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Статті в журналах з теми "European theatre"
Mercer, Wendy S., and Elizabeth Woodrough. "Women in European Theatre." Modern Language Review 92, no. 4 (October 1997): 985. http://dx.doi.org/10.2307/3734266.
Повний текст джерелаLeims, Thomas. "Japanese Theatre: European Performances and European Research." Maske und Kothurn 35, no. 2-3 (September 1989): 7–10. http://dx.doi.org/10.7767/muk.1989.35.23.7.
Повний текст джерелаThorbergsson, Magnus Thor. "Being European." Nordic Theatre Studies 25, no. 1 (November 15, 2018): 22–33. http://dx.doi.org/10.7146/nts.v25i1.110895.
Повний текст джерелаThorbergsson, Magnus Thor. "Being European." Nordic Theatre Studies 25, no. 1 (November 15, 2018): 22–33. http://dx.doi.org/10.7146/nts.v25i1.110895.
Повний текст джерелаBarzilai, Reut. "Being European: "Hamlet" on the Israeli Stage." Multicultural Shakespeare: Translation, Appropriation and Performance 21, no. 36 (June 30, 2020): 27–53. http://dx.doi.org/10.18778/2083-8530.21.03.
Повний текст джерелаBarzilai, Reut. "Being European: "Hamlet" on the Israeli Stage." Multicultural Shakespeare: Translation, Appropriation and Performance 21, no. 36 (June 30, 2020): 27–53. http://dx.doi.org/10.18778/2083-8530.21.03.
Повний текст джерелаStefanova, Kalina. "Eastern European theatre: theatre in search of a face." South African Theatre Journal 14, no. 1 (January 2000): 174–84. http://dx.doi.org/10.1080/10137548.2000.9687707.
Повний текст джерелаBrett, Margaret, and Sue Vincent. "European developments in theatre nursing." Nursing Standard 7, no. 3 (October 7, 1992): 53–54. http://dx.doi.org/10.7748/ns.7.3.53.s60.
Повний текст джерелаBalme, Christopher. "European Theatre and Performance Studies." Forum Modernes Theater 28, no. 2 (2013): 103–4. http://dx.doi.org/10.1353/fmt.2013.0013.
Повний текст джерелаDecheva, Violeta. "Theatre in the Digital World. The Experiment of Theater Treffen 2020." Sledva : Journal for University Culture, no. 41 (August 19, 2020): 8–17. http://dx.doi.org/10.33919/sledva.20.41.2.
Повний текст джерелаДисертації з теми "European theatre"
Salazar-Sutil, Nicolas. "Theatres of the Surd : a study of mathematical influences in European avant-garde theatre." Thesis, Goldsmiths College (University of London), 2010. http://research.gold.ac.uk/4754/.
Повний текст джерелаBucciarelli, Melania. "Italian opera and European theatre, 1680-1720 : plots, performers, dramaturgies." Thesis, King's College London (University of London), 1998. https://kclpure.kcl.ac.uk/portal/en/theses/italian-opera-and-european-theatre-16801720--plots-performers-dramaturgies(c1235462-b549-497d-aff7-34b0658ea912).html.
Повний текст джерелаBrown, Mark. "Modern Scottish theatre : the creation of a tradition." Thesis, University of Dundee, 2017. https://discovery.dundee.ac.uk/en/studentTheses/c8c2bf08-f3ad-470a-933e-613725aefddf.
Повний текст джерелаMur, Maria-Christina [Verfasser]. "The Physiognomical Discourse and European Theatre : Theory, Performance, Dramatic Text / Maria-Christina Mur." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2017. http://d-nb.info/1136247696/34.
Повний текст джерелаChamberlain, Franc. "Embodying the spirit : Nihilism and spiritual renovation in the European theatre (1890-1914)." Thesis, University of East Anglia, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.317568.
Повний текст джерелаStreet, Anna. "Comedy of the Impossible : The Power of Play in Post-war European Theatre." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040179.
Повний текст джерелаBy tracing the development of theories of comedy within Western philosophy, this thesis claims that anti-comic prejudices prevented comedy from being recognized as a serious genre. Comedy’s inferior status for over two thousand years is shown to correspond to an ethical model that distinguishes the real from the Ideal and affirms a Neo-Platonic vision of existence. Through numerous examples taken from a particular phenomenon of post-war European theatre comprising five different playwrights, this thesis proposes three primary characteristics of comedy: the ontological instability of comic characters, comedy’s paradoxical relation to the world of appearances, and comedy’s willingness to accommodate the impossible. By throwing binaries into question and promoting a complete reversal of dominant value systems, comedy blurs the lines of distinction between the abstract and the concrete, the mechanical and the organic and, ultimately, between life and death. Demonstrating how this reversal is accomplished linguistically, metaphorically, or dramaturgically, this study concludes that comedy subverts the socio-symbolic order that relies upon the logic of possibility
Bocianowski, Cécile. "Les dramaturgies du grotesque en Europe au XXe siècle." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040066.
