Добірка наукової літератури з теми "Glass art Italy Venice History"
Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями
Ознайомтеся зі списками актуальних статей, книг, дисертацій, тез та інших наукових джерел на тему "Glass art Italy Venice History".
Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.
Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.
Статті в журналах з теми "Glass art Italy Venice History"
Lian, Yuanmei. "“Dans Venise la Rouge…” by A. de Musset – Ch. Gounod: the “Venetian text” in French chamber vocal music." Aspects of Historical Musicology 21, no. 21 (March 10, 2020): 44–63. http://dx.doi.org/10.34064/khnum2-21.03.
Повний текст джерелаMuir, Edward. "Why Venice? Venetian Society and the Success of Early Opera." Journal of Interdisciplinary History 36, no. 3 (January 2006): 331–53. http://dx.doi.org/10.1162/002219506774929854.
Повний текст джерелаMarrocchino, Elena, Chiara Telloli, Sara Caraccio, Chiara Guarnieri, and Carmela Vaccaro. "Medieval Glassworks in the City of Ferrara (North Eastern Italy): The Case Study of Piazza Municipale." Heritage 3, no. 3 (July 17, 2020): 819–37. http://dx.doi.org/10.3390/heritage3030045.
Повний текст джерелаPigatto, Luisa, Nha Il-Seong, Jürgen Hamel, Kevin Johnson, Rajesh K. Kochhar, Tsuko Nakamura, Wayne Orchiston, Bjørn R. Pettersen, Sara J. Schechner, and Shi Yunli. "DIVISION XII / COMMISSION 41 / WORKING GROUP HISTORICAL INSTRUMENTS." Proceedings of the International Astronomical Union 4, T27A (December 2008): 423. http://dx.doi.org/10.1017/s1743921308025994.
Повний текст джерелаTanzer, Frances. "European Fantasies: Modernism and Jewish Absence at the Venice Biennale of Art, 1948–1956." Contemporary European History 31, no. 2 (December 14, 2021): 243–58. http://dx.doi.org/10.1017/s0960777321000138.
Повний текст джерелаRomano, Dennis. "Aspects of Patronage in Fifteenth- and Sixteenth-Century Venice*." Renaissance Quarterly 46, no. 4 (1993): 712–33. http://dx.doi.org/10.2307/3039020.
Повний текст джерелаHarris, Leigh Coral. "FROM MYTHOS TO LOGOS: POLITICAL AESTHETICS AND LIMINAL POETICS IN ELIZABETH BARRETT BROWNING’S CASA GUIDI WINDOWS." Victorian Literature and Culture 28, no. 1 (March 2000): 109–31. http://dx.doi.org/10.1017/s1060150300281072.
Повний текст джерелаSiehr, K. "Conference report. Resolution of Disputes in International Art Trade, Third Annual Conference of the Venice Court of National and International Arbitration: Venice, Italy (September 29-30, 2000)." International Journal of Cultural Property 10, no. 1 (January 2001): 122–26. http://dx.doi.org/10.1017/s094073910177124x.
Повний текст джерелаSobota Matejčić, Gordana. "Institute for History of Art, Zagreb." Ars Adriatica, no. 2 (January 1, 2012): 167. http://dx.doi.org/10.15291/ars.447.
Повний текст джерелаGrossutti, Javier P. "From Guild Artisans to Entrepreneurs: The Long Path of Italian Marble Mosaic and Terrazzo Craftsmen (16th c. Venice – 20th c. New York City)." International Labor and Working-Class History 100 (2021): 60–86. http://dx.doi.org/10.1017/s0147547920000253.
Повний текст джерелаДисертації з теми "Glass art Italy Venice History"
Serraille, Guillaume. "Le verre et l’art contemporain : l’exemple de la production italienne. Essai de contribution à l’étude des arts du verre.- Essai de contribution à l’étude des arts du verre." Thesis, Lyon 2, 2014. http://www.theses.fr/2014LYO20011.
Повний текст джерелаThe identification and definition of the actors of the contemporary Italian glass is complex insofar as their situation is paradoxical: they are both iconic and relatively setback from “free” glass art. This "movement" that took off in the course of the sixties in the United States experimented with both new practices and sculptural forms, as well as smaller and more flexible workshops than the traditional factory. In addition, the Studio Glass Movement’s revolution occurs at the beginnings of postmodernism in which the arts are also changing, making more difficult the study of the relationship between glass crafts and industries with the arts.The first part entitled "Environment and history, the issue of model" is a historical approach in chronological thread. It describes the technical developments of the glass as well as its specific developments in Venice and Murano. It also allows to characterize the different actors: factories and maestri, craftsmen, designers and artists.The second part is devoted to works and artifacts, economic and physical environments. At first, it approach the evolution of various productions (everyday objects, sculptures, etc..) with a typological and stylistic point of view. Their critical reception is studied, as well as their terms of sales from Venice’s souvenir shops to large exhibitions, specialized or not.The third and last part ("Glass ontology: aesthetic principles and metaphysical requirements") deals with the role of craft and tradition of glass in postmodernity. It also concerns the question of the material and its practices with an aesthetical and phenomenological point of view, which refers to the conditions and resources of production
McCray, William Patrick. "The culture and technology of glass in Renaissance Venice." Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/290650.
