Готові списки джерел за темами / Fashion

Добірка наукової літератури з теми "Fashion"

Автор: Grafiati
Опубліковано: 4 червня 2021
Оновлено: 25 травня 2024

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Зміст

  1. Статті в журналах
  2. Дисертації
  3. Книги
  4. Частини книг
  5. Тези доповідей конференцій
  6. Звіти організацій

Статті в журналах з теми "Fashion":

1

Loreck, Hanne. "De/constructing Fashion/Fashions of Deconstruction: Cindy Sherman's Fashion Photographs." Fashion Theory 6, no. 3 (August 2002): 255–75. http://dx.doi.org/10.2752/136270402790577604.

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2

Guedes, M. G., and A. Buest. "Fashion designer, fashion consumer, fashion learner." IOP Conference Series: Materials Science and Engineering 459 (December 7, 2018): 012043. http://dx.doi.org/10.1088/1757-899x/459/1/012043.

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3

Freedman, Erin Alexa. "Fashion after Fashion." Fashion Theory 24, no. 1 (April 3, 2018): 113–20. http://dx.doi.org/10.1080/1362704x.2018.1454754.

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4

Sark, Katrina, and Sara Danièle Bélanger-Michaud. "Montreal Chic: Institutions of Fashion—Fashions of Institutions." Fashion Theory 19, no. 3 (May 7, 2015): 397–416. http://dx.doi.org/10.2752/175174115x14223685749449.

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5

McQuillan, Vésma Kontere. "Rethinking fashion review with architectural fashion analysis method." International Journal of Fashion Studies 11, no. 1 (April 1, 2024): 161–80. http://dx.doi.org/10.1386/infs_00110_1.

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Exploring the interplay between fashion and architecture, this article introduces architectural fashion analysis method, an original methodology for analysing fashion shows through an architectural lens. Focusing on the works of Prada and OMA/AMO, the study delves into the narrative power of space in fashion presentations, informed by theories from Roland Barthes and Adrian Forty, as well as the theoretical model of fashion spaces by McQuillan and Hansen. This approach highlights the underexplored but crucial role of architectural thinking in fashion critique. The article posits that employing architectural principles not only enriches the understanding of fashion but also paves the way for an insightful exploration of fashion’s digital dimension.
6

Arjana, Sophia Rose. "Islamic Fashion and Anti-Fashion." American Journal of Islam and Society 32, no. 2 (April 1, 2015): 104–7. http://dx.doi.org/10.35632/ajis.v32i2.973.

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This volume of scholarship surrounding Islamic fashion presents a counternarrativeto a dominant story: that Muslim women in the West are subjugatedby the oppressive and patriarchal yoke of Islam. Islamic Fashion and Anti-Fashion: New Perspectives from Europe and North America offers a freshnew look at veiling, its intersection with religious piety, family, community,religious authority, fashion, and commoditization through sixteen distinct stud-104 The American Journal of Islamic Social Sciences 32:2ies ranging from clothing items like the burqini and the pardosu to larger issuessurrounding identity and politics, such as North American Islamophobia andits impact on Canadian Muslims. This book represents a large field of researchon Muslim women’s lived experiences, one that reveals the complexities inherentin these religious actors whose choices of dress reveal a large set ofcompeting values, desires, and commitments.The book is organized into five sections: location and encounter, historyand heritage, the marketplace, fashion and media, and fashion and anti-fashion.Two of its attractive features are the numerous black and white images runningthrough many of the chapters, as well as the two groups of stunning, provocativecolor photographs showing the richness of Islamic fashion, from “hijabistreet style” to London Muslim hipster style ...
7

Ayres, Jennifer. "A Fashion Exhibit Without Fashion." Fashion Studies 1, no. 1 (2018): 1–35. http://dx.doi.org/10.38055/fs010114.

