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Статті в журналах з теми "Foucault, Michel, 1926-1984 Philosophy"
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Friesacher, Heiner. "Foucaults Konzept der Gouvernementalität als Analyseinstrument für die Pflegewissenschaft." Pflege 17, no. 6 (December 1, 2004): 364–74. http://dx.doi.org/10.1024/1012-5302.17.6.364.
Повний текст джерелаАнотація:
In dieser Arbeit wird das Konzept der Gouvernementalität des französischen Philosophen Michel Foucault (1926–1984) vorgestellt und seine Übertragung auf die Pflegewissenschaft aufgezeigt. Der Begriff Gouvernementalität entstammt den Spätschriften Foucaults und bildet eine Fortsetzung, Erweiterung und Akzentverschiebung seiner einflussreichen Analytik der Macht. Die Problemkomplexe Staat und Subjektivität kann Foucault mit der strategischen Konzeption von Macht nicht hinreichend unter einer einheitlichen analytischen Perspektive untersuchen. Erst mit dem Begriff der Regierung und dem Konzept der Gouvernementalität findet Foucault eine befriedigende Analysemethode. Machtbeziehungen werden hierbei unter dem Blickwinkel von Führung untersucht; so lassen sich Sozialtechnologien und Technologien des Selbst in ihrer Beziehung zueinander analysieren. Mittels dieser Perspektivenerweiterung gelingt die Analyse neoliberaler Gouvernementalität. Es lässt sich eine Neudefinition des Verhältnisses von Staat und Ökonomie aufzeigen, wobei der Markt zum regulierenden Prinzip des Staates wird und das Ökonomische alle Bereiche menschlichen Handelns umfasst. Die bisherige Foucault-Rezeption in der Pflegewissenschaft schließt (bis auf wenige Ausnahmen) nicht an die Spätschriften Foucaults an und bleibt damit in ihren Möglichkeiten begrenzt. Exemplarisch wird in dieser Arbeit der Qualitätsdiskurs und die Problematik der Bedürfnisinterpretation untersucht. In beiden Feldern lässt sich zeigen, wie sowohl die Patienten als auch die Pflegenden im Sinne neoliberaler Subjektbildung geformt werden und letztlich pflegerisches Handeln zu ökonomischem Handeln transformiert wird.
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Bernauer, James, and Thomas Keenan. "the works of michel foucault 1954-1984." Philosophy & Social Criticism 12, no. 2-3 (July 1987): 230–69. http://dx.doi.org/10.1177/019145378701200208.
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Soetomo, Greg. "Bahasa dan Kekuasaan dalam Historiografi Islam Marshall G.S. Hodgson." ISLAM NUSANTARA:Journal for the Study of Islamic History and Culture 2, no. 1 (January 30, 2021): 41–70. http://dx.doi.org/10.47776/islamnusantara.v2i1.104.
Повний текст джерелаАнотація:
Historian has been preserving a historical unity and continuity as a truth. There is an assumption that history has a ‘constant’. This paper explains and proves otherwise. This writing understands history is in fact filled with various ruptures, differences, and deviations. This uncertainty has taken place when ‘language’ becomes a focus of the study of history.
In his L’Archeologie du savoir (1969), Michel Foucault (1926-1984) rejected the preconception of history as unity and continuity. He believed the history as a journey with various ruptures, differences, and irregularities that reveal uncertainty. This reversal has taken place when language as the focus’ study in the history of knowledge. Foucault has called this method as the Archaeology of Knowledge.
This is the question which this paper is going to respond: “How does Michel Foucault’s archaeology of knowledge, the analytical philosophy of language, elucidate the diversity within Marshall G.S. Hodgson’s history of Islam?”
These three below mentioned questions respectively reflect a three-fold dimension of the diversity in Foucault’s thoughts as explained in his L’Archeologie du savoir (poststructuralism-structuralism, postmodernism, and philosophy of history).
First, how does Hodgson, as a structuralist, write the history of Islam by way of developing system of discourses to reveal meaning; at the same time, as a poststructuralist, he reveals incoherence of discourses and its plurality of meanings? Second, how do we understand that the social structure in the history cannot be simply detached from the chains of power as a constitutive dimension of discourse? Third, how do we comprehend, that in every stages of history, they have its distinctive episteme and diversity of thoughts that support the formation of discourses?
This research is essentially to explain the three perspectives of Foucault’s philosophy. At the same time, the three approaches in Hodgson’s writing on the history of Islam are also being explored. Both points of convergence and of divergence have become the whole study of this paper.
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Higuera, Javier de la. "Militantismo filosófico y espiritualidad política en Foucault." Pensamiento. Revista de Investigación e Información Filosófica 76, no. 290 Extra (January 18, 2021): 597–618. http://dx.doi.org/10.14422/pen.v76.i290.y2020.009.
Повний текст джерелаАнотація:
En los últimos cursos que impartió en el Collège de France, entre 1980 y 1984, Michel Foucault dio un protagonismo creciente en sus investigaciones al cinismo antiguo. Su estudio histórico de la ética antigua, orientado primero hacia la experiencia moral de los placeres, y luego al tema del cuidado de sí y de las prácticas ascéticas a través de las cuales se constituye la subjetividad en el marco de una estética de la existencia, termina con el ejemplo de los cínicos a causa del fallecimiento de Foucault en junio de 1984. No obstante, los cínicos parecen representar al final de esos análisis un momento privilegiado, en cierto modo una culminación. El presente artículo pretende indagar en las razones de ese privilegio sobre la hipótesis de que, en los cínicos, Foucault encuentra respuesta al problema del aspecto voluntario de las resistencias al poder.
