2019. http://dx.doi.org/10.4324/9781315108407-18.

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2

Vecoli, Rudolph J., and Francesco Durante. "The Destiny of Hawaii." In Oh Capitano!, edited by Donna R. Gabaccia, translated by Elizabeth O. Venditto, 155–71. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823279869.003.0009.

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This chapter examines the role played by Celso Cesare Moreno in Hawaiian politics and its destiny as a U.S. territory. It discusses the political changes in Hawaii during Moreno's time there, beginning with his 1887 publication of a pamphlet, which included a letter to King David Kalākaua asking for reimbursement of the expenses that Moreno incurred for the maintenance of the three Hawaiian students: Robert William Wilcox, Robert Napu'uako Boyd, and James Kaneholo Booth. In the letter, Moreno also attacked Walter Murray Gibson, whom he said was not qualified to be prime minister of Hawaii. The chapter also considers Moreno's views about the Reciprocity Treaty and the Hawaiian question; Hawaii's Bayonet Constitution; Wilcox's emergence as a revolutionary; the rise of Kalākaua's sister Lili'uokalani as his successor to the throne; and the annexation of Hawaii as a U.S. territory in 1898.
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3

Teves, Stephanie Nohelani. "Introduction." In Defiant Indigeneity, 1–22. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469640556.003.0001.

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The Introduction provides historical and political background of the performance of aloha and its impact on Hawaiian identity, politics, and life in the late twentieth and early twenty-first centuries. Engaging the renewal of Hawaiian culture—language, performance, farming, seafaring—Teves discusses how the affirmation of “authenticity” or “tradition” can work to double-bind Hawaiians and constrain articulations of Hawaiian identity and expression.
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Fojas, Camilla. "Mixed-Race Hollywood, Hawaiian Style." In Beyond Ethnicity. University of Hawai'i Press, 2018. http://dx.doi.org/10.21313/hawaii/9780824869885.003.0004.

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In classical Hollywood films set in Hawai‘i, Native Hawaiians are often depicted as part of the landscape and as a backdrop for stories of Anglo visitor romance. After statehood, many of these stories thematize intimacies of Native Hawaiian and haole to depict the incorporation of the islands to the continental U.S. By the “multicultural” 1990s, Anglo and Native Hawaiian contact in popular culture is depicted as fraught and inflected with many of the political quandaries related to Native Hawaiian rights and sovereignty issues. And Hollywood shaped continental attitudes not only about “race” on the islands but how complex political questions might be addressed. Storylines about Native and haole—non-Native, foreign, or white—intimacies are understood through “mixed race” narratives and a history of mixed race relations on the continent. These stories work through and shape social attitudes about the political and cultural relationship of the islands to the continent, that is, rather than representing a harmonious and utopic racial future, Hawai‘i is seen as entrenched in the mainland’s racial past. And this past is abstracted from local contexts. In these films, remedies for racialized inequities derive entirely from a mainland politics of race.
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5

Bonura, Sandra E. "Prayer and Politics." In Light in the Queen's Garden. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824866440.003.0009.

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This chapter covers the days before, during and after the overthrow of Queen Liliuokalani and the Hawaiian monarchy. Pope was an eyewitness to the turbulent events, and a riveting diary by teacher Lilla Appleton reveals what the occupants of Kawaiaha‘o Seminary were experiencing during the revolution in a day by day account.
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Goodyear-Ka‘ōpua, Noelani. "“Now we know”: resurgences of Hawaiian independence." In Asian Pacific American Politics, 253–65. Routledge, 2020. http://dx.doi.org/10.4324/9781003014669-15.

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"8. Politics And Punishment." In An American Girl in the Hawaiian Islands, 165–86. University of Hawaii Press, 2017. http://dx.doi.org/10.1515/9780824837228-012.

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"1. Indigenous Hawaiian Sexuality and the Politics of Nationalist Decolonization." In Critically Sovereign, 45–68. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822373162-002.

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ʻomanawanui, kuʻualoha ho. "I Kū Mau Mau (Standing Together): Native Hawaiian Literary Politics." In The Cambridge History of Native American Literature, 213–32. Cambridge University Press, 2020. http://dx.doi.org/10.1017/9781108699419.013.

