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Статті в журналах з теми "Film and Media Culture"
Bakulev, Gennady P. "Cinematic media in digital culture." Journal of Flm Arts and Film Studies 11, no. 1 (March 15, 2019): 8–14. http://dx.doi.org/10.17816/vgik1118-14.
Повний текст джерелаKomalawati, Euis. "INDUSTRI FILM INDONESIA : MEMBANGUN KESELARASAN EKONOMI MEDIA FILM DAN KUALITAS KONTEN." LUGAS Jurnal Komunikasi 1, no. 1 (May 18, 2018): 1–18. http://dx.doi.org/10.31334/jl.v1i1.101.
Повний текст джерелаLjajić, Samir. "Media culture in modern society." Univerzitetska misao - casopis za nauku, kulturu i umjetnost, Novi Pazar, no. 19 (2020): 61–67. http://dx.doi.org/10.5937/univmis2019061l.
Повний текст джерелаXue, Mengjie. "The Transmission Effect of Costume Dramas on International Social Media." Journal of Education, Humanities and Social Sciences 1 (July 6, 2022): 82–85. http://dx.doi.org/10.54097/ehss.v1i.642.
Повний текст джерелаMickūnas, Algis. "Resistance to Western Popular and Pop-Culture in India." Coactivity: Philosophy, Communication 25, no. 1 (March 27, 2017): 48–62. http://dx.doi.org/10.3846/cpc.2017.268.
Повний текст джерелаSaglier, Viviane. "Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation." Review of Middle East Studies 54, no. 2 (December 2020): 328–35. http://dx.doi.org/10.1017/rms.2021.7.
Повний текст джерелаHyde-Clarke, N. "“Beyond stereotypes”: representations of a foreign culture in film students’ productions." Literator 29, no. 2 (July 25, 2008): 149–68. http://dx.doi.org/10.4102/lit.v29i2.120.
Повний текст джерелаSmirnov, Aleksei, and Olga Vladimirovna Bezzubova. ""School cinema" of the mid-1970s: "education of feelings" and love discourse (on the example of the film "One Hundred Days after childhood")." Культура и искусство, no. 11 (November 2022): 54–67. http://dx.doi.org/10.7256/2454-0625.2022.11.36792.
Повний текст джерелаDinihari, Yulian, Zuriyati Zuriyati, and Ninuk Lustyantie. "Javanese Cultural Values of the Yogyakarta Palace in the Film ‘Marak: Mresani Panji Sekar’." Hortatori : Jurnal Pendidikan Bahasa dan Sastra Indonesia 5, no. 2 (December 30, 2021): 178–87. http://dx.doi.org/10.30998/jh.v5i2.776.
Повний текст джерелаHereyah, Yoyoh. "Media Massa: Pencipta Industri Budaya Pencerahan yang Menipu Massa Studi Simulacra dan Hiperrealitas Film AVATAR." Jurnal ULTIMA Comm 3, no. 2 (December 1, 2011): 95–104. http://dx.doi.org/10.31937/ultimacomm.v3i2.204.
Повний текст джерелаДисертації з теми "Film and Media Culture"
Hoare, Jonathan Giles. "Imperialism & 'alternative' film culture : the Empire Marketing Board film unit : 1926-1933." Thesis, Kingston University, 2010. http://eprints.kingston.ac.uk/21827/.
Повний текст джерелаHaupt, Adam. "Stealing Empire : debates about global capital, counter-culture, technology and intellectual property." Doctoral thesis, University of Cape Town, 2005. http://hdl.handle.net/11427/8646.
Повний текст джерелаThis thesis examines the agency of marginalised subjects in the context of global capitalism and the information age. The key question that is addressed is whether transnational corporations have appropriated aspects of cultural identity, creative expression and technological innovation for their own enrichment - to the detriment of civil society. Where this is the case, this thesis considers what opportunities exist for issuing challenges to the power of global corporations. Michael Hardt and Antonio Negri's concept of Empire provides the theoretical foundation for examining cultural, technological and legal conflicts between the interests of citizens and those of corporations. Hardt and Negri theorise the ways in which former imperial powers continue to extend their military, economic and political power in former colonies. The authors argue that former imperial powers no longer compete with each other for the same resources because they now co-operate with each other through multilateral organisations and trade agreements. Ultimately, the key beneficiaries of these modes of co-operation are global corporations that tend to monopolise the production and distribution of technological and cultural products at the expense of the public interest and the functioning of democracy. This work considers the possibilities of responding to Empire and resisting globalisation through strategies that employ some of the same decentralised, network-based techniques that benefit global corporate entities. Hardt and Negri's concept of 'the multitude' as a multiplicity of singularities makes sense of the diverse struggles under discussion in this study, providing the conceptual basis for possibilities of multiple engagements with Empire that are not reductive and that do not exclude certain interest groups. This is an interdisciplinary project that uses case studies to analyse the relationships between law and policy documents, technological development, and the production of cultural texts (such as hip-hop music). Specifically, this work explores the MP3 revolution and Napster (version one); digital sampling in hip-hop; hip-hop activism on South Africa's Cape Flats and these activists' use of new media in their pursuit of social justice. It addresses concerns about the commodification of youth culture as well as debates about intellectual property and the United States' use of trade agreements as enforcement mechanisms that serve the interests of its own corporations. This thesis presents an overview of copyright and trade agreements in order to examine the vested interests that underlie them. In keeping with the focus on globalisation and cultural imperialism, US legislation - such as the Digital Millennium Copyright Act - is discussed in relation to alternatives to proprietary approaches toward intellectual property, such as open source software and Creative Commons licenses.
