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Статті в журналах з теми "Fictioning"
Milbank, John. "Fictioning Things." Chesterton Review 31, no. 3 (2005): 141–70. http://dx.doi.org/10.5840/chesterton2005313/414.
Повний текст джерелаO’Sullivan, Simon. "Fictioning the Landscape." Journal of Aesthetics and Phenomenology 5, no. 1 (January 2, 2018): 53–65. http://dx.doi.org/10.1080/20539320.2018.1460114.
Повний текст джерелаMccloskey, Paula, and Sam Vardy. "Performing geopower: Eile and border-fictioning." Scene 8, no. 1-2 (December 1, 2020): 195–212. http://dx.doi.org/10.1386/scene_00032_1.
Повний текст джерелаNappi, Carla. "Metamorphoses: Fictioning and the Historian's Craft." PMLA/Publications of the Modern Language Association of America 133, no. 1 (January 2018): 160–65. http://dx.doi.org/10.1632/pmla.2018.133.1.160.
Повний текст джерелаO’Sullivan, Simon. "Myth-Science and the Fictioning of Reality." Paragrana 25, no. 2 (December 1, 2016): 80–93. http://dx.doi.org/10.1515/para-2016-0030.
Повний текст джерелаO’Sullivan, Simon. "Deleuze Against Control: Fictioning to Myth-Science." Theory, Culture & Society 33, no. 7-8 (July 9, 2016): 205–20. http://dx.doi.org/10.1177/0263276416645154.
Повний текст джерелаMoran, Stephanie, and Maggie Roberts. "Exploring the Pluriverse: Fictioning, Science and Interspecies Communication." Ecocene: Cappadocia Journal of Environmental Humanities, Cappadocia University 2, no. 2 (1) (July 29, 2021): 84–93. http://dx.doi.org/10.46863/ecocene.26.
Повний текст джерелаBurman, Erica. "Fictioning authority: Writing experience in feminist teaching and learning." Psychodynamic Counselling 7, no. 2 (January 2001): 187–205. http://dx.doi.org/10.1080/13533330110041264.
Повний текст джерелаWong, Eddie. "the Unknown Person: Post-Colonial Fictioning, Personal Stories and Surveillance." Leonardo 53, no. 4 (July 2020): 442–45. http://dx.doi.org/10.1162/leon_a_01934.
Повний текст джерелаBesana, Bruno. "Fictioning disagreement: The construction of separation in the work of Jacques Rancière." Maska 32, no. 185 (September 1, 2017): 64–74. http://dx.doi.org/10.1386/maska.32.185-186.64_1.
Повний текст джерелаДисертації з теми "Fictioning"
Andolfatto, Lorenzo. "Paper worlds : the chinese utopian novel at the beginning of the twentieth century, 1902-1910." Thesis, Lyon 3, 2015. http://www.theses.fr/2015LYO30033.
Повний текст джерелаWith this research it is our intention to identify and define the genre of the lateQing utopian novel from the close reading of a selection of Chinese novelswritten between 1902 and 1910. With the analysis of novels such as LiangQichao's Xin Zhongguo weilai ji (1902), Chen Tianhua's Shizi hou (1905), WuJianren's Xin shitou ji (1908) and Lu Shi'e's Xin Zhongguo (1910), we believethat such a literary genre can be considered both as a peculiar product of theclimate of socio-historical fragmentation that characterises the late Qingperiod, and as a useful lens for its understanding. The structure of this thesis isthat of a critical itinerary within the Chinese modern utopian imaginary. Thisitinerary is introduced by the translation of the short story Xinnian meng,written by Cai Yuanpei in 1905. The body of this research is divided into fivechapters: in the first one, the legitimacy of the generic category of “wutuobangxiaoshuo” as a viable critical tool is put under question; the second chapterconcerns the two unfinished novels by Liang Qichao and Chen Tianhua, whosecondition of “incompleteness” is adopted as metaphor for the understanding ofthe utopian construct; the third chapter concerns the relation between the lateQing utopian novel and its foreign models; while in the last two chapters, thecritical framework developed in previous sections of the thesis is applied to theclose reading of Wu Jianren's Xin shitou ji and Lu Shi'e's Xin Zhongguo, two ofthe most interesting novels written in this period
Mannarino, Thomas Winegardner Mark. "The Fictionist." Diss., 2003. http://etd.lib.fsu.edu/theses/available/etd-09222003-191543/.
Повний текст джерелаAdvisor: Dr. Mark Winegardner, Florida State University, College of Arts and Sciences, Dept. of English. Title and description from dissertation home page (viewed Feb. 25, 2004). Includes bibliographical references.
Wu, Hsueh-Lien, and 吳雪連. "A Study of Taiwan's Hakka Writer Roman-Fleuve Fiction.In “Orphan of Asia ", " Turbial Currents" , "The Trilogy of Wintry Night" as The Object Analysis." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/f58nmv.
