Добірка наукової літератури з теми "Film sound history"
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Статті в журналах з теми "Film sound history"
Baranowski, Andreas M., Rebecca Teichmann, and Heiko Hecht. "Canned Emotions. Effects of Genre and Audience Reaction on Emotions." Art and Perception 5, no. 3 (August 10, 2017): 312–36. http://dx.doi.org/10.1163/22134913-00002068.
Повний текст джерелаPinheiro, Sara. "Acousmatic Foley: Son-en-Scène." International Journal of Film and Media Arts 7, no. 2 (December 13, 2022): 125–48. http://dx.doi.org/10.24140/ijfma.v7.n2.07.
Повний текст джерелаWingfield, Nancy Meriwether. "When Film Became National:“Talkies” and the Anti-German Demonstrations of 1930 in Prague." Austrian History Yearbook 29, no. 1 (January 1998): 113–38. http://dx.doi.org/10.1017/s006723780001482x.
Повний текст джерелаAbbate, Carolyn. "Sound Object Lessons." Journal of the American Musicological Society 69, no. 3 (2016): 793–829. http://dx.doi.org/10.1525/jams.2016.69.3.793.
Повний текст джерелаAltman, Rick. "Establishing Sound." Cinémas 24, no. 1 (February 26, 2014): 19–33. http://dx.doi.org/10.7202/1023108ar.
Повний текст джерелаRobinson, Kelly. "An Adaptable Aesthetic: Theodor Sparkuhl's Contribution to Late Silent and Early Sound Film-making at British International Pictures, 1929–30." Journal of British Cinema and Television 17, no. 2 (April 2020): 172–90. http://dx.doi.org/10.3366/jbctv.2020.0518.
Повний текст джерелаNewland, Paul. "‘I didn't think I'd be working on this type of film’: Berberian Sound Studio and British Art Film as Alternative Film History." Journal of British Cinema and Television 13, no. 2 (April 2016): 262–77. http://dx.doi.org/10.3366/jbctv.2016.0312.
Повний текст джерелаLiz Czach. "The Sound of Amateur Film." Film History 30, no. 3 (2018): 75. http://dx.doi.org/10.2979/filmhistory.30.3.04.
Повний текст джерелаHiggins, Scott. "Seriality's Ludic Promise: Film Serials and the Pre-History of Digital Gaming." Eludamos: Journal for Computer Game Culture 8, no. 1 (December 12, 2014): 101–13. http://dx.doi.org/10.7557/23.6158.
Повний текст джерелаDeggeller, Kurt. "From “Sound” to “Sound and Audiovisual”: History and Future of IASA." International Association of Sound and Audiovisual Archives (IASA) Journal, no. 52 (August 19, 2022): 7–13. http://dx.doi.org/10.35320/ij.v0i52.146.
Повний текст джерелаДисертації з теми "Film sound history"
Slowik, Michael James. "Hollywood film music in the early sound era, 1926-1934." Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/3191.
Повний текст джерелаAllison, Deborah. "Promises in the dark : opening title sequences in American feature films of the sound period." Thesis, University of East Anglia, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.247223.
Повний текст джерелаAkça, Deniz. "Mapping Istanbul's Istiklal Avenue : uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice." Thesis, University of the Arts London, 2015. http://ualresearchonline.arts.ac.uk/12373/.
Повний текст джерелаWielgus, Alison Lynn. "You had to have been there : experimental film and video, sound, and liveness in the New York underground." Diss., University of Iowa, 2014. https://ir.uiowa.edu/etd/4794.
Повний текст джерелаFrisvold, Hanssen Eirik. "Early Discourses on Colour and Cinema : Origins, Functions, Meanings." Doctoral thesis, Stockholms universitet, Filmvetenskapliga institutionen, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-1261.
Повний текст джерелаGoulart, Isabella Regina Oliveira. "Perdidos na tradução: as representações da latinidade e as versões em espanhol de Hollywood no Brasil (1929-1935)." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-10072018-153045/.
Повний текст джерелаThis dissertation approaches the circulation in Brazil of the Spanish-language versions produced by Hollywood Studios in the early years of sound cinema and aim to identify in these films some representations of Latinidad made by American producers. The cities of Rio de Janeiro and Sao Paulo constitute the geographic approach. The magazines Cinearte and A Scena Muda, and the newspapers Correio da Manhã and O Estado de São Paulo were the main reference for the historical research. Between 1930 and 1935 these journals mentioned some Hollywood Spanish-language productions, which Brazillian magazines considered worse than the original English-language films because of the language barrier and the established film quality standards. This work aims to demonstrate how the reception of the Spanish-language versions by the Brazilian press marked the distancing that some groups of Brazil´s cultural elite projected towards Latin America, as well as a mirroring in the United States. It marks an imperialist relation through culture.
McGinney, William Lawrence. "The Sounds of the Dystopian Future: Music for Science Fiction Films of the New Hollywood Era, 1966-1976." Thesis, connect to online resource, 2009. http://digital.library.unt.edu/permalink/meta-dc-9839.
Повний текст джерелаStober, JoAnne. "That's not what I heard, synchronized sound cinema in Montreal, 1926-1931." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/MQ64013.pdf.
Повний текст джерелаJuan, Myriam. ""Aurons-nous un jour des stars ?" : une histoire culturelle de vedettariat cinématographique en France (1919-1940)." Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010705.
