Готові списки джерел за темами / French Seventeenth Century Literature

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Добірка наукової літератури з теми "French Seventeenth Century Literature"

Автор: Grafiati
Опубліковано: 1 березня 2025

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Статті в журналах з теми "French Seventeenth Century Literature"

1

Campbell, J. "Psychosomatic Disorders in Seventeenth-Century French Literature." French Studies 65, no. 1 (December 17, 2010): 96–97. http://dx.doi.org/10.1093/fs/knq186.

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Zoberman, P. "Female Intimacies in Seventeenth-Century French Literature." French Studies 68, no. 2 (April 1, 2014): 245–46. http://dx.doi.org/10.1093/fs/knu046.

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Rolla, Chiara. "Aa. Vv., “Papers on French Seventeenth Century Literature”." Studi Francesi, no. 148 (XLX | I) (April 1, 2006): 146–47. http://dx.doi.org/10.4000/studifrancesi.30158.

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Rolla, Chiara. "«Papers on French Seventeenth Century Literature», vol. XXXI." Studi Francesi, no. 147 (XLX | III) (December 1, 2005): 632–33. http://dx.doi.org/10.4000/studifrancesi.33086.

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Thweatt, Vivien, Leo Spitzer, and David Bellos. "Leo Spitzer: Essays on Seventeenth-Century French Literature." Modern Language Studies 17, no. 3 (1987): 87. http://dx.doi.org/10.2307/3194742.

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Rolla, Chiara. "Aa. Vv., “Papers on French Seventeenth Century Literature”." Studi Francesi, no. 149 (December 1, 2006): 388–89. http://dx.doi.org/10.4000/studifrancesi.28893.

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Rolla, Chiara. "Boileau: poésie, esthétique, “Papers on French Seventeenth Century Literature”." Studi Francesi, no. 147 (XLX | III) (December 1, 2005): 635–36. http://dx.doi.org/10.4000/studifrancesi.33128.

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Shaw, David, and Nicholas Hammond. "Creative Tensions: An Introduction to Seventeenth-Century French Literature." Modern Language Review 94, no. 1 (January 1999): 197. http://dx.doi.org/10.2307/3736045.

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Koch, E. "Bernadette Hofer, Psychosomatic Disorders in Seventeenth-Century French Literature." Social History of Medicine 24, no. 3 (August 25, 2011): 857–58. http://dx.doi.org/10.1093/shm/hkr120.

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Cloonan, William, and Elise Noel McMahon. "Classics Incorporated: Cultural Studies and Seventeenth-Century French Literature." South Atlantic Review 65, no. 3 (2000): 99. http://dx.doi.org/10.2307/3201542.

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Дисертації з теми "French Seventeenth Century Literature"

1

Gilby, Emma. "Sublimity and selfhood in seventeenth-century French literature." Thesis, University of Cambridge, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.426498.

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Harris, Joseph. "Cross-dressing in seventeenth-century French literature and culture." Thesis, University of Cambridge, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.398507.

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Brovedan, Corinne. "Images of women in seventeenth-century French novels." Thesis, Queen Mary, University of London, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283299.

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Grist, Elizabeth Rosalind. "The salon and the stage : women and theatre in seventeenth-century France." Thesis, Queen Mary, University of London, 2001. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1464.

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Анотація:
This thesis is a study of the links between female emancipation and the theatre in seventeenth century France. Since both were considered problematical by some religious moralists, the discussion is situated in the context of religious criticism. The approach is broadly chronological and focuses in particular on the work of women playwrights. The religious background is summarized in the Introduction. Part One surveys the cultural climate, discussing links between salon society and the theatre including women's involvement as patrons; their presence in the auditorium and on stage; and the concept of 'bienséance', examined here in the context of the 'querelle du Cid'. Part Two considers the function of the stage as a place where women could literally try out different roles. It examines ways in which women were portrayed in a selection of plays from the 1630s to the 1670s (including works by Mairet, Rotrou, Corneille and Molière), discussing the images of 'la femme forte' and 'la precieuse', and the contribution made by playwrights to the contemporary debate on female emancipation. Part Three is devoted to the work of six women playwrights who had their work published or performed in France between 1650 and 1691 (Madame de Saint-Balmon, Marthe Cosnard, Françoise Pascal, Marie-Catherine Desjardins, Madame Deshoulieres and Catherine Bernard) and one whose only play was performed in England (Anne de La Roche-Guilhen). The discussion focuses not only on the plays themselves and their inspiration, but on what is known of each author's background and literary career, her contacts in literary society and the reception of her work. The involvement of women in the theatre proved of mutual benefit, contributing to its popularity and providing opportunities for their greater freedom and intellectual development.
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Jenkins, Clare Helen Elizabeth. "Jansenism as literature : a study into the influence of Augustinian theology on seventeenth-century French literature." Thesis, University of Bristol, 2006. http://hdl.handle.net/1983/3ab04713-bc11-46a5-8604-507e1d753038.