Sadegh-Vaziri, Persheng. "Iranian Documentary Film Culture: Cinema, Society, and Power 1997-2014." Diss., Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/363567.
Повний текст джерелаPh.D.
Iranian documentary filmmakers negotiate their relationship with power centers every step of the way in order to open creative spaces and make films. This dissertation covers their professional activities and their films, with particular attention to 1997 to 2014, which has been a period of tremendous expansion. Despite the many restrictions on freedom of expression in Iran, especially between 2009 and 2013, after the uprising against dubious election practices, documentary filmmakers continued to organize, remained active, and produced films and distributed them. In this dissertation I explore how they engaged with different centers of power in order to create films that are relevant to their society. To focus this topic, my research explores media institutions, their filmmaking practices, and the strategies they use to produce and distribute their films. This research is important because it explores the inherent contradictions in the existence of a vibrant documentary film community in a country that is envisioned as uniformly closed and oppressive in the West. The research is also personally motivated, because I have close connections to the Iranian documentary film world, where I previously made films and produced television programs. I conduct the study with a multi-faceted approach, utilizing participant observation in the field in a four-month period, in-depth interviews with key players, personal reflections, and textual analysis of the films. I focus on about twenty filmmakers and their films, chosen from a pool of more than 500 documentary filmmakers, giving a cross section of this community based on their age, sex, and their professional history and success within Iran and internationally.
Temple University--Theses
Viljoen, Estella. "New masculinities in a vernacular culture : a comparative analysis of two South African men's lifestyle magazines." Doctoral thesis, University of Cape Town, 2008. http://hdl.handle.net/11427/8129.
Повний текст джерелаIncludes bibliographical references (p. 273-289).
This thesis chronicles the emergence of men's lifestyle magazines within South Africa between 1997 and 2007. It aims to contextualize the emergence of these magazines within the broader South African context and position each magazine as representing a nuanced masculine ideal to the mainstream male readers. This thesis then offers a critical reading of two more marginal men's lifestyle magazines, namely, MaksiMan (2001-2007) and BLINK (2004-2007).
Aceti, Lanfranco. "European avant-garde : art, borders and culture in relationship to mainstream cinema and new media." Thesis, University of the Arts London, 2005. http://ualresearchonline.arts.ac.uk/7762/.
Повний текст джерелаSachs, Aaron Dickinson. "The hip-hopsploitation film cycle: representing, articulating, and appropriating hip-hop culture." Diss., University of Iowa, 2009. https://ir.uiowa.edu/etd/591.
Повний текст джерелаKojo, Lovis. "Filmkritikens retorik : En kvalitativ studie av recensioner till hög- och populärkulturella filmverk." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-146647.
Повний текст джерелаShaw, Neil. "Culture and gentrification on upper Long street : a study of Long street's evolution and contemporary incarnation, with a look at documentary styles and the cinematic city." Master's thesis, University of Cape Town, 2004. http://hdl.handle.net/11427/7972.
Повний текст джерелаKonkle, Amanda. "MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM." UKnowledge, 2016. http://uknowledge.uky.edu/english_etds/28.
Повний текст джерелаCohen, Hart K. "From ethnographic film to indigenous media : communications and the evolution of the ethnographic subject." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=75987.
Повний текст джерелаКниги з теми "Film and Media Culture"
Rocco, Dal Vera, ed. Film, broadcast & e-media coaching. New York: Applause, 2003.
Знайти повний текст джерелаPeele, Thomas B., and Thomas B. Peele. Queer Popular Culture: Literature, media, film, and television. New York: Palgrave Macmillan, 2011.
Знайти повний текст джерелаPeele, Thomas B. Queer Popular Culture: Literature, media, film, and television. New York: Palgrave Macmillan, 2011.
Знайти повний текст джерелаPaulson, Sarah J., and Anders Skare Malvik, eds. Literature in Contemporary Media Culture. Amsterdam: John Benjamins Publishing Company, 2016. http://dx.doi.org/10.1075/fillm.2.