Повний текст джерелаBrummer, Esther Elliott. "The development of the Nuptial Allegory in early modern Venice." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609942.
Повний текст джерелаTamboer, Kimberly Jean. "Artistic Achievements of Convent Women in Renaissance Italy: with case studies in Venice and Prato." Master's thesis, Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/327335.
Повний текст джерелаM.A.
This thesis evaluates the artistic contributions of convent women in Renaissance Italy during the period c. 1450-1550 with individual case studies in Venice and Prato. As the cost of the traditional marriage dowry inflated markedly over the course of the fifteenth century, an increasing number of girls from affluent family backgrounds were sent to the convent in an effort to spare their families the financial burden of marrying them off. Convent vocations were not only financially convenient for families with daughters but offered a socially respectable alternative to marriage that many came to rely upon over the course of the latter fifteenth and sixteenth centuries. The heightened presence of highborn girls in Italian convents seems to correspond with a concurrent development in female monastic artistic production. This point will be demonstrated in my study through analysis of two objects: the illustrated convent chronicle of Santa Maria delle Vergini (c. 1523), now in the Museo Correr in Venice and the illustrated frontispiece of Beatrice del Sera's convent play Amor di virtù (1555), preserved in the Biblioteca Riccardiana in Florence. Both of the considered works complement a text also written by convent women during the same period that demonstrate their knowledge of historic and current events, in addition to contemporaneous developments in the visual arts. The corresponding texts will be examined in a supporting manner to aid in interpreting the subject matter of the illustrations. Subsequent to identifying the pictorial content of these illustrations, I will elucidate how the convent artists successfully assert a female identity through their respective visual representations, and determine what specific type of identity they were motivated to promote.
Temple University--Theses
Sherman, Allison M. "The lost Venetian church of Santa Maria Assunta dei Crociferi : form, decoration, and patronage." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/1021.
Повний текст джерелаHammond, Joseph. "Art, devotion and patronage at Santa Maria dei Carmini, Venice : with special reference to the 16th-Century altarpieces." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/3047.
Повний текст джерелаDavid, L. Kencik. "The Triumph of the Eucharist in the Paintings for the Sala dell’Albergo and the Sala Superiore in the Scuola Grande di San Rocco by Jacopo Tintoretto (ca. 1518/19-1594)." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1590600384514719.
Повний текст джерелаTycz, Katherine Marie. "Material prayers : the use of text in early modern Italian domestic devotions." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/276240.
Повний текст джерелаGillman, Matthew Elliott. "Medieval Glass and the Aesthetics of Simulation." Thesis, 2021. https://doi.org/10.7916/d8-bvgg-1667.
Повний текст джерелаSen, Priyanka. "The architectural history of the Peggy Guggenheim Collection of Modern Art." Thesis, 2012. http://hdl.handle.net/2152/ETD-UT-2012-08-6303.
Повний текст джерелаtext
Книги з теми "Glass art Italy Venice History"
Frantz, Susanne K. Viva vetro! =: Glass alive! : Venice and America. Edited by Kangas Matthew and Carnegie Museum of Art. Pittsburgh: Carnegie Museum of Art, 2007.
Знайти повний текст джерелаMatthew, Kangas, and Carnegie Museum of Art, eds. Viva vetro! =: Glass alive! : Venice and America. Pittsburgh: Carnegie Museum of Art, 2007.
Знайти повний текст джерела1952-, Pilling Simon, ed. Venice: An architectural guide. London: Batsford, 2002.
Знайти повний текст джерелаThe Doge's Palace in Venice: A tour through art and history. Berlin: Deutscher Kunstverlag, 2010.
Знайти повний текст джерелаGlassmaking in Renaissance Venice: The fragile craft. Aldershot, Hants, England: Brookfield, Vt., 1999.
Знайти повний текст джерелаMuseum of Arts and Design (New York, N.Y.) and Biennale di Venezia, eds. Glasstress New York: New art from the Venice Biennales : open project. Milan, Italy: Skira, 2012.
Знайти повний текст джерелаFriedman, Barry. Venice, 3 visions in glass: Cristiano Bianchin, Yoichi Ohira, Laura de Santillana. New York: Barry Friedman Ltd., 2009.
Знайти повний текст джерелаThe other futurism: Futurist activity in Venice, Padua, and Verona. Toronto: University of Toronto Press, 2004.
Знайти повний текст джерелаMarchis, Giorgio De. Il pittore, l'umanista e il cagnolino. Torino: Einaudi, 2002.
Знайти повний текст джерелаThe art of Renaissance Venice: Architecture, sculpture, and painting, 1460-1590. Chicago: University of Chicago Press, 1990.
Знайти повний текст джерелаЧастини книг з теми "Glass art Italy Venice History"
Marchesin, Giorgia. "Dell'Archivio Storico delle Arti Contemporanee «la Biblioteca n’era il principio»." In Storie della Biennale di Venezia. Venice: Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-366-3/010.
Повний текст джерелаFazzi, Fabiana. "Museum Learning Through a Foreign Language." In Studi e ricerche. Venice: Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-227-7/031.
Повний текст джерелаAgazzi, Michela. "Il mercato antiquariale nella Venezia di Ruskin: l’arte medievale in Germania." In John Ruskin’s Europe. A Collection of Cross-Cultural Essays With an Introductory Lecture by Salvatore Settis. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-487-5/012.
Повний текст джерела