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Статті в журналах з теми "Gilles (1925-1995 ; philosophe)":
Gualandi, Alberto. "The dance of the mind. Physics and metaphysics in Gilles Deleuze and David Bohm." Veritas (Porto Alegre) 62, no. 2 (October 26, 2017): 279. http://dx.doi.org/10.15448/1984-6746.2017.2.28508.
Boundas, Constantin V. "Gilles Deleuze (1925?1995)." Man and World 29, no. 3 (July 1996): 233–34. http://dx.doi.org/10.1007/bf01248434.
de la Vega, Xavier. "Gilles Deleuze (1925-1995). Félix Guattari (1930-1992). Une philosophie rhizomatique." Sciences Humaines N° Hors-série, HS11 (January 6, 2022): 38. http://dx.doi.org/10.3917/sh.hs11.0038.
Pinho, Thiago. "Six Steps towards an Object-oriented Social Theory (O.O.S.T)." Conatus 8, no. 1 (June 30, 2023): 263–83. http://dx.doi.org/10.12681/cjp.28198.
Espinoza Lolas, Ricardo. "Sensación y Política en Gilles Deleuze." Revista de Filosofia Aurora 29, no. 46 (April 17, 2017): 35. http://dx.doi.org/10.7213/1980-5934.29.046.ds02.
Matti, Felipe. "Espacio-aliento y Espacio cualquiera." Tópicos. Revista de Filosofía de Santa Fe, no. 45 (December 11, 2023): e0058. http://dx.doi.org/10.14409/topicos.2023.45.e0058.
Baranova, Jūratė. "THE TENSION BETWEEN CREATED TIME AND REAL TIME IN ANDREI TARKOVSKY’S FILM ANDREI RUBLIOV." Creativity Studies 12, no. 2 (December 31, 2019): 327–40. http://dx.doi.org/10.3846/cs.2019.9810.
AGUIAR (Universidade de Lisboa), Vinicius Jonas de. "DIAGRAMS AND ART: SOME THOUGHTS BASED ON PEIRCE AND DELEUZE." Kínesis - Revista de Estudos dos Pós-Graduandos em Filosofia 9, no. 20 (March 15, 2018). http://dx.doi.org/10.36311/1984-8900.2017.v9n20.19.p304.
Løkkegaard, Tue. "At queere tanken - Deleuze og de kommende køn." Kvinder, Køn & Forskning, no. 3-4 (June 15, 2011). http://dx.doi.org/10.7146/kkf.v0i3-4.28042.
Reinertsen, Anne Beate. "I contain multitudes." Australian Journal of Environmental Education, January 17, 2022, 1–19. http://dx.doi.org/10.1017/aee.2021.30.
Дисертації з теми "Gilles (1925-1995 ; philosophe)":
Yoo, Ga Yeon. "Éthique et esthétique de l’image dans la philosophie de Gilles Deleuze." Electronic Thesis or Diss., Paris 8, 2021. http://www.theses.fr/2021PA080121.
Our thesis work aims to identify the essential character of the image in the philosophy of Gilles Deleuze. It is true that he is the first philosopher to consider the movement of images as the basis of thought. He has indeed written several books about the image. To him, it resembles the movement of thought and ideas and, as such, it is a means of expression and a way of existing, so it is substantial in expressing philosophy. The image allows thought to become a process to facilitate the thinker's reasoning, to understand his act, to desire life and to form the sensible. This is why Deleuze does not limit his theory of the image to the image of cinema, but extends it to all images of thought. This long neglected dimension is beginning to interest more in research on the philosophy of Deleuze. Indeed, the image makes it possible to invent the actual and virtual world of thought, and the possible and real world of existence, so that it is political, ontological and existential. The image invites us to enter into a new sensitivity and a new composition of the relationships of thoughts. The ethics of the image consists of a totality of ideas which expands and differs into everything, which accelerates in movement and slows down in rest. It constitutes its ultimate and absolute unity in a singular way of aesthetic activities. This is how the ethics of image creates a new image that is aesthetic, stylistic and transcendent in its heterogeneities, discontinuities, insensibility. The aesthetic style image specifies this new image as a new form of thought and defines it by constituent elements, expressions and contents
Pérez, Valérie. "(Se) gouverner selon la nature et la vérité : lire "Emile ou de l'éducation" de Jean-Jacques Rousseau avec Foucault et Deleuze." Electronic Thesis or Diss., Paris 8, 2015. http://www.theses.fr/2015PA080133.
