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Статті в журналах з теми "European literature – 17th century – history and criticism"
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Mishina, L. A. "THE FAMILY PHENOMENON IN SEVENTEENTH-CENTURY AMERICAN LITERAURE." Bulletin of Udmurt University. Series History and Philology 32, no. 2 (April 29, 2022): 355–62. http://dx.doi.org/10.35634/2412-9534-2022-32-2-355-362.
Повний текст джерелаАнотація:
The purpose of this article is to analyze the phenomenon of the New English family of the 17th century, the first century of the existence of American national literature, presented in the works of early American authors - period insufficiently studied in literary criticism. Untranslated or incompletely translated into Russian works of such religious and public figures, writers as Richard Mather (Diary), Inkris Mather (The Life and Death of the Reverend Richard Mather), Edward Johnson (The Miraculous Providence of the Savior of Zion in New England) , Samuel Sewall (Diary), John Cotton (God’s Promise to His Plantation), Cotton Mather (Life of Mr. Johnatan Burr), are introduced into literary criticism. Being one of the key in the early history and literature of the United States, the theme of the family has the following aspects considered within the framework of the article: the move of families to a new continent, settling in a new place, the status of a father, mother, and child. The process of formation and existence in extreme conditions of a Protestant family is analyzed, the role of the family community in the fulfillment of the sacred mission - the creation of the kingdom of Christ on new lands - is determined. The conclusion is made about the uniqueness of the New English family of the 17th century, which combined the features of both the family structure that developed in European society and those born in the process of American experiments. The idea is emphasized that the disclosure of the family theme by early American authors clearly represents the features of American literature of the 17th century in general. The article uses biographical, structural, cultural and historical methods of literary analysis.
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Agratina, Elena E. "THE EMERGENCE OF ART CRITICISM IN FRANCE IN THE SECOND HALF OF THE 17TH AND THE FIRST HALF OF THE 18TH CENTURY." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 3 (2022): 146–64. http://dx.doi.org/10.28995/2073-6401-2022-3-146-164.
Повний текст джерелаАнотація:
The topic of the emergence of art criticism in France in the second half of the 17th and the first half of the 18th century, being rather widely covered in foreign academic literature, is still underdeveloped in Russian art history. Nevertheless, that issue is extremely important for understanding the processes that took place in the French and more widely in the European artistic milieu. The article aims to highlight the process of the criticism formation not only as a literary genre but primarily as a phenomenon of cultural life. Based on original written sources and foreign academic literature, the author traces how the appearance of fine art in the light of publicity was prepared in the Parisian artistic milieu. The author addresses the important questions that arose during the formative and legitimizing phase of criticism, such as its distinction from pre-existing art theory, as well as the distinction between the critic and the theorist or fine art historian. The artwork must now satisfy not only the master and the customer and a small circle of connoisseurs, society also becomes an active participant in artistic life, and the viewer enshrines the right to judge the art. The author shows how criticism is gradually becoming more diverse and polyphonic. Works written on behalf of a wide variety of characters are appearing, writers are adapting various literary genres that already exist: epistolary, diary, plays, poems, dialogues. For many years, criticism becomes an active channel of communication linking all participants in artistic life.
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Panina, Nina L. "Illustrations in Children’s Educational Books in Russia in the Late 17th – Early 19th Centuries." Tekst. Kniga. Knigoizdanie, no. 23 (2020): 82–99. http://dx.doi.org/10.17223/23062061/23/5.