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ANITHA, B., and M. RAVICHAND. "A Mother! A Myth: Portrayal Of A Mother In Mahasweta Devi’s “Breast Giver”." Think India 22, no. 2 (October 17, 2019): 445–50. http://dx.doi.org/10.26643/think-india.v22i2.8747.
Повний текст джерелаАнотація:
In Indian culture, Vedas and Upanishads take a prominent place and are considered as ancient. These ancient scriptures teach us that “Maathru Devo Bhava” (Web) which means a mother is thefirst god and ought to be given utmost respects. This verse proves to be absurd inMahasweta Devi’s short story “Breast Giver”. Mahasweta Devi was a Bengali Fiction writer. In her writings, subaltern predicaments occupy a central position in general and the woman in particular. Her most accolade works are Hajar Churashir Maa, Rudali, and Aranyer Adhikar. “Breast Giver” is originally written in Bengali and translated into English by a feminist critic, Gayatri Chakravorty Spivak. In the present story, Mahasweta Devi brings in the predicaments of a woman who sacrifices her life for bringing up the family as a bread winner and breathed her last as an orphan.The title of the story is used as a synonym for wet nurse. The present paper interprets “Breast Giver” from the point of view of power relations suggested by Michel Foucault (1926-1984) a Psychologist, a Philosopher, and a Historian.
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Foss, Sonja K. "Michel Foucault: Politics, Philosophy, Culture: Interviews and Other Writings, 1977–1984. Edited by Lawrence D. Kritzman." Argumentation and Advocacy 26, no. 4 (March 1990): 167–69. http://dx.doi.org/10.1080/00028533.1990.11951496.
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Yazbek, André Constantino. "Notes autour de Michel Foucault et les arts figuratifs: du “cercle du discours” au “cercle des images”." Revista de Filosofia Aurora 23, no. 32 (May 8, 2011): 167. http://dx.doi.org/10.7213/rfa.v23i32.1777.
Повний текст джерелаАнотація:
Il s’agit, dans cet article, de mettre en rapport quatre textes ou passages fondamentaux de l’oeuvre foucaultienne; passages qui, dans l’ensembe et compte tenu de l’analyse de la littérature ou des arts figuratifs chez Foucault, constituent trois étapes de son parcours: 1) les pages renvoyant à l’analyse du tableau Las meninas, de Velázquez, dans Les mots et les choses (1966); 2) une conférence s’intitulant La peinture de Manet qu’il a donnée en Tunisie (1971); 3) un texte dont le titre est La peinture photogénique, qu’il a écrit pour le catalogue d’une exposition consacrée au peintre Fromanger (1975); 4) son texte célèbre, Qu’est-ce que les Lumières? (1984), où le philosophe aborde la question de l’Aufklärung chez Kant en déplaçant le centre de la réflexion sur les Lumières du plan relatif à une “école” ou à un “mouvement philosophique” au plan concernant essentiellement la question d’un “diagnostic du présent”.
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MOI, T. "Review. Politics, Philosophy, Culture: Interviews and Other Writings 1977-1984. Edited with an introduction by Lawrence D. Kritzman. Foucault, Michel." French Studies 44, no. 3 (July 1, 1990): 370. http://dx.doi.org/10.1093/fs/44.3.370.
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Sirinelli, Jean-Francois, and Didier Eribon. "Michel Foucault (1926-1984)." Vingtième Siècle. Revue d'histoire, no. 29 (January 1991): 109. http://dx.doi.org/10.2307/3769600.
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Fournier, Martine. "Michel Foucault (1926-1984). L'archéologue des savoirs." Sciences Humaines N° Hors-série, HS11 (January 6, 2022): 36. http://dx.doi.org/10.3917/sh.hs11.0036.
Повний текст джерелаДисертації з теми "Foucault, Michel, 1926-1984 Philosophy"
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Malette, Sébastien. "La «gouvernementalité» chez Michel Foucault." Thesis, Université Laval, 2006. http://www.theses.ulaval.ca/2006/23836/23836.pdf.
Повний текст джерелаАнотація:
Le concept de gouvernementalité forgé par Michel Foucault est de plus en plus populaire non seulement auprès des philosophes, mais aussi auprès des sociologues, politologues, économistes, anthropologues et plusieurs autres spécialistes appartenant à ce que nous nommons les «sciences humaines». Pourtant, les origines, les recherches et les pistes de réflexion liées à ce concept au sein même du travail de Michel Foucault sont plutôt mal connues. Le présent mémoire tentera d'expliquer ce que signifie ce concept dans les travaux de ce penseur. Nous explorerons plus précisément le parcours qu'emprunta Michel Foucault dans sa théorisation du pouvoir l'amenant vers ses vues généalogiques. De là, nous analyserons les éléments relatifs au déploiement d'une «microphysique du pouvoir» dégageant les configurations stratégiques du pouvoir de souveraineté, du régime disciplinaire et du biopouvoir. Partant d'une double critique contre l'emploi de cette «microphysique», nous étudierons ensuite l'entrée de l'État dans cette grille d'analyse, menant Foucault à conceptualiser les relations de pouvoir et de subjectivation en terme de gouvernement, de résistance et de pratiques de liberté. En examinant les principaux textes de Michel Foucault, de même que son enseignement au Collège de France entre 1970 et 1984, nous suggérerons que le projet de cette analyse généalogique de la rationalité gouvernementale occidentale -- qui remonte jusqu'aux sources grecques et bibliques -- se veut à la fois le relais, l'approfondissement et le dépassement de ses analyses du pouvoir, du sujet, de la liberté et de la résistance.
