Готові списки джерел за темами / Félix

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Добірка наукової літератури з теми "Félix"

Автор: Grafiati

Опубліковано: 4 червня 2021

Оновлено: 30 липня 2024

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Статті в журналах з теми "Félix"

Plisson, Sophie. "Saint-Félix (Charente). Saint-Félix." Archéologie médiévale, no. 43 (December 1, 2013): 300. http://dx.doi.org/10.4000/archeomed.10264.

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Blesa, Túa. "Félix Monge." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 33 (January 26, 2020): 330–33. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.2020334220.

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Moncada, Luis Mario. "Félix Lozano." Investigación Teatral. Revista de artes escénicas y performatividad 9, no. 14 (October 29, 2018): 165–68. http://dx.doi.org/10.25009/it.v9i14.2571.

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Querrien, Anne. "Cher Félix." Chimères 21, no. 1 (1994): 123–26. http://dx.doi.org/10.3406/chime.1994.1936.

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Genosko, Gary. "FÉLIX GUATTARI." Angelaki 8, no. 1 (April 2003): 129–40. http://dx.doi.org/10.1080/09697250301196.

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de Zitter, Linda. "Félix, donc." Chimères N° 101, no. 2 (December 21, 2022): 53–69. http://dx.doi.org/10.3917/chime.101.0053.

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Querrien, Anne. "Cher Félix." Chimères N° 21, no. 1 (January 1, 1994): 123–26. http://dx.doi.org/10.3917/chime.021.0123.

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Faye, Jean-Pierre. "Félix – qui." Chimères N° 23, no. 3 (July 1, 1994): 1g—2. http://dx.doi.org/10.3917/chime.023.0001g.

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Oury, Jean, Gilles Deleuze, Sonja Hopf, Raymond Bellour, M. W.-S., and Olivier Apprill. "Pour Félix." Chimères N° 18, no. 4 (October 1, 1992): 207–14. http://dx.doi.org/10.3917/chime.018.0207.

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Polack, Jean-Claude. "Oury avec Félix." Chimères 84, no. 3 (2014): 71. http://dx.doi.org/10.3917/chime.084.0071.

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Більше джерел

Дисертації з теми "Félix"

Casaverde, Félix. "Cuatro Tiempos Negros Jóvenes de Félix Casaverde. [Félix Casaverde, guitarra negra]." Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/624962.

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Esta es la partitura digitalizada Cuatro tiempos negros jóvenes de Félix Casaverde Transcripción por Fernando Elías Llanos Edición y correcciones por Diego Faucheux Álbum: Perú - Música Negra, A.S.P.I.C. - 1996 Compositor: Félix Casaverde Guitarra: Félix Casaverde/Cajón: "Toño" Gonzáles
Esta es la partitura digitalizada Cuatro tiempos negros jóvenes de Félix Casaverde Transcripción por Fernando Elías Llanos Edición y correcciones por Diego Faucheux Álbum: Perú - Música Negra, A.S.P.I.C. - 1996 Compositor: Félix Casaverde Guitarra: Félix Casaverde/Cajón: "Toño" Gonzáles

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Camargo, André Campos de 1979. "Félix Guattari : subjetividade, capitalismo e educação." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/253965.