This work is attempt to discuss Rousseau's problematisation of education, using concepts drawn from contem-porary French philosophy. However, if one examines the relation between Foucault and Emile by em-ploying the concept of alèthurgie, one cannot but be struck by the figure of the governor in Emile, who appears in the text to be the guarantor and the condition for the emergence of an idea of truth within the narrative- a truth which is natural, which governs the activities of men, and which is deeply in-volved in the process of education. In his 2012 lectures at the College de France, published under the title ‘The government of the living,’ Michel Fou-cault strove "to develop the concept of government by the truth" through an analysis of the power relations within Oedipus. In particular, Foucault ana-lysed the relation between truth, knowledge, and the exercise of governmen-tal power. In this work, I examine the relation between Foucault’s analysis and Emile Rousseau’s novel Emile. The relation between them may seem paradoxical: after all, Foucault is concerned with truth, and Emile is a work of fiction. The government of childhood can also be illuminated by the Deleuzian concept of Becoming. The Becoming does have something to tell us about childhood, the emancipation of the individual, and about education as a life-long project
Karadaku, Dritan. "L'art de gouverner et la resistance au pouvoir : au delà des dichotomies." Paris 8, 2012. http://www.theses.fr/2012PA083507.
First of all, this thesis develops two different meanings for the term democracy. The first, it's about contents and confrontation of divergent interests and the second it's about its institutional forms, i. E. As Démocratisme. While basing itself on Foucault, Deleuze, Rancière, and Arendt, we will get into the problematic of the relations between people and the institutional forms that the aforementioned produced. Then, starting from the analyzes of Lefort, Arendt and Balibar we will try to understand the way in which the old dichotomy “Greek-barbarian” reappears in the modernity of a renewed symbolic system. In the third chapter, in order to understand the forms of art to control and resistance the capacity, we will follow two different and similar methodologies at the same time: the genealogy of the power (Foucault) and the “schizo-analyzes” of Deleuze and Guattari. In the fourth chapter, we will analyze, starting from Foucault, Deleuze, Balibar, Rancière and Kant, the problems which appear in the dichotomies built on the opposition: Human rights - rights to the life, equality - inequality, State - civil society and totalitarian State - minimal State. Lastly, in the fifth chapter we will reconsider the problems generated from the relations between people or multitudes and political institutions. We will follow in this chapter the thought of Machiavelli and that of Spinoza. The people-institutions relations will be analyzed like a power struggle or a confrontation of powers. The result is an opinion which is built primarily around the concept of the common freedom of the human being. For this reason, we consider it perfectly current and a possible “leak-line”, in view of a properly political freedom
Keleris, Argyrios. "Politique et esthétique du “mineur” dans le cinéma indépendant américain des années 1980 aux années 2010Lignes de fuite, tensions et originalité des formes créées dans leur rupture avec le système hollywoodien." Electronic Thesis or Diss., Paris 8, 2017. http://www.theses.fr/2017PA080107.
The objective of this thesis is to study the American independent cinema from the point of view of the difference which it founds with the Hollywood cinema, as a line of flight which deteritorialises the latter, while creating for itself new forms of expression and content. That supposes to consider its relation with the Hollywood cinema as one between two plans of immanence emerged on the same level of individuation inside a broader plan of immanence, that of the North-American cinema. And, at the same time, it supposes to consider the difference between these under-plans in what it implies for a cinema-thought, namely a thought in terms of blocks of movement-images and time-images, facing the particular tensions which characterize the American society. Within this framework, the principal distinction that should be considered is that which passes between: on the one hand, the Hollywood cinema and its various ways (genres, organico-active régime) “of saving” the difference, by representing it; and of representing it by bringing it back to the requirements of only one great form in direct affinity with what I define as a dream of continuity and of coherence of American society; and, on the other hand, the independent cinema and its various ways of testifying to a rebellious core which deteritorialises the predetermined direction towards which the actions and the situations of the Hollywood cinema converge. What is beyond or below Hollywood organic representation and that the independent cinema tears off from the latter is a space of wandering and intensive distribution between forces of power and forces of resistance
Jeong, Boram. "Theory of subjectification in Gilles Deleuze : a study of the temporality in capitalism." Electronic Thesis or Diss., Paris 8, 2017. http://www.theses.fr/2017PA080165.