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Ségura, Philip. "Michel Foucault : l'espace non-dialectique." Paris 8, 2005. http://www.theses.fr/2005PA083689.
Повний текст джерелаАнотація:
L'objectif était de comprendre à partir de l'une des phrases de Michel Foucault : « Je n'accepte pas ce mot, dialectique. Non et non ! Il faut que les choses soient bien claires. Dès que l'on prononce le mot "dialectique" on commence à accepter, même si on ne le dit pas, le schéma hégélien de la thèse et de l'antithèse, et avec lui une forme de logique qui me paraît inadéquate, si l'on veut donner de ces problèmes une description vraiment concrète. », les mouvements dus aux déterminations de la pensée qui iraient du plan d'immanence du "penser" vers les modes de conceptualisation. De nombreux philosophes ont attribué à Foucault différentes périodes d'évolution de sa pensée. J'ai donc commencé mon étude en présupposant que Foucault a travaillé tout au long de sa vie autour du même plan d'immanence et qu'il a tenté sans cesse de le signifier à partir de la connaissance de différentes disciplines dans les modes socio-historiques. Et j'ai tenté de comprendre ce mouvement, qui va du plan d'immanence à une conceptualisation de sa pensée construite autour de la tradition critique. Foucault veut démontrer que la philosophie a construit le sujet et a bâti un édifice de la conscience humaine. La dialectique s'est présentée comme le point central de cet édifice. Comment comprendre la présence du concept en sachant que celui-ci est avant tout le résultat des imbrications des modes de construction du sujet dans l'état socio-historique dans lequel il est plongé ?The objective was to understand from the sentence of Michel Foucault: "Je n'accepte pas ce mot, dialectique. Non et non ! Il faut que les choses soient bien claires. Dès que l'on prononce le mot "dialectique" on commence à accepter, même si on ne le dit pas, le schéma hégélien de la thèse et de l'antithèse, et avec lui une forme de logique qui me paraît inadéquate, si l'on veut donner de ces problèmes une description vraiment concrète. ", the movement coming from the thought determinations which would go from the plan of immanence towards the modes of conceptualization. Many philosophers allotted to Foucault various periods of evolution of his thinking. I started my study by presupposing that Foucault worked throughout his life around the same level of immanence and that he continuously tried to explain it starting from the knowledge of various socio-history disciplines. And I tried to understand this movement which goes from the level of immanence to a conceptualization of his thinking built around the critical tradition. Foucault wants to proof that philosophy constructed the subject and a system of the human conscience. The dialectics presents itself as the central point of this system. How to understand the presence of the concept by knowing that above all it is the result of the overlapping connection of subject in the socio-history thinking?
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Shinkai, Yasuyuki. "L'invisible visible : études sur Michel Foucault." Paris, EHESS, 1999. http://www.theses.fr/1999EHES0037.
Повний текст джерелаАнотація:
On reconnaitra volontiers dans l'oeuvre de michel foucault une rupture fondamentale entre histoire de la folie et ses travaux precedents. En effet, ce livre publie en 1961 finit par mettre en cause la tentative d'atteindre la verite fondamentale de l'etre humain, tentative qui se trouvait justement au coeur de ses textes des annees cinquante. Or, le rejet de la reflexion anthropologique marquant ainsi clairement un tournant decisif de la pensee << foucaldienne >>, l'etude sur l'experience de la folie est animee par le meme theme qui commandait aux textes << prehistoriques >> de foucault, a savoir le theme de la contestation d'un positivisme : rapproche objectiviste, qui etait denoncee comme incapable de saisir la subjectivite originaire de l'etre humain, y est egalement refutee pour avoir aliene folie. Et que ce theme soit persistant est d'autant plus remarquable que foucault, cherchant a elaborer la methode de ses recherches historiques, se declarera lui-meme << positiviste heureux >> dans l'archeologie du savoir. Sa relation au positivisme, coherente jusque dans histoire de la folie, change d'une maniere manifeste dans l'oeuvre de 1969. Cela n'indique-t-il pas la necessite de reperer une autre coupure dans sa pensee, qui n'est sans doute pas moins importante que celle qu'on reconnait d'ordinaire ? il semble en effet qu'en analysant les formations historiques des configurations de savoir dans la culture occidentale, ses travaux des annees soixante tournent autour de cet effort pour se detacher de ce dont il etait tributaire. Notre etude vise a les caracteriser comme << epreuve modificatrice de soi-meme >>, epreuve qui constituerait pour foucault un exercice philosophique par excellence.
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Coelho, de Souza Sandra. "L'éthique de Michel Foucault." Paris 10, 1995. http://www.theses.fr/1995PA100118.