Повний текст джерелаАнотація:
The aim of this article is to analyse the transition period in the history of illustrating children’s educational books on the material of Russian-language publications. It is the period in which the function of an intermedial representation gradually develops from emblematic to encyclopedic and narrative-figurative images. This process is related to the literary history of children’s books and their genre transformations. In the last third of the 18th century, children’s literature in Russia was formed as an independent direction with its special goals, and the basis for further search for specific methods of children’s book design, including educational ones, was laid. In the first quarter of the 19th century, the children’s book had a typical European visual design and continued the trends inherited from the 18th century: translations, borrowings, and revised texts in publications often copied illustrations rather than made new ones. A new stage came at the end of the 1820s, when Russia was actively developing independent children’s literature, and professional authors and criticism appeared. It was the time of the pedagogical experiments of Vasily Zhukovsky. This article does not claim to analyse Zhukovsky’s pedagogical activity comprehensively, but this activity is significant for the subject-matter of the study. In his pedagogy, Zhukovsky went to a new level when searching for intermedial ways of transmission of the universal coherence of phenomena, the systemic representation of knowledge about the world, and the ideas of the world as a system. The search, though much slower, was also observed in contemporary children’s books. The integration of cognitive and didactic functions in the Russian-language children’s book of the 18th century resulted in a mix of different principles of illustration in one publication. These principles are: (1) emblematic: the title, image, and text form a three-part structure; (2) encyclopedic: the sheet contains separate numbered images of the same type of objects excluded from the visual context; (3) narrative: the plot, expressive and figurative, including caricature, illustrations are readily used in an educational book due to their persuasiveness. Each of these principles has its own ways of displaying coherence. An encyclopedic illustration shows an object in a series of similar ones, in an enumeration, shows the structure of the object. An emblem gives its symbolic and allegorical interpretation. A narrative illustration shows its functions and its involvement in causal relations, depicting the environment of events and objects. The children’s book of the studied period tends to integrate all these ways. While the emblem as an independent intermedial genre degrades, certain elements of the emblematic tradition are actively borrowed by new forms of publications. The emblem gives the European book of modern times the most important intermedial tools for displaying universal coherence, the world as a system. The change of the epochs leads to an inevitable blurring of the meaning of the emblematic sign. The transitive nature of the analysed period is expressed in the search for a new intermedial form of coherence, similar to the lost emblematic bimediality of the text and illustration in terms of effectiveness. In the search for such a form, encyclopedic publications that claimed to be all-encompassing use the emblematic and narrative principles of illustration. In turn, the narrative illustration, driven by a similar desire for inclusiveness, consistency, and universality, absorbs the emblematic and encyclopedic principles.
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Metan, Saskia. "Editorische Verflechtungen." Zeitschrift für Slawistik 64, no. 4 (October 30, 2019): 507–19. http://dx.doi.org/10.1515/slaw-2019-0029.
Повний текст джерелаАнотація:
Summary Among the various descriptions of „Sarmatia“ which have been printed in the 16th century, the works of Maciej z Miechowa, Marcin Kromer and Alessandro Guagnini possessed the largest distribution: Published between 1517 and 1578, their works – containing information about the geography, history and population of the eastern part of the European continent – were reprinted and translated several times at several places until the middle of the 17th century. With a focus on paratexts and metatextual comments, the present article considers the entangled history of their editions in the 16th and 17th century and deduces receptions of these texts.
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Sajkowski, Wojciech J. "The history of South Slavs in West European literature from the second half of the 17th century to the early 19th century." Historia Slavorum Occidentis 38, no. 3 (2023): 122–40. http://dx.doi.org/10.15804/hso230304.
Повний текст джерелаАнотація:
The history of South Slavs in West European literature from the second half of the 17th century to the early 19th century. The aim of this article is to present the most important issues related to West European perceptions of the history of South Slavs in the second half of the 18th and the early 19th century, a time of an increased interest in Slavic history, a process that ran parallel to the development of the Enlightenment perception of history. The analysis shows that in the second half of the 18th c. and the early19th c., in the face of the increasing weakness of Ottoman Turkey, the local Slavic communities were rediscovered in the Balkans. Although West European historiographies were familiar with them, the invention of new historical tools and contexts in the Age of Enlightenment resulted in a selective treatment thereof. It made it easy to consider South Slavs as uncivilised communities which, contrary to historical facts, remained at a primitive, tribal stage of development.
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Osminskaya, Natalia A. "Language of Reality and Reality of Language in Francis Bacon’s Philosophy." Epistemology & Philosophy of Science 58, no. 3 (2021): 119–31. http://dx.doi.org/10.5840/eps202158348.
Повний текст джерелаАнотація:
The most important of Francis Bacon’s argument against Aristotelian syllogistic logic as a main method of investigation was his doctrine of Idols, closely connected to the contemporary Anglican theological views on imperfect human nature. In his criticism of the first notion of human mind, based on mistaken abstraction, Bacon separated “ars inveniendi”, “ars judicandi” and “ars tradendi” and argued for a new nonverbal form of communication, based on “real characters”. Bacon's conventional concept of the universal language, strongly influenced by Aristotle, was not realized by the philosopher himself, but it was of great popularity in both European rationalism and British empiricism in the middle – second half of the 17th century.
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Galtsin, Dmitrii D. "Froben Prints and Polemics on Religion in Early Modern Eastern Europe." Vestnik of Saint Petersburg University. History 67, no. 2 (2022): 578–98. http://dx.doi.org/10.21638/11701/spbu02.2022.216.