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Анотація:
This study investigates the effects of Jansenist theology on seventeenth-century French literature. After an initial explanation of the history of the Jansenist movement and its specific beliefs, there then follows a study into some of the works produced by members of this group. These citations have also been used in order to trace the development of the movement over the seventeenth century. For the purpose of this research, the term J ansenism has been taken to refer to the movement in the seventeenth century and has not been extended into the following century. Once this description has been given, the following four chapters each deal with an individual author and their connection to the Jansenist movement. Their principle works are then studied in order to ascertain the level of influence exerted by this form of religious piety on their literary output. Chapter Two deals with Pascal and concentrates on his Lettres Provinciales and Pensees. Chapter Three studies La Rochefoucauld's Maximes, which are a prime example of the pessimistic view of mankind that was so prevalent during this century. Chapter Four looks into two of Madame de Lafayette's novels, La Princesse de Cleves and La Comtesse de Tende. Chapter Five then studies Racine, a figure whose personal connections with the Jansenist movement, and subsequent estrangement from it, have been well studied. Finally the Conclusion draws together the findings from these chapters and demonstrates how the movement's own development led to changes in how Jansenist doctrine affected the literature of the seventeenth century.
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Wilton-Godberfforde, Emilia Eleni Rachel. "Mendacity and the figure of the liar in seventeenth-century French comedy." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609698.

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Johnson, Jinna E. ""Dans le pays des Hurons": Female Spirituality, French Jesuits, and the Huron Nation in France and New France during the Seventeenth Century." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/891.

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Анотація:
This thesis examines the relationship between French female Catholicism during the 17th century and representations of Huron women’s spirituality in Relations des Jésuites. I argue that the nuances of French dévote culture highlight the elevated status of women in Huron indigenous society. These portraits of Huron women by the Jesuits inspired French women to breach the cloister and become missionaries, resulting in newfound religious freedoms for dévotes achieved through imperialistic efforts against the Huron nation.
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Turner, Sophie. "Cyrano de Bergerac : battling with narrative burlesque." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:a589190d-3abd-48f2-82d3-95b0b6ce0663.

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Анотація:
This thesis considers the burlesque literary forms in the work of the seventeenth-century writer, Cyrano de Bergerac. It challenges current scholarship by looking beyond libertinism to consider the importance of Cyrano's comic writing practices. While it does not deny the philosophical and scientific focus of Cyrano's oeuvre, it suggests that the burlesque is a defining characteristic. By taking into account the literary context in which Cyrano was writing – notably the querelle des Lettres and the rise of the histoire comique – as well as looking at other comic writers that could have influenced Cyrano, and through close textual readings, this thesis reveals that burlesque forms are often used in excess in Cyrano's work – forms compete against forms – producing destructive effects; burlesque forms can, in effect, be self-defeating. This project then asks whether it is possible to consider Cyrano a comic writer at all. It does demonstrate, however, that, in ridiculing everyone and everything, Cyrano too makes a mockery of the very idea of a dissimulative text. In questioning the literary gesture that Cyrano makes through his battling burlesque forms, this thesis suggests that libertinism can appear to be one of many playful masks the author assumes in his work. Is Cyrano a burlesque libertine? If so, this thesis raises the wider question of whether there are other imposters within the ranks.
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Brodeur, Pierre-Olivier. "Le roman édifiant aux XVIIe et XVIIIe siècles." Thèse, Paris 3, 2013. http://hdl.handle.net/1866/10805.