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Orientador: Silvio Donizetti de Oliveira Gallo
Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação
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Resumo: A obra conceitual de Félix Guattari - formada por livros, cursos, artigos, entrevistas, etc.- pode ser descrita como o resultado de sua intensa militância política misturada à prática clínica e às leituras filosóficas, científicas e artísticas. Nela encontramos ecos de um antigo e grande projeto geral que permeou as pesquisas de inúmeros intelectuais desde Kant e que em sua época constituía uma pergunta da qual se ocupavam vários pensadores franceses. Tal projeto pode ser resumido pela questão: como nos tornamos o que somos? Nessa (im) possível filiação, Guattari parece ter respondido: tornamo-nos o que somos pela produção de subjetividade. Mas antes de respondê-la, ele formulou inúmeras perguntas, como por exemplo: Qual a relação do capitalismo com a produção de subjetividade? A produção de subjetividade é estritamente humana? Como os processos de subjetivação organizam a subjetividade na atualidade? Por que uma determinada produção de subjetividade se faz presente e não outra? Os equipamentos coletivos funcionam como produtores de subjetividade? É possível resistir aos processos de produção de subjetividade? Analisar a obra de Guattari, tendo em vista esse provável projeto geral em que ela se insere e os questionamentos que ela suscita frente ao presente, nos parece uma tarefa gigantesca, mas possível de ser realizada. Para que possamos tratá-la no limite desta dissertação, elaboraremos uma introdução ao pensamento de Guattari, buscando apresentar o conceito de subjetividade maquínica e o de produção de subjetividade capitalística - conceitos que parecem cortar transversalmente toda obra do pensador francês e dar sustentação aos demais conceitos ¿ com o intuito de compreendermos o papel da instituição escolar no processo de subjetivação dos indivíduos na atualidade
Abstract: The conceptual oeuvre of Félix Guattari, portrayed by books, essays, articles, lectures, courses and interviews, are the result not only of his intense political activism but also of his clinical practice and readings about philosophy, science and art. We also find in his works echoes of an old overall project that could be summarized by a question on which French scholars, among a several number of other intellectuals, have been discussing since Kant. This project corresponds to the question: How did we become what we are? Regarding this (im) possible association, Guattari seems to reply that we become what we are by producing subjectivity. Before attempting to answer the issue, he formulated several questions such as: What is the relation between capitalism and subjectivity production? Is the subjectivity production strictly human? How do the subjectivation procedures (the active production of subjectivity) organize the subjectivity currently? Why does a specific subjectivity production take place instead of another? Do the collectivity instances work as subjectivity producers? Is it possible to withstand the processes of subjectivity production? Although an analysis of Guattari's works seems an ambitious proposal, as regards the overall project in which his works are inserted and the questions raised by them towards contemporaneity, it can be done. In order to achieve it, this dissertation aims to develop this analysis attempting to comprehend the educational institution role in the subjectivation process of the individuals at the present time. Considering this goal, we will elaborate an introduction to Guattari's thought. This will allow us to introduce the concepts of the machinic subjectivity as well as the production of capitalistic subjectivity, concepts which seem to be throughout Guattari's oeuvre and also appear to support the remaining concepts, significant for the analysis
Mestrado
Filosofia e História da Educação
Mestre em Educação

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Imbert, Henri-François. "Samba Félix N'Diaye, cinéaste documentariste africain." Paris 8, 2005. http://www.theses.fr/2005PA082638.

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Samba Félix N'Diaye, cinéaste sénégalais, réalise des films documentaires depuis trente ans. Alors que les autres cinéastes africains se sont généralement orientés vers la fiction, il est ainsi le seul à s'être consacré exclusivement au cinéma documentaire, apparaissant aujourd'hui certainement comme le plus grand documentariste d'Afrique Noire francophone. Cette étude se propose, dans une première partie, d'analyser le contexte dans lequel a pu se développer cette œuvre, en s'attachant aux deux antécédents que constituent pour elle, d'une part, le cinéma documentaire de l'époque coloniale, et d'autre part, les premiers cinémas documentaires africains au lendemain des Indépendances. Dans une seconde partie, une analyse de l'œuvre de Samba Félix N'Diaye, film après film, portera notamment sur l'articulation entre les formes esthétiques développées par ce cinéaste, et les engagements éthiques, qui apparaissent les siens au cours de ces trente années de création
The Senegalese film maker Samba Félix N'Diaye, has been making documentary film for thirty years. While other african film makers generally tend towards fiction, he is the only one to have dedicated his career to the documentary and can today be said to be the greatest documentary film maker in Francophone Africa. In the first part of this thesis I will analyse the contexte in which this œuvre has developed by examining the two main movements that preceded his work, first of all, the documentary films from the colonial era and secondly, the first african documentary films after independence. In the second part, I will examine the work of Samba Félix N'Diaye through time, one film after another, and will concentrate on the articulation between the aesthetics developed by the film maker and the ethical commitments that he came to make aver the thirty years of his carrer. Hence, this thesis is a piece of research applied to a singular œuvre on the present issues of documentary film

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Coquidé-Cantor, Maryline. "Félix-Archimède Pouchet, savant et vulgarisateur." Paris 11, 1992. http://www.theses.fr/1992PA112482.

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La controverse entre Pasteur et Pouchet sur l'origine des microorganismes est l'un des rares débats scientifiques présenté dans les manuels scolaires de sciences biologiques. La vision donnée reste cependant incomplète et correspond à une approche historique des sciences influencée par le positivisme. Le dépouillement des archives du muséum d'histoire naturelle de Rouen, dont Pouchet fut le créateur en 1828, met en évidence un écran, conséquent à ce débat, sur les apports réels de ce physiologiste en histoire des sciences. Ses recherches sur le cycle sexuel féminin et les conséquences pratiques envisagées montrent qu'il peut être considèré comme initiateur de la cytologie vaginale et précurseur dans les méthodes de contraception par abstinence périodique. Ses activités de muséologue, de professeur et d'écrivain vulgarisateur participèrent de façon originale à la diffusion de savoirs scientifiques par les objets, par l'oral et par l'écrit. L'analyse des objectifs de la diffusion et des stratégies utilisées, l'évaluation de l'impact sur le public et la mise en relief de conséquences scientifiques, culturelles et sociales constituent une contribution à la réflexion sur la place et les rôles de la médiatisation des sciences

