Готові списки джерел за темами / Female pirates

Добірка наукової літератури з теми "Female pirates"

Автор: Grafiati
Опубліковано: 10 грудня 2022
Оновлено: 28 січня 2023

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Статті в журналах з теми "Female pirates"

1

Sugiyama, Akiko. "WOMEN AND MARITIME PIRACY IN PREMODERN ISLAND SOUTHEAST ASIA." SEJARAH 30, no. 2 (December 6, 2021): 1–18. http://dx.doi.org/10.22452/sejarah.vol30no2.1.

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Анотація:
The historiography of maritime piracy has largely concentrated on the experience of male seafarers and featured their reckless adventure, violence, and harsh life. In the male-focused historiography of seafaring and maritime piracy, women’s presence on the sea has been often reduced to the symbolic realm of the wooden figureheads carved into the bow of sailing vessels. Maritime historians over the past few decades have uncovered and rediscovered life stories of female seafarers and pirates across the ages and regions. Against this backdrop, this article reviews leading works primarily in English on statecraft and commerce in premodern island Southeast Asia, a historical and contemporary hub of maritime piracy. In a striking contrast with the world’s major seas and oceans, the region is marked by a relative absence of women pirates.This article is using qualitative method-data from archieves. The findings of this article suggests that in seafaring communities of island Southeast Asia were not pirates or did not become one because of complementarity in gender roles, social patterns based on bilateral kinship, and women’s prominence in local commerce. These observations effectively turn our attention away from the quest of women pirates to a broader examination on gender roles and gender relations in seafaring societies.
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2

Rennie, Léonie J. "“Pirates Can Be Male or Female”: Investigating Gender-Inclusivity in a Years 2/3 Classroom." Research in Science Education 33, no. 4 (December 2003): 515–28. http://dx.doi.org/10.1023/b:rise.0000005253.72282.f4.

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3

Martin, Catherine. "‘I’ve got my eyes open and I can’t be crooked’: Race, female virtue and national identity in Terry and the Pirates." Radio Journal:International Studies in Broadcast & Audio Media 16, no. 1 (April 1, 2018): 77–94. http://dx.doi.org/10.1386/rjao.16.1.77_1.

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4

Cotomacio, Claudia Carrara, Luana Campos, and Fabiana Martins. "The oral manifestations of scurvy in the 21st century." Research, Society and Development 10, no. 12 (September 23, 2021): e344101220569. http://dx.doi.org/10.33448/rsd-v10i12.20569.

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Scurvy is a vitamin deficiency historically associated with pirates and sailors that affects collagen synthesis, leading to hemorrhage, skin, and oral lesions. In the 18th century, the lack of consumption of foods rich in vitamin C was found to cause such a severe condition, whose early diagnosis increases the likelihood of a better prognosis. A 58-year-old female patient complained of fatigue, body pain, and gingival bleeding for nearly 24 months. In 2001, she was diagnosed with lupus, now in remission, and osteoporosis more recently. On clinical examination, gingivitis with spontaneous bleeding was observed, despite the patient’s good hygiene, as well as some petechiae over the body. Due to the hypothesis of a possible autoimmune dermatological disease, the patient was referred to a dermatologist, who requested a series of tests, including vitamin C dosage. The results showed a concentration below 0.25mg / dL (IR, 4 to 2.0 mg / dL), and thus the diagnosis of scurvy was established. The patient was administered vitamin C replacement and in about 3 months, the symptoms started to improve. In some cases, such as this, hospitalization is required for intravenous replacement due to bleeding risks. This case report highlights the importance of the dentist in the early diagnosis and treatment of scurvy. This condition causes oral lesions that are often confused with other more common conditions, such as gingivitis or autoimmune dermatological response. Therefore, we recommend a comprehensive physical examination and anamnesis, including dietary history.
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5

Backhouse, Amy, Steven M. Sait, and Tom C. Cameron. "Multiple mating in the traumatically inseminating Warehouse pirate bug, Xylocoris flavipes : effects on fecundity and longevity." Biology Letters 8, no. 5 (May 9, 2012): 706–9. http://dx.doi.org/10.1098/rsbl.2012.0091.

