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Статті в журналах з теми "Età barocca"
1
Marini, Massimo. "Canzonieri spagnoli popolareggianti conservati a Roma (III): il Ms. Corsini 970." Revista de Cancioneros Impresos y Manuscritos, no. 4 (December 15, 2015): 60. http://dx.doi.org/10.14198/rcim.2015.4.04.
Повний текст джерелаАнотація:
Il Ms. Corsini 970 (olim 44.A.21) conservato all’Accademia Nazionale dei Lincei fornisce interessanti spunti di riflessione sui rapporti letterari fra Spagna e Italia in età tardorinascimentale e barocca. Confezionato con ogni probabilità a Roma, in seno alla corte del cardinal Ascanio Colonna tra la fine del xvi e gli inizi del XVII secolo, risulta nel suo insieme inedito. È costituito da un totale di 137 testi, di cui alcuni sono componimenti di tipo tradizionale, romances, quintillas e redondillas. Il componimento qui preso in esame, la Carta General de amor de Gaetán, è stato attribuito sia al Vicentino a che a Vozmediana, famoso per la traduzione della prima parte delle novelle di Giraldi Cinzio (Toledo, 1590).
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Marconi, Nicoletta. "«Che nessuno ardisca impedir li carri, bufali, garzoni e fattori» : organizzazione del cantiere e della manodopera a Roma in età barocca." Mélanges de l’École française de Rome. Italie et Méditerranée 119, no. 2 (2007): 363–73. http://dx.doi.org/10.3406/mefr.2007.10368.
Повний текст джерела
3
Bruun, Christer. "Frontinus, Pope Paul V and the Aqua Alsietina/Traiana confusion." Papers of the British School at Rome 69 (November 2001): 299–315. http://dx.doi.org/10.1017/s0068246200001847.
Повний текст джерелаАнотація:
FRONTINO, PAPA PAOLO V E LA CONFUSIONE TRA AQUA ALSIETINA E TRAIANAL'iscrizione sulla Fontana dell'Acqua Paola del Gianicolo, a Roma, contiene un errore significativo. Secondo l'iscrizione, infatti, Papa Paolo V ristorò l'acquedotto augusteo dell'Aqua Alsietina, mentre in realtà i suoi ingegneri usarono l'Aqua Traiana per migliorare il rifornimento idrico della città (c. 1610). Questo errore non è semplicemente casuale. L'amministrazione papale era a conoscenza della presenza dell'Aqua Alsietina sulla sponda destra del Tevere dal trattato De aquae ductu urbis Romae di Frontino, ma non sapeva che i Romani avevano costruito anche un altro acquedotto sulla stessa sponda, poiché questo non veniva invece menzionato da Frontino. In questo articolo si sostiene che Frontino († c. 100 d.C.) doveva essere universalmente conosciuto tra gli ingegneri idraulici e gli amministratori delle risorse idriche in età rinascimentale e barocca (come Vitruvio tra gli architetti). La ‘riscoperta’ moderna dell'Aqua Traiana non avvenne che nel 1680 con Raffaele Fabretti, che fece uso di fonti antiche disponibili anche alla cancelleria di Paolo V, se solo fossero state condotte altre ricerche oltre Frontino. Furono necessari altri 150 anni prima che le conclusioni di Fabretti divennero generalmente note. Per la prima volta, inoltre, questo articolo prende in esame tutta l'evidenza antica e medievale in cui viene nominata l'Aqua Traiana.
4
Ortiz de Pinedo, Aitor. "Jean Etxepare eta Pío Baroja." Fontes Linguae Vasconum, no. 125 (June 4, 2018): 85–112. http://dx.doi.org/10.35462/flv125.3.
