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Статті в журналах з теми "Glass art Australia"
Kaino, Lorna. "The ‘Problem of Culture’: A Case Study of Some Arts Industries in Southwest Western Australia." Media International Australia 101, no. 1 (November 2001): 127–39. http://dx.doi.org/10.1177/1329878x0110100114.
Повний текст джерелаIvanyshyn, Ostap. "Experiment in the art of Klaus Moje." Bulletin of Lviv National Academy of Arts, no. 39 (2019): 265–77. http://dx.doi.org/10.37131/2524-0943-2019-39-18.
Повний текст джерелаShevtsova, Maria. "The Art of Stillness: Brook's ‘Impressions de Pelléas’." New Theatre Quarterly 10, no. 40 (November 1994): 358–65. http://dx.doi.org/10.1017/s0266464x00000907.
Повний текст джерелаElias, Ann. "Aquariums and human–animal relations at the Great Barrier Reef." Queensland Review 28, no. 2 (December 2021): 98–113. http://dx.doi.org/10.1017/qre.2022.6.
Повний текст джерелаLozanovska, Mirjana, and Akari Nakai Kidd. "‘Vacant Geelong’ and its lingering industrial architecture." Architectural Research Quarterly 24, no. 4 (December 2020): 353–68. http://dx.doi.org/10.1017/s1359135520000421.
Повний текст джерелаBlackman, Cally. "The Colour of Fashion at the Salon du Goût Français: A Virtual Exhibition of French Luxury Commodities, 1921–1923." Costume 56, no. 1 (March 2022): 51–73. http://dx.doi.org/10.3366/cost.2022.0218.
Повний текст джерелаEndersby, Jim. "The evolving museum." Public Understanding of Science 6, no. 2 (April 1997): 185–206. http://dx.doi.org/10.1088/0963-6625/6/2/005.
Повний текст джерелаMejia- Mertel, Juliana, and Juan P. Rojas -Hernandez. "1707. Clinical Profile of Human T-Lymphotropic Virus Type I Infection in Pediatric Population in a Referral Hospital in Colombia." Open Forum Infectious Diseases 7, Supplement_1 (October 1, 2020): S836—S837. http://dx.doi.org/10.1093/ofid/ofaa439.1885.
Повний текст джерелаStucky, M., B. K. Hopkins, and C. Herr. "94 CRYOPRESERVATION OF HONEY BEE SPERMATOZOA." Reproduction, Fertility and Development 20, no. 1 (2008): 127. http://dx.doi.org/10.1071/rdv20n1ab94.
Повний текст джерелаSimpson, Elizabeth. "Yuri Kalashnik,Greek Gold from the Treasure Rooms of the Hermitage, exh. cat. Aldershot, Eng., and Burlington, Vt.: Lund Humphries in assoc. with the Hermitage Amsterdam, 2004. 127 pp., 73 color pls., bibliog. $40, £19.99.Françoise Gaultier and Catherine Metzger,Trésors antiques: Bijoux de la collection Campana, exh. cat. Paris: Musée du Louvre, 2005. 192 pp., 400 color pls., 45 b/w ills., bibliog., index. Paper, EUR 38.Electra Georgoula, ed.,Greek Treasures from the Benaki Museum in Athens, exh. cat. Sydney, Australia: Powerhouse Museum, Sydney, in assoc. with Benaki Museum, Athens, 2005. 264 pp., 161 color pls., bibliog., gloss. Paper, $40." Studies in the Decorative Arts 14, no. 2 (March 2007): 178–81. http://dx.doi.org/10.1086/652886.
Повний текст джерелаДисертації з теми "Glass art Australia"
Blakeley-Carroll, Grace. "Illuminating the spiritual : the symbolic art of Christian Waller." Phd thesis, Canberra, ACT : The Australian National University, 2017. http://hdl.handle.net/1885/146396.
Повний текст джерелаLarkin, Brendan, and mikewood@deakin edu au. "The weaning and growth of Anguilla australis glass eels and elvers." Deakin University. School of Ecology and Environment, 2000. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20060713.113837.
Повний текст джерелаHarvey, Clare Lynette Eden, and clare harvey@flinders edu au. "Through the Looking Glass: The Politics of Advancing Nursing and the Discourses on Nurse Practitioners in Australia." Flinders University. School of Nursing and Midwifery, 2010. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20100708.110421.
Повний текст джерелаCowie, Barbara Jane. "A study through text and artifacts of the major factors that have influenced the development of studio glassmaking in South Australia from a glassmaker's perspective : history and practice of studio glass blowing in South Australia." 2004. http://arrow.unisa.edu.au/vital/access/manager/Repository/unisa:36829.
Повний текст джерелаWang, Sunny. "Report : Chinese characters." Master's thesis, 2001. http://hdl.handle.net/1885/155757.
Повний текст джерелаAubort, Lucette. "Report : A Spirit from the Sea." Master's thesis, 2004. http://hdl.handle.net/1885/155462.
Повний текст джерелаHorton, Ede. "Sub-thesis." Master's thesis, 2002. http://hdl.handle.net/1885/155963.