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In this review, I critically examine the fashion and art exhibition “fashion after Fashion,” April 7–Aug 27, 2017 at the Museum of Arts and Design in New York City, curated by Hazel Clark and Ilari Laamanen. The exhibition design was commissioned work by six interdisciplinary artists/designers who incorporated a mix of sculpture, performance, and audiovisual material into their installations. The different installations, taken together and experienced together, acted back and upon each other in interesting ways in the exhibition, which was a strength of the curators’ method; the use of commissions exclusively acted as a kind of artistic method in itself. The first and most notable thing about the exhibit was that there were no clothes on mannequins. While the exhibition’s premise was on fashion, the intentional absence of clothing was a risky strategy the curators pursued to intervene in how viewers think about fashion. The installations were purposely amorphous and abstract as well to inspire a broader consideration of what fashion can be and what bodies can do. Though the relationship between fashion and the body has been a constant topic in fashion scholarship, this exhibition offered a new perspective through commissioning and showcasing the category-defying work of recent fashion and art school graduates and performance artists.
8

González, Ana Marta. "On fashion and fashion discourses." Critical Studies in Fashion and Beauty 1, no. 1 (October 2010): 65–85. http://dx.doi.org/10.1386/csfb.1.1.65_1.

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9

TOMIUC, Anamaria, and Oana STAN. "The Fashion Blogosphere in Romania. Fashionscape and Fashion Bloggers." Postmodern Openings 06, no. 01 (June 30, 2015): 161–74. http://dx.doi.org/10.18662/po/2015.0601.11.

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10

Zhao, Lihuan, Silu Liu, and Xiaoming Zhao. "Big data and digital design models for fashion design." Journal of Engineered Fibers and Fabrics 16 (January 2021): 155892502110190. http://dx.doi.org/10.1177/15589250211019023.

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The demand for fashion, and for virtual fitting and personalized fashion among customers, is changing the design and consumption of fashion. To meet such challenges, fashion design models are being developed based on big data and digitization, in which fashion is designed based on data, virtual fitting, design-support systems, and recommendation systems. This paper reviews the fashion design models proposed in recent years and considers future development directions for fashion design. Using big data and digital processing technologies, fashion designers identify the characteristics of popular fashions in the market, predict fashion trends, and create designs accordingly. The virtual fitting of scanatar, parametric mannequin, or even real human bodies, enables customers to quickly and easily find fashion that best meets their tastes and requirements. On consumer design-support platforms, consumers can freely select styles, colors, materials, and other fashion aspects and view the design output. Furthermore, fashion recommendation systems, guided by fashion design experts, have greatly improved consumer satisfaction with fashion design. Yet, current fashion design systems do not fully consider the performance of textile materials and do not involve functional fashion design, let alone comfort. Such limitations provide directions future research in fashion design.
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Статті в журналах Дисертації Книги

Дисертації з теми "Fashion":

1

Machadinho, Mónica Filipa Coelho. "Fast fashion vs. slow fashion." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2018. http://hdl.handle.net/10400.5/17804.