Повний текст джерелаАнотація:
This article comes after a thorough study for a PhD dissertation on a book by Jean Etxepare (Beribilez, 1931). A comparative study is drawn between Jean Etxepare and Pío Baroja with the aim of finding their coincidences and differences. This research is based mostly in their basque identitary ideology, even though some attention is also paid to some philosophical issues. Both writers are part of the same European intellectual ambiance, and both are empathetic to the Basque Country. Broadly speaking, it can be said that their literary work was heavily determined by the profile of their hypothetical readers, as Jean Etxepare wrote mainly for Basque language speakers and Pío Baroja addressed his writings to Spanish ones.
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Ramos-Sánchez, Jacobo, Álvaro García-Valero, Ricardo Menor-Albero, María José Tarruella-Rodenas, José Luis Fernández-Terrer, Teodoro Martínez-García, and Jesús Miguel Evangelio-Pinach. "First records of Onychogomphus cazuma Barona, Cardo et Díaz, 2020 (Odonata: Gomphidae) for the Castilla-La Mancha region (Spain)." Anales de Biología, no. 42 (December 2020): 167–71. http://dx.doi.org/10.6018/analesbio.42.18.
Повний текст джерелаАнотація:
En el presente documento se aportan los primeros datos sobre la biología de Onychogomphus cazuma Barona, Cardo et Díaz, 2020 en la región de Castilla-La Mancha (centro-este de España), confirmando su reproducción en dicho territorio mediante el hallazgo de exuvias y una hembra recién emergida. Hasta la fecha la especie solo se había detectado en la provincia de Valencia, en localidades situadas a más de 100 km. The first data on the biology of Onychogomphus cazuma Barona, Cardo et Díaz, 2020 in Castilla-La Mancha region are provided. Its reproduction in this territory is confirmed by the detection of exuvians and a teneral female. The species had been only detected in the province of Valencia, in locations more than 100 km away.
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Cardwell, Richard A. "From aesthetic idealism to national concerns?" Journal of Romance Studies 21, no. 1 (March 1, 2021): 1–30. http://dx.doi.org/10.3828/jrs.2021.1.
Повний текст джерелаАнотація:
It has been argued that Antonio Machado was a late-comer to the so-called Generation of ‘98 and that, with his Campos de Castilla of 1912, he belatedly joined the general chorus for reform of his contemporary writers (Azorín, Baroja, etc.) and began to voice concerns with the backwardness of Castilian rural life and ‘the problem of Spain’ already broached earlier by the so-called Generation of ’98. In effect, Campos de Castilla continues much of the style of his earlier work with added realism. Only three poems of the forty-six of the first edition have explicit reference to a concern for Spain’s decline. With detailed reference to the poems, this article argues that the assertion that Machado was involved in the so-called reformist programme of the Generation of ‘98 needs to be called into question and that Machado in the Soria period was less than the reformist critics have claimed him to be.
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Chávez Villalba, Gabriela, Miguel Alfonso Camacho Casas, Pedro Figueroa López, Guillermo Fuentes Dávila, José Luis Félix Fuentes, Beatriz Adriana Villa Aragón, and Beatriz Adriana Villa Aragón. "Baroyeca Oro C2013: nueva variedad de trigo duro para su cultivo en el noroeste de México." Revista Mexicana de Ciencias Agrícolas 6, no. 2 (January 3, 2018): 421. http://dx.doi.org/10.29312/remexca.v6i2.729.