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Machado, Ricardo. "O nomadismo de Félix Peyrallo Carbajal." reponame:Repositório Institucional da UFSC, 2016. https://repositorio.ufsc.br/xmlui/handle/123456789/169095.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em História, Florianópolis, 2016.
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Nascido no Uruguai em 1913, Félix Peyrallo Carbajal viveu boa parte de sua vida como nômade percorrendo inúmeras cidades onde construiu quadrantes solares e proferiu conferências sobre literatura, ciência e filosofia. Viveu sua vida como um intelectual de destino incerto, sendo reconhecido em inúmeras partes do continente americano e europeu, vindo a falecer no estado de Santa Catarina, Brasil, em 2005. Ao longo de sua vida, Félix Peyrallo fez do nomadismo seu agenciamento, buscando promover encontros através da literatura e do pensamento, percorrendo textos, autores e lugares. Por isso, optei em narrar a história de sua existência através desses encontros poéticos, carregados de incertezas e simulacros de histórias. Ao reconhecer em Félix Peyrallo uso da contingência como um método, busquei problematizar esses encontros com a vida e obra de diferentes autores como Rubén Darío, Carilda Oliver Labra, Pedro Garfias, Eduardo Galeano, Rainer Maria Rilke, Rimbaud e Cervantes. Por um lado, Félix Peyrallo foi influenciado pelas vanguardas dos anos 1920 e 1930, que o levou a fazer da linguagem uma experiência limite, permitindo uma singular forma de viver a vida como obra de arte. Por outro, mesmo sem obra literária ou filosófica, sua existência só foi possível porque inventou seu lugar de intelectual/poeta peregrino no espaço criado pelo modernismo literário no final do século XIX. Félix Peyrallo Carbajal fez do jogo com a incerteza de seu passado uma forma de vida, por isso o nomadismo faz parte da estética de sua existência. Ao longo de sua vida, o movimento foi permanente no mapa e na linguagem, nas formas de escrever e existir. Félix Peyrallo viveu uma vida trágica, marcada pela incerteza e pela potência do falso, de modo que sua única identidade foi o próprio nomadismo.

Abstract : Born in Uruguay in 1913, Felix Peyrallo Carbajal has lived much part of his life as a nomad traversing many cities where built sundials and gave lectures about literature, science and philosophy. He lived his life as an uncertain fate intellectual, being recognized in many parts of American continent and Europe, and died in the state of Santa Catarina, Brazil in 2005. Throughout his life, Felix Peyrallo made nomadism his agency, seeking promote meetings through literature and thought, covering texts, authors and places. So, I chose to tell the story of his life through these poetic encounters laden with uncertainties and simulacra stories. Recognizing Félix Peyrallo use of contingency as a method, I tried to discuss these encounters with the life and work of different authors such as Rubén Darío, Carilda Oliver Labra, Pedro Garfias, Eduardo Galeano, Rainer Maria Rilke, Rimbaud and Cervantes. On the one hand, Felix Peyrallo was influenced by the avant-garde of the 1920s and 1930s, which sought to make the language an extreme experience, allowing a unique way of living life as a work of art. Second, even without literary or philosophical work, his existence was only possible because invented your place as intellectual / pilgrim poet in a time created by modernism in the late nineteenth century, specially literacy. Felix Peyrallo Carbajal made the game with the uncertainty of his past a way of life, so the nomadic lifestyle is part of the aesthetic of your existence. Throughout his life, the move was permanent on the map and in the language, in the forms of writing and exist. Felix Peyrallo lived a tragic life, marked by uncertainty and false power, so that your unique identity was nomadism itself.

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Le, Douarec François. "Félix Gaillard (1919-1970), un destin inachevé." Paris 4, 1989. http://www.theses.fr/1989PA040084.