Повний текст джерелаАнотація:
Mon travail concerne l'éthique de Michel Foucault. Un texte des "marginalia" de Foucault a été déterminant pour mon projet. Il s'agit d'une interview accordée par Foucault a un étudiant de Berkeley (1980). Invité à se prononcer sur son prétendu nihilisme, Foucault répond indigne qu’il est plutôt un moraliste: "dans un sens, je suis un moraliste, dans la mesure où je crois que l'une des taches, un des sens de l'existence humaine -et c'est en quoi consiste la liberté de l'homme - c'est de ne jamais rien accepter comme définitif, intouchable, évident, immobile. Rien du réel ne doit nous faire une loi définitive et inhumaine". Plus loin Foucault continue: ""les trois éléments de ma morale, je les cite: (1) c'est le refus d'accepter comme allant de soi ce qui nous est proposé; (2) nécessité d'analyser et de savoir, car rien de ce que nous avons à faire ne peut être fait sans réflexion; (3) principe d'innovation: chercher dans notre réflexion ce qui n'a jamais été pensé ou imaginé. Les trois éléments de la morale de Foucault constituent le trois premiers chapitres de ma thèse. Pour le refus des évidences il faut considérer le rejet radical du discours de la méthode. Mon deuxième chapitre a pour titre une tache philosophique. C'est le deuxième élément de la morale de Foucault. Le troisième chapitre a pour titre la problématisation mon approche consiste à étudier l'histoire de la folie comme une confrontation entre le sujet qui sait la folie et l'objet, le fouMy thesis shout Michel Foucault is mostly concerned by Foucault’s thought between "madness and civilization" (1960) and "history of sexuality" (1984). If one considers the thesis bibliography, it's possible to understand that Foucault’s work considered by me as more important of his thought is not always proposed by Foucault’s books; many articles and interviews elucidate the aims and trajectory of Foucault. This is the reason why they play an important role in the thesis. During one of his stays in Berkeley (October 1980), Foucault explain the themes of his ethics: "I am a moralist, insofar as a believe that one of the tasks, one of the meanings of human existence - the source of human freedom - is never to accept anything as definitiven untouchable, obvious or immobile" (history of the present, spring 1980). In this interview conducted by m. Bess, Foucault exposes the three elements of his moral thought. They are: "(1) the refusal to accept as self-evident the things that are proposed to us" - it concerns the first chapter of my thesis(l'experience fondamentale); "(2)the need to analyses and to know, since we can accomplishe nothing without reflexion and understanding thus the principle of curiosity" - it concerns la problematisation
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Adorno, Francesco. "Vérité et sujet chez Michel Foucault." Paris 8, 1995. http://www.theses.fr/1995PA080974.
Повний текст джерелаАнотація:
La lecture de l'oeuvre de foucault pose un ensemble de problemes auxquels nous avons essaye de trouver une reponse dans ce travail. D'une periode a l'autre, on constate une diversite de ton, de style, de sujet entre les ouvrages qui laissent perplexe quant a leur destination et a leurs buts. Notamment, deux moments marquent cette discontinuite: entre l'archeologie du savoir et surveiller et punir, foucault change- ou semble changer- de methode; entre d'une part la volonte de savoir et d'autre part l'usage des plaisirs et le souci de soi, le projet meme d'une histoire de la sexualite semble s'orienter differemment. Or, a notre avis, les secousses qui ponctuent le parcours de foucault representent les jalons d'une meme interrogation qui, certes, se dit de differentes facons, mais qui ne constitue pas moins un parcours coherent. Le probleme fondamental de foucault a toujours ete, a notre avis, de dissequer les processus de formation du sujet, de rendres visibles les savoirs qui participent silencieusement a sa constitution. Cette hypothese s'appuie sur une recherche conduite d'une part sur les ecrits "litteraires", c'est-a-dire tout un ensemble d'articles de critique litteraire; d'autre part, nous avons etudie le materiau inedit compris entre 1976 et 1984. La premiere partie de cette recherche nous a permis de constater que deja au debut des annees soixante, foucault reflechissait sur une serie de concepts qui seront a la base de sa methode archeologico-genealogique. La seconde partie de ce travail nous a permis d'etablir l'existence d'une certaine gradualite entre 1976 et 1984; dans l'usage des plaisirs. .The works of foucault bring about an ensemble of problems in which we tried to treat in this work. From one period to another, we encounter a diversity of tone, style and subject among the works the destination and purpose seem uncertain. In particular, two moments reflect this discontinuity: between l'archeologie du savoir et surveiller et punir, foucault changes or seems to change methods; between la volonte de savoir et l'usage des plaisirs et le souci de soi, the project even of a story of sexuality seems to orient itself in a different way. In our opinion, the changes which accent foucault's path represent different moments of the same questioning that can be explained in different ways, but does not constitute less of a coherent path. In our opinion, foucault's fundamental problem was always disecting the processes of subject formation, and making clearer the knowledge which discreetly participates in his constitution. This hypothesis is based on the research of "literary" works: a collection of articles by literary critics; on the other hand we studied the inedited between 1976 and 1984. The first part of this research allowed us to confirm that already at the beginning of the 60's, foucault thought about a series of concepts that will be the basis of his archeo-genealogical method. The second part of this work allowed us to establish the existance of a certain graduality between 1976 and 1984 : in l'usage des plaisirs, foucault does not mention the genealogy of. .
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Goumaz, Christophe. "Visages et marges de la philosophie de Michel Foucault." Lyon 3, 1997. http://www.theses.fr/1997LYO31012.