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Dissertação de Mestrado em Design, com a especialização em Design de Moda apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.
A presente dissertação, de cariz teórico-prático, insere-se no âmbito do Design de Moda, particularmente na observação dos novos comportamentos do mercado e das novas tendências de consumo, resultantes do atual processo de globalização decorrente da Terceira Revolução Industrial. A partir de revisão de literatura relevante, este estudo pretende analisar a evolução da globalização e o seu impacto junto dos consumidores. Os antagónicos movimentos de Fast Fashion e Slow Fashion, assumem particular importância no contexto da indústria da Moda, e exprimem diferentes valores estéticos, culturais e sociais que proporcionam diferentes visões no pensamento e vivência dos consumidores, estabelecendo conexões entre as consequências geradas por ambos os movimentos. Através de uma análise SWOT, a presente investigação procura obter uma mais correcta identificação dos valores de cada um destes dois sistemas, fundamentais para a compreensão de uma moda mais consciencializada e justa. Com base nos princípios da Slow Fashion, que valorizam não só as questões da ética e sustentabilidade mas, e sobretudo, a valorização das habilidades tácteis dos artesãos populares portugueses, surge o levantamento das principais técnicas e desenhos utilizados na elaboração do tradicional “Bordado de Viana”, que servirá de suporte à coleção desenvolvida.
ABSTRACT: This essay, of a theoretical and practical nature, is aimed at the observation of new behaviors in markets as well as the new trends of consumption, resulting from the ongoing process of globalization of the Third Industrial Revolution. Starting with the consulting of relevant literature, this research intends to analysis the evolution of the globalization, and the impact on consumers. The antagonistic movements of Fast Fashion and Slow Fashion which are particularly important in the Fashion industry, and express different aesthetical, cultural, and social values that allow us new insights into the thinking and background of consumers, establishing connections between the consequences that arose from these movements. Through a SWOT analysis, the present investigation attempt to obtain a more accurate identification of the values of each of the two systems, which is fundamental in the understanding of a more aware and fair fashion. Based on the principles of Slow Fashion, which hold in high regard not only matters of ethics and sustainability but, first and foremost, the valuing of the labor skills of popular Portuguese artisans, comes up the main techniques and designs used in the production of the traditional “Bordado de Viana” were studied, and served as inspiration for the collection that will be developed.
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2

Minhas, Frida, and Mersiha Memic. "The fast fashion phenomenon : Luxury fashion brands responding to fast fashion." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20850.

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Purpose:The purpose of this thesis has been to study, describe and analyze how luxury fashion brands have responded to fast fashion. Background:It has been stated that the life of luxury fashion brands has become more difficult since the proliferation of fast fashion brands. The Italian luxury fashion designer Giorgio Armani has said that "Fast fashion is a growing reality in our sector". Anna Wintour, the editor-in-chief of American Vogue has credited Zara for creating a ‘seasonless cycle for fashion’. Fast fashion brands such as H&M, Zara, Mango and Topshop have through interpreting catwalk trends with a speedy time-to-market been extremely successful at attracting the fashion conscious consumer. Even loyal high-end customers have started to mix their luxury fashion with fast fashion. Luxury fashion brands once dismissed the fast fashion brands as irrelevant to their high-end business, which however have started to drain away sales from the luxury fashion brands.Method:A qualitative research approach was taken to meet the purpose of collecting the relevant data. An interview was made with PR and Marketing Manager at Group 88, Robert Meeder who manages brands such as Gucci, Burberry and Bottega Veneta in Copenhagen. We also did a content analysis on articles collected that address the issue of how different luxury fashion brands have responded to fast fashion for the empirical study.Conclusion:Luxury fashion brands have responded to fast fashion by inclining towards the fast fashion model or reacting against it. Some of the reactions have been to offer lower priced lines under their own sub-brands. They have also allowed their customers to buy products during online webcasts in order to ensure early deliveries. Improvements have been made within logistics in order to speed up the time-to-market. The luxury fashion brands are also working more ‘seasonless’ than before and focusing on their heritage to portray a slower and more indulgent image to the consumer.
Program: Magisterutbildning i Fashion Management
3

Zhang, Yanqing. "Tech Fashion : Fashion Institutionalization in Digital Technology." Doctoral thesis, Stockholms universitet, Institutionen för data- och systemvetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-130200.

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This thesis explores aesthetization in general and fashion in particular in digital technology design and how we can design digital technology to account for the extended influences of fashion. The thesis applies a combination of methods to explore the new design space at the intersection of fashion and technology. First, it contributes to theoretical understandings of aesthetization and fashion institutionalization that influence digital technology design. We show that there is an unstable aesthetization in mobile design and the increased aesthetization is closely related to the fashion industry. Fashion emerged through shared institutional activities, which are usually in the form of action nets in the design of digital devices. “Tech Fashion” is proposed to interpret such dynamic action nets of institutional arrangements that make digital technology fashionable and desirable. Second, through associative design research, we have designed and developed two prototypes that account for institutionalized fashion values, such as the concept “outfit-centric accessory.” We call for a more extensive collaboration between fashion design and interaction design.