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Inspecteur des finances, responsable national de la resistance, felix gaillard est, a la liberation, chef de cabinet de jean monnet, commissaire en mission aux etats-unis puis commissaire au plan. Elu, en 1946, depute radical-socialiste de la charente - il le reste jusqu'a sa mort-, sous-secretaire d'etat aux affaires econo- miques, l'annee suivante, secretaire d'etat dans quatre gouvernements successifs, mi- nistre des finances, des affaires economiques et du plan , il devient , le 6 novembre 1957, le plus jeune chef de gouvernement de la republique. Mais son cabinet est ephe- mere: il tombe, le 16 avril 1958, apres le bombardement, par l'aviation francaise, d'un village tunisien, sakhiet-sidi-youssef. Sous la cinquieme republique, le president du parti radical - gaillard le dirige de septembre 1958 a octobre 1961 -, approuve les nouvelles institutions; cependant il s'eloigne, bientot, du president de la republique auquel il reproche sa politique algerienne, et une certaine derive monarchique. Mais l'opposition pese a l'homme de gouvernement qui se rapproche, au lendemain du depart du general de gaulle, de georges pompidou et de jacques chaban-delmas; et son retour au pouvoir etait prevu lorsqu'il meurt prematurement, le 9 juillet 1970. L'"oeuvre" de felix gaillard est, toutefois, importante: ainsi, sous-secretaire d'etat aux affaires economiques, il inspire le plan "liberal" de rene mayer. Responsable de l'atome, le secretaire d'etat elabore le premier plan nucleaire francais. Le ministre des fi- nances met en pratique un programme drastique qui facilitera le redressement eco- nomique et financier. .
A finance inspector and national resistance leader, felix gaillard was, on the liberation of france, principal private secretary to jean monnet, the french government's commissioner in the united states and then the commissioner for the national plan. In 1946 he was elected as radical socialist deputy for the charente, a seat which he was to hold until his death, and was appointed under-secretary of state for economic affairs the following year. He was a secretary of state under four successive governments and minister of finance, economic affairs and the national plan, before becoming, on 6th november 1957, the youngest head of government in the history of the republic. However, his government was short-lived, failling on 16th april 1958 after the french air force had bombed a tunisian village, sakhiet-sidiyoussef. Under the fifth republic, as the president of the radical party from september 1958 to october 1961, gaillard approved of the new institutions; however, he soon distanced himself from the president of the republic, critical of his algerian policy and a certain monarchical tendency. But, opposition did not suit the man of government who, after the departure of general de gaulle, drew close to georges pompidou and jacques chaban-delmas; his return to power was planned when he died prematurely on 9 th july 1970. However, felix gaillard's achievements were important: as undersecretary of state for economic affairs, he introduced rene mayer's "liberal" plan. .

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Capdepuy, Arlette. "Félix Eboué, 1884-1944 : mythe et réalités coloniales." Thesis, Bordeaux 3, 2013. http://www.theses.fr/2013BOR30051/document.

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Descendant d’esclaves, Félix Éboué est né dans le milieu de la petite bourgeoisie de Cayenne (Guyane) en 1884. Il termine ses études secondaires à Bordeaux puis ses études supérieures à Paris : il sort diplômé de l’École coloniale en 1908. A sa demande, il est affecté en Oubangui-Chari (colonie de l’AEF). Il reste en brousse vingt deux ans avant de devenir administrateur en chef (1931). Il est ensuite nommé à différents postes : secrétaire général de la Martinique (1932-1934), secrétaire général du Soudan français (1934-1936), gouverneur de la Guadeloupe (1936-1938), gouverneur du Tchad (1938-1940). A l’été 1940, il choisit le camp de la Résistance avec de Gaulle. Le ralliement du Tchad donne au chef de la France libre un territoire français en Afrique, d’une importance stratégique capitale. En novembre 1940, de Gaulle le nomme gouverneur général de l’AEF à Brazzaville et Compagnon de la Libération. Jusqu’à février 1944, grâce à sa maîtrise de l’administration coloniale, il gère les hommes et les ressources de l’AEF pour le plus grand profit de la France libre et des Alliés. Épuisé et malade, il décède au Caire en mai 1944.La mémoire d’État s’empare de sa mémoire pour en faire rapidement une icône : il entre au Panthéon en mai 1949. Mais, Félix Éboué ne se réduit pas à son mythe : s’il est un personnage emblématique de la IIIe République, il est un homme ancré dans son époque par son appartenance à des réseaux de pouvoirs et par ses idées. Sa spécificité est d’avoir espéré réformer le système colonial et d’avoir cru qu’il était possible de lutter contre le préjugé de couleur, contre le racisme au nom des valeurs de la République. S’il fut un pionnier, c’est par le domaine du sport qui était pour lui un outil par excellence de l’intégration et d’épanouissement de l’individu
Descendant of slaves, Felix Eboue was born in the middle of the lower middle class of Cayenne (Guiana) in 1884. He finished high school in Bordeaux and his graduate studies in Paris: he graduated from the “Ecole coloniale” in 1908. At his request, he was assigned in Oubangui-Chari (AEF colony). It remains in the bush twenty two years before becoming Chief (1931). He was appointed to various positions: Secretary General of Martinique (1932-1934), Secretary General of the French Sudan (1934-1936), governor of Guadeloupe (1936-1938), governor of Chad (1938-1940). In the summer of 1940, he chose the side of the Resistance with de Gaulle. The rallying Chad gives the leader of Free France, a French territory in Africa, a strategic importance. In November 1940, de Gaulle appointed Governor General of the AEF in Brazzaville and Companion of the Liberation. Until February 1944, thanks to his mastery of the colonial administration, he manages people and resources of the AEF for the benefit of Free France and the Allies. Exhausted and ill, he died in Cairo in May 1944. The memory State seizes his memory to make an icon rapidly enters the Pantheon in May 1949. But Felix Eboue is not limited to the myth: it is an iconic character of the Third Republic, he is a man rooted in his time by his membership in networks of power and ideas. Its specificity is to be hoped reform the colonial system and have believed it was possible to fight against the prejudice of color against racism on behalf of the values of the Republic. If he was a pioneer, this is the sport that was for him an ideal tool for the integration and development of the individual