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Анотація:
Les romans édifiants des XVIIe et XVIIIe siècles – des fictions narratives en prose qui affichent clairement leur volonté de transmettre des valeurs chrétiennes et d’influencer le comportement de leurs lecteurs dans le sens de ces valeurs – développent une poétique spécifique, basée sur la recherche et le dévoilement de la vérité chrétienne à travers la fiction mondaine. Ils posent ainsi de front une question qui a hanté les écrivains et les théoriciens de l’Âge classique, à savoir la conciliation du plaisir romanesque et de la moralité. La topique du roman édifiant (personnages, lieux et temps), sa matérialité (titres, divisions internes, ensembles d’œuvres) et sa voix (narrative et rhétorique) concourent à l’élaboration d’effets de sens qui servent la visée persuasive et religieuse des ouvrages tout en créant des récits et des imaginaires propres à satisfaire le goût du lectorat pour le roman. Cette étude vise à réintégrer dans l’histoire du roman un corpus d’œuvres négligées par la critique en faisant apparaître leur contribution à l’élaboration du roman : du roman d’Ancien Régime d’abord, mais aussi du roman à thèse moderne et, par extension, de toute la fiction idéologique.
Edifying novels of the seventeenth and eighteenth centuries - narrative prose fictions that clearly put forth their will to convey Christian values and influence the behavior of their readers in the sense of these values - develop a specific poetics, based on the research and the unveiling of Christian truth through mundane fiction. They therefore emphasize a problem that has haunted writers and theorists of the Classical Age, namely the reconciliation of novelistic pleasure and morality. The narrative topics of the edifying novel (characters, places and times), its materiality (titles, internal divisions, groups of works) and voice (narrative and rhetorical) contribute to the development of significations that serve the persuasive and religious aim of the works while creating stories and imaginary worlds capable of satisfying the taste of the audience for the novel. This study aims to reintegrate in the history of the novel a body of works neglected by literary critics by showing their contribution to the development of the novel: the novel of the Old Regime, but also the modern novel of thesis and by extension, the entire ideological fiction.
Réalisé en cotutelle avec l'université de la Sorbonne Nouvelle-Paris 3
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Mertz-Weigel, Dorothee. "Figuring melancholy: from Jean de Meun to Moliere, via Montaigne, Descartes, Rotrou and Corneille." The Ohio State University, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=osu1117647343.

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Книги з теми "French Seventeenth Century Literature"

1

Françoise, Jaouën, ed. Seventeenth-Century French writers. Detroit, MI: Gale Group, 2003.

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2

Stone, Harriet. The classical model: Literature and knowledge in seventeenth-century France. Ithaca: Cornell University Press, 1996.

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3

Harrison, Helen L. Pistoles/paroles: Money and language in seventeenth-century French comedy. Charlottesville, VA: Rookwood Press, 1996.

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Harrison, Helen L. Pistoles, paroles: Money and language in seventeenth-century French comedy. Charlottesville: Rookwood Press, 1996.

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5

Stone, Harriet Amy. The classical model: Literature and knowledge in seventeenth-century France. Ithaca: Cornell University Press, 1996.

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6

Robin, Perlmutter Jennifer, ed. Relations & relationships in seventeenth-century French literature: Actes du 36e congrès annuel de la North American Society for Seventeenth-Century French Literature, Portland State University, 6-8 mai 2004. Tübingen: Gunter Narr Verlag, 2006.

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7

Cholakian, Patricia Francis. Women and the politics of self-representation in seventeenth-century France. Newark: University of Delaware Press, 2000.

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8

1918-, Davidson Hugh McCullough, Rubin David Lee, and McKinley Mary B, eds. Convergences: Rhetoric and poetic in seventeenth-century France : essays for Hugh M. Davidson. Columbus: Ohio State University Press, 1989.

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9

1953-, Bourque Bernard, Southwood Jane 1946-, and Gossip Christopher J, eds. Influences and transformations in French seventeenth-century literature: Essays in honour of Christopher J. Gossip. New York: Peter Lang, 2009.

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10

Ojala, Jeanne A. Madame de Sévigné: A seventeenth-century life. New York: Berg, 1990.