At the time of the doctoral defense, the following papers were unpublished and had a status as follows: Paper 1: Accepted. Paper 5: Manuscript.

4

陳嘉敏 and Ka-man Carmen Chan. "Museum of fashion in a district of fashion." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31986286.

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5

Kareinen, Kira, and Sonja Kainulainen. "No fashion victims? - Motivations for sustainable fashion consumption." Thesis, Uppsala universitet, Företagsekonomiska institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-297704.

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The tension between fashion and sustainability has been recognized, as it has been argued whether fashion can be sustainable. This is due to the several ethical dilemmas the fashion industry is facing, including not only environmental but also social problems. These issues have gained an increasing amount of consumers' attention during the last years. Even if these problems are recognized, consumers are still having an attitude-behaviour gap towards sustainable consumption, where positive attitude does not reflect on actions. Therefore, this study takes a deeper look into the consumption behaviour of sustainable fashion consumers and aims to clarify, what motivates to purchase sustainable fashion products. With the help of a means-end theory, this exploratory research aims to understand consumers' values behind their purchasing behaviour. The empirical data was collected using an existing sustainable fashion company's customer base in the Netherlands, as their customers have already shown interest towards sustainable fashion. This study is based on nineteen qualitative in-depth laddering interviews, lasting around 25 minutes. The data resulted in several means-end chains that presented which attributes, consequences and values motivate and influence on consumers' purchasing of sustainable fashion. After collecting the data, content analysis was conducted and as a result emerged four dominant motivational themes that motivate consumers to buy sustainable fashion products: self-expression, protect the future, contribution as well as help, care and responsibility. These motivational themes show what consumers value when they make sustainable fashion purchases. In the end, the results of this research are contributing to the holistic understanding of sustainable fashion consumption as well as give insights to the under-researched topic of motivations to purchase sustainable fashion.

6

Igareta, Herráiz Angel Luis. "Leveraging Adult Fashion to Enhance Children’s Fashion Recognition." Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-301657.

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The future of the fashion industry is expected to be online, thus a significant amount of research is being conducted in the field of fashion image analysis. Currently, a task that places a heavy workload on online stores is manually tagging new garments, including attributes such as category, color, pattern, or style. To this end, extensive research has targeted the automatic prediction of clothing categories and attributes, achieving promising results. Nevertheless, no previous study has been found in the literature that specifically reflects the performance of clothing attribute recognition with children’s clothing. This work intends to fill this gap and effectively present, in the same fashion analysis task, how a model trained in adult fashion performs over a model trained exclusively in children’s fashion. When examining the global understanding of children’s fashion apparel, the experiments exhibit that the best performance is obtained when leveraging the domain knowledge of adult fashion, specifically from the iMaterialist dataset, wherein the best model a difference in the overall performance of about 3% was achieved compared to pre- training on the ImageNet dataset or 12% when only children’s fashion was considered for training.
Modebranschen förväntas i framtiden vara online, och därför bedrivs det mycket forskning inom området bildanalys av modebilder. En uppgift som för närvarande innebär en stor arbetsbörda för nätbutiker är att manuellt tagga nya plagg med attribut som kategori, färg, mönster eller stil. Därför har omfattande forskning genomförts om automatisk förutsägelse av klädkategorier och attribut, och man har uppnått lovande resultat. Trots detta har ingen tidigare studie hittats i litteraturen som specifikt speglar prestandan för igenkänning av klädattribut för barnkläder. Syftet med det här arbetet är att fylla denna lucka och, som en del i en analys av mode, på ett effektivt sätt visa hur en modell som tränats för vuxenmode presterar jämfört med en modell som enbart tränats för barnmode. När man undersöker den globala förståelsen för barnkläder visar experimenten att den bästa prestandan uppnås när man utnyttjar domänkunskapen om vuxenmode, särskilt från iMaterialist- dataset, där man med den bästa modellen uppnådde en skillnad i den totala prestandan på cirka 3% jämfört med förträning på ImageNet- dataset eller 12% när endast barnmode beaktades vid träningen.
7

Довгополова, А. А. "Структурно-етимологічний аналіз імені концепту FASHION номінації FASHION". Thesis, Сумський державний університет, 2014. http://essuir.sumdu.edu.ua/handle/123456789/36238.