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The article explores the Froben prints stored at the Rare Books Department of the Library of the Russian Academy of Science (Biblioteka Akademii Nauk) in Saint Petersburg. For three generations in the 16th century, Basel printers the Frobens influenced European intellectual life like no other publishing establishment, contributing to the spread of early Latin and Greek Christian literature, which determined both the development of theology and the humanities. Some copies of Froben prints are conspicuous for the history of their use which is intrinsically connected with various kinds of religious polemics in 16th and 17th century Eastern Europe. The focus of the article is the copies of Froben’s Opera omnia of St Augustine which underwent censorship in monastic libraries of the Polish-Lithuanian Commonwealth in the 16th and 17th century. The article traces the history of a number of Froben copies which belonged to notable Polish Protestants of the 16th and 17th centuries (Andrzej Trzecieski, Nicholas Radziwill the Black (“Czarny”), Andrzej Dobrzanski). The examination of the connections of Eastern European Protestants, which enabled vigorous exchange of books with Western Europe, bringing, for instance, a book from the library of the great Dutch cartographer Gerhard Mercator to the hands of a provincial Polish pastor, is carried out. Finally, the article addresses the marginalia left by Simeon of Polotsk on one of his books. These marginalia throw some new light on the question of Simeon’s genuine theological views. By examining the history of the copies from the Library of the Russian Academy of Science through the marginalia left in the 16th and 17th centuries by people of various religions, the article assesses Froben copies as a source on confessional and intellectual history of the period.
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Ratiani, Irma. "Georgian Literature before the Weltliteratur." Journal of Foreign Languages and Cultures 7, no. 2 (December 28, 2023): 016–24. http://dx.doi.org/10.53397/hunnu.jflc.202302002.
Повний текст джерелаАнотація:
The history of Georgian writing starts much earlier than when Goethe introduced the term “Weltliteratur.” It starts from the era of Christianity from the 4th century. Due to the fast spread of Christianity in the Early Medieval period, Georgia was already included in the European net of Christian writing. All branches of Christian spiritual literature were presented. Georgian culture and literature naturally were developing in the frame of the Western European tradition. The period of the 11th-12th centuries was a Golden Era for Georgia, and the heyday of fame for Georgian culture and literature as well. Precisely during this period, “The Knight in the Panther’s Skin” was created by Shota Rustaveli. Apart from its aesthetic, philosophical, and worldview depth, it is a first text in Georgian literature as well as in European literature which reflects the clashing of two huge universes in Georgian culture—the West and the East. The Western principles are revealed in the Christian worldview of the text, in the way of thinking of the author and in its genre; however, the 12th century is already a period of strengthening of the influence of Eastern culture and literature in the European part of the Caucasus, and Rustaveli regards with obvious favor the Oriental poetic motifs. Unfortunately, at this stage of European literary history, Georgian literature was separated from the Western European literary process due to tragic political events. As for literature, it was a period of almost three centuries of silence. After the fall of Constantinople, Georgian literature had to move closer to the Eastern area as an historically offered alternative. From the 17th century, the process of the returning of Georgian political and cultural life back within the European frame had been started. Genuine Georgian writers were able to tie Georgian literature to the cultural models of European Classicism and the Enlightenment.
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Rizal Mahendra, Fahmi. "Amr Ma'ruf wa Nahi Munkar: Gerakan Kadizadeli dan Kritik Sufisme di Kerajaan Ottoman Abad ke-17." Refleksi Jurnal Filsafat dan Pemikiran Islam 22, no. 2 (April 28, 2023): 306–30. http://dx.doi.org/10.14421/ref.v22i2.3950.
Повний текст джерелаАнотація:
This research will explore the Kadizadeli movement in the Ottoman empire in the 17th century. The Kadizadeli movement is a movement led by clerics who were previously Friday preachers at mosques in Istanbul. This movement wanted to purify Islam from the heretical behavior and activities of the Sufis who according to them had demoralized Ottoman society in the 17th century. In Islamic history, for example, there are several figures who also criticized Sufism, Ibn Tayimiyah or Ibn Jauzi. The complex problems of the 17th century have inspired some scholars, especially Kadizadeli, to fix them. Using the jargon, Amr ma'ruf wa nahi munkar, they began to criticize and attack the practices of Sufism in the Ottoman empire. By using historical research and literature this research produced several findings. Historically, this movement was led by three people, namely: Kadizade Mehmed, Ustuvani Mehmed and Vani Mehmed. Initially this movement only conveyed their criticism of Sufism activities through sermons and writings. However, when Ustuvani and Vani led this movement and gained a special relationship with the ottoman rulers, this movement led to radical actions. Apart from criticizing and criticizing, they also attack the infrastructure of Sufism and direct physical attacks on them. Keywords : bidah, kadizadeli, ottoman empire, sufism, ulema
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Graffi, Giorgio. "The treatment of syntax by some early 19th-century linguists." Historiographia Linguistica 25, no. 3 (January 1, 1998): 257–84. http://dx.doi.org/10.1075/hl.25.3.04gra.