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Частини книг з теми "French Seventeenth Century Literature"

1

Kullberg, Christina. "Introduction: Tracing Entanglements in the Seventeenth Century Caribbean." In Points of Entanglement in French Caribbean Travel Writing (1620-1722), 1–49. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-23356-2_1.

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Анотація:
AbstractThis introductory theoretical chapter makes the case for reading seventeenth-century French travel writing to the Caribbean in situ. Using Édouard Glissant’s notion of point of entanglement, it argues for a shift in perspectives that would seek to undo the colonial bias of early modern texts and seek other entangled ramifications of French Caribbean literature. In so doing, the book brings attention to ways in which enslaved and Indigenous peoples actively contributed to shaping early colonial society and, indeed, the representations of it. The first section discusses discourses of silencing around French coloniality in the period and presents the theoretical points of departures that have been guiding the work. The following section is devoted to a more thorough discussion of the notion of baroque and how this book uses it as an operative concept to read through the entanglements of travel writing. The third section gives a contextual framing for the analysis. It sketches the history of the period that the travel narratives describe and presents the population of the islands. Finally, the fourth section offers a more detailed account of the travelogues, their writers and the predicaments that dictated these texts, and ends by outlining the chapters or points of entanglement that will be approached, namely geography, the self, and language.
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Wikström, Toby Erik. "Chapter 8. Before sentimental empire." In Comparative History of Literatures in European Languages, 158–72. Amsterdam: John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxvi.08wik.

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This article seeks to historicize the eighteenth-century sentimental literature of slavery by examining theatrical performances of cross-cultural servitude from an earlier, markedly different historical context, that of seventeenth-century France. In contrast to the sentimental period, transatlantic empire was still more aspiration than reality for France in the 1600s, slavery more a Mediterranean than an Atlantic phenomenon, and racial discourse still in gestation. I demonstrate that the ways in which French seventeenth-century playwrights modeled their audience’s emotional response to cross-cultural slavery evolved over time, moving from the possibility of audience identification with enslaved characters to a foreclosure of that possibility. The mechanism for this tendency to prevent identification is what I call generic drift, the migration of representations of servitude from the tragic to the tragicomic and comic stages. To demonstrate the evolution of the theater’s modeling of emotional responses to slavery from possible identification to the prevention of identification over time, I analyze representations of servitude in Le More cruel, an anonymous tragedy from 1610, Scudéry’s 1636 tragicomedy L’Amant liberal and Montfleury’s 1663–64 comedy Le Mary sans femme. I show that the tragedy partially encourages the audience to feel compassion for the plight of the slave, whereas the tragicomic and comic plays incite erotic pleasure or scorn, reactions that distance the audience from the enslaved. I also relate the generic drift to the increased disciplining of compassion in the 1600s and to France’s growing participation in the Atlantic slave trade.
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Kullberg, Christina. "Chapter 15. Scenes of emotion in French early-modern travel writing from the Caribbean." In Comparative History of Literatures in European Languages, 272–88. Amsterdam: John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxvi.15kul.

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Анотація:
This chapter examines the inclusion of voices of the enslaved in seventeenth-century French travel writing to the Caribbean by looking at three missionaries writing at different moments of the French settlement and early colonization: Histoire générale des Antilles habitées par les François (1654 and 1667–1671), written by the Dominican missionary Jean-Baptiste Du Tertre; Jesuit missionary Jean Mongin’s letters on the evangelization of slaves, written in the 1680s; and Dominican Jean-Baptiste Labat’s Nouveau voyage aux Isles de l’Amérique, from his stay in Martinique between 1694 and 1706. It makes the argument that while commerce and profit were unquestionably the main motivations for allowing and sustaining slavery, travelogues also play on another, emotional register when representing slavery. The aim of the chapter is to interrogate the factors underpinning this representational strategy and in so doing to draw conclusions about how the techniques and motivations for including voices changed as slavery was gradually naturalized in the Caribbean.
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Wright, Wendy M. "Seventeenth-Century French Mysticism." In The Wiley-Blackwell Companion to Christian Mysticism, 437–51. Chichester, UK: John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781118232729.ch29.

