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Статті в журналах з теми "Harpsichord Concertos"
BILIR EYÜPOĞLU, Emine. "IDENTIFYING THE DIFFERENCES THE HARPSICHORD AND THE PIANO INTERPRETATION OF J. S. BACH'S BWV 1056 CONCERTO IN F MINOR." SOCIAL SCIENCE DEVELOPMENT JOURNAL 7, no. 34 (November 15, 2022): 100–114. http://dx.doi.org/10.31567/ssd.770.
Повний текст джерелаCantet, R. J. C. "Statistical methods in animal breeding and Bach’s harpsichord concertos." Journal of Animal Breeding and Genetics 127, no. 5 (September 10, 2010): 334–35. http://dx.doi.org/10.1111/j.1439-0388.2010.00896.x.
Повний текст джерелаGórny, Tomasz. "Estienne Roger and his agent Adam Christoph Sellius: new light on Italian and French music in Bach’s world." Early Music 47, no. 3 (July 24, 2019): 361–70. http://dx.doi.org/10.1093/em/caz041.
Повний текст джерелаRogers, Victoria. "Thomas Goff, Four Harpsichords, J.S. Bach and the Royal Festival Hall." Royal Musical Association Research Chronicle 49 (2018): 50–67. http://dx.doi.org/10.1080/14723808.2017.1341204.
Повний текст джерелаMaunder, Richard. "J. C. Bach and the Early Piano in London." Journal of the Royal Musical Association 116, no. 2 (1991): 201–10. http://dx.doi.org/10.1093/jrma/116.2.201.
Повний текст джерелаOkuneva, Ekaterina G. "The Instrumental Concerto in Bent Sørensen’s Musical Output." Problemy muzykal'noi nauki / Music Scholarship, no. 2 (July 2023): 162–76. http://dx.doi.org/10.56620/2782-3598.2023.2.162-176.
Повний текст джерелаSheludiakova, Svitlana. "The genre of the piano concerto in John Adams’s work on the example of “Must the Devil Have All the Good Tunes?”." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 70, no. 70 (April 29, 2024): 161–84. http://dx.doi.org/10.34064/khnum1-70.09.
Повний текст джерелаKitchen, J. "Johann Sebastian Bach, Italian Concerto, French Overture; 4 Duetti, Chromatic Fantasy & Fugue Christophe Rousset (harpsichord), L'Oiseau-Lyre 433 054-2 (rec 1990); Italian Concerto, French Overture; 4 Duetti Kenneth Gilbert (harpsichord), Harmoma Mundi HMA 1901278 (rec 1988); Trio Sonatas, BWV525-30 John Butt (organ) Harmoma Mundi HMU 907055 (rec 1991); Antonio Vivaldi Concerto for 3 Violins; Johann Sebastian Bach; Concertos for 3 & 4 Harpsichords, Christopher Hirons, John Holloway, Monica Huggett, Catherine Mackintosh, Elizabeth Wilcock (violins), Christopher Hogwood, Davitt Moroney, Christophe Rousset, Colin Tilney (harpsichords), The Academy of Ancient Music, directed by Christopher Hogwood L'Oiseau-Lyre 433 053-2 (rec 1980, 1989, 1990)." Early Music XXI, no. 1 (February 1, 1993): 155–57. http://dx.doi.org/10.1093/em/xxi.1.155.
Повний текст джерелаZhukova, Olena. "HARPSICHORD IN THE SOUND PICTURE OF THE XX CENTURY MUSIC, EXEMPLIFIED BY F. POULENC’S СONCERT CHAMPETRE". Scientific Journal of Polonia University 62, № 1 (8 липня 2024): 128–35. http://dx.doi.org/10.23856/6217.
Повний текст джерелаArtola, Ines R. "“A composItIon wrItten wIthout creatIve lImItatIons” – Wanda Landowska and concerto for harpsichord and five instruments by ManueL de Falla (1923)." Notes Muzyczny 1, no. 15 (June 21, 2021): 67–107. http://dx.doi.org/10.5604/01.3001.0014.9691.
Повний текст джерелаДисертації з теми "Harpsichord Concertos"
Hunt, Janet Evelyn. "The Harpsichord Concertos of Wilhelm Friedemann Bach, a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, W.F. Bach, D. Scarlatti, F. Couperin, J.J. Froberger, G. Ligeti, W. Byrd, and Others." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278911/.
Повний текст джерелаBurns, Caryn L. "CONCERTO FOR HARPSICHORD, FLUTE, OBOE, CLARINET, VIOLIN, AND VIOLONCELLO BY MANUEL DE FALLA: AN (AUTO)BIOGRAPHICAL READING." University of Akron / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=akron1144356651.
Повний текст джерелаBishop, James Martin. "A Performance Guide to Arvo Pärt's Concerto Piccolo Über B-A-C-H for Trumpet, Strings, Harpsichord, and Piano." Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc283781/.
Повний текст джерелаDouglas, David James. "Inquiry into J.S. Bach’s method of reworking in his composition of the concerto for keyboard, flute and violin, BWV 1044, and its chronology." Thesis, 1997. http://hdl.handle.net/2429/6473.