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Optimal mating frequencies differ between sexes as a consequence of the sexual differentiation of reproductive costs per mating, where mating is normally more costly to females than males. In mating systems where sexual reproduction is costly to females, sexual conflict may cause both direct (i.e. by reducing female fecundity or causing mortality) and indirect (i.e. increased risk of mortality, reduced offspring viability) reductions in lifetime reproductive success of females, which have individual and population consequences. We investigated the direct and indirect costs of multiple mating in a traumatically inseminating (TI) predatory Warehouse pirate bug, Xylocoris flavipes (Reuter) (Hemiptera: Anthocoridae), where the male penetrates the female's abdomen during copulation. This study aimed to quantify the effects of TI on female fecundity, egg viability, the lifetime fecundity schedule, longevity and prey consumption in this cosmopolitan biocontrol agent. We found no difference in the total reproductive output between mating treatments in terms of total eggs laid or offspring viability, but there were significant differences found in daily fecundity schedules and adult longevity. In terms of lifetime reproduction, female Warehouse pirate bugs appear to be adapted to compensate for the costs of TI mating to their longevity.
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6

Mardin, Erlanda Ian Pratiwi, and Hayari, Sarman. "EKSISTENSI TARI MONDOTAMBE PADA MASYARAKAT TOLAKI DI KECAMATAN UNAAHA KABUPATEN KONAWE ABAD XVIII-XX." Journal Idea of History 2, no. 2 (December 27, 2019): 50–63. http://dx.doi.org/10.33772/history.v2i2.864.

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This study aims to describe the existence of Mondotembe dance in the Tolaki community in Unaaha District, Konawe Regency. The method used in this study was the historical method developed by Kuntowijoyo with the following stages: (1) Selection of topics, (2) Collection of sources, (3) Verification, (4) Interpretation, and (5) Historiography. Literature study used consists of historical concepts and theories, cultural concepts and theories, dance concepts, cultural change concepts, concepts of symbolic meaning, and historiographic review. The results showed that: (1) Mondotambe dance was born during the reign of the Konawe Kingdom centered in Unaaha in the XVIII century. The Mondotambe dance was a dance which dedicated to welcoming the Tamalaki (warriors) who have just returned from the battlefield against the Tobelo pirates with victory. (2) In addition to welcoming the returning soldiers from the battlefield, Mondotambe dance functionS were as a welcoming dance for guests of the Konawe Kingdom in Unaaha, the inauguration of a building, the opening of an activity organized by Konawe Regency government agencies and events. rituals like marriage. The Mondotambe dance was performed by teenage girls and two young men as a companion (3) Changes to the Mondotambe dance appear in: a). Implementation aspects in terms of time and place, b). Accompaniment, c). Clothing and accessories for dancers and musicians, d). Musical accompaniment instrument. (4) The symbolic meaning contained in every detail of the movements and sounds that accompany the Mondotambe Dance, including: a). Hand gesture means the symbol of acceptance and reception, b). Female dancers become a symbol of tenderness and beauty, and c). The sound of "Gong" sounds as an invitation to the public to welcome one or a group of honored guests. Keyword: Existence, Mondotambe Dance, Function, Symbolic Meaning
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7

Avila, Beth. "“Though I Am a Woman, I Am Not a Defenceless One!”: Women and Violence in Nineteenth-Century Pirate Stories." Humanities 11, no. 4 (July 22, 2022): 91. http://dx.doi.org/10.3390/h11040091.