Повний текст джерелаАнотація:
Michel foucault suggere dans son oeuvre d'interroger les phenomenes a partir de ce qui en constitue leur limite (la loi par le crime et la prison, la norme par la folie. . . ). Nous appliquons a notre tour cette methode a l'oeuvre de foucault que nous revisitons a partir de ses marges. Nous proposons une lecture singuliere de l'oeuvre en nous appuyant principalement sur les dits et ecrits. Nous avons valorise la notion d'ascese et plus globalement pose la question du sujet et de la subjectivation dans une oeuvre qui entend se passer de la reference a l'auteur. "qui" est sujet? "qu'est-ce est evenement? l'ascese foucaldienne est une ascese specifique, consacree a la double tache de la deprise et de l'elaboration de soi-meme. Selon nous, elle ouvre, par ses pratiques, sur un type d'espace qui lui est propre, qu'il s'agit de caracteriser (fiction, distance, tremblement. . . ). On retrouve par ce biais la question de l'archive et du rapport a l'histoire, avec son prolongement politiqueIn his work, michel foucault suggests that phenomena should be approched through what constitutes their limit (law through crime and prison, normaly through madness. . . ). We, in our turn, have applied this method to foucault's work, which we have revisited, starting our study from its collateral works. We offer a singular reading of his work, relying mamily on his dits et ecrits. We have enhanced the value of the notion of ascesis, and asked more globally the question of the subject and subjectivation in a work witch intends to do without reference to its author. "who is subject?" "what is the event?" foucault's ascesis is a specific form of ascesis, devoted to the double task of downgrading and the making of the self. According to us, it opens out, by the practices it involves, on to a space of its own, which has to be characterized (fiction, distance, awe. . . ). Through this approach, we get back to the question of archives and their relation to history, with its political implications
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Lok, Wing-Kai. "Foucault, Levinas and the Ethical Embodied Subject." Thesis, Institute for Christian Studies, 2011. http://hdl.handle.net/10756/274413.
Повний текст джерелаАнотація:
This dissertation attempts to interrogate whether the postmodern anti-essentialist approach to the body can truly recognize the ethical value of the body. For the postmodernists, the value of the human body has long been repressed by Cartesian rationalism and dualism that privileges the mind over the body. Dualism is a form of reductionism that reduces either the mind to the body or the body to the mind. It not only fails to recognize an interaction between mind and body, but also privileges one side at the expense of the other. For instance, rationalism is a dualist reductionism since it always explains the body and matter in terms of mind or reason. Thus, dualism not only refers to a split or separation between mind and body, but also refers to a reductive relation between mind and body.
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Haddouche, Zahir. "La question du temps et du présent chez Michel Foucault." Paris 8, 2012. http://www.theses.fr/2012PA083459.
Повний текст джерелаАнотація:
L’entreprise foucaldienne s’attache à tracer un diagnostic critico-historique de notre culture pour écrire l’histoire du présent. À partir de cet attachement à la question du présent, Il est question dans cette thèse de montrer « au-delà des cassures, au-delà des changements méthodologiques » qu'entre l'archéologue (1961), le généalogiste (1975) et le « dernier Foucault » (1984), il y a de forts liens et non des ruptures (des échecs méthodologiques) ou même des tournants. Notre analyse s'attache à déceler les passerelles qui unissent ces « trois périodes » : les premiers travaux sur le savoir et celle où Foucault s’interroge sur la problématique du savoir et du pouvoir à celle, plus tardive, où Foucault se concentre principalement sur l'étude des textes de la philosophie gréco-romaineThe foucaldian company attempts to draw a critico-historic diagnosis of our culture to write the history of the present. Through this attachment in the question of the present, It is question in this thesis to show " beyond the breaks, beyond the methodological changes " that between the archaeologist ( 1961 ), the genealogist ( 1975 ) and the "last one Foucault ( 1984 )", there is strong links and not breaks of the methodological failures or even bends. Our analysis attempts to reveal the footbridges which bind (connect) these " three periods ": the first works on the knowledge and that where Foucault wonders about the problem of the knowledge and the power in that, later, where Foucault concentrates mainly on the study of the texts of the Greco-Roman philosophy
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Palazzolo, Ândrea Cristina Pimentel. "Instituições de Sequestro em Michel Foucault." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/20973.
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Ândrea Cristina Pimentel Palazzolo.pdf: 470628 bytes, checksum: e3c10b51d4a52478b015535a5c69efa2 (MD5)Made available in DSpace on 2018-04-06T12:54:33Z (GMT). No. of bitstreams: 1 Ândrea Cristina Pimentel Palazzolo.pdf: 470628 bytes, checksum: e3c10b51d4a52478b015535a5c69efa2 (MD5) Previous issue date: 2018-03-06
The present study consists of a theoretical exercise, of a bibliographic character, destined to compose a master's thesis in Philosophy. The theme chosen is intended to accompany the reflections of Michel Foucault (1926-1984) on the so-called "kidnapping institutions". The way forward is to follow the footsteps of Michel Foucault's trajectory from his broader scope (the general panorama of his thinking) to the particular theme of "kidnapping institutions", especially through the moment of that trajectory in which they appear explicitly. To achieve such a purpose, there is an introduction about the intellectual path of the philosopher in (his) three moments, followed by the discipline and its generalization. Then, the study focuses the appearance of a disciplinary society, researching the "kidnapping institutions" in Modernity, in order to answer the question: after all, what is the very first function of "kidnapping institutions"?
O presente estudo consiste em um exercício teórico, de caráter bibliográfico, destinado a compor uma dissertação de mestrado em Filosofia. O tema escolhido tem o intuito de acompanhar as reflexões de Michel Foucault ( 1926-1984) sobre as assim chamadas “instituições de sequestro”. O caminho percorrido busca seguir os passos da trajetória de Michel Foucault desde seu âmbito maior ( o panorama geral do seu pensamento) até o tema particular das “ instituições de sequestro” , passando, especialmente pelo momento daquela trajetória na qual elas aparecem de modo explícito. Para tanto há uma introdução sobre a trajetória intelectual do filósofo em seus três momentos. Trata-se, em seguida, da disciplina e sua generalização. Na sequência, o estudo explicita o surgimento da sociedade disciplinar, para, então, investigar as “instituições de sequestro”, na Modernidade, e responder à pergunta: afinal, qual é a função precípua das “instituições de sequestro” ?