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Wright, Wendy M. "Seventeenth-Century French Mysticism." In The Wiley-Blackwell Companion to Christian Mysticism, 437–51. Chichester, UK: John Wiley & Sons, Ltd, 2013. http://dx.doi.org/10.1002/9781118232736.ch29.

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Hirst, David L. "French seventeenth-century tragicomedy." In Tragicomedy, 48–62. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003269656-4.

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Fitz, Earl E. "The Seventeenth Century." In The Evolution of Literature in the Americas, 100–142. New York: Routledge, 2025. https://doi.org/10.4324/9781003463757-5.

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Cottle, Basil. "The Seventeenth Century: Milton." In The Language of Literature, 57–64. London: Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-17989-3_8.

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Oster, Malcolm. "French Science in the Seventeenth Century." In Science in Europe, 1500–1800, 112–35. London: Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-0-230-21457-6_7.

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Oster, Malcolm. "French Science in the Seventeenth Century." In Science in Europe, 1500–1800, 117–33. London: Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-0-230-21461-3_7.

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Тези доповідей конференцій з теми "French Seventeenth Century Literature"

1

BAYA, Abdelaziz. "Reformation literature in Morocco during the era of the French protectorate - Synthetic attempt -." In V. International Congress of Humanities and Educational Research. Rimar Academy, 2022. http://dx.doi.org/10.47832/ijhercongress5-8.

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Анотація:
This paper will attempt to shed light on the reformist aspects that characterized the writings of the period from the second half of the 19th century to the end of the first half of the 20th century in the Kingdom of Morocco. These aspects, which became clear after the occupation of Algeria by France and the defeat of Morocco at the Battle of Asli and Tetouan, constituted a kind of call to organize the army and to structure it according to the European system. Then they expanded to include most areas
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2

BACIU, Ana-Maria, and Angela BODEA. "Realism and naturalism in romanian literature." In Învățământul superior: tradiţii, valori, perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.29-30-09-2023.p236-250.

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Realism and Naturalism are two of the main literary movements in the XIX-th century European Literature. In fact, Naturalism is a form of radical Realism, which appears towards the end of Realism.The most important realis is Honore de Balzac, as Realism appeared in France at the end of the XVIII-teen century due to many political and social events, such as:The French Revolution from 1789, The Revolution between 1830-1831, the impact of Restauration, The Revolution from 1848 and the Industrial Revolution in England. The main goal of realism is to reflect reality as in a mirror. On the other hand, Naturalism is a literary movement developped from Realism as a more brutal reflection of reality, the impact of society and genetic pathologies upon human being.
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3

Kuksa, P. V. "Psychologism of the French novel of the 17th-19th centuries and Russian literature of the 20th century." In SCIENCE OF RUSSIA: GOALS AND OBJECTIVES. "Science of Russia", 2020. http://dx.doi.org/10.18411/sr-10-06-2020-76.

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Galay, K. "THE FORGOTTEN EHRENBURG IN THE CONTEXT OF THE FRENCH MEDIA." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3749.rus_lit_20-21/303-307.

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Анотація:
I.G. Ehrenburg was a writer, poet, publicist, whose creative legacy can be called an important asset of Russian literature of the twentieth century. The writer, who lived for a long time both in Russia and abroad, was also known in France - his figure was quite significant for the French readers and he was mentioned in various French weeklies. Moreover, he was invited as a journalist, wrote articles himself and gave interviews to French newspapers and magazines. A huge interest in the personality of Ilya Ehrenburg appeared during the Second World War: he was spoken of as a “combat writer”, as a supporter of Franco-Soviet relations, and as a great traveller. And, of course, the French media could not miss Ehrenburg's novel “The Fall of Paris”. In the 90s of the twentieth century, various biographical books about Ehrenburg are published, in which he, from one point of view, was called “a mediocre novelist”, “a weak writer”, but “the embodiment of the era”, and from another point of view - “a travelling Jew” and “a man of conviction”, “a nomad of the world” and “a missionary of culture”. In modern times, we only encounter references to the name of Ilya Ehrenburg as an outstanding journalist, a writer from the 'first wave' of emigration, who stood as a symbol of his era.
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Bakešová, Václava. "The poetics of reconciliation in French literary work of the 20th century. From Marie Noël to Sylvie Germain." In The Figurativeness of the Language of Mystical Experience. Brno: Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-18.