Повний текст джерелаАнотація:
La producción de trigo en el noroeste de México, ha evolucionado positivamente desde la década de los años 90's del siglo próximo pasado, apoyada en los altos rendimientos, en la mejora de los atributos de calidad industrial y en la superficie que se destina para su siembra. A nivel mundial, si bien el trigo cristalino o duro (Triticum durum Desf.) es la segunda especie en importancia dentro de los trigos cultivados, su consumo en la primera década del siglo XXI, ha crecido 1% frente al 1.3% del tipo panadero, aunque en algunos países tales como Argelia, Marruecos, Turquía e Italia la importancia del de esta clase de trigo es sustancialmente mayor. En el mundo se siembran alrededor de 18 millones de hectáreas del tipo duro, que aportan aproximadamente 30 millones de toneladas de grano con oscilaciones anuales importantes (25 a 34 millones de toneladas) INTA, 2001. En Sonora se producen aproximadamente 1.5 millones de toneladas anuales (promedio de los últimos 3 ciclos) de este tipo de trigo, de las cuales aproximadamente 50% se destina a la exportación. El cereal de esta región es tradicionalmente considerado de alta calidad, principalmente por razones climáticas y por las variedades que se siembran. Sin embargo, los cambios tecnológicos de las industrias semoleras y harineras (molienda, centrifugado, secado etc.), hizo que los requerimientos de calidad industrial fueran cambiando. Por ejemplo, actualmente se requiere de una granulometría más uniforme, se estima que lo óptimo es que, entre 70 y 90% de la sémola producida, corresponda a partículas de 200 a 400 μ. En antaño se requería de sémolas gruesas, actualmente las nuevas tecnologías de molienda producen sémolas más finas, que son más adecuadas para una buena hidratación en el proceso de amasado ya que las sémolas gruesas no se hidratan correctamente y producen manchas blancas en las pastas. Se requiere también de variedades con mayores contenidos de pigmento amarillo en las semolas, porque a menor tamaño de partícula en estas, más bajo será el color amarillo tan deseado en las pastas. Estos parámetros están fuertemente influenciados directa o indirectamente por la vitreosidad, panza blanca y contenido de proteína en el grano. Por lo que los programas de mejoramiento genético de trigo requieren nuevas variedades con parámetros de calidad adecuadas para los diferentes procesos industriales. El programa de mejoramiento genético de trigo del Campo Experimental Norman E. Borlaug (CENEB), perteneciente al Instituto Nacional de Investigaciones Forestales,Agrícolas y Pecuarias (INIFAP), en colaboración con el Centro Internacional de Mejoramiento de Maíz y Trigo (CIMMYT), liberó una nueva variedad de trigo duro, Baroyeca Oro C2013.
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Shah, Nauka S., Jaya M. Pathak, and Purva C. Shah. "A cross-sectional observational study assessing the clinical profile of patients with iron deficiency anaemia." International Journal of Advances in Medicine 7, no. 9 (August 25, 2020): 1367. http://dx.doi.org/10.18203/2349-3933.ijam20203600.
Повний текст джерелаАнотація:
Background: Our objective in this research was to study the clinical profile of patients having iron deficiency anaemia.Methods: This was an observational cross sectional study conducted in Medicine out-patient and in-patient departments of Baroda Medical College and SSG Hospital, Vadodara from February, 2018 to November, 2018 and included all patients (N=50) above eighteen years of age who were diagnosed on admission with microcytic hypochromic or normocytic normochromic anaemia. Following detailed history, general examination and basic haematological investigations like complete blood count, haemoglobin, mean corpuscular volume, etc., statistical analysis of the data was performed.Results: In the present study, it was found that maximum number of patients belonged to a younger age group (mean=36.82 years) with a majority being females (74%). Most common presenting complaint was weakness seen in 96% cases while the commonest clinical finding was pallor present in 100% cases followed by koilonychia in 32%. The most common cause of iron deficiency anaemia was nutritional seen in 60% patients.Conclusions: Generalised weakness, breathlessness, and pedal edema were the commonest presenting complaints in our study while pallor, koilonychia, and pedal edema were the most common clinical findings. Maximum number of patients had IDA due to a nutritional cause. Chronic gastrointestinal bleeding, inflammatory bowel disease, and menorrhagia are other causes of IDA. Amongst addicted, alcohol addiction seen in most cases.
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RAY, KAMALJIT, J. R. CHINCHOLIKAR, and MANORAMA MOHANTY. "Analysis of extreme high temperature conditions over Gujarat." MAUSAM 64, no. 3 (July 1, 2013): 467–74. http://dx.doi.org/10.54302/mausam.v64i3.728.