Повний текст джерелаMovie stars came into being at the end of the 1900s and the beginning of the 1910s, but it is notuntil the end of the First World War that the star system became a reality in France, thanks to the creation of the first fan magazines. Regarding the economic, social and cultural aspects of the phenomenon, which covers every area of the cinema (from production to reception), this thesis studies how the French star system was established between 1919 and the Fall of France in June1940. At the beginning of the period the American movies and their stars dominate in France; instark contrast, the difficulties of French cinema are related to the weakness of its stars – its“vedettes” as the French say. Twenty years later, French movie stars have become unquestionably popular and they play a key part in the film industry, although they are involved in a system very different from the Hollywood one, which still fascinates French people. In the middle of this period, there occurred the transition to sound, an evolution whose impact on thestar system this thesis tries to determine precisely. Thus, this research in cultural history compares the way the French system and its rivals are seen, and it analyses both discourses and practices in order to explain the representations and the issues related to the movie star system in France during the period
Davies, Llewellyn Willis. "‘LOOK’ AND LOOK BACK: Using an auto/biographical lens to study the Australian documentary film industry, 1970 - 2010." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154339.
Повний текст джерелаКниги з теми "Film sound history"
Altman, Rick. Silent film sound. New York: Columbia University Press, 2004.
Знайти повний текст джерелаGroup, Society of Archivists (Great Britain) Film and Sound. Film and sound archive sourcebook. London: Society of Archivists, 1999.
Знайти повний текст джерелаDavid, Neumeyer, and Deemer Rob, eds. Hearing the movies: Music and sound in film history. New York: Oxford University Press, 2010.
Знайти повний текст джерелаWestern film series of the sound era. Jefferson, N.C: McFarland, 2009.
Знайти повний текст джерелаSergi, Gianluca. The Dolby era: Film sound in contemporary Hollywood. Manchester: Manchester University Press, 2004.
Знайти повний текст джерелаRebecca, Coyle, ed. Drawn to sound: Animation film music and sonicity. Oakville, CT: Equinox Pub., 2010.
Знайти повний текст джерелаSounding funny: Sound and comedy cinema. Sheffield, UK: Equinox Publishing, 2015.
Знайти повний текст джерелаPrzybylek, Stephanie. Breaking the silence on film: The history of the Case Research Lab. Auburn, N.Y: Cayuga Museum of History and Art, 1999.
Знайти повний текст джерелаHalfyard, Janet K. Magic, myth, and monsters: Music, sound, and fantasy cinema. Sheffield, South Yorkshire: Equinox Pub., 2012.
Знайти повний текст джерелаNeale, Stephen. Cinema and technology: Image, sound, colour. London: Macmillan, 1985.
Знайти повний текст джерелаЧастини книг з теми "Film sound history"
Cardullo, R. J. "The Uses of History: Chen Kaige’s Farewell, My Concubine." In Teaching Sound Film, 213–19. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-726-9_23.
Повний текст джерелаGreiner, Rasmus. "Audiovisual History." In Cinematic Histospheres, 37–47. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70590-9_3.
Повний текст джерелаPavan, Gianni, Gregory Budney, Holger Klinck, Hervé Glotin, Dena J. Clink, and Jeanette A. Thomas. "History of Sound Recording and Analysis Equipment." In Exploring Animal Behavior Through Sound: Volume 1, 1–36. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-97540-1_1.
Повний текст джерелаHuvenne, Martine. "Embodied Listening, Felt Sound and the Audiovisual Chord in Film History." In The Audiovisual Chord, 183–208. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-4807-7_8.
Повний текст джерелаZettel, Christa. "The Same Tone, but a New Sound—Understanding the Story of the Soul as Pathway to Regenerative Civilizations." In Transformation Literacy, 29–43. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-93254-1_3.
Повний текст джерела"HOLLYWOOD’S EARLY SOUND FILMS, 1928–33." In Film Music: A History, 126–46. Routledge, 2009. http://dx.doi.org/10.4324/9780203884478-15.
Повний текст джерела"THE LONG ADVENT OF SOUND, 1894–1926." In Film Music: A History, 87–103. Routledge, 2009. http://dx.doi.org/10.4324/9780203884478-13.
Повний текст джерела"Revenue sharing and the coming of sound." In An Economic History of Film, 102–36. Routledge, 2004. http://dx.doi.org/10.4324/9780203358047-9.
Повний текст джерелаCornu, Jean-François. "The significance of dubbed versions for early sound-film history." In The Translation of Films, 1900-1950, 191–220. British Academy, 2019. http://dx.doi.org/10.5871/bacad/9780197266434.003.0011.
Повний текст джерелаCornu, Jean-François. "Introduction Film history meets translation history: The lure of the archive." In The Translation of Films, 1900-1950, edited by Carol O’, 1–24. British Academy, 2019. http://dx.doi.org/10.5871/bacad/9780197266434.003.0001.
Повний текст джерелаТези доповідей конференцій з теми "Film sound history"
Winter, Renee. "Intertwining spheres." In SOIMA 2015: Unlocking Sound and Image Heritage. International Centre for the Study of the Preservation and Restoration of Cultural Property, 2017. http://dx.doi.org/10.18146/soima2015.4.20.
Повний текст джерелаDouglas, S. Caleb, and Tyrel G. Wilson. "Integrated Emergency Construction and Engineering Response to 2013 Colorado Storm Damage." In 2015 Joint Rail Conference. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/jrc2015-5686.
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