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Bach, Augusto. "Michel Foucault e a história arqueológica." Universidade Federal de São Carlos, 2006. https://repositorio.ufscar.br/handle/ufscar/4742.
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Previous issue date: 2006-09-06The main objective of this doctor degree thesis is to analyze the philosophical problems of Michel Foucault s archeological history presented in two of his major works: Madness and Civilization and The Order of Things. This last work, at the same time philosophical and related to historical science, has as its main goal (defined in its subtitle) to accomplish an archeology of the human sciences. The stretching of his investigation field to study the human sciences can be understood as a natural thematic progression of Foucault s research about the archeology of history. Since Madness and Civilization, Foucault has been always interested in showing how our culture sought to understand what was the fundamentally the other in man. In The Order of Things, taking as a starting-point the study of certain strategies that man used to comprehend himself, Foucault has constructed his archeological history stressing the discontinuities that ended up presenting our own culture as strange to us. It is about the philosophical problem of the historical discontinuities signalized by Foucault and its relation to a traditional, continued and dialectical history that this thesis will deal in its chapters, attempting to understand the philosophical position of this new way of writing history.
Esta tese de doutorado tem por objetivo analisar o estatuto filosófico da história arqueológica empreendida por Michel Foucault em duas de suas principais obras: História da Loucura e As Palavras e as Coisas. Esta última obra, simultaneamente filosófica e de história das ciências, tem o objetivo (definido em seu subtítulo) de realizar uma arqueologia das ciências humanas. Tal intuito de estender o domínio de sua investigação para dar conta das ciências do homem pode ser compreendido como um prolongamento temático natural da pesquisa histórica foucaultiana. Pois desde a História da Loucura Foucault sempre esteve interessado em fazer aparecer o modo como nossa cultura procurou encerrar e significar o que era fundamentalmente outro no homem. Voltando-se, em As Palavras e as Coisas, às estratégias que o homem buscou para compreender a si mesmo, Foucault traça sua história arqueológica assinalando-a com descontinuidades que fazem com que nossa cultura nos pareça estranha a nós próprios. É sobre o estatuto filosófico das descontinuidades assinaladas por Foucault e sua relação com uma história tradicional, contínua e dialética que a tese versará, ao longo de seus capítulos, na tentativa de diagnosticar a postura filosófica desse novo modo de escrever a história.
Книги з теми "Foucault, Michel, 1926-1984 Philosophy"
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1966-, O'Leary Timothy, and Falzon Christopher 1957-, eds. Foucault and philosophy. Malden, MA: Wiley-Blackwell, 2010.
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May, Todd. The philosophy of Foucault. Chesham, Bucks: Acumen, 2006.
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Billouet, Pierre. Foucault. Paris, France: Belles lettres, 1999.
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Michel Foucault: The freedom of philosophy. New York: Columbia University Press, 1985.
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Michel Foucault. London: Continuum International Pub. Group, 2010.
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Michel Foucault: Form and power. Oxford: European Humanities Research Centre, 2002.
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Visker, Rudi. Michel Foucault: Genealogy as critique. London, United Kingdom: Verso, 1995.
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Michel Foucault: An introduction. Edinburgh, United Kingdom: Edinburgh University Press, 1998.
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Jim, Miller. The passion of Michel Foucault. New York, USA: Simon & Schuster, 1993.
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Jim, Miller. The passion of Michel Foucault. Cambridge, Mass: Harvard University Press, 2000.
Знайти повний текст джерелаЧастини книг з теми "Foucault, Michel, 1926-1984 Philosophy"
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Messerschmidt, Astrid. "Michel Foucault (1926–1984)." In Klassiker der Pädagogik, 289–310. Wiesbaden: VS Verlag für Sozialwissenschaften, 2012. http://dx.doi.org/10.1007/978-3-531-94243-8_13.
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Prinz, Sophia. "Michel Foucault (1926 – 1984)." In Klassiker der Soziologie der Künste, 589–618. Wiesbaden: Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-01455-1_26.
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Neumann, Iver B. "Deep Hanging Out with Michel Foucault (1926–1984)." In The Return of the Theorists, 329–36. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137516459_38.
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Carrette, Jeremy. "Michel Foucault (1926–1984)." In Religion and European Philosophy, 355–69. Routledge, 2017. http://dx.doi.org/10.4324/9781315642253-31.
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Arneson, Pat. "Michel Foucault (1926–1984): Biographical Sketch." In Series in Philosophy/Communication, 166–67. Purdue University Press, 2007. http://dx.doi.org/10.5840/philcomm200723.
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Górski, T. P. "Foucault, Michel (1926–1984)." In Encyclopedia of Language & Linguistics, 602–3. Elsevier, 2006. http://dx.doi.org/10.1016/b0-08-044854-2/02566-9.
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Gros, Frédéric. "Foucault Michel (1926-1984)." In Vocabulaire de psychosociologie, 510. ERES, 2016. http://dx.doi.org/10.3917/eres.barus.2016.01.0510.
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Brannigan, John. "Michel Foucault (1926-1984)." In Introducing Literary Theories, 312–17. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474473637-040.
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Lefranc, Clément. "Michel Foucault (1926-1984)." In Les penseurs de la société, 111–15. Éditions Sciences Humaines, 2015. http://dx.doi.org/10.3917/sh.molen.2015.01.0111.
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Halpern, Catherine. "Michel Foucault (1926-1984)." In Les grands penseurs des Sciences Humaines, 174–78. Éditions Sciences Humaines, 2016. http://dx.doi.org/10.3917/sh.journ.2016.01.0174.