Повний текст джерелаАнотація:
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One of the fallouts of the global warming is the increase in frequency of extreme events like cyclones, heavy rainfall, flood, droughts and heat waves etc, across different parts of the world on varying scale/intensity. Climate variability and occurrence of extreme weather events are the major concerns for socio-economic well being of the region. During the period March to May 2010, Gujarat experienced moderate to severe heat wave condition with record number of days with heat waves in most of the districts of Gujarat. This study was undertaken to analyze the decadal climatology of extreme high temperature conditions over Gujarat. The decadal analysis carried out in the study indicated that the number of moderate heat wave days and severe heat wave days are highest in the last decade as compared to earlier three decades in more than 70 per cent of the stations. The districts of Ahmedabad, Baroda, Rajkot, Banaskantha (Deesa) and Sabarkantha (Idar) show increase in moderate heat waves in the last decade (2001-2010). Various IMD Stations like Baroda, Deesa, Kandla and Idar have recorded all time highest temperatures in the last decade. The summer maximum temperature anomalies of five non coastal stations of Gujarat also indicate a high positive anomaly (upto 4 °C) prevalent in the last decade. The paper also analyses the synoptic condition during the severe heat wave of May, 2010.
10
Sharma, Giriraj, and Shanta Samanta. "SCULPTED STEEL OF RAGHAV KANERIA." ShodhKosh: Journal of Visual and Performing Arts 3, no. 1 (March 30, 2022): 169–78. http://dx.doi.org/10.29121/shodhkosh.v3.i1.2022.75.
Повний текст джерелаАнотація:
This article is a critical appreciation of Raghav Kaneria’s welded sculptures done in scrap metal, mild steel, and stainless steel since 1962 to 2016.Though he has worked on many mediums like terracotta, bronze, wood, scrap metal, cement, assemblage etc. but in this article, I would like to concentrate only one medium and that is ‘sheet metal’ in its different forms like mild steel, stainless steel, and scrap metal. I have divided these works into three different phases depending on the style and treatment of his works and subject matter.
His first phase works were mostly done with scrap metals where found objects were welded together to create new forms. Many of these works were done when he was studying in Faculty of Fine Arts (Vadodara) and later in a Mumbai factory. These works have a rugged quality of the scrap metal sculptures with its strange primitive vitality. His second phase works were the smooth polished surfaces of abstract forms which he calls ‘sprouting’, done during his studies in Royal college of Art, London and during his teaching period in Waltham Forest Technical College, London and Hull College of Art, London. These sculptures consist of smooth tubular forms created in mild steel which were not an assemblage of direct forms, but a meticulous execution of forms inspired by nature. His third phase is the sensuous, simplistic, and decorative forms of Bull which he calls ‘Nandi’. They were done in stainless steel sheets in Baroda, between 2014- 2016. These forms in stainless steel were created using huge flat steel sheets joined together by welding. They are simply called the Nandi forms. These three phases have different approach of execution. In this article I have tried to bring together a selection of his oeuvres made in ‘metal sheets’ but with very different approach in each series evoking diverse expressions.
Дисертації з теми "Età barocca"
1
Magnani, Arianna <1988>. "Gewu bu qiu ren, un'enciclopedia popolare cinese nella biblioteca dei Gesuiti a Genova : un caso studio nella dinamica dei rapporti tra Europa e Cina in età barocca." Doctoral thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/14959.
Повний текст джерелаАнотація:
Testi in lingua sinica realizzati da missionari gesuiti, in particolare nel XVII secolo, e testi cinesi importati in Europa nello stesso periodo sono tra i significativi segnali di una diffusa attenzione politica e culturale. Il caso studio del libro enciclopedico Gewu bu qiu ren conservato a Genova, insieme ad altri testi redatti in lingua cinese nel contesto del patrimonio librario dell’antico Collegio dei Gesuiti, è occasione per ricostruire la diffusione di soggetti di questo genere letterario in Europa e per proporre, sullo specifico di quel testo, alcuni approfondimenti di carattere filologico. La presenza gesuitica si pone in una città inserita nel Seicento in un’importante rete di scambi commerciali, finanziari e culturali: un network che coincide anche con la rete internazionale su cui si poggia la diffusione di oggetti, conoscenze, mediati da figure di intellettuali, religiosi, spesso gesuiti. Delineata la contestualizzazione di questo “libro migrante” e le potenziali “traduzioni” sulle tappe del suo spostamento, l’analisi verte sulla ricostruzione di una prima ricezione dei testi enciclopedici cinesi, mettendo l’esemplare genovese in rapporto con altre fonti primarie del genere riyong leishu presenti in centri europei. Sulla base di confronti e dell’individuazione di “marginalia” sono state scelte particolari tematiche sulle quali sembra concentrarsi l’attenzione di lettori seicenteschi e si sono proposte specifiche traduzioni.