Повний текст джерела佛光大學
中國文學與應用學系
103
A「Roman-Fleuve」 is a story that spans several generations much like a flowing river that never stops. Taiwanese 「Roman-Fleuve」stories are not few in number, such as Hakka writer Wu-Zhuo Liu’s Orphan of Asia, Chung Chao Chang’s Turbial Currents, and Lee Ciao’s The Trilogy of Wintry Night. Moreover, all of these writers are teachers with similar backgrounds so I choose them as the subject of my research. The story involves a thought analysis of the Hakka people’s ethnicity, personality traits, thought archetypes, complexes (from the collective unconsciousness) and inferiority complexes and a compensatory place of reverie. From this thought background, the story delves into the hardships endured by Taiwanese in their daily lives under Japanese colonial during World War II and under Taiwan’s military control over the people’s thinking. A「Roman-Fleuve」traces the generational changes of a family as seen through their interactions. Writers Wu-Zhuo Liu's Orphan of Asia, Chung Chao Chang's Turbial Currents ,Lee Ciao's The Trilogy of Wintry Night have written novels that are referred to as semi-autobiographic works of fiction in academia. A creative style is not only imaginary in regard to the who, when, where and what but also gives a special impression of the reality of everyday life in fiction. Through virtual and personal experience, history and fiction are fused together. In addition these works of fiction are not highlights of Hakka culture but a mixture of what is true and what is imaginary. This article is an analysis of Hakka writers’ Roman-Fleuve. Hakka has become literature’s Individuality. So this thesis also use the Hakka view as a thinking point.
Shu-Ming, Hsu, and 許淑閔. "Hung Hsing-Fu’s concern about farmers and country life in his fictionHung Hsing-Fu’s concern about farmers and country life in his fiction." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/r427j6.
Повний текст джерела國立臺東大學
語文教育學系碩士班
94
During 1970s and 1980s, country literature was relatively noticeable in Taiwan. Hung Hsing-Fu’s work caught readers’ attention with his unique style. Hung was born in a miserably poor farmer family in Er-Lin, Changhua County and he was the only one who received education. He laughed at himself that he could neither do laborious work nor distinguish different grains. He closely observed farmers’ life and understood their happiness and sadness. He experienced how an agricultural economy in Taiwan was transformed into an industrial one. Meanwhile, he also witnessed the decline of farm and the change of values. Hung started literary writing while he studied in teacher’s college. His literary types include fiction, poetry, prose and literary criticism. The best known work of Hung’s is his fiction as not only the country life is portrayed but also the interpersonal relationships in the country life which occupies quite a lot space in his work. His feelings, familiarity and understanding about the interpersonal relationships in the country life vivify his work, which is full of sympathy, tolerance and consideration. The touching wording in his fiction has moved a lot of readers. Reflection and sympathy can be seen everywhere in his fiction. All the stories tell the prosperity and decline of the land and the tracks of early explorers. Nowadays the farmers insisting to live in their land and the damage to farms are not concerned any more. Country literature has been neglected for a long time. All those factors make Hung’s concern about country people and their life more meaningful. This thesis is to analyze Hung Hsing-Fu’s concern about country people and life, the country life issues and his point of view on the interpersonal relationships in the country life. Reflecting the country life in which Hung used to live and re-representing his in-depth views can be expected in this thesis. Finally, how meaningful the country literature is for an era will be manifested.
Книги з теми "Fictioning"
Hitchcock, Peter. Working-class fictionin theory and practice: A reading of Alan Sillitoe. Ann Arbor, Mich: U.M.I. Research, 1989.
Знайти повний текст джерелаPeters, Elizabeth. Legend in green velvet. South Yarmouth, MA: Curley Pub, 1991.
Знайти повний текст джерелаLeonard, Woolf. The wise virgins: A story of words, opinions and a few emotions. London: Persephone Books, 2003.
Знайти повний текст джерелаWoolf, Leonard. The wise virgins: A story of words, opinions, and a few emotions. New Haven: Yale University Press, 2007.
Знайти повний текст джерелаStepping. Thorndike, Me: Center Point Pub., 2000.
Знайти повний текст джерелаBallard, J. G. The Atrocity Exhibition. London, England: Flamingo, 2001.
Знайти повний текст джерелаHibbert, Eleanor Alice Burford. The Queen'sconfession: A fictional autobiography. (Glasgow): Fontana, 1986.
Знайти повний текст джерелаBallard, J. G. The Atrocity exhibition: With author'sannotations. London: Flamingo, 1993.
Знайти повний текст джерелаBallard, J. G. The atrocity exhibition. San Francisco, CA: RE/Search Publications, 1990.
Знайти повний текст джерелаFarmer, Philip José. The fabulous riverboat. New York: Ballantine Pub. Group, 1998.
Знайти повний текст джерелаЧастини книг з теми "Fictioning"
Beier, Jessie. "Dispatch from the Future: Science Fictioning (in) the Anthropocene." In Interrogating the Anthropocene, 359–400. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-78747-3_16.
Повний текст джерелаBunge, Mario. "Moderate Mathematical Fictionism." In Philosophy of Mathematics Today, 51–71. Dordrecht: Springer Netherlands, 1997. http://dx.doi.org/10.1007/978-94-011-5690-5_3.
Повний текст джерела"9 Scenes as Performance Fictions." In Fictioning, 155–70. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474432412-012.
Повний текст джерела"Introduction." In Fictioning, 1–10. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474432412-003.
Повний текст джерела"12 Afrofuturism, Sonic Fiction and Alienation as Method." In Fictioning, 217–34. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474432412-015.
Повний текст джерела"22 Technofeminisms." In Fictioning, 417–32. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474432412-025.
Повний текст джерела"7 Fictioning the Landscape." In Fictioning, 125–42. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474432412-010.
Повний текст джерела"1 Mythopoesis, Fabulous Images and Memories of a Sorcerer." In Fictioning, 11–28. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474432412-004.
Повний текст джерела"25 By Any Memes Necessary." In Fictioning, 473–90. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474432412-028.
Повний текст джерела"18 A Renewed Prometheanism." In Fictioning, 337–60. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474432412-021.
Повний текст джерелаТези доповідей конференцій з теми "Fictioning"
Laplace, Ricelli, and Joel Peter Weber Letkemann. "Science Fictioning Participatory Design." In PDC 2022: Participatory Design Conference 2022. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3536169.3537775.
Повний текст джерела