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LU, Tingying, Jiali LI, and Ning PENG. "Heterotopic space characteristics of urban village in China: Take Guandongdian district in Beijing as an example." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6034.
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Heterotopic space characteristics of urban village in China: Take Guandongdian district in Beijing as an example Lu Tingying¹, Li Jiali2, Peng Ning2 ¹Center of Architecture Research and Design. University Of Chinese Academy Of Sciences. UCAS Youth Apartment, No. 80 Zhongguancun Street, Haidian District, Beijing, China 2Center of Architecture Research and Design. University Of Chinese Academy Of Sciences. UCAS Youth Apartment, No. 80 Zhongguancun Street, Haidian District, Beijing, China E-mail: 1102684155@qq.com, lijiali020020@163.com, pengning18@sina.com Keywords: Heterotopias, space characteristics, urban village, Guandongdian, diversification Conference topics and scale: Urban form and social use of space For the first time in the history of China, more of its mainland population are living in cities than in rural villages. The land acquisition and real estate development have caused rapid disappearance and decline of a large number of traditional villages, resulting in "urban villages" in China. They seem chaotic, but contain rich and colorful social life. The living environment is really harsh, but people always maintain close relationship with each other. They are different from neither the modern urban nor traditional villages, but they have their own unique vitality. Such heterogeneous space is always a symbol of historical change and cultural collision which, according to the French philosopher Michel Foucault, can be called Heterotopias. In order to study this heterotopic phenomenon, the triangular area of Guandongdian district in Beijing has been chosen as the object of this case study. With the in-depth investigation of interviews, observation, statistics and sketches, this paper is trying to interpret the characteristics of the heterotopic state of the urban village from three aspects of social form, urban morphology and architectural feature. Eventually, in order to keep the complexity and diversification of urban village, several strategies are put forward for reference to future transforming practice. References Foucault, M. (1967) Of Other Spaces: Utopias and Heterotopias, Trans. Miskoviec, J.(1984), Architecture /Mouvement /Continuité (http://foucault.info/documents/heteroTopia/foucault.heteroTopia.en.html) Selina Abraham. (2013) ‘The heterotopic space of Chirag Delhi’, unpublished research paper, Guru Gobind Singh Indraprastha University, Delhi. WANG Su. (2013) ‘Heterotopias versus Cultural Imagination: An Interpretation of the Metropolitan Space of Tianjin from the Perspective of Michel Foucault’ s Of Other Spaces (Heterotopias)’ Journal of Nanyang Normal University 12, 50-53.
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dos Santos, Camila, and Andreia Machado Oliveir. "Zonas de Ação da Comunicação em Arte e Tecnologia - ZACAT." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.101.g142.
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Zonas de Ação Comunicativa em Arte e Tecnologia – ZACAT, é uma pesquisa de mestrado desenvolvida no âmbito do Programa de Pós-Graduação em Artes Visuais da Universidade Federal de Santa Maria (PPGART-UFSM), dentro da área de concentração de Arte Contemporânea e linha de pesquisa Arte e Tecnologia, sob a orientadora da Dra. Andrea Machado Oliveira. ZACAT é um conjunto de poéticas sonoras e visuais, que consiste numa investigação sobre práticas comunicacionais artísticas de caráter ativista. Em primeiro lugar, através de estratégias e propostas diversificadas para diferentes interlocutores vividos em 2019, em diferentes espaços da cidade de Santa Maria — ruas, museus, galerias de arte, universidade, escola, redes sociais, espaço das ondas de rádio. Posteriormente, devido ao cenário mundial apresentado desde 2020, com a pandemia de COVID-19, a poética passa por transformações significativas. Além das estratégias artísticas e comunicacionais passarem por mudanças de abordagem, o espaço Santa Maria desloca-se para o do Clube Naturista Colina do Sol (CNCS), localizado no município de Taquara, também no Rio Grande do Sul — não urbanizado e imerso no meio selvagem, com menos interferência da ação humana, o que proporciona outras formas de escuta e conexão, além da relação com o corpo, comunicação e tecnologia, como o uso de plataformas on-line de realidade virtual para compartilhar o trabalho realizado. Para abordar a construção desta pesquisa, são utilizados estudos sobre metodologia da pesquisadora e artista plástica Sandra Rey (1953). Como fundamentação teórica, faz-se referência à ideia de micropolítica, conceito que remete aos filósofos Michel Foucault (1926-1984) e Gilles Deleuze (1925-1995), e à crítica de arte Suely Rolnik (1948). As práticas artísticas ativistas baseiam-se nas experiências de coletivos brasileiros da década de 1990 até a atualidade, conforme visto na historiografia do Art Ativismo dos anos 1950, com filósofos autonomistas italianos como Giorgio Agamben (1942) e Franco Berardi (1949). Para apoiar a noção de Arte e Comunicação, partimos de autores como Mario Costa (1936), Fred Forest (1933), Mônica Tavares, Priscila Arantes, Christine Mello e Giselle Beiguelman. O conceito de dispositivo surge da investigação teórica e é um mediador das práticas artísticas, tendo como referência Agamben, Foucault, Vilém Flusser (1920-1991) e Gilbert Simondon (1924-1989). Desde performances, passando por instalações, áudios, vídeos e experiências interativas presenciais ou via redes virtuais, esta pesquisa busca dar visibilidade à micropolítica cotidiana, com suas memórias, afetos, impulsos de vida formalizados ou efêmeros em momentos de encontro.