Повний текст джерелаАнотація:
Summary This article examines the views about syntax held by Humboldt, on the one hand, and by the founders of historical-comparative grammar (Bopp, Rask, Grimm, Pott, Schleicher), on the other. In general, it is noted that the grammaire générale tradition of 17th and 18th centuries still survives in the work of such scholars, despite of all criticism they seemingly raised against it. For Humboldt, the common core of all languages has its source in the identity of human thought; also his treatment of the verb and especially his reference to a ‘natural’ word order (i.e., SVO) are clearly reminiscent of this tradition. Traces thereof are also found in Bopp’s analysis of Indo-European conjugation, and in some of Rask’s writings. For instance, Rask, just as Humboldt, assumes a ‘natural’ word order and proposes a list of possible syntactic forms which closely remind us of Girard’s membres de phrase. Grimm’s position appears as more innovative, heavily influenced by a Romantic view of language, but some older conceptions sometimes show up in his work, e.g., when he deals with the notion of ‘subject’. Pott does not completely reject general grammar and a logically-based view of language; he only stresses the need of a more empirical approach than that adopted by the 17th and 18th century linguists. This picture radically changed with Steinthai and Schleicher: the former scholar pronounced a ‘divorce’ between grammar and logic, while the latter one argued that syntax does not belong to linguistics proper and rejected any possibility of postulating syntactic distinctions which do not have any direct morphological correlate.
Дисертації з теми "European literature – 17th century – history and criticism"
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Henderson, Felicity 1973. "Erudite satire in seventeenth-century England." Monash University, School of Literary, Visual and Performance Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/7999.
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Jackson, Simon John. "The literary and musical activities of the Herbert family." Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/283892.
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Langford, Charles K. "Le utopie rinascimentali : esempli moderni di polis perfetta." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102806.
Повний текст джерелаАнотація:
The citizens of utopian Renaissance cities have in common the confidence in the power of reason and moral virtues. The purpose of the thesis is to prove that, in spite of the imaginative and unreal aspects of these utopian societies, they contain the prodroms of the modern societies.The utopias of the Renaissance are projects of a new commonwealth, based on justice and education. The Italian peninsula of the XVI and early XVII century spawned several works belonging to this literary genre, inspired by Plato's Republic and initiated in England with Thomas More's Utopia (1516). Those considered in this thesis, besides Utopia, are: Francesco Doni's Il mondo savio e pazzo (1552), Francesco Patrizi's La Citta felice (1553), Ludovico Agostini's La Repubblica immaginaria (1580), Tommaso Campanella's La Citta del Sole (The City of the Sun) (1602) and Lodovico Zuccolo's Il Belluzzi (1621).
The thesis examines these six main literary works according to the concept of uchronie and escapism, the definitions of utopia by Karl Mannheim, J.C. Davis and Mikhail Bakhtin, the religious and Arcadian elements and the relationship between utopia and satire. The thesis analyzes three essential aspects of the utopian tales: city planning, relationship between man and woman, and education. The utopias of the Renaissance also reveal two different visions: one innovative if compared to the society of the time, and another, post-tridentina, oriented towards a return to more traditional values. The thesis examines the influence of More's work on the utopias of the Renaissance by analyzing and comparing a series of topics, like the title of the work, the narrator, fantastical names and ideas, the role of Plato, property and inequity, the choice of woman and the concept of beauty, daily labor, the function of God, and the concept of law.
The utopias of the Renaissance have various modern aspects: a utilitarian justice, a better place of woman in the society, the laicity of the government, the "rationality" of war, secularism, education, health, social justice, assistance to elderly. They also contain myopias, like an unrealistic economic model and a static society.
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Dufresne, Virginie. "De Versailles à Clarens : nature et politique dans les jardins littéraires de l'âge classique." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99589.
Повний текст джерелаАнотація:
During the 17th and 18th centuries, the French garden history witnesses the triumph and then the decline of the French formal garden, to which succeeds the fashion of landscape gardening of foreign inspiration. Integrating and nourishing this debate, the literary texts of that period enable to grasp the stakes that it brings up. The garden notably lends itself to the expression of an emerging sentiment of nature, as well it also serves that of a political thought enlightened by new ideas. Effectively, the treatment that these texts give to the garden is a witness to the revival that installs itself in the way of conceiving nature, and the relation that nature holds with man and the art of the gardens. The garden's topic and scenography are a testimony of changes that in turn affect its imaginary and that of the walk. Finally, the critical discourse exploits the analogy that establishes itself between the art of the gardens and the exercise of power, polarizing the debate around the political metaphor.