This dissertation looks at time as a socially or psychologically imposed ‘structure’ that determines the ways in which past, present and future are weaved together in the subject. This inquiry presents (1) a critical role of temporality in the formation of the subject, (2) a specific temporality characteristic of contemporary financial capitalism, and (3) the pathologies of time found in the subjects of capitalism. The first two chapters provide an extensive analysis of Deleuze’s passive syntheses of time given in Difference and Repetition, which reveals the subject’s passive relation to time as a structure of ‘becoming.’ The following chapters examine how this ontological structure of time interacts with socio-economic temporalities in its production of the subject. I particularly focus on the temporal structure of debt, which has become a general condition of the subjects in the current economic system. I claim that the debt-based economy produces ‘melancholic subjectivity,’ characterized by a dominance of the past and the inhibition of becoming
Finichiu, Alice. "Territoires entre-deux : agencements, biopolitique et junkspace." Electronic Thesis or Diss., Paris 8, 2014. http://www.theses.fr/2014PA080005.
Rem Koolhaas’s diagnostic of the modern metropolis shows a generic city with no end, no identity, no past, no streets where the only activity remaining is shopping and the « in-transit » condition is becoming universal. An important part is missing from this analysis: the biopolitical condition of the metropolis, that could explain a number of Junkspace’s characteristics, like the fact that it contains the possibility to resist the generic condition. In the light of this review and in accordance with the philosophical directions that Gilles Deleuze and Félix Guattari draw in A Thousand Plateaus, this research intends to identify the intervals witnessing the biopolitical dimension of Junkspace by rallying the assemblage theory as hypothesis for the architectural and urban theory. The general postulate is that these intervals are in-between territories functioning as laboratories of assemblages that show a political and resistant architectural practice redefining the very part of the architect. Three lines of research are deployed. The first one questions the relevance of an architectural assemblage thinking in the context of the current territorial transformations. Operating a crossing with Deleuze and Guattari’s thought, architecture is understood as a process of assembling and re-assembling. The second line of research is questioning the biopolitical dimension of Junkspace identifying the critical points of its assemblages and evaluating the in-between paradox. The third research line is testing the in-between territories potential to create opportunities for new spatial configurations
Jabre, Elias. "La pulsion de pouvoir : traduire la psychanalyse dans le champ politique entre Deleuze et Derrida." Electronic Thesis or Diss., Paris 8, 2019. http://www.theses.fr/2019PA080009.
This thesis dissertation develops a comparative analysis of Derrida’s and Deleuze-Guattari’s thought from the point of view of their relation to psychoanalysis. We confront two strategies used to re-involve psychoanalysis in the field of philosophical-political questions. Both strategies involve a reinterpretation of the "Freudian speculation" on the power-drive as developed in Beyond The Pleasure Principle. According to Freud, any body is bound to itself by a force without origin. However, this power-drive reveals that any socius, community, or institution is groundless, in spite of being grounded in a kind of writing. We then stress the necessity to translate into the legal and political fields this detour logic which exceeds the logic of sovereignty and allows us to rethink power distribution. We also explore whether there is a more just way of doing this. While Derrida undertakes formalizations with a kind of hyperbolic reason using a calculation that finds it necessary to calculate with the incalculable event that rewrites any social body – the other which presents itself and that we have to allow into our experience –, we argue that Deleuze-Guattari have bypassed deconstruction and rejected representation for the sake of an immanent justice. This partially jeopardizes their gesture, although it converges to a certain extent with that of Derrida
Masset, Thibault. "Critique et clinique des stratégies de paix au XXIème siècle : une critique deleuzo-guattarienne du pouvoir au XXIème siècle." Electronic Thesis or Diss., Paris 8, 2019. http://www.theses.fr/2019PA080008.