Повний текст джерелаPeter, Lehman, ed. Pornography: Film and culture. New Brunswick, N.J: Rutgers University Press, 2006.
Знайти повний текст джерелаCinema of flames: Balkan film, culture and the media. London: British Film Institute, 2001.
Знайти повний текст джерелаFramed: Lesbians, feminists, and media culture. Minneapolis: University of Minnesota Press, 2000.
Знайти повний текст джерелаMyth, media, and culture in Star wars: An anthology. Lanham, Md: Scarecrow Press, 2012.
Знайти повний текст джерелаPostcolonial masquerades: Culture and politics in literature, film, video, and photography. New York: Garland Pub., 2001.
Знайти повний текст джерелаEphemeral media: Transitory screen culture from television to YouTube. New York: Palgrave Macmillan, 2012.
Знайти повний текст джерелаЧастини книг з теми "Film and Media Culture"
Donald, Stephanie Hemelryk, and Noel Brown. "Children's Film Culture." In The Routledge International Handbook of Children, Adolescents, and Media, 93–100. 2nd ed. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003118824-13.
Повний текст джерелаParham, John. "‘Eco-Cinema’: Art Film and Documentary." In Green Media and Popular Culture, 177–204. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-00948-7_7.
Повний текст джерелаParham, John. "Global and Eco-Cosmopolitan Film: ‘Muddled Middles’." In Green Media and Popular Culture, 38–66. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-00948-7_2.
Повний текст джерелаEdwards, Judith. "Film Projection and Projective Identification: Film as a Teaching Tool." In Media and the Inner World: Psycho-cultural Approaches to Emotion, Media and Popular Culture, 69–81. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137345547_5.
Повний текст джерелаRieber, Robert W., and Robert J. Kelly. "Media and Film Influences on Popular Culture." In Film, Television and the Psychology of the Social Dream, 143–63. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-7175-2_7.
Повний текст джерелаPaulson, Sarah J. "Showing seeing across media." In Literature in Contemporary Media Culture, 237–59. Amsterdam: John Benjamins Publishing Company, 2016. http://dx.doi.org/10.1075/fillm.2.12pau.
Повний текст джерелаThomson, C. Claire. "“It All Comes from Beer”: Tuborg, Carlsberg, and the Role of Film in Danish Cultural Diplomacy." In Nordic Media Histories of Propaganda and Persuasion, 55–71. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-05171-5_3.
Повний текст джерелаBernard, Mark. "Disorderly Eating and Eating Disorders: The Demonic Possession Film as Anorexia Allegory." In Food, Media and Contemporary Culture, 164–82. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137463234_10.
Повний текст джерелаEliassen, Knut Ove. "Media ecology in the literal sense." In Literature in Contemporary Media Culture, 79–101. Amsterdam: John Benjamins Publishing Company, 2016. http://dx.doi.org/10.1075/fillm.2.05eli.
Повний текст джерелаBatty, Craig. "You Are What You Eat: Film Narratives and the Transformational Function of Food." In Food, Media and Contemporary Culture, 27–43. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137463234_3.
Повний текст джерелаТези доповідей конференцій з теми "Film and Media Culture"
Ditta, Geoffrey. "Culture and Human Resource Management: Understanding Communication in the Ages of Globalization." In The European Conference on Media, Communication & Film 2021. The International Academic Forum(IAFOR), 2021. http://dx.doi.org/10.22492/issn.2188-9643.2021.7.
Повний текст джерелаDitta, Geoffrey. "Culture and Human Resource Management: Understanding Communication in the Ages of Globalization." In The European Conference on Media, Communication & Film 2021. The International Academic Forum(IAFOR), 2021. http://dx.doi.org/10.22492/issn.2188-9643.2021.7.
Повний текст джерелаSporton, Gregory, and Elizabeth Allen. "Focussing on the Critical: Film Pedagogy in the Modern University." In The Kyoto Conference on Arts, Media and Culture 2022. The International Academic Forum(IAFOR), 2022. http://dx.doi.org/10.22492/issn.2436-0503.2022.15.
Повний текст джерелаYang, Xiaofei, and Zhuying Li. "A Shifting Gender Regime in Contemporary China? Fans’ Queer Readings of the Film Ne Zha." In – The Barcelona Conference on Arts, Media & Culture 2020. The International Academic Forum(IAFOR), 2020. http://dx.doi.org/10.22492/issn.2435-9475.2020.4.
Повний текст джерелаStanova, Irina. "Decomposing the Stereotypes: East-West Dichotomy in the Film Adaptations of W. S. Maugham’s the Painted Veil." In The Barcelona Conference on Arts, Media & Culture 2022. The International Academic Forum(IAFOR), 2022. http://dx.doi.org/10.22492/issn.2435-9475.2022.18.