2
Ferrari, Carlo. "Gli spazi di mendicanti e vagabondi nella Roma barocca (XVI-XVII secolo)." Thesis, Aix-Marseille, 2019. http://www.theses.fr/2019AIXM0201.
Повний текст джерелаАнотація:
L’historiographie du paupérisme est essentiellement axée sur deux thématiques liées entre elles : d’une part, la perception des pauvres et la classification de la misère qui en dérivait (mendiants légitimes, mendiants illégitimes, vagabonds) ; d’autre part, l’histoire des politiques relatives au confinement et à l’assistance des pauvres, et celle des institutions destinées à cette finalité. Cependant, depuis une vingtaine d’années, des recherches ont pris en considération l’action des pauvres sur leur vie quotidienne, et les stratégies de survie adoptées pour échapper à la misère, en essayant de compenser les lacunes documentaires par une nouvelle utilisation des sources institutionnelles. Cette approche historiographique a guidé nos recherches, centrées sur les stratégies quotidiennes des mendiants romains de l’époque baroque à travers une analyse de la présence de ces derniers au sein de l’espace urbain. La thèse vise donc à montrer la « place » occupée par les mendiants et les vagabonds dans la ville de Rome et les conditions spécifiques qui amenaient ces personnes à vivre, traverser, et « s’approprier » certains lieux plus que d’autres. « Lieu » ne désigne pas seulement ici les espaces où était pratiquée la mendicité (églises, auberges, places publiques), mais également les endroits de la ville caractérisés par une évidente concentration résidentielle de pauvres (quartiers, zones urbaines et extra-urbaines). En effet, la situation géographique, l’étude des formes de logement et la capacité d’action des pauvres au sein de l’espace urbain est un aspect encore peu étudié dans l’historiographie de la ville de Rome au cours de l’époque modernePauperism historiography have basically developed two main issues connected to each other:1) The image rich people had of the poor ones and the classification of poverty as a result of that.2) History of the politics concerning the “containment of” and the “aid to” the needy and the institutions charged with this task. Core of this historiography have been for long time Institutions, functioning of the charity policies and of repressive and assistive devices activated with the respect of some kind of poor. Nevertheless, in the last two decades several scholars have tried to further inquire poor’s action, their daily life and survival strategies enacted by them in order to escape the poverty stranglehold, especially aiming to fill documentary gaps insofar observed through a renewed use of the official sources. According to this investigation perspective in this work we focus on the daily strategies of roman beggars at baroque age, facing this thematic through the analysis of the presence of those into the urban space.The thesis hereby aims to understand which place poor people occupied in baroque Rome city life, which specific conditions brought these people living, crossing and “appropriating” specific locations rather than others. It’s with the expression “place” of the beggars, indeed, that here are intended not only the sites where they begged for alms (churches, inns, squares) but mainly town zones particularly populated by them (districts, neighborhood, borough). Geographical setting, housing features and agency into the urban space of these persons are in fact still an unexplored aspect of modern Rome’s historiography
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Ancos, Morales Beatriz de. "Pío Baroja : literatura y periodismo en su obra /." Madrid : Fundación universitaria española, 1998. http://catalogue.bnf.fr/ark:/12148/cb40094920d.