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Because of the Holocaust, World War II is the focal point for capturing spiritual experience in the 20th-century literature. How did the transformation of French spiritual literature from the poet Marie Noël in the 1st half of the century to the novelist Sylvie Germain at its end come about? Using examples from their work, this paper shows both authors’ sources of inspiration and highlights the means of expressing spirituality of a person going through an inner struggle. Although the authors describe a dark night, both of them they have a desire to overcome it, to reconcile with God, with the world and with themselves.
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AVORNICЕSĂ, Natalia. "Project-based learning as a strategy of developing literary skills." In Probleme ale ştiinţelor socioumanistice şi ale modernizării învăţământului. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.46728/c.v3.25-03-2022.p160-165.

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The project-base learning is a basic method in the context of education sciences and language teaching. However, there are aspects that are not valued in certain pedagogical contexts. This article aims to elucidate the teaching approaches of the project-based learning in the study of French literature by students, future teachers of French as a foreign language. Thus, among the many examples of projects that could determine the development of literary competence are the elaboration of a literary anthology, the creation of a blog, the writing of a collection of quotations for a certain period studied in literature, the elaboration of a dictionary with literary terms specific to a certain century, participation at literary competitions, etc.
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Roark, Ryan. "Dystopia, Climate Change and Heritage Conservation in the Late Nineteenth Century." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME: SAHANZ, 2023. http://dx.doi.org/10.55939/a5037py0jq.

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The architectural conservation and restoration movements emerged in the Western world in the mid-nineteenth century, in part as a reaction to the acceleration of visible aging of buildings caused by the Industrial Revolution and associated changes in air quality. At the same time, Enlightenment ideals established at the end of the eighteenth century reinforced the relatively new idea that a building could have a single author and a fixed state. A new drive towards ‘restoration’ – the return of a building to a glorified singular past state – led William Morris in 1877 to establish the Society for the Protection of Ancient Buildings (SPAB), whose manifesto marked the dawn of the age of conservation and essentially prohibited any interference with old buildings. What emerged was a debate between those who favoured “scraping” (restorationists, e.g. nineteenth-century French architect Viollet-le-Duc) and those who were “anti-scrape” (conservationists, e.g. nineteenth-century English architecture writer John Ruskin and architect William Morris). Recent scholarship in English and eco-critical studies by Jesse Oak Taylor, Philip Steer, Heidi Scott and others has drawn attention to anxieties about climate change that began early as the mid-nineteenth century and became widespread by the turn of the twentieth, as manifest in Victorian-era English-language literature. Little has been written about the influence of such anxieties on architects at the time, although John Ruskin’s lecture “The Storm Cloud of the Nineteenth Century” (1884) is possibly the first public lecture explicitly hypothesizing anthropogenic climate change. This paper examines Ruskin’s later writings, the writings and architectural works of William Morris and the writings of other early members of SPAB including Thomas Hardy, to examine to what extent the “do-not-touch” model of conservation can be interpreted as an early reaction of alarm about climate change.
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Zhang, Qingyun, Zhipeng Lü, Zhouxing Su, Chumin Li, Yuan Fang, and Fuda Ma. "Vertex Weighting-Based Tabu Search for p-Center Problem." In Twenty-Ninth International Joint Conference on Artificial Intelligence and Seventeenth Pacific Rim International Conference on Artificial Intelligence {IJCAI-PRICAI-20}. California: International Joint Conferences on Artificial Intelligence Organization, 2020. http://dx.doi.org/10.24963/ijcai.2020/206.

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The p-center problem consists of choosing p centers from a set of candidates to minimize the maximum cost between any client and its assigned facility. In this paper, we transform the p-center problem into a series of set covering subproblems, and propose a vertex weighting-based tabu search (VWTS) algorithm to solve them. The proposed VWTS algorithm integrates distinguishing features such as a vertex weighting technique and a tabu search strategy to help the search to jump out of the local optima. Computational experiments on 138 most commonly used benchmark instances show that VWTS is highly competitive comparing to the state-of-the-art methods in spite of its simplicity. As a well-known NP-hard problem which has already been studied for over half a century, it is a challenging task to break the records on these classic datasets. Yet VWTS improves the best known results for 14 out of 54 large instances, and matches the optimal results for all remaining 84 ones. In addition, the computational time taken by VWTS is much shorter than other algorithms in the literature.
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Navarro Luengo, Ildefonso, Adrián Suárez Bedmar, and Pedro Martín Parrado. "El castillo de San Luis (Estepona Málaga): Origen y evolución de una fortificación abaluartada. Siglos XVI-XXI." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11552.