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Resonating with British and American audiences and inspiring many later pirate stories, Byron’s The Corsair (1814) participated in a transatlantic conversation about female responses to violent masculinity. In an 1869 Rhode Island newspaper article, a woman recalled reading The Corsair as a child and debating whether to name her favorite doll Medora, the wife of the pirate, or Gulnare, the woman who kills their captor to rescue the pirate. Within the poem, Gulnare becomes less desirable in the eyes of the pirate after her violent act, but S. H. W. decides on Gulnare and sews on a needle-like bodkin to represent her dagger, thereby providing her doll with the symbol of Gulnare’s violent agency. This particular reader response suggests that Gulnare’s violent and independent action, which gave her control over her situation, resonated with some female readers in America. Authors of early American pirate stories, such as James Fenimore Cooper, refused to endorse a model of womanhood that included violence. However, Ballou’s extremely popular FannyCampbell (1844) constructed a lady pirate who embodies a model of womanhood that incorporates some conventional feminine traits of virtue, moral influence, and redemptive womanhood, but also draws on the justified violence of the male adventure hero. As a female pirate captain, Fanny combines aspects of the honorable gentleman pirate from The Corsair with the active woman, not unlike Gulnare, who realizes that in certain situations redemption and rescue are not options, and she must use violence in defense of herself and others.
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8

Campbell Galman, Sally, and Christine A. Mallozzi. "There Are No Girl Pirate Captains." Boyhood Studies 8, no. 1 (March 1, 2015): 34–59. http://dx.doi.org/10.3167/bhs.2015.080104.

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This paper employs data from from a multi-year, ethnographic study of children in a diverse public preschool to destabilize some of the claims of the “boy crisis” literature (Hoff-Somers, 2000). Focusing on fine-grained analyses of events in the study context, the authors illustrate the complexity of everyday interactions between female teachers and the male and female preschoolers in their classes, as well as between the male and female preschoolers themselves. These analyses suggest that a preschool environment where all teachers are female is as patriarchally and hegemonically saturated as any other context, as both boys and girls (and teachers) are subject to, and invariably take up, powerful cultural scripts reflected in children’s and other media in the larger cultural milieu. Further, we emphasize that preschool—arguably among the most “feminized” school environments—is more complex than “boy crisis” proponents present.
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9

HADLOCK, HEATHER. "‘The firmness of a female hand’ in The Corsair and Il corsaro." Cambridge Opera Journal 14, no. 1-2 (March 2002): 47–57. http://dx.doi.org/10.1017/s0954586702000046.

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The dramatic climax of Byron's poem The Corsair comes when Gulnare, a harem slave, seizes a weapon to free herself and Conrad, the pirate whom she loves, from the prison of their common enemy the Pasha Seyd.
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10

Trieu, K. K. "Building the Pirate Body." TSQ: Transgender Studies Quarterly 7, no. 3 (August 1, 2020): 499–507. http://dx.doi.org/10.1215/23289252-8553188.

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Abstract When Kathy Acker writes about the body, it is frequently subjected to self-abnegation; there is a sense that the cohesion of self and body hangs on complete destruction and rebirth in terms of its material reality. The figure of the Pirate is an avatar through which Acker explores these tensions, particularly as they relate to her experience of femininity and gender, which, in many ways, aligns with experiences of gender dysphoria. In negotiating the ways in which she would like to be desired with the feminist knowledge that influenced her thought, Acker lays out a path in which the dysphoric body that is assigned female at birth may occupy a third space outside the gender binary. This article puts Acker's writing on the Pirate in dialog with Georges Bataille's figure of the Acéphale to explore the system of knowledge that comes from this subject—one whose articulation is in constant regeneration.
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Книги з теми "Female pirates"

1

Rees, Celia. Pirates!: The true and remarkable adventures of Minerva Sharpe and Nancy Kington, female pirates. Waterville, Me: Thorndike Press, 2004.

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2

Rees, Celia. Pirates!: The true and remarkable adventures of Minerva Sharpe and Nancy Kington, female pirates. New York: Bloomsbury, 2003.

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3

Kindgren, Marianne. Johanna Hård: En sjörövarhistoria. Göteborg: Tre böcker, 2013.

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4

The sweet trade. New York: Forge, 2001.

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5

Mary tempête: Le destin d'une femme pirate. Paris: Flammarion, 2007.

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6

DiGilio, Anna. Female Pirates. Laprea Publishing, 2020.