Повний текст джерела
4
Hirtler, Eva. "Die Musik als scientia mathematica von der Spätantike bis zum Barock /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1995. http://catalogue.bnf.fr/ark:/12148/cb35770255j.
Повний текст джерела
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Hagenow, Elisabeth von. "Bildniskommentare : Allegorisch gerahmte Herrscherbildnisse in der Graphik des Barock : Entsehung und Bedeutung /." Hildesheim : Olms, 1999. http://catalogue.bnf.fr/ark:/12148/cb39090364j.
Повний текст джерела
6
Delrue, Elisabeth. "L'écriture romanesque de Pío Baroja : une unité, une cohérence, une élaboration." Paris 4, 1996. http://www.theses.fr/1996PA040245.
Повний текст джерелаАнотація:
La spécificité du discours de Pío Baroja est imputable à son idéologie. La confrontation de deux de ses trilogies, à thématique urbaine et rurale, La Lucha por la vida et Tierra vasca, envisagées dans leurs caractéristiques d'écriture tendrait à le prouver. Une cohérence préméditée semble se dégager de l'incohérence si souvent décriée par la critique. Les procédés textuels et les stratégies narratives mis en œuvre pour organiser, par le biais des marques spatio-temporelles, le microcosme des fictions examinées, présentent des traits fondamentalement communs qui structurent une même vision du monde, celle de l'univers décadent perçu dans ses moindres détails de l’Espagne meurtrie du tournant du siècle qu'il est possible de modifier, selon l'auteur, par l'action individuelle, énergique et volontaire. Mais le travail d'écriture n'en reste pas là. Il modèle aussi la lecture souhaitée et postule le destinataire-type que l'on veut particulièrement viser et contraindre à agir, le madrilène contemporain. Le souci de la bonne recevabilité du message transmis et l'oubli du caractère littéraire de la fiction pour forcer le lecteur à s'investir davantage commande des constantes. Deux livres ont rempli ce contrat: La Busca et Zalacain el aventurero. Ils ont reçu un franc succès à leur sortie et une large diffusion. Certains lecteurs ont pris pour modèle le héros du second. Les autres recueils restent mal perçus ou incompris par leurs lecteurs réelsThe specificity of Pío Baroja's discourse is imputable to his ideology. The confrontation of two of his trilogies - The Struggle for Life presenting urban themes and Tierra Vasca offering rural ones - seen through their textual characteristics is proof of that. A studied coherence seems to emerge from the mere incoherence so often disparaged by the critics. The literary devices and the narrative strategies - brought into play by the author in order to organize the fictional microcosm through the space-time marks - offer similar features that give a structure to a single and unique vision of the world, that of turn-of-the century Spain’s decadent universe perceived through its most trifling details. According to the author, it is possible to modify this universe through strong, individual, wilful action. But the writer's work does not stop at that point. It shapes the way people are expected to read and postulates the typical recipient who is aimed at and compelled to act, namely the living citizen of Madrid. The author's concern for the absolute clarity of the message conveyed and the refusal to take the literary aspect of the fiction into account in order to force the reader to play a part in the story, lead to some constants. Two books performed this duty: La Busca and Zalacain, the Adventurer. They received great acclaim when first published and were largely diffused. Some readers took the second book's hero as their model. The other books are not yet clearly perceived by their actual readers
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Sing, Beverly Jung. "Geistliche Vokalkomposition zwischen Barock und Klassik : Studien zu den Kantatendichtungen Johann Gottfried Herders in den Vertonungen Johann Christoph Friedrich Bachs /." Baden-Baden : V. Koerner, 1992. http://catalogue.bnf.fr/ark:/12148/cb36955846h.
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Åberg, David. "Ett femte evangelium : Med Bachs kyrkokantater i det 21:a århundradet." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3951.
Повний текст джерелаАнотація:
Johann Sebastian Bachs kantater för kyrkoåret skrevs i en annan tid, de har ett annat språk, både skriftligt och textligt, än vad kanske dagens gudstjänstbesökare är vana vid. För