Повний текст джерелаHsu, Kuei-fang, and 許溎芳. "J.S.Bach harpsichord concerto, BWV1052." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/15775310848525445636.
Повний текст джерела國立中山大學
音樂學系研究所
93
In Baroque period, the concerto development mainly focus on solo concerto. Composers choosed violin as the primary solo instrument. At that time, harpsichord was treated as the basso continuo instruments in orchestra. No harpsichord concerto is found at the beginning of the development of solo concerto. Johann Sebastian Bach was the first composer who used harpsichord as solo instrument for concerto.His harpsichord concerto in Weimar period foreshadow harpsichord concerto in Leipzig period. The harpsichord concertos of J.S.Bach borrowed materials from other composers` or his own solo concertos. This paper uses harpsichord concerto BWV1052 as example to investigate the way Bach changed the role of harpsichord from basso continuo to solo instrument. This paper includes three parts. First, the development of the solo concerto in the Baroque period is explored. The second part focuses on harpsichord concertos of J.S.Bach. Thirdly, examines how Bach borrowed his own materials from Cantata BWV146 to BWV1052, and the relationship among C.P.E.Bach`s harpsichord concerto BWV1052a, Wilfried Fischer `s Violin concerto reconstruction BWV1052 and BWV1052. Finally, a conclusion will be made.
Книги з теми "Harpsichord Concertos"
Górecki, Henryk Mikołaj. Concerto for harpsichord (or piano) and string orchestra, opus 40. London: Boosey & Hawkes, 1990.
Знайти повний текст джерелаDorival, Jérôme. Le concerto pour clavier: Approches multiples, partition, histoire, art. Lyon: Aléas, 1990.
Знайти повний текст джерелаKarl, Heller. Bearbeitungen fremder Werke: Kritischer Bericht. Kassel: Bärenreiter, 1997.
Знайти повний текст джерелаVivaldi, Antonio. Concerto in A major for harpsichord (keyboard) and strings. New York: Oxford University Press, 1987.
Знайти повний текст джерелаPark, Maria Hester. Concerto for the piano forte or harpsichord in E-flat major. Pullman, WA: Vivace Press, 1993.
Знайти повний текст джерелаKilian, Dietrich. Konzerte für Violine, für zwei Violinen, für Cembalo, Flöte und Violine: Kritischer Bericht. Kassel: Bärenreiter, 1989.
Знайти повний текст джерелаBach, Johann Sebastian. Bach for relaxation. New York, NY: RCA Victor, 1998.
Знайти повний текст джерелаCharpentier, Marc-Antoine. Suite for Harpsichord: Arranged by Richard Siegel from the Concert pour quatre parties de violes H.545. Edited by Richard Siegel. Paris France: Richard Siegel, 2020.
Знайти повний текст джерелаKarl, Heller. Konzerte für zwei Cembali: Kritischer Bericht. Kassel: Bärenreiter, 1990.
Знайти повний текст джерела(Composer), Johann Sebastian Bach, and Rosalyn Tureck (Editor), eds. Concerto in the Italian Style (Urtext Edition): Harpsichord or Piano Solo. G. Schirmer, Inc., 1986.
Знайти повний текст джерелаЧастини книг з теми "Harpsichord Concertos"
Jones, Richard D. P. "The harpsichord concertos and other instrumental works." In The Creative Development of Johann Sebastian Bach, Volume II: 1717-1750, 248–70. Oxford University Press, 2013. http://dx.doi.org/10.1093/acprof:oso/9780199696284.003.0008.
Повний текст джерелаSteinberg, Michael. "Martin." In The Concerto, 254–61. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195103304.003.0023.
Повний текст джерелаCareri, Enrico. "The Sonatas." In Francesco Genminiani (1687–1762), 84–112. Oxford University PressOxford, 1993. http://dx.doi.org/10.1093/oso/9780198163008.003.0006.
Повний текст джерелаHutchings, Arthur. "The ancestry. Keyboard concertos before mozart." In A Companion to Mozart’s Piano Concertos, 26–35. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198167082.003.0003.
Повний текст джерелаSteinberg, Michael. "Bach." In The Concerto, 11–20. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195103304.003.0002.
Повний текст джерелаCole, Michael. "The English Grand, 1778-1805." In The Pianoforte In The Classical Era, 129–43. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198166344.003.0008.
Повний текст джерелаCole, Michael. "In Vienna." In The Pianoforte In The Classical Era, 212–36. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198166344.003.0013.
Повний текст джерелаCole, Michael. "The Early Piano I." In The Pianoforte In The Classical Era, 1–22. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198166344.003.0001.
Повний текст джерелаKahl, Willi. "Romantic Piano Music: 1830–1850." In Romanticism (1830–1890), 237–56. Oxford University PressNew York, NY, 1990. http://dx.doi.org/10.1093/oso/9780193163096.003.0004.
Повний текст джерелаTownsend, Peter. "Development of Fixed Frequency Keyboards." In The Evolution of Music through Culture and Science, 121–34. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198848400.003.0008.
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