Повний текст джерелаThis thesis proposes a comparative reading of the use of grotesque in French, Polish, French-speaking Belgian, German-speaking Italian and Spanish theatre so as to determinate the specificities of the grotesque and its reception in different cultural areas. It focuses in the first part on the theory of the notion in arts, from decorative to dramatic art, from Renaissance to the twentieth century. Special attention is given to the grotesque dance, which has been thus far insufficiently studied, and to the discrepancies between western and eastern critical discourses. The comparative analysis of the grotesque is conducted along three axes: deformation, excessiveness and hybridity. It emphasises the function of marionette, pantomime and the inspiration of circus, carnival and cabaret. The last part of the thesis concentrates on the hypothesis of a grotesque dramatic genre in Europe in twentieth century. Once established the theoretical basis of the reflexion upon genre, and in view of contemporary dramatic production, the thesis closes with the determination of the place of the grotesque in the creation and in the criticism. By calling into question traditional periodisation of European twentieth theatre, this thesis aims at giving its place to the grotesque in contemporary dramatic criticism as the shaping of the misshapen
Fearon, Fiona Kavanagh. "The Selection, Production and Reception of European Plays at the National Theatre of Great Britain from 1963-1997." Thesis, University of Sheffield, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.486716.
Повний текст джерелаHalfyard, Janet Katherine. "Only connect : European music theatre in the context of Wagner's Gesamtkunstwerk and the early twentieth-century avant-garde." Thesis, University of Birmingham, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397944.
Повний текст джерелаDawood, Rasha Ahmed Khairy Hafez. "Critical discourse within European plays in the first half of the twentieth century and the manifestations of a similar phenomenon in modern Egyptian drama." Thesis, University of Exeter, 2014. http://hdl.handle.net/10871/15359.
Повний текст джерелаКниги з теми "European theatre"
Contemporary European theatre directors. London: Routledge, 2010.
Знайти повний текст джерелаEdited by Delgado, Maria M., and Dan Rebellato. Contemporary European Theatre Directors. Edited by Maria M. Delgado and Dan Rebellato. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285.
Повний текст джерелаWien, Don Juan Archiv, ed. Ottoman Empire and European theatre. Wien: Hollitzer, 2013.
Знайти повний текст джерелаPrentki, Tim. The Fool in European Theatre. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230357501.
Повний текст джерелаTheatre. London: [Hodder and Stoughton], 2002.
Знайти повний текст джерелаFischer-Lichte, Erika. History of European Drama and Theatre. London: Taylor & Francis Inc, 2004.
Знайти повний текст джерелаFischer-Lichte, Erika. History of European Drama and Theatre. London: Taylor & Francis Group Plc, 2004.
Знайти повний текст джерелаLee, Briant Hamor. European post-Baroque neoclassical theatre architecture. Lewiston: E. Mellen Press, 1996.
Знайти повний текст джерелаFischer-Lichte, Erika. History of European drama and theatre. London: Routledge, 2001.
Знайти повний текст джерелаFischer-Lichte, Erika. History of European drama and theatre. London: Routledge, 2002.
Знайти повний текст джерелаЧастини книг з теми "European theatre"
Schumacher, Claude. "Arrabal’s Theatre of Liberation." In Twentieth-Century European Drama, 124–45. London: Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-23073-0_9.
Повний текст джерелаSingleton, Brian. "Ariane Mnouchkine." In Contemporary European Theatre Directors, 39–60. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-1.
Повний текст джерелаReinelt, Janelle. "Jan Lauwers." In Contemporary European Theatre Directors, 229–57. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-10.
Повний текст джерелаDelgado, Maria M., and Dan Rebellato. "Revised Introduction to The First Edition 1." In Contemporary European Theatre Directors, 1–28. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-101.
Повний текст джерелаRebellato, Dan, and Maria M. Delgado. "Introduction to the second edition." In Contemporary European Theatre Directors, 29–38. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-102.
Повний текст джерелаKnapper, Stephen. "Simon Mcburney." In Contemporary European Theatre Directors, 259–74. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-11.
Повний текст джерелаFlannery, Denis. "Ivo Van Hove." In Contemporary European Theatre Directors, 275–98. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-12.
Повний текст джерелаLedger, Adam J. "Deborah Warner." In Contemporary European Theatre Directors, 299–323. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-13.
Повний текст джерелаRead, Alan. "Romeo Castellucci." In Contemporary European Theatre Directors, 325–40. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-14.
Повний текст джерелаMiller, Judith G. "Kristian Frédric." In Contemporary European Theatre Directors, 341–54. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-15.