Повний текст джерелаHorton, Ede. "Report." Master's thesis, 2002. http://hdl.handle.net/1885/155966.
Повний текст джерелаStewart, Peter. "Report." Master's thesis, 2004. http://hdl.handle.net/1885/155881.
Повний текст джерелаKesteven, Sue. "Report." Thesis, 2006. http://hdl.handle.net/1885/156378.
Повний текст джерелаКниги з теми "Glass art Australia"
Ebeltoft, Glasmuseum. Ausglass: An exhibition of glass art by 16 artists from Australia. Ebeltoft: Glasmuseum, 1995.
Знайти повний текст джерелаIoannou, Noris. Australian studio glass: The movement, its makers, and their art. Roseville East, NSW: Craftsman House, 1995.
Знайти повний текст джерелаGallery, Kurland/Summers. Australian kiln/formed glass: Exhibition April 13, 1989 - May 13, 1989. Los Angeles: Kurland/Summers Gallery, 1989.
Знайти повний текст джерелаShards of glass: Children reading and writing beyond gendered identities. Cresskill, N.J: Hampton Press, 1993.
Знайти повний текст джерелаDavies, Bronwyn. Shards of glass: Children reading and writing beyond gendered identities. Cresskill, NJ: Hampton Press, 2002.
Знайти повний текст джерелаShards of glass: Children reading and writing beyond gendered identities. St. Leonards, N.S.W., Australia: Allen & Unwin, 1993.
Знайти повний текст джерелаWagga Wagga City Art Gallery., ed. Art glass from Australia: [exhibition. Wagga Wagga, Australia: Wagga Wagga City Art Gallery, 1990.
Знайти повний текст джерелаArt, Canberra School of, ed. Latitudes: Bullseye glass in Australia. Canberra: Canberra School of Art, 1998.
Знайти повний текст джерелаEbeltoft, Glasmuseum. Ausglass: An exhibition of glass art by 16 artists from Australia. Glasmuseum, 1995.
Знайти повний текст джерелаLinks: Australian Glass and the Pacific Northwest. University of Washington Press, 2013.
Знайти повний текст джерелаЧастини книг з теми "Glass art Australia"
Litster, Mirani, Daryl Wesley, and Gretchen M. Stolte. "Developing approaches for understanding Indigenous Australian glass bead use during the contact period." In The Archaeology of Portable Art, 299–318. New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315299112-18.
Повний текст джерелаUrwin, Chris, Lynette Russell, and Lily Yulianti Farid. "Cross-Cultural Interaction across the Arafura and Timor Seas." In The Oxford Handbook of the Archaeology of Indigenous Australia and New Guinea, C51.S1—C51.N8. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780190095611.013.51.
Повний текст джерела"Peter Weir and the Piano Concerto." In Voicing the Cinema, edited by Erik Heine, 207–26. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043000.003.0012.
Повний текст джерела"Challenges for Diadromous Fishes in a Dynamic Global Environment." In Challenges for Diadromous Fishes in a Dynamic Global Environment, edited by Donald J. Jellyman and Melissa M. Bowen. American Fisheries Society, 2009. http://dx.doi.org/10.47886/9781934874080.ch17.
Повний текст джерелаSergi, Anna. "From St Kilda To Kings Cross." In Chasing the Mafia, 70–103. Policy Press, 2022. http://dx.doi.org/10.1332/policypress/9781529222432.003.0004.
Повний текст джерелаLin, Yuqi. "Multiculturalism in Higher Education." In Handbook of Research on Practices for Advancing Diversity and Inclusion in Higher Education, 49–64. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-7998-9628-9.ch003.
Повний текст джерела"Eels at the Edge: Science, Status, and Conservation Concerns." In Eels at the Edge: Science, Status, and Conservation Concerns, edited by Don J. Jellyman. American Fisheries Society, 2009. http://dx.doi.org/10.47886/9781888569964.ch3.
Повний текст джерелаMcDonagh, Josephine. "Transported!" In Literature in a Time of Migration, 112–49. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192895752.003.0004.