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Для більш глибокого вивчення англомовної картини світу в її динамічному розвитку та, зважаючи на важливе значення даного концепту в картині світу носія сучасної англійської мови, розгляд структури і закономірностей вербалізації концепту FASHION є дуже важливим. При цитуванні документа, використовуйте посилання http://essuir.sumdu.edu.ua/handle/123456789/36238
8

Chan, Ka-man Carmen. "Museum of fashion in a district of fashion." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25954763.

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9

North, Matthew. "Constructing fashion." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ48232.pdf.

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Гришай, Крістіна Сергіївна. "Fashion innovations." Thesis, Київський національний університет технологій та дизайну, 2019. https://er.knutd.edu.ua/handle/123456789/13055.

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Книги з теми "Fashion":

1

Foltyn, Jacque Lynn. Fashions: Exploring fashion through cultures. Freeland, Oxfordshire, United Kingdom: Inter-Disciplinary Press, 2012.

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2

Asosiasi Perancang Pengusaha Mode Indonesia. Indonesia fashion reportage: Modest fashion attire : Indonesia fashion week. Jakarta: PT Gramedia Pustaka Utama, 2014.

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3

Borrelli, Laird. Fashion illustration by fashion designers. San Francisco, CA: Chronicle Books, 2008.

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4

Kumagai, Kojiro. Fashion & color: Total fashion coordinate. Tokyo: Graphic-sha Pub. Co., 1985.

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5

Newman, Cathy. Fashion. Washington, D.C: National Geographic Society, 2001.

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6

Lehnert, Gertrud. Fashion. Hauppauge, N.Y: Barron's Educational Series, 1998.

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7

King, Hazel. Fashion. Oxford: Heinemann Library, 2008.

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8

Beckett, Kathleen. Fashion. Princeton, N.J: Peterson's, 1992.

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9

Office, Great Britain Foreign and Commonwealth. Fashion. London: Foreign and Commonwealth Office, 2001.

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10

Black, Judy. Fashion. New York: Crestwood House, 1994.

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Частини книг з теми "Fashion":

1

Adburgham, Alison. "Fashion for Fashion's Sake." In View of Fashion, 124–25. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003361398-44.

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2

Moreno Márquez, César. "Fashion." In Handbook of Phenomenological Aesthetics, 107–10. Dordrecht: Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-90-481-2471-8_20.

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Bhattacharyya, Gargi. "Fashion." In A Companion to Racial and Ethnic Studies, 416–22. Oxford, UK: Blackwell Publishers Ltd, 2018. http://dx.doi.org/10.1111/b.9780631206163.2002.00036.x.

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Moeran, Brian. "Fashion." In Creative and Cultural Industries in East Asia, 92–109. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003177074-8.

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Merlo, Elisabetta. "Fashion." In Leading the Economic Risorgimento, 178–95. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781351058711-11.

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Craik, Jennifer. "Fashion." In The Routledge Companion to Urban Media and Communication, 304–13. New York : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9781315211633-32.

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Attebery, Stina. "Fashion." In The Routledge Companion to Cyberpunk Culture, 228–37. London; New York : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9781351139885-28.

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Odabaşı, Sanem. "Fashion." In Fashion, Upcycling, and Memory, 38–59. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003362326-3.

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Atkinson, Thomas Dinham. "Fashion." In Local Style in English Architecture, 75–79. London: Routledge, 2024. http://dx.doi.org/10.4324/9781032707723-9.