Повний текст джерелаТези доповідей конференцій з теми "European theatre"
Petrovic, Dominik, Luka Kicinbaci, Frano Petric, and Zdenko Kovaaic. "Autonomous Robots as Actors in Robotics Theatre - Tribute to the Centenary of R.U.R." In 2019 European Conference on Mobile Robots (ECMR). IEEE, 2019. http://dx.doi.org/10.1109/ecmr.2019.8870908.
Повний текст джерелаApostolopoulos, G., G. Amolochitis, S. Stamataki, A. Giannopoulos, and P. Kofakis. "Combined Geophysical Survey for the Detection of an Archaeological Theatre in Amphiareion of Oropos, Attica, Greece." In Near Surface Geoscience 2014 - 20th European Meeting of Environmental and Engineering Geophysics. Netherlands: EAGE Publications BV, 2014. http://dx.doi.org/10.3997/2214-4609.20141970.
Повний текст джерелаHassan, A., J. Parmar, E. Mulvaney, and N. Bedforth. "ESRA19-0140 Outreach nerve block, a quality improvement project for providing out of theatre regional anaesthesia services." In Abstracts of the European Society of Regional Anesthesia, September 11–14, 2019. BMJ Publishing Group Ltd, 2019. http://dx.doi.org/10.1136/rapm-2019-esraabs2019.110.
Повний текст джерелаYARYMOVYCH, MICHAEL, and JAMES WRIGHT. "EUROPEAN THEATER MISSILE DEFENSE - ISSUES AND OPTIONS." In Space Programs and Technologies Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 1995. http://dx.doi.org/10.2514/6.1995-4017.
Повний текст джерелаKennedy-Karpat, Colleen. "Adaptation studies in Europe." In 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.02015k.
Повний текст джерелаKennedy-Karpat, Colleen. "Adaptation studies in Europe." In 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.02015k.
Повний текст джерелаCailliez, Matthieu. "Europäische Rezeption der Berliner Hofoper und Hofkapelle von 1842 bis 1849." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.50.
Повний текст джерелаHoffmann, Anne. "A trainer's guideline to teaching soft skills using improvisation theater." In the 16th European Conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2396716.2396720.
Повний текст джерелаNovello, Giuseppa, and Maurizio Marco Bocconcino. "Dal Theatrum Sabaudiae: disegni di fortificazioni nelle raffigurazioni celebrative di una dinastia." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11522.
Повний текст джерелаSenenga, Praise. "Researching the Business and Management of Theater in Africa: A Mixed Methods Approach." In 18th European Conference on Research Methodology for Business and Management Studies. Academic Conferences and Publishing Limited, 2019. http://dx.doi.org/10.34190/rm.19.118.
Повний текст джерелаЗвіти організацій з теми "European theatre"
Kelleher, C. M. Offensive versus defensive tradeoffs in the European theater. Office of Scientific and Technical Information (OSTI), April 1989. http://dx.doi.org/10.2172/6101007.
Повний текст джерелаZubov, Andrey, and Tatiana Novichkova. The East European and Balkan theaters in 1914). Edited by Andrey Zubov, Nikolay Komedchikov, and Aleksandr Khropov. Astrel, November 2009. http://dx.doi.org/10.15356/dm2016-01-14-8.
Повний текст джерелаZubov, Andrey, and Tatiana Novichkova. The East European and Balkan theaters in 1915. Edited by Andrey Zubov, Nikolay Komedchikov, and Aleksandr Khropov. Astrel, November 2009. http://dx.doi.org/10.15356/dm2016-01-19-1.
Повний текст джерелаZubov, Andrey, and Tatiana Novichkova. The East European and Balkan theaters in 1916. Edited by Andrey Zubov, Nikolay Komedchikov, and Aleksandr Khropov. Astrel, November 2009. http://dx.doi.org/10.15356/dm2016-01-19-2.
Повний текст джерелаSchmidt, Axel, and Frits Verschuur. The European Theater Missile Defense Program - A Field for International Cooperation. Fort Belvoir, VA: Defense Technical Information Center, April 1997. http://dx.doi.org/10.21236/ada397290.
Повний текст джерелаTerstegge, Stephen D. Ballistic Missile Defense in the European Theater: Political, Military and Technical Considerations. Fort Belvoir, VA: Defense Technical Information Center, April 2007. http://dx.doi.org/10.21236/ada468576.
Повний текст джерелаFrichtl, Paul J. Limitations of the Conventional Role of the B-1B in the European Theater. Fort Belvoir, VA: Defense Technical Information Center, May 1989. http://dx.doi.org/10.21236/ada220571.
Повний текст джерелаPrysyazhnyi, Mykhaylo. UNIQUE, BUT UNCOMPLETED PROJECTS (FROM HISTORY OF THE UKRAINIAN EMIGRANT PRESS). Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11093.
Повний текст джерела