Повний текст джерела"decency, compassion. Neighbours resembles the down-home, wholesome populism of a Frank Capra comedy except that its suburban protagonists are saved the trouble of traveling to and from a big city to discover their true values. 8 Differences are resolved, dissolved, or repressed The characters are “almost compulsively articulate about problems and feelings” (Tyrer 1987). Crises are solved quickly, usually amicably. Conflict is thus managed almost psychotherapeutically by and within the inner circle of family, and the outer circle of Ramsay Street. Witness the episode broadcast on April 23, 1992 in Australia: after fire destroys much of Gaby’s clothes boutique, three female neighbors remake the lost stock, while three male neighbors clear up the debris from the shop. As the theme song has it: “Neighbours should be there for one another.” Incursions of conflict from the social world beyond these charmed circles are treated tokenistically or spirited away. The program blurs or represses differences of gender politics, sexual preference, age, and ethnicity. Domestic violence and homosexuality, male or female, are unknown. Age differences are subsumed within family love and tolerance. Aboriginal characters manage a two-episode plot line at most (Craven 1989: 18), and Greeks, despite the real Melbourne being the third largest Greek city in the world, figure rarely. Neighbours-watchers could likewise be forgiven for not knowing that Melbourne has the largest Jewish community in Australia. The program elides questions of disability, alcoholism, or religious difference. It displaces drug addiction on to a friend outside immediate family circles (Cousin 1992). Unemployment as a social issue is subordinated to the humanist characterization of Brad, for instance, as dopey, happy-go-lucky surfie. Neighbours counterposes suburban escapism to the high-gloss escapism of Santa Barbara. 9 Depoliticized middle-class citizenship These “cosy parish pump narratives,” as Ian Craven calls them, depoliticize the everyday (Craven 1989: 21). Such good middle-class suburban citizenship is roundly condemned by no less than Germaine Greer: The world of Neighbours is the world of the detergent commercial; everything from the kitchen worktops to the S-bend is squeaky clean. Everyone’s hair and underwear is freshly laundered. No one is shabby or eccentric; no one is poor or any colour but white. Neighbours is the Australian version of the American dream, owner-occupied, White-Anglo-Saxon-Protestant paradise. (Greer 1989) In this blithely comfortable middle-class ethos, the characters seem never to have problems with mortgage repayments. Commenting on the opening episodes of Neighbours, a British critic underlines its property-owning values:." In To Be Continued..., 111. Routledge, 2002. http://dx.doi.org/10.4324/9780203131855-13.
Повний текст джерела"37). Indeed, rumour had it that one of them, En cas de bonheur, was nicknamed En cas de déprogrammation (In Case of Happiness/In Case of Cutting from the Schedules) (Pélégrin 1989: 37). The third and least powerful element in this force field is the British contribution to French TV serial fiction. As the French preference for the high(er) cultural mini-series might lead one to expect, British production is represented by BBC-style middle-brow costume dramas such as The Forsyte Saga, rather than by such soaps as Coronation Street or EastEnders, neither of which had been screened in France when Neighbours opened. This triangular force field of high-gloss prime-time American soaps and high(er) cultural French and British costume and psychological dramas afforded no familiar televisual footholds for a Neighbours. It landed in a limbo, possibly ahead of its time, but certainly lost in 1989. Whereas its register of the everyday proved readily assimilable to the British aesthetic discourse of social realism exemplified by such community-based soaps as Brookside, EastEnders, and even Coronation Street, such a discourse is in France found less in soaps than in quite another genre, the policier. Simultaneously, Neighbours fails to measure up to two key expectations of French television serial fiction: its psychological characterization with psychologically oriented mise-en-scène, and its polished, articulate dialog involving word-games and verbal topping (Bianchi 1990: 100–101). The second and third factors working against Neighbours’s French success are linguistic and to do with television imports. Both the unfamiliarities of the English language and of other Australian televisual product doubtless played their part in Neighbours’s failure in France. Linguistically, France is more chauvinist than such European countries as Holland, Belgium, and Germany, where Australian and British soap operas and mini-series are much more widely screened. And apart from short runs of Young Doctors, A Country Practice, and a few oddball exports, Australian televisual material is known best through the mini-series All the Rivers Run, The Thornbirds, and Return to Eden (which was successful enough on TF1 in 1989 for La Cinq to rescreen it in 1991). This is a far cry from the legion Australian soaps which paved the way for Neighbours in Britain. All in all, the prospects for Neighbours in France were not promising. In the event, as in the USA, it secured no opportunity to build up its audience. Antenne 2 declined to discuss the brevity of its run or its (too) frequent rescheduling. Catherine Humblot, Le Monde’s television commentator, sees a “French mania for change in television scheduling” as a widespread phenomenon: “if a programme has no immediate success, then they move it” (Humblot 1992). Rolande Cousin, the passionate advocate of Neighbours who had previously sold Santa Barbara and Dallas in France, adds that Antenne 2’s lack of confidence in the Australian soap may have been exacerbated by its employment policy of the time of offering golden handshakes to its experienced management and installing young blood. This would have arisen from Antenne 2’s difficulties finding adequate advertising revenue to support its." In To Be Continued..., 127. Routledge, 2002. http://dx.doi.org/10.4324/9780203131855-29.
Повний текст джерелаТези доповідей конференцій з теми "Glass art Australia"
Lewi, Hanna, and Cameron Logan. "Campus Crisis: Materiality and the Institutional Identity of Australia’s Universities." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4019p8ixw.
Повний текст джерелаKohlenbach, P., S. McEvoy, W. Stein, A. Burton, K. Wong, K. Lovegrove, G. Burgess, W. Joe, and J. Coventry. "Novel Parabolic Trough Collectors Driving a Small-Scale Organic Rankine Cycle System." In ASME 2007 Energy Sustainability Conference. ASMEDC, 2007. http://dx.doi.org/10.1115/es2007-36157.
Повний текст джерелаTobin, Genevieve Mary. "The silver lining: preliminary research into gold-coloured varnishes for loss compensation in two 19th C silver gilded frames." In RECH6 - 6th International Meeting on Retouching of Cultural Heritage. València: Editorial Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/rech6.2021.13498.
Повний текст джерела