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Luneau, Jean-François. "Félix Gaudin (1851-1930), peintre-verrier et mosaïste." Clermont-Ferrand 2, 2002. http://www.theses.fr/2002CLF20015.

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Félix Gaudin naît en 1851 à Paris. Brillant élève en lettres classiques, féru de photographie, il est influencé par son oncle Félix Narjoux, disciple de Viollet-le-Duc. Officier d'artillerie, il reprend en 1879 une manufacture de vitrail de Clermont-Ferrand, fondée en 1835 par Emile Thibaud, puis gérée par ses successeurs Charles des Granges et Louis de Carbonnel. Dirigeant douze employés, il s'occupe surtout de la vente des vitraux, use de la publicité, participe à des expositions artistiques ou industrielles et recrute des représentants parisiens. Le stock de cartons, richesse de l'atelier, induit une production routinière destinée à une clientèle religieuse. Pour y remédier, Gaudin engage des cartonniers extérieurs, Louis Steinheil ou Eugène Grasset. En 1890, il rachète à Paris le fonds d'Eugène Oudinot, dont la clientèle est constituée des architectes des Monuments historiques et des architectes diocésains. D'après les cartons de Grasset, Luc-Olivier Merson, Victor Tardieu ou Raphaël Freida, il crée des vitraux en usant des verres anglais et américains, les expédie aux Etats-Unis et en Amérique du sud. Sa présence aux Expositions universelles, ses collaborateurs de choix et les commandes pour des édifices publics le rendent célèbre. En 1900, il est élu président de la Chambre syndicale des Peintres-Verriers français. Cet atelier de six ouvriers à la gestion souple lui permet de franchir la crise de 1905. En 1909, il vend le fonds à son fils Jean qui poursuit l'essor international de la maison et développe l'activité mosaïque. Pendant sa retraite, il travaille encore à l'atelier, s'occupe des restaurations et remplace son fils malade entre 1914 et 1920. Il donne des conférences sur l'histoire du vitrail et publie un ouvrage de synthèse. Il meurt en 1930. L'analyse de l'oeuvre, d'après un catalogue de 1300 numéros, est précédée de l'étude de son entreprise. Sa carrière est confrontée à l'évolution économique du milieu des peintres-verriers français de son époque

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Puente, Candamo José Agustín de la. "Félix Denegri Luna, Profesor Honorario del Departamento de Humanidades." Pontificia Universidad Católica del Perú, 2017. http://repositorio.pucp.edu.pe/index/handle/123456789/114355.

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Marin, Claire. "L'"activité obscure" dans la philosophie de Félix Ravaisson." Paris 4, 2003. http://www.theses.fr/2003PA040134.

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Descendant le long de la spirale de l'habitude, la réflexion rencontre une " activité obscure " dont la polysémie appelle un travail herméneutique. Cette expression, employée par Ravaisson dans L'habitude, se prête à une analyse se déployant sur différents plans. Elle peut en effet se comprendre comme une référence à l'involontaire, puissance qui œuvre dans le silence et l'obscurité du corps. La dimension phénoménologique de la démarche ravaissonienne apparaît dans l'étude de cette forme particulière d'activité qui prend le relais de la volonté dans l'habitude. L'attention de Ravaisson à cette vie souterraine n'est pas sans trouver d'échos dans Le volontaire et l'involontaire de Paul Ricœur. Mais cette activité obscure exige également une nouvelle définition du cogito puisqu'elle peut aussi être interprétée comme l'activité sous-jacente de la conscience, qui prévient celle de l'intelligence claire et distincte. Dans l'involontaire comme dans la subconscience, l'immédiateté de l'action mime celle de l'activité parfaite. Mais il se pourrait qu'elle rejoue aussi l'activité même de l'être. L'activité obscure serait alors paradigme dans la mesure où elle imite et rend visible l'infatigable activité ontologique. Elle offre donc l'occasion d'une nouvelle interrogation sur la légitimité d'une " majoration ontologique de l'habitude ", selon la formule de D. Janicaud, ainsi que de brèves incursions dans les œuvres de la philosophie française du XXe siècle où la pensée ravaissonienne a laissé son empreinte
Spiralling down the path of habit, reflection encounters an "obscure activity" whose polysemy calls for hermeneutic exploration. This expression used by Ravaisson in L'habitude can be analysed on different levels. It can be understood as a reference to "the involuntary", a power at work in the silence and darkness of the body. The phenomenological dimension of Ravaisson's thought is revealed in the study of that specific form of activity in which habit takes over from the will. Ravaisson's care for a "subterranean life" is echoed in Paul Ricoeur's Le volontaire et l'involontaire. But the obscure activity also requires the cogito to be redefined, since it can also be interpreted as the underlying activity of consciousness, which predates that of clear and distinct intelligence. In the involuntary and in the subconscious, the immediateness of the action mirrors that of perfect activity. But it could also reflect the very activity of being. The obscure activity would then be paradigmatic insofar as it imitates and brings to light a tireless ontogical activity. It therefore allows a new questioning on the "ontological majoration of habit", in D. Janicaud's words, as well as brief incursions into the works of twentieth-century French philosophers, in which Ravaisson's thought has left a mark