My thesis proposes a method of identification of the power, a creation of abstract tools to this end, an critical evaluation of the diversity of the forms of expression of the power and a proposition of measures in order to solved power problems within the framework of a materialistic deleuzo-guattarian political philosophy. Our subject is divided at four moments: the first one is a critical moment of identification of the configuration of the scientifico-political power and the definition of the task of the political philosophy towards him since an at first abstract analysis then the put in perspective of this one by a concrete analysis of the contemporary historic and political processes. The second moment consists in establishing a theory of including political philosophy with regard to all the existing critical approaches. In the third moment, it is a question at first of proposing a contents in the political theory by the presentation of concrete operators of analysis and then to legitimize the position of the political deleuzo-guattarian philosophy in the contemporary field. Finally, according to the materialistic perspective applied to the field of the political philosophy, we formulate concrete proposals for the establishment of a lasting peace by investing the contemporary political legal and strategic field. The objective is to offer a key for understanding contemporary politics by the critical approach guaranteeing a knowledge of the desirous processes presiding over the most viable and livable possible forms of order of the social organizations. We propose strategies to reach these goals
Baltus, Benoît. "Le philosophe artiste : La mise en surface de la philosophie : Panopticon, Amor fati, Etre au monde, L’Ethique." Electronic Thesis or Diss., Paris 10, 2012. http://www.theses.fr/2012PA100054.
The philosopher artist is a either fantasized or disowned figure. Its very possibility represents the impossible border between philosophical discourse and artistic creation. Although Nietzsche invokes this polemical figure, he has not been able to establish the philosopher artist. Indeed he abandons it in favor of a reincarnated Dionysos, better armed to overcome the confrontation with Apollo. Here is, then, an orphan figure which seems to only refer to a romantic and idealistic nostalgia where philosophy, at last, would share its privileged objects as well as its analytical methods with artistic practice. The question should nonetheless be asked: through what means ought the philosopher artist carry together art and philosophy?This thesis attempts to reintroduce this “eternal” problem by investigating every step of the way the typical tensions that this figure convokes: form and content; metaphysics and phenomena; language and metaphor. Similarly, although Nietzsche is the central figure of this investigation, we will also call upon other and equally typical philosophers such as Merleau-Ponty, Deleuze, as well as Spinoza and Aristotle. However, the aim of the thesis is not to grasp once again these properly philosophical problems as their utterance should be tested through artistic practice. Rather than uselessly attempt to elect a figure without master nor limit, the thesis thus contemplates, each time, a solution through artistic creation, manifested in original choreographic creations. These creations were produced in parallel with the research and elaborate singular works of art based on the same questions as the thesis. They confer to the dissertation a certain plasticity that the purely philosophical argument may have lacked. Further, they abolish the border inasmuch as they confront the same constraints as the argument: Panopticon interrogates panoptism as studied by Foucault in Discipline and Punish; Amor Fati elaborates on the concept of “eternal return” developed by Nietzsche; Etre au Monde recasts the question of sensibility as explored by Merleau-Ponty; finally, L’Ethique strives to reinvest from a sensible point of view the architecture of the axiomatic work of Spinoza. Is it not the meaning of the philosopher artist? Experiment and feel to study the effects?
Lléres, Stéphane. "La philosophie transcendantale de Gilles Deleuze." Amiens, 2010. http://www.theses.fr/2010AMIE0006.
Книги з теми "Gilles (1925-1995 ; philosophe)":
Hardt, Michael. Gilles Deleuze: An apprenticeship in philosophy. London: UCL Press, 1993.
Hardt, Michael. Gilles Deleuze: An apprenticeship in philosophy. Minneapolis: University of Minnesota Press, 1993.
Conway, Jay. Gilles Deleuze: Affirmation in philosophy. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2010.
Hughes, Joe. Philosophy after Deleuze. New York: Continuum, 2012.
Colebrook, Claire. Gilles Deleuze. London: Routledge, 2002.
Ramey, Joshua Alan. The hermetic Deleuze: Philosophy and spiritual ordeal. Durham: Duke University Press, 2012.
V, Boundas Constantin, ed. Deleuze and philosophy. Edinburgh: Edinburgh University Press, 2006.
Alliez, Eric. The signature of the world, or, What is the philosophy of Deleuze and Guattari? London: Continuum, 2004.
Beistegui, Miguel de. Immanence: Deleuze and philosophy. Edinburgh, United Kingdom: Edinburgh Univ. Press, 2010.
Jean, Khalfa, ed. Introduction to the philosophy of Gilles Deleuze. London: Continuum, 2002.
Частини книг з теми "Gilles (1925-1995 ; philosophe)":
Justaert, Kristien. "Gilles Deleuze (1925–1995)." In Religion and European Philosophy, 370–82. Routledge, 2017. http://dx.doi.org/10.4324/9781315642253-32.
Тези доповідей конференцій з теми "Gilles (1925-1995 ; philosophe)":
dos Santos, Camila, and Andreia Machado Oliveira. "Communication Action Zones in Art and Technology - ZACAT." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.101.