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7

Female Pirates Attack. Blurb, 2021.

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8

Steele, F. O. Women Pirates: A Brief Anthology of Thirteen Notorious Female Pirates. iUniverse, Inc., 2007.

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9

Steele, F. O. Women Pirates: A Brief Anthology of Thirteen Notorious Female Pirates. iUniverse, Inc., 2007.

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10

Anne Bonny the Infamous Female Pirate. Feral House, 2017.

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Частини книг з теми "Female pirates"

1

VandeBerg, Brittany. "Gender and the Female Pirate Imaginary." In Women of Piracy, 15–37. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003225201-2.

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2

"Female Pirates and Nationalism in Nineteenth-Century American Popular Fiction." In Pirates and Mutineers of the Nineteenth Century, 109–30. Routledge, 2016. http://dx.doi.org/10.4324/9781315246772-15.

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3

Fuller, Jennifer. "Adventures in the Pacific: The Influence of Trade on the South Seas Novel." In Dark Paradise. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474413848.003.0003.

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The second chapter explores the transition from missionary texts to a more secularized portrayal of the islands in adventure fiction. I begin with George Vason, an LMS missionary who “went native” and lived amongst the islanders, which serves as a transition between conversion narrative and adventure fiction. The emerging genre of “boy’s fiction” emphasized entertainment rather than moral edification, while the works of authors such as Frederick Marryat and R.M. Ballantyne act primarily as propaganda for the growing empire. Marryat deliberately rewrites The Swiss Family Robinson in his novel Masterman Ready both to offer a more “authentic” representation of British trade and to showcase the ways in which boys could best serve the growing empire. R.M. Ballantyne’s first Pacific novel, The Coral Island, also focuses on boys as “men of empire” but, through the character of Bloody Bill, warns against the dangerous implications of Pacific trade. In his later works, Gascoyne, the Sandal-wood Trader and The Island Queen, Ballantyne explores other alternatives for the future of the British presence in the Pacific, transforming pirates into productive traders and evaluating the effect of female leadership on the masculine tradition of Pacific fiction.
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4

Moraitis, Konstantinos. "Poetic prostitution or female bondage? Troumpa quarter in Piraeus and Tabakika in the city of Larissa." In Boundaries and Restricted Places, 141–53. Edward Elgar Publishing, 2022. http://dx.doi.org/10.4337/9781800884083.00018.

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5

McDonagh, Josephine. "‘Infinite Kindness’." In Literature in a Time of Migration, 150–82. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192895752.003.0005.

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A new kind of topographical writing about English village life in the 1820s established conventions for writing about provincialism that would be widely adopted in Anglophone writing throughout the century. Invented by the writer Mary Russell Mitford as a response to her financial precarity, it consisted of short, inconsequential narratives about places and characters in her own village, linked by a female narrative voice distinctive for its intimate mode of address. Despite appearing to be nostalgic in its representation of village life, this style of writing constituted a complex and significant response to global modernity and the kinds of mobility that it brought. It introduced a mode of long-distance intimacy which appealed to readers and writers who had made transoceanic journeys, and represented a way of inhabiting village space as though it were a new settlement. Published serially in a magazine, the stories were frequently reprinted. They were pirated in America, where Mitford nurtured an enthusiastic following through developing a personal network of correspondents. Her relationship with the American publisher J. T. Fields, was mutually beneficial in developing lucrative new readerships for her work, and in helping to consolidate Ticknor and Fields’s position at the forefront of the American book trade. Mitford’s village provided a frame in which to imagine transatlantic literary culture. Between the 1820s and the 1850s, the idea of the literary village transformed from being a place of fugitive living to a conservative and conserving idea of transatlantic accord in the context of settler colonialism.
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Тези доповідей конференцій з теми "Female pirates"

1

"The Archetypal Interpretation of the Female Pirates And The Postmodern Application." In 2020 International Conference on Social Sciences and Social Phenomena. Scholar Publishing Group, 2020. http://dx.doi.org/10.38007/proceedings.0001080.

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