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The castle of San Luis (Estepona Málaga): Origin and evolution of a bastion fort. Sixteenth to twenty-first centuriesThe results of the investigation prior to the excavation work in the Castle of San Luis, in Estepona (Málaga, Spain) are presented. It is a coastal fortress built in the last quarter of the sixteenth century, in the context of the reorganisation of the defense of the western coast of Malaga after the Moorish rebellion of 1568. After analysing the available literature, we propose that it was designed by the Engineer Juan Ambrosio Malgrá, Maestro Mayor de obras del Reino de Granada. The Castle of San Luis is devised as an add-on construction on the southern front of the walls of Islamic origin, dominating the natural anchorage of the Rada beach. Its most prominent elements are three bastions, two of them with casemates, and a large main square. However, various defects in the design and execution of the works, added to the insufficient provision of artillery and garrison, affected the effectiveness of the fortification throughout its history. In the middle of the eighteenth century, part of the Castle of San Luis is restructured as a cannons’ battery. Following the damage caused by the Lisbon Earthquake, in 1755, and by the French and English blastings in 1812, during the second half of the nineteenth century much of the castle disappears, leaving only the cannons’ battery, which is incorporated as a courtyard in height as an add-on to a house built at the end of the nineteenth century. At present, after several decades of abandonment, excavation works have been undertaken on the remains of the battery, after which the site will be prepared to be used as a museum.
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Carneiro De Carvalho, Vânia. "Decoration and Nostalgia - Historical Study on Visual Matrices and Forms of Diffusion of Fêtes Galantes in the 20th Century." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001365.

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In São Paulo/Brazil, between the years 1950 and 1980, porcelain sculptures representing courtesy scenes were fashionable in wealthy and middle-class homes. Several Brazilian factories started to produce such images and many others were imported, the most of them from Germany. These representations were inspired by the fêtes gallants, a rococo style genre from the 18th century. Factories like Meissen, Limoges and Capodimonte produced thousands of copies which circulated in Western Europe and the Russian Empire. During the 19th century, from French institutional policies, the fêtes galantes were revalued along with the recovery of the rococo. This political and cultural movement resulted not only in domestic interiors decorated with authentic pieces from the 18th century gathered together by collectors, but also in the production of new objects. Following decorative practices, studies anachronistically reclassified 18th artisans as artists, constructing their biographies, circumscribing their peculiarities, and identifying their works. Many pieces from the privates collections ended in museums. The porcelain aristocratic figures won the world and are produced until today. It was at the end of the 19th century, in the region of Thuringia, that the technique of lace porcelain emerged. Produced by women in a male-dominated environment, the technique involved the use of cotton fabric soaked with porcelain mass which was then sewed and molded over the porcelain bodies of male and female figures. After that, the piece was placed in the oven at high temperature, burning the fabric and leaving the lace porcelain. It is significant and relevant for the purposes of this research that the lace porcelain technique was never recognized as a object of interest by the academic literature on porcelain. It is likely that the presence of the female labor, the practice of sewing and the use of fabric have been interpreted by the male academic and amateur elite as discredit elements. Added to this, the lace porcelain became very popular in the 20th century. The reinterpretation of rococo in the 20th century was also understood as a lack of artistic inventiveness associated with marketing interests, which resulted in the marginalization of these sculptures. What is proposed here is to study these objects as pieces of domestic decoration practices, recognizing in them capacities to act on the production of social, age and gender distinctions. I intend, therefore, to demonstrate how these small and seemingly insignificant objects were associated with decorative practices of fixing women in the domestic space in Brazil during the 20th century. They acted not alone but in connection with other contemporary phenomena such as post-war fashion, the glamorization of personalities from the American movie and European aristocracy and the rise of Disney movies, which promoted the gallant pair as a romantic idea for children in the western world.
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