Повний текст джерелаFeng, Wen. "The Integration and Upgrade of the New Media Era and the Film Industry." In 2nd International Conference on Language, Communication and Culture Studies (ICLCCS 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.211025.042.
Повний текст джерелаAli, Mohd Nor Shahizan. "Once Media Texts Meets Realism through Experimental Short Film." In Proceedings of the First International Conference on Communication, Language, Literature, and Culture, ICCoLLiC 2020, 8-9 September 2020, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.8-9-2020.2301321.
Повний текст джерелаPeláez-Barceló, Antonio. "Cultural Diversity in Film Festivals – A Case Study: Glocal in Progress, San Sebastián International Film Festival." In The European Conference on Media, Communication & Film 2020. The International Academic Forum(IAFOR), 2020. http://dx.doi.org/10.22492/issn.2188-9643.2020.1.
Повний текст джерелаArts, Mara. "Using Newspapers and Films as Tools for Cultural History Research." In The European Conference on Media, Communication & Film 2021. The International Academic Forum(IAFOR), 2021. http://dx.doi.org/10.22492/issn.2188-9643.2021.1.
Повний текст джерелаPeng, Guobin, Xudong Pi, and Jiajia Zhang. "Research on Poverty Alleviation Path of Film and Television Design in the Context of Media Convergence." In 2021 International Conference on Culture-oriented Science & Technology (ICCST). IEEE, 2021. http://dx.doi.org/10.1109/iccst53801.2021.00044.
Повний текст джерелаЗвіти організацій з теми "Film and Media Culture"
Zhou, Hong, Aaron Mack, Gitanjali Talreja, Josia Assmies, Stefan Minning, Andreas Unsoeld, John Bobiak, et al. BEST PRACTICE GUIDE FOR PREPARATION OF CELL CULTURE MEDIA SOLUTION. BioPhorum, April 2021. http://dx.doi.org/10.46220/2021ds001.
Повний текст джерелаTalreja, Gitanjali, Amandine Calvet, Cheryl Fuchs, Nadya Morales-Cumming, Mary Szorik, Divya Vasudevan, Alaric Collins, et al. Media fingerprinting of cell culture media a standardized analytical test method suite and three-tier approach. BioPhorum, November 2022. http://dx.doi.org/10.46220/2022ds006.
Повний текст джерелаZook, Justin M., Robert MacCuspie, John T. Elliott Jr., and Elijah J. Petersen. Reliable preparation of nanoparticle agglomerates of different sizes in cell culture media. National Institute of Standards and Technology, June 2015. http://dx.doi.org/10.6028/nist.sp.1200-14.
Повний текст джерелаMartínez Sanz, R., O. Islas Carmona, M. Redondo García, and E. Campos Domínguez. Communication professorship: access, consumption and media culture. A comparative study of Spain and Mexico. Revista Latina de Comunicación Social, April 2016. http://dx.doi.org/10.4185/rlcs-2016-1099en.
Повний текст джерелаMayer, S. T., and R. H. Muller. An in situ study of the anodic film formation of Cu, Ag, and Zn in alkaline media. Office of Scientific and Technical Information (OSTI), December 1989. http://dx.doi.org/10.2172/7020740.
Повний текст джерелаHolmes, Aimee E., Landon H. Sego, Bobbie-Jo M. Webb-Robertson, Helen W. Kreuzer, Richard M. Anderson, Stephen D. Unwin, Mark R. Weimar, Mark F. Tardiff, and Courtney D. Corley. An Approach for Assessing the Signature Quality of Various Chemical Assays when Predicting the Culture Media Used to Grow Microorganisms. Office of Scientific and Technical Information (OSTI), February 2013. http://dx.doi.org/10.2172/1077996.
Повний текст джерелаTom, Eileen. Social Constructs in Film Culture: The Effect of it on the Performing Arts, and the Destroyed Association of Signs to Enhance Meaning. Portland State University Library, January 2014. http://dx.doi.org/10.15760/honors.53.
Повний текст джерелаWinseck, Dwayne. Growth and Upheaval in the Network Media Economy in Canada, 1984-2021. Canadian Media Concentration Research Project (CMCRP), November 2022. http://dx.doi.org/10.22215/gmicp/2022.01.
Повний текст джерелаPryt, Karina. Polish-German film relations in the process of building German cultural hegemony in Europe 1933-1939. Universitätsbibliothek Johann Christian Senckenberg, December 2022. http://dx.doi.org/10.21248/gups.70888.
Повний текст джерелаMelnyk, Iurii. JUSTIFICATION OF OCCUPATION IN GERMAN (1938) AND RUSSIAN (2014) MEDIA: SUBSTITUTION OF AGGRESSOR AND VICTIM. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11101.
Повний текст джерела