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Книги з теми "Félix"

Berardi, Franco. Félix Guattari. Edited by Giuseppina Mecchia and Charles J. Stivale. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230584488.

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Rutiaga, Luis. María Félix. México, D.F: Tomo, 2004.

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Philippe, Diemunsch, ed. Félix Têtedeveau. Paris: Flammarion, 2013.

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S, J. Llop. Félix Tabasco. Barcelona: Gal Art, 1994.

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Cueto Ruiz-Funes, Juan Ignacio del and Acción Cultural Española (Organization), eds. Félix Candela. Madrid, Spain]: Acción Cultural Española, 2012.

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Prada, Antonio Cacua. Félix Restrepo, S.J. Santafé de Bogotá: Instituto Caro y Cuervo, 1997.

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M, Maziel Terrazas. Félix, el ministro. La Paz: M. Terrazas, 2007.

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Arnaudin, Félix. Félix: [index général]. Bordeaux: Confluences, 2007.

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Orgeval, Domitille d'. Félix Del Marle. [Grenoble]: Musée de Grenoble, 2000.

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Mendoza, Hugo. José Félix Estigarribia. Asunción, Paraguay]: El Lector, 2011.

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Частини книг з теми "Félix"

Berressem, Hanjo. "Guattari, Félix." In Metzler Philosophen Lexikon, 332–35. Stuttgart: J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03642-1_116.

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Cohen, J. W. "Félix Pollaczek." In Statisticians of the Centuries, 429–33. New York, NY: Springer New York, 2001. http://dx.doi.org/10.1007/978-1-4613-0179-0_92.

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Wild, Gerhard. "Vallotton, Félix." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18228-1.

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Freijo Becchero, Fedra. "Krueger, Félix." In The Palgrave Biographical Encyclopedia of Psychology in Latin America, 1–3. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-38726-6_509-1.

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Sibalis, Michael. "Carlier, Félix." In Who's Who in Gay and Lesbian History, 87–88. 2nd ed. London: Routledge, 2020. http://dx.doi.org/10.4324/9781003070900-90.

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Freijo Becchero, Fedra. "Krueger, Félix." In The Palgrave Biographical Encyclopedia of Psychology in Latin America, 657–59. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-56781-1_509.

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Berardi, Franco. "Introduction: Cartographies in Becoming." In Félix Guattari, 1–5. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230584488_1.

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Berardi, Franco. "The Tantric Egg." In Félix Guattari, 109–12. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230584488_10.

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Berardi, Franco. "Chaosmosis." In Félix Guattari, 113–33. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230584488_11.

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Berardi, Franco. "The Provisional Eternity of Friendship." In Félix Guattari, 134–40. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230584488_12.

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Тези доповідей конференцій з теми "Félix"

Messias Coutinho Meira, Manoel, MARILIA AGUIAR RODRIGUES, Lara de Oliveira Carvalho, and Grasiele de Oliveira Cruz. "O Ecofeminismo na perspectiva de Félix Guattari." In XVII Encontro Nacional de Estudantes de Engenharia Ambiental e V Fórum Latino-Americano de Engenharia e Sustentabilidade. Recife, Brasil: Even3, 2019. http://dx.doi.org/10.29327/15304.17-160738.

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Garlock, Maria E. Moreyra, and David P. Billington. "Félix Candela and the Origins of Inspiration." In Structures Congress 2011. Reston, VA: American Society of Civil Engineers, 2011. http://dx.doi.org/10.1061/41171(401)200.