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Patterson, Jonathan Hugh Collingwood. "Representations of avarice in early modern France (c.1540-1615) : continuity and change." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610850.
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Monette, Isabelle. "Récritures de récits criminels en France sous l'Ancien Régime." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79966.
Повний текст джерелаАнотація:
Three original stories are the basis for our study of rewriting during the French Ancien Regime: the story of Thibaud de la Jacquiere, that of the "sorcier Gaufridy" and that of the Marquise de Ganges, which Sade will rewrite as a novel. Having all originated from a "canard", they appear in the 1679 edition of the Histoires tragiques of Francois de Rosset, and two of them can also be found in Francois Gayot de Pitaval's Causes celebres. Each of these stories was rewritten by different authors at least three times. Using Gerard Genette's theory of the narrative, we will analyse the processes of transformation that the rewriting operates in the text, as well as the changes it imposes to its original meaning. The number of rewritings of each text---up to five for the Marquise de Gange---is a testament to the importance of textual reappropriation as much as it shows the relevance of a study which brings to light the role of rewriting in the survival of these stories.
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Xu, Sufeng. "Lotus flowers rising from the dark mud : late Ming courtesans and their poetry." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102831.
Повний текст джерелаАнотація:
The dissertation examines the close but overlooked relationship between male poetry societies and the sharp rise of literary courtesans in the late Ming. I attempt to identify a particular group of men who devoted exclusive efforts to the promotion of courtesan culture, that is, urban dwellers of prosperous Jiangnan, who fashioned themselves as retired literati, devoting themselves to art, recreation, and self-invention, instead of government office. I also offer a new interpretation for the decline of courtesan culture after the Ming-Qing transition.Chapter 1 provides an overview of the social-cultural context in which late Ming courtesans flourished. I emphasize office-holding as losing its appeal for late Ming nonconformists who sought other alternative means of self-realization. Chapter 2 examines the importance of poetry by courtesans in literati culture as demonstrated by their visible inclusion in late Ming and early Qing anthologies of women's writings. Chapter 3 examines the life and poetry of individual courtesans through three case studies. Together, these three chapters illustrate the strong identification between nonconformist literati and the courtesans they extolled at both collective and individual levels.
In Chapter 4, by focusing on the context and texts of the poetry collection of the courtesan Chen Susu and on writings about her, I illustrate the efforts by both male and female literati in the early Qing to reproduce the cultural glory of late Ming courtesans. However, despite their cooperative efforts, courtesans became inevitably marginalized in literati culture as talented women of the gentry flourished.
This dissertation as a whole explores how male literati and courtesans responded to the social and literary milieu of late Ming Jiangnan to shed light on aspects of the intersection of self and society in this floating world. This courtesan culture was a counterculture in that: (1) it was deep-rooted in male poetry societies, a cultural space that was formed in opposition to government office; (2) in valuing romantic relationship and friendship, the promoters of this culture deliberately deemphasized the most primary human relations as defined in the Confucian tradition; (3) this culture conditioned, motivated, and promoted serious relationships between literati and courtesans, which fundamentally undermined orthodox values.
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Laverick, Jane A. "A world for the subject and a world of witnesses for the evidence : developments in geographical literature and the travel narrative in seventeenth-century England." Thesis, University of Stirling, 1995. http://hdl.handle.net/1893/2250.
Повний текст джерелаАнотація:
In the latter half of the seventeenth century, the first-person overseas voyage narrative enjoyed an unprecedented degree of popularity in England. This thesis is concerned with texts written by travellers and the increasing perception that such information might be useful to those engaged in newly-developing scientific specialisms. It draws upon a wide range of texts including geographiae, physico-theological texts, first-person voyage narratives and imaginary voyage prose fictions. The main focus of the thesis is on the movement away from traditional encyclopaedic geographical textbooks whose treatment of non-European countries comprised an amalgam of unattributed information and a mass of traditional and erudite beliefs, towards a priontising of eyewitness accounts by named observers. Following an introductory survey of the production of an indigenous body of geographical literature in England, the first chapter traces the decline in popularity of traditional geographiae and the separation of regional description from general theories of the earth. The second chapter shows how in the Restoration period the concerted efforts of Fellows of the newly-established Royal Society resulted in a significant increase in the number of overseas travel narratives being published. The third chapter looks at the way in which the Royal Society's campaign developed from its initiation in 1666 to the close of the century, focusing on the response of travellers to the Society's requests for information. The fourth chapter considers the way in which earlier accounts were advertised as fulfilling contemporary expectations of this type of discourse. The fifth and sixth chapters concern fictitious voyage narratives. Imitative of a genre the value of which was increasingly seen as residing in its veracity, these fictions adapted in accordance with the changes being introduced to real voyage accounts whilst continuing to perpetuate the archaic myths and traditional beliefs which had been ehminated from factual geographical description. Appended to the thesis is a list of accounts of voyages and travels outside Europe, printed in the Philosophical Transactions (1665-1700). Also listed are reviews and abstracts of geographical texts, inquiries concerning specific locations and directions and instructions aimed at seamen, with brief biographical information about the authors to indicate the range of contributors to that journal.