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dos Santos, Camila, and Andreia Machado Oliveir. "Zonas de acción comunicativa en el arte y la tecnología - ZACAT." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.101.g141.
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Zonas de Acción de Comunicación en Arte y Tecnología (ZACAT) es una investigación de maestría desarrollada dentro del Programa de Posgrado en Artes Visuales de la Universidade Federal de Santa Maria (PPGART-UFSM), dentro del área de concentración de Arte Contemporáneo y de investigación en Arte y Tecnología, bajo la supervisión de la Dra. Andrea Machado Oliveira. ZACAT es un conjunto de poéticas sonoras y visuales que consiste en una investigación sobre prácticas comunicacionales artísticas de carácter activista. En primer lugar, a través de estrategias y propuestas diversificadas para diferentes interlocutores experimentadas en 2019 en diferentes espacios de la ciudad de Santa María —calles, museos, galerías de arte, universidad, escuela, redes sociales, espacios de ondas de radio—. Posteriormente, debido al escenario mundial presentado desde 2020, con la pandemia del virus SARS-CoV-2, que provocó la enfermedad del Nuevo Coronavirus, COVID-19, la poética sufrió transformaciones significativas. Además de las estrategias artísticas y comunicacionales que experimentaron cambios de enfoque, el espacio de Santa María se trasladó al del Clube Naturista Colina do Sol (CNCS), ubicado en el municipio de Taquara, también en Rio Grande do Sul. Se trata de un espacio no urbanizado, inmerso en un medio salvaje y menos interferido por la acción humana, lo que proporciona otras formas de escucha y conexión, además de la relación con el cuerpo, la comunicación y la tecnología, así como el uso de plataformas de realidad virtual online para compartir el trabajo llevado a cabo. Para abordar la construcción de esta investigación se utilizan los estudios sobre metodología de la investigadora y artista Sandra Rey (1953). Como fundamento teórico se hace referencia a la idea de micropolítica, concepto que remite a los filósofos Michel Foucault (1926-1984) y Gilles Deleuze (1925-1995) y a la crítica de arte Suely Rolnik (1948). Las prácticas artísticas activistas se basan en las experiencias de los colectivos brasileños desde la década de 1990 hasta la actualidad, como se ve en la historiografía del Activismo Artístico de la década de 1950, con filósofos autonomistas italianos como Giorgio Agamben (1942) y Franco Berardi (1949). Para apoyar la noción de Arte y Comunicación partimos de autores como Mario Costa (1936), Fred Forest (1933), Mônica Tavares, Priscila Arantes, Christine Mello y Giselle Beiguelman. El concepto de dispositivo surge de la investigación teórica y es un mediador de las prácticas artísticas, teniendo como referencia a Agamben, Foucault, Vilém Flusser (1920-1991) y Gilbert Simondon (1924-1989). Desde performances, pasando por instalaciones, audio, video y experiencias interactivas en persona o vía redes virtuales, esta investigación busca dar visibilidad a la micropolítica cotidiana, con sus recuerdos, afectos e impulsos de vida formalizados o efímeros en momentos de encuentros.
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dos Santos, Camila, and Andreia Machado Oliveira. "Communication Action Zones in Art and Technology - ZACAT." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.101.
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Communication Action Zones in Art and Technology, in portuguese Zonas de Ações Comunicacionais em Arte e Tecnologia – ZACAT – is a master's research developed in Brazil, made before and during the SARS-CoV-2 virus pandemic, which causes the New Coronavirus disease. This artistic and academic work includes a set of sound and visual poetics based on an investigation of artistic communicational practices of an activist character, with the mediation of several questions about the current Brazilian history. Firstly, through diversified strategies and proposals for different interlocutors, with experiments in 2019, in different spaces in the city of Santa Maria, state of Rio Grande do Sul - streets, museums, art galleries, university, school, social networks, radio wave space. Subsequently, as a result of the world scenario presented from 2020, with the COVID-19 pandemic, the poetic undergoes significant transformations. In addition to the artistic and communicational strategies undergoing changes in approach, the Santa Maria space moves to that of the Clube Naturista Colina do Sol (CNCS), a naturist community located in the municipality of Taquara, also in Rio Grande do Sul. Not urbanized and immersed with the wild environment the least interfered by human action, which provides other forms of listening and connection, in addition to the relationship with the body, communication and technology, such as the use of online virtual reality platforms to share the work carried out. To approach the construction of this research, studies on methodology by the researcher and artist Sandra Rey (1953) are used. As a theoretical foundation, reference is made to the idea of micropolitics, a concept that refers to philosophers Michel Foucault (1926-1984) and Gilles Deleuze (1925-1995) and to art critic Suely Rolnik (1948). Activist artistic practices are based on the experiences of Brazilian collectives from the 1990’s to the present, as seen under the historiography of Art Activism from the 1950’s, with Italian autonomist philosophers such as Giorgio Agamben (1942) and Franco Berardi (1949). To support the notion of Art and Communication, authors such as Mario Costa (1936), Fred Forest (1933), Mônica Tavares, Priscila Arantes, Christine Mello and Giselle Beiguelman are based on. The concept of device emerges from theoretical research and mediates artistic practices, having as reference Agamben, Foucault, Vilém Flusser (1920-1991) and Gilbert Simondon (1924-1989). From performances, through installations, through audio, video and face-to-face interactivity experiments or via virtual networks, this research seeks to give visibility to everyday micropolitics, with their memories, affections, formalized or ephemeral life impulses in moments of encounters. And how the artistic works can unfold in different contexts, in front of different audiences and under challenging conditions in terms of a larger historical context.