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Pereira, Carlos Eduardo Ribeiro Fontella, and Julio Cesar Boscher Torres. "MEDIÇÃO SONORA NA AVENIDA MONSENHOR FÉLIX EM IRAJÁ." In IV SIMPÓSIO NACIONAL DE GESTÃO E ENGENHARIA URBANA. ANTAC, 2023. http://dx.doi.org/10.46421/singeurb.v4i00.3609.

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O crescimento desordenado e não sustentável das cidades têm contribuído com o agravamento dos impactos nocivos dos ruídos à população, destacando-se o ruído proveniente do tráfego urbano dentre as demais fontes de ruído. O objetivo deste trabalho foi comparar o ruído produzido pelo tráfego de veículos durante o horário de pico no período diurno, turno da manhã, em um dia da semana e no final de semana, para avaliar seu impacto sonoro na área de estudo. A metodologia aplicada teve como base as medições do nível de pressão sonora. Os níveis medidos foram avaliados através da comparação dos níveis de referência determinados pela norma técnica ABNT NBR 10.151 e pela Organização Mundial de Saúde (OMS) para ambientes externos. Os resultados indicaram um aumento no nível de ruído após compararmos os cenários diurnos do fim de semana (sábado) com os de durante a semana (quinta-feira). As motocicletas e os veículos pesados, em associação com os demais veículos, contribuíram de maneira significativa para o agravamento da poluição sonora no bairro de Irajá.

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Canêz Cardoso, Franciane. "FÉLIX FERREIRA E O CIRCUITO DE EXPOSIÇÕES PARTICULARES NO RIO DE JANEIRO." In 31º Encontro Nacional da ANPAP - EXISTÊNCIAS. ,: Even3, 2022. http://dx.doi.org/10.29327/31enanpap2022.510037.

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Dias, Elaine. "“Félix Émile Taunay – cidade e natureza no brasil”: enfrentamentos da pesquisa e metodologia." In Encontro da História da Arte. Universidade Estadual de Campinas, 2006. http://dx.doi.org/10.20396/eha.2.2006.3703.

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Dias, Elaine. "Os escritos de Quatremère de Quincy, Percier e Fontaine nos discursos de Félix-Émile Taunay." In Encontro da História da Arte. Universidade Estadual de Campinas, 2008. http://dx.doi.org/10.20396/eha.4.2008.3875.

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A teoria artística proposta por Quatremère de Quincy na França, sobre a imitação, a beleza e a importância da arquitetura entre as artes, ao final doséculo XVIII e início do século XIX, e sua posterior influência aos escritos de Percier e Fontaine, causaram também reflexos no sistema artístico brasileiro. A proposta didática de Félix-Émile Taunay na direção da Academia Imperial de Belas Artes, entre 1834 e 1851, e o conteúdo teórico presente em alguns de seus discursos pronunciados nas sessões públicas anuais da instituição, revelam a influência destes arquitetos franceses, sobretudo na importância destinada à arquitetura como instrumento de consolidação da Academia. Propomos neste ensaio, uma breve análise sobre estas teorias presente nos escritos de Taunay e seus objetivos no que se refere ao campo da arquitetura e suas relações com o governo de D. Pedro II.

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Takara, Luciana Miyuki. "Uma análise do espaço na obra de Farnese de Andrade." In Encontro de História da Arte. Universidade Estadual de Campinas, 2009. http://dx.doi.org/10.20396/eha.5.2009.4039.

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Nesta comunicação irei apenas apresentar uma parte de minha iniciação científica, na qual analiso a obra do artista brasileiro Farnese de Andrade. Antes disso, preciso fazer uma consideração a respeito do campo em que se inseriu a pesquisa, pois, já em sua concepção, difere das recorrentes análises produzidas a respeito do artista. A abordagem que faço de Farnese de Andrade está diretamente relacionada com a minha formação em Artes Visuais, na medida em que utilizo as discussões suscitadas tanto pela produção escultórica deste artista - assim como de outros como Nelson Félix - para criar interlocuções entre minha pesquisa plástica.

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Pereira, Mariane Araujo, and Daniel Cristian Ferreira Soares. "ESTUDO DA PRESENÇA DE AGROTÓXICOS EM AMOSTRAS DE ÁGUA DA COMUNIDADE QUILOMBOLA SÃO FÉLIX – CANTAGALO, MG." In Simpósio de Iniciação Científica da Unifei. Recife, Brasil: Even3, 2023. http://dx.doi.org/10.29327/1307153.1-177.

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Garcia, Natalí Abreu, Rodrigo Reis Rodrigues, Karine de Mello Freire, and Carlo Franzato. "The production of subjectivities and design from the Three Ecologies." In SDS 2023 - IX SIMPÓSIO DE DESIGN SUSTENTÁVEL. Grupo de Pesquisa Virtuhab/UFSC, 2023. http://dx.doi.org/10.29183/978-65-00-87779-3.sds2023.p39-50.