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Simmel, Georg. "Fashion *." In Fashion Marketing, 171–91. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003424208-10.

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Тези доповідей конференцій з теми "Fashion":

1

Lee, Min-Young, RayeCarol Cavender, and Scarlett Wesley. "An Exploration of Consumer Accountability for Sustainability in the Fast Fashion Industry." In Sustainability in Fashion -. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/susfashion.11397.

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Burns, Leslie Davis. "Using the Case Study Method to Teach Sustainability in Fashion." In Sustainability in Fashion -. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/susfashion.11415.

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3

Burns, Leslie Davis. "Hierarchy of Social Compliance Programs: A Conceptual Model." In Sustainability in Fashion -. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/susfashion.11416.

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4

Chen, Chanjuan. "An Exploration of Production Efficiency and Standardization in Upcycled Designs." In Sustainability in Fashion -. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/susfashion.11418.

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5

Chen, Chanjuan, Kendra Lapolla, and Kim HongYoun Hahn. "Adopting Real-world Learning Opportunities in Fashion Design Pedagogy for Undergraduate Students." In Sustainability in Fashion -. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/susfashion.11419.

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6

Frank, Robert, Sarah Portway, Shorna Broussard Allred, and Tasha L. Lewis. "Longitudinal Influence of Online Consumer Knowledge on Millennials' Sustainable Clothing Consumption." In Sustainability in Fashion -. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/susfashion.11420.

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7

Irick, Erin M., and Rachel Eike. "Analysis of the Availability of Second-hand Clothing as the Raw Materials for Repurposing." In Sustainability in Fashion -. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/susfashion.11421.

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8

Thompson, Amanda J., and Bahrum Prang Rocky. "How is Vague Language Being Used in Retail Websites for Bamboo Viscose Products?" In Sustainability in Fashion -. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/susfashion.11422.

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9

Ha-Brookshire, Jung E., and Md Rafiqul Islam Rana. "Social Sustainability in Workplace: An Investigation of the Buyer-Supplier Relationship through Power and Psychologically Defensive Workplace Behavior." In Sustainability in Fashion -. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/susfashion.11424.

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Howell, Alexandra L., Julie L. Hillery, and V. Ann Paulins. "Learning How to be an Ethical Fashion Consumer." In Sustainability in Fashion -. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/susfashion.11425.

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Звіти організацій з теми "Fashion":

1

Perry. Sculptural Fashion. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-1228.

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2

Bradley, Linda Arthur. Fashion and Anti-fashion among Holdeman Mennonite Women. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-384.

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3

Adomaitis, Alyssa Dana. A Fashion Paradox: Reflective Thinking for Fashion Forecasting. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-750.

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4

Jones, Katie Baker. Looking at fashion through green-colored glasses: Vogue's sustainable fashion discourse. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-95.

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5

DePhillips, Alison, and Jihyeong Son. Millennials' Fashion Consumption: Who Are Fashion Opinion Leaders in Social Media? Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1813.

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6

McCorkill, Georgia. Fashion Fix: Exploring Garment Repair from a Critical Fashion Practice Perspective. University of Limerick, 2021. http://dx.doi.org/10.31880/10344/10230.

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7

Matthews, Delisia R., Kristen McKaraher, and Nimet Degirmencioglu. Body Appreciation: An Assessment of Fashion Innovativeness, Fashion Enjoyment, and Psychological Fashion Risk Among Plus-Size Gwynnie Bee Members. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8871.

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8

Chen, Chanjuan. Origami Meets Eco-fashion. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-690.

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9

Preuit, Rachel, and Ruoh-Nan (Terry) Yan. Fashion and Sustainability: Increasing Knowledge About Slow Fashion Through an Educational Module. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1317.

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10

Zhao, Li, Lizhau Davis, and Dean Davis. Secrets in Fashion Entrepreneurship: Exploring Factors Influencing Success in U.S. Fashion New Ventures. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8358.

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