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"Chapter 2. Hawai‘i’s Storied Places: Learning from Anne Kapulani Landgraf’s ‘‘Hawaiian View’’." In Legendary Hawai'i and the Politics of Place, 29–59. University of Pennsylvania Press, 2007. http://dx.doi.org/10.9783/9780812201178.29.

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Тези доповідей конференцій з теми "Hawaiian politics"

1

Ho Schar, Cathi, and Daniel S. Friedman. "The Politics of Repair in a Postcolonial Context: A Minor Case Study." In 2018 ACSA International Conference. ACSA Press, 2018. http://dx.doi.org/10.35483/acsa.intl.2018.51.

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The University of Hawai‘i at Mānoa is the flagship campus for the country’s most remote and westernmost state. It lies over two thousand nautical miles from the nearest continent, roughly in the center of the Pacific Ocean, the largest division of the world hydrosphere. Until 1893, Hawai’i was a sovereign kingdom. In 1959, the U.S. government annexed Hawaiʻi as the last and newest of its fifty states. This vivid context—Pacific, Asian, Hawaiian, American, postcolonial—constitutes both a geographical and cultural orientation. In view of these numerous, vivid conditions, our paper offers a single case study based on small projects underway at Mānoa, where the senior leadership of the university invited the newly established University of Hawai‘i Community Design Center to address the chronic disrepair of campus buildings and public spaces through low-cost, high-impact design interventions. The aim of these interventions is to improve perceived qualities of public space and campus character, which have suffered under the weight of the university’s half-billion dollar deferred maintenance backlog.
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2

Shilton, Katie, Jaime Snyder, and Matthew Bietz. "Introduction to Values, Power, and Politics in Digital Infrastructures Minitrack." In Hawaii International Conference on System Sciences. Hawaii International Conference on System Sciences, 2017. http://dx.doi.org/10.24251/hicss.2017.280.

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3

Sung, Wookjoon, and Changki Jang. "Does Online Political Participation Reinforce Offline Political Participation?: Using Instrumental Variable." In Hawaii International Conference on System Sciences. Hawaii International Conference on System Sciences, 2020. http://dx.doi.org/10.24251/hicss.2020.222.

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4

Ruiz-Bravo, Nadia, Lisen Selander, and Maryam Roshan. "The Political Turn of Twitch – Understanding Live Chat as an Emergent Political Space." In Hawaii International Conference on System Sciences. Hawaii International Conference on System Sciences, 2022. http://dx.doi.org/10.24251/hicss.2022.389.

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Heekyung Hellen Kim, Jae Yun Moon, and Shinkyu Yang. "Broadband penetration and participatory politics: South Korea case." In 37th Annual Hawaii International Conference on System Sciences, 2004. Proceedings of the. IEEE, 2004. http://dx.doi.org/10.1109/hicss.2004.1265301.

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Mousavi, Reza, and Bin Gu. "The Impact of Twitter Adoption on Decision Making in Politics." In 2015 48th Hawaii International Conference on System Sciences (HICSS). IEEE, 2015. http://dx.doi.org/10.1109/hicss.2015.576.

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Van Couvering, Elizabeth. "The Political Economy of New Media Revisited." In Hawaii International Conference on System Sciences. Hawaii International Conference on System Sciences, 2017. http://dx.doi.org/10.24251/hicss.2017.220.

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George, Jordana, and Dorothy Leidner. "Digital Activism: a Hierarchy of Political Commitment." In Hawaii International Conference on System Sciences. Hawaii International Conference on System Sciences, 2018. http://dx.doi.org/10.24251/hicss.2018.288.

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Barzilai-Nahon, K. "Gatekeeping in Virtual Communities: On Politics of Power in Cyberspace." In Proceedings of the 39th Annual Hawaii International Conference on System Sciences (HICSS'06). IEEE, 2006. http://dx.doi.org/10.1109/hicss.2006.193.

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Janneck, Monique, and Henning Staar. "Virtual Micro-Politics: Informal Tactics of Influence and Power in Inter-Organizational Networks." In 2010 43rd Hawaii International Conference on System Sciences. IEEE, 2010. http://dx.doi.org/10.1109/hicss.2010.436.

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