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Hone, Joseph. "The end of the line : literature and party politics at the accession of Queen Anne." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:d847a561-130a-42f0-b78f-2463e9e65535.
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This thesis provides the first full-length account of the political and cultural significance of the accession of Queen Anne. It offers a critical reassessment of the politics of the royal image across a spectrum of texts, events, and artefacts - from panegyrics, newspapers, sermons, royal progresses, and processions to medals, coins, and playing cards. Recent scholarship has emphasized the importance of party politics to the literature and culture of the early eighteenth century. This thesis nuances that assumption by arguing: (1) that the principal focus of partisan texts was competing representations of monarchy; and (2) that the explosion of partisanship at the start of the eighteenth century was triggered by unrest about the royal succession. Anne was the last protestant Stuart. She had no surviving children. This thesis explores how authors such as Daniel Defoe, Joseph Addison, Alexander Pope, and a great many lesser known and anonymous writers and propagandists conceptualized the end of the Stuart dynasty. Anne's accession forced writers to conjecture on the future succession. There were two rival claimants to the throne after Anne's death: the protestant Electress Sophia of Hanover and Anne's Catholic half-brother, James Francis Edward. Sophia's claim was statutory, James's hereditary. Factions emerged in support of both claimants. Almost all topical writing took a stance on the issue. Many sided with the government, supporting Hanover. Yet some writers favoured the illegal but hereditary claim of James Francis Edward; they had to express support in covert ways. This succession crisis triggered not only printed polemic, but also swathes of clandestine manuscript literature circulating in the Jacobite underground. The government took a hard line on Jacobite writers and printers; this thesis documents both their persecution and the techniques they used to evade the law. The thesis concludes by suggesting that this oppositional literary culture only disintegrated after the defeat of the Jacobite rebellion, and the consequent settlement of the Hanoverian succession, in late 1716. After this point, royal succession ceased to be a major source of political discontent.
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Kwong, Jessica Mun-Ling. "Playing the whore : representations of whoredom in early modern English comedy." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.707984.
Повний текст джерелаКниги з теми "European literature – 17th century – history and criticism"
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Hotz-Davies, Ingrid. Adversarial stances: Strategies of resistance in selected Renaissance texts. Trier: Wissenchaft Verlag Trier, 1995.
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Claire, Jowitt, and Watt Diane 1965-, eds. The arts of 17th-century science: Representations of the natural world in European and North American culture. Aldershot, Hants, England: Ashgate, 2002.
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Peter-Eckhard, Knabe, Mortier Roland, and Moureau François, eds. L' aube de la modernité 1680-1760. Amsterdam: J. Benjamins, 2002.
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University of Oxford. European Humanities Research Centre, ed. Towards a cultural philology: Phèdre and the construction of 'Racine'. Oxford: Legenda, 1999.
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Bruno, Tribout, and Whelan Ruth, eds. Narrating the self in early modern Europe. Oxford: P. Lang, 2007.
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1946-, Lyons John D., and Wine Kathleen, eds. Chance, literature, and culture in early modern France. Aldershot, Hants, England: Ashgate, 2009.
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Anke, Gilleir, Montoya Alicia, and Dijk Suzanna van, eds. Women writing back/writing women back: Transnational perspectives from the late Middle Ages to the dawn of the modern era. Leiden: Brill, 2010.
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France, Peter. Politeness and its discontents: Problems in French classical culture. Cambridge: Cambridge University Press, 1992.
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Selcer, Daniel. Philosophy and the book: Early modern figures of material inscription. London: Continuum, 2010.
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Schurink, Fred. Tudor translation. New York: Palgrave Macmillan, 2012.