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This paper proposes the presentation of the concept ‘production of subjectivities’ as a premise for the development of new design attitudes aimed at regeneration, in which socio-environmental issues are fundamental. A critique of design will be articulated with the notion of production of subjectivity, pointing to Ecosophy, an ethical-aesthetic-political paradigm proposed by Félix Guattari, as a framework for the theoretical-methodological development of regenerative design processes. Finally, a case will be presented where these methodological perspectives were tried out in design processes. As a result, we identified that this paradigm was fundamental for the development of meta-project reflection, more than project solutions. And from these reflections emerged critical productions in the form of manifestos that would serve as the necessary catalyst for the regeneration not only of the territory but of the subjectivities and social relations involved.

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Mollemberg, M., L. Lianos, and W. Santana. "REGISTRO DE ESPÉCIES DE MACROBRACHIUM SPENCE BATE, 1868 (DECAPODA: CARIDEA: PALAEMONIDAE) EM CURSO D'ÁGUA NA PRAIA DO FÉLIX, UBATUBA, SP." In X Congresso Brasileiro sobre Crustáceos. Sociedade Brasileira de Carcinologia, 2018. http://dx.doi.org/10.21826/2178-7581x2018269.

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Stubrin, Lilia, Anabel Marín, Enrique Carreras, and Rocío Palacín. La cadena de valor de la fruta de pepita en Argentina: casos de éxito exportador en mercados con crecientes oportunidades de diferenciación. Inter-American Development Bank, March 2023. http://dx.doi.org/10.18235/0004766.

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La actividad de producción y exportación de fruta de pepita (manzana y pera) ha sido históricamente una actividad de relevancia entre las economías regionales de la Argentina. Sin embargo, en el último tiempo este sector ha enfrentado diversos desafíos que han afectado su competitividad. En este artículo documentamos y analizamos, sin embargo, casos de empresas que, en distintas etapas de la cadena de valor, en productos frescos e industrializados, han desarrollado estrategias de diferenciación, innovación y customización a las demandas del mercado externo lo que les ha permitido competir exitosamente en el mercado externo. Los casos analizados son tres empresas en diferentes segmentos de la cadena de valor las cuales están vinculadas entre ellas a través de la cadena de suministros. La firma Patagonian Fruits Trade es una firma exportadora de gran porte líder en el mercado de fruta fresca (manzana, pera y kiwi), Fénix es una empresa mediana líder mundial en la exportación de puré de fruta y la empresa Pura Frutta es una empresa start-up joven en el mercado de jugos que está creciendo en un mercado de nicho en expansión. Los diferentes segmentos de la cadena fueron analizados de manera articulada y con una visión de conjunto entendiendo que es clave conocer las retroalimentaciones que existen a lo largo de la actividad para agregar valor y ganar en competitividad exportadora. Asimismo, la selección de un conjunto heterogéneo de casos de estudio en términos de tamaño, capacidades e historia es de gran utilidad para conocer posibles trayectorias de internacionalización accesibles para firmas diversas.

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Nouvelles de Québec - hommage toponymique à Félix Leclerc. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1988. http://dx.doi.org/10.4095/298287.

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The Marvelous Real: Colombia Through the Vision of its Artists. Inter-American Development Bank, July 2013. http://dx.doi.org/10.18235/0006217.

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The exhibition "The Marvelous Real: Colombia Through the Vision of its Artists" at the Cultural Center of the Inter-American Development Bank (IDB), from July 8 to September 27, 2013, is a visual tour that highlights the complexities, challenges and singularities of Colombia through the eyes of several of its most important artists. The exhibit features 36 pieces by 24 Colombian artists including Edgar Negret, Fanny Sanín, Enrique Grau, David Manzur and Eduardo Ramírez Villamizar, among others, and is curated by Félix Ángel.

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The IDB Cultural Center at Artomatic. Inter-American Development Bank, November 2004. http://dx.doi.org/10.18235/0005954.

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For the first time, the IDB Cultural Center participated in Artomatic, a mega exhibit that opened to the public on November 12, 2004 at 800 3rd Street, NE (3rd and H Streets, NE), in Washington, D.C. The IDB Cultural Center selected and sponsored nine artists from Colombia, Ecuador, Panama and Uruguay. Many of them have already been shown in Washington, DC in different venues, such as the Organization of American States, the Uruguay Cultural Foundation for the Arts, the Consulate of Colombia and the American Association for the Advancement of Science. Félix Angel, General Coordinator and Curator of the IDB Cultural Center, said: The idea of inviting the IDB Cultural Center to have a presence in Artomatic 2004 responds to the desire of the organizers to create an opportunity for artists who do not live in the city to show their work, and to join in this celebration with the same spirit of informality that characterizes the event.

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