Знайти повний текст джерелаЧастини книг з теми "European literature – 17th century – history and criticism"
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Patronnikova, Yulia S. "Francesco Fulvio Frugoni’s “The Tribunal of Criticism”. The Critical View on the Literature of the 17th Century." In “The History of Literature”: Non-scientific sources of a scientific genre, 350–67. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0684-0-350-367.
Повний текст джерелаАнотація:
The article looks at the critical analysis of the 17th-century literature carried out by Francesco Fulvio Frugoni in his life’s main opus, “Il Cane di Diogene” (“The Dog of Diogenes”, 1687–1689) — or, more, precisely, in its most famous, tenth novel “Il Tribunal della Critica” (“The Tribunal of Criticism”). The critical evaluation of the authors and their works has an allegorical form of the tribunal of the Criticism over the books. It takes place in Apollo’s temple on Mount Parnassus, where the opus’s main hero — dog Saetta owned by the Cynic philosopher Diogenes — arrives to after a long period of wandering. The tribunal evaluates typologically different works, for the most part, written in Roman languages in the first half of 17th century — presumably the author shares the knowledge he acquired while studying and travelling. A number of famous figures of Seicento are thus left out of consideration. The key criterion used in the evaluation of a text is the ratio of the pleasant and the useful in it. The pleasant refers to a text’s being written in a flamboyant style and the useful — to its containing a certain message or idea. For all the shortcomings of the baroque authors, Frugoni takes his age to be exemplary. Despite its incompleteness and partiality, Frugoni’s analysis is an important source of information about Seicento literature, as well as Seicento theory of literature. In addition, being an analysis of literary texts, it contributes to the development of the history of literature as a self-standing discipline.
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Belkind, Alexandra Yu, and Alexander L. Lifshits. "Schwank on “One Moscow Patriarch”." In Hermeneutics of Old Russian Literature. Issue 21, 549–66. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/horl.1607-6192-2022-21-549-566.
Повний текст джерелаАнотація:
The article examines Schwank on “one Moscow patriarch.” Among the numerous pieces of literature printed on the territory of German states in the 17th century, one can still find unknown sources on the history of Russian-European relations. The vocal work, composed by the Baroque music theoretician, composer and writer Georg Daniel Speer (1636–1707), is one of them. It has all the features of the earlier Fastnachtsspiel, or fabliau set to music with a considerable number of immodest details. Quiproquo in the bedroom is a traditional plot of these stories known throughout Europe, but in this case, “one Moscow patriarch” acts as the main character of opus. However, nothing will distinguish him from a German priest or a French abbot. On the contrary, music that accompanies the vocal piece is called Moscow Dance and probably reflects the composer’s ideas about secular music of Muscovy state. All this gives evidence to the fact that by the last quarter of the 17th century, Muscovy in ordinary consciousness of Europeans was turning from an exotic and fabulous territory into a country in the neighborhood, about which familiar jokes are told.
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Clara, Fernando. "|A descoberta das Europas: a literatura de viagens, a geografia, a história e a evolução da identidade europeia (séculos XVI-XVIII)." In A Literatura e a construção da Europa: escrita de viagens à luz de um olhar europeu, 9–29. FLUP-ILC, 2023. http://dx.doi.org/10.21747/978-989-53476-7-4/lib34a1.
Повний текст джерелаАнотація:
The text seeks to reconstruct the dynamics of the evolution of European identity throughout the 18th century. Starting with two 16th and 17th century maps of Europe (popularized by Sebastian Münster and Willem Janszoon Blaeu), it analyses a wide range of works (compendia of history and geography, essays, satires, travel accounts) that focus on Europe and the Europeans, and which are implicitly or explicitly based on the travel literature of the time. From the discovery of an Imperial Europe to the discovery of the ‘national’ diversities of the European peoples, without forgetting the discovery of a Europe inhabited by ‘European savages’, the identitarian evolution that the analysis suggests points to a European identity that is doubly marked by mobility: marked by travel and the knowledge of the world provided by travel writing, which is the touchstone from which Europe seeks to define itself, and also marked by the perspectivism that travel introduces into the ways of seeing and being European.
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Dermendzhiev, Atanas, and Martin Doykov. "The globalization of political processes. The geographical view." In The Overarching Issues Of The European Space-From Sustainable Development to Sustainability, 178–95. Universidade do Porto, Faculdade de Letras, 2021. http://dx.doi.org/10.21747/978-989-9082-08-3/overa12.
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At the beginning of the 21st century, when distances have become shorter because of the development of communication networks, the world has undergone political, economic and cultural integration or, in other words, globalization. These processes raise many questions about the way geography influences global policy. Historians think of globalization as one of the stages in the development of capitalism. Political scientists put the emphasis on the diffusion of democratic organizations. Economists note the process of trans-nationalization of financial markets. Cultural scholars connect globalization with the worldwide distribution of Western culture and way of living (Westernization). There are also informational-technological approaches to explain globalization – the appearance of global means of telecommunications. In politics, globalization leads to weakening of the nation state and contributes to decreasing its sovereignty. A transformation of the nation state can be observed, but its indispensability does not decrease (despite increasing criticism). The contemporary state delegates more and more powers to influential international organizations such as the UN, NATO, IMF and the World Bank. That is why authors like T. Friedman and R. Keohan consider globalization a radically new phenomenon, leading to the gradual loss of the significance of nation states. Very important are the different concepts connected with global conflicts. Samuel Huntington writes about the “clash of civilizations” whose theory opposes that of Francis Fukuyama about “the end of history”. The role of the Western world in this conflict is also of great significance. From the position of globalization, regionalism is a type of localism on a large territorial scale. Often, it has been described as a struggle between history and geography. The geographical approach to the problems is connected with the understanding that regional structures, together with global corporations, nation states and international economic organizations are the most important subjects of globalization. This makes the interrelations between globalization and regionalism an interesting field for research. Each one of these competing and opposing globalizations ideologically and scientifically reflects particular dimensions of the ongoing processes at global level, which, by default, makes them objects of research in socio-cultural geography. The main objective of the present research is to reveal the nature of globalization and its relations with world policy and geography on the base of existing scientific literature on the topic. Different research methods have been used, among which conceptual analysis, situation analysis, spatial analysis based on the civilizational approach and others. The ideas of main existing studies on the topic have been synthesized, analyzed and discussed. The results of the research show that there are different points of view on the problems, some of which fundamental, others not so well known, and some even peculiar ones. Another result of the research is the explanation of two opposing processes – globalization and regionalization. An attempt has been made to include all these different points of view in the revealing of the nature of global processes and their relation to geography as one of their fundaments.
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Попович, Юлія. "Міжнародні новини на сторінках газети „Буковина” (1885–1887 рр.)." In W kręgu prasy dawnej i współczesnej. Wybrane problemy (1), 141–56. Wydawnictwo Uniwersytetu Rzeszowskiego, 2021. http://dx.doi.org/10.15584/978-83-7996-915-9_8.
Повний текст джерелаАнотація:
The article aims to examinate in what degree international events from 1885-1887 period were reflected in pages of national newspaper „Bukowina”. With the appearance of this periodical the new phase of development of Ukrainian press of this region was begun. The journal was published in Chernivtsi from January, 1-st 1885 till January, 13-th 1910, then – after break of several years – from January, 1-st till June, 10-th 1915. After this date, till May, 3-rd 1918, the title was issued in Vienna. May, 15-th 1918, with the withdrawal of Russian army, the editorial office was moved again to Chernivtsi. This lasted until December, 10-th when journal disappeared from the publishing market. At the end of 19-th century periodical was main source of information for people of North Bukovina (with the emphasis on Pridnestrovian Ukraine). In it there were dealt important political and social topics of that time. The title left significant mark in field of literature, criticism, opinion journalism and bookselling. Moreover it has contributed to popularisation of Western-Ukrainian periodical-press. During its existence „Bukowina” was consistently suffused with the various information, presented from many perspectives. Publishers and authors cooperating with journal have tried to present comprehensively the events not only from Ukraine but also from abroad. Among the 70 issues which were launched durring the firs years of journal`s history, 35 were extracted which reffers to international affairs – mainly from section entitled Що нового въсвƀтƀ (What`s new in the world?) Generally, in this section it is possible to find 178 news related with international subject. All of tchem have international background and reffers to following fields: – Bulgarian-Turkish relations; – Greek-Turkish relations; – Polish issue; – news from Europe and world; – international affairs from Russian perpective and political situation in Russia. As the Author shows, the year 1855 was not so rich in news reffered to international events, probably because of lack of permanent correspondent who would be able to provide proper information. However the most fruitful in terms of international news was the next year (1886). Then section Що нового въсвƀтƀ (What`s new in the world?) appeared in almost every issue of newspaper and materials were located into separate paragraphs, assigned to each country. It can therefore be ascertained, that in that time international events significantly cosolidated their position on „Bukowina” pages. Each succeeding issue contained several such minor information, started from the name of country, which they reffer to. In 1887 the section has been reconfigured – from short news into general rewiev of political situation, mainly in European countries. In article is presented in detail the substantial (problems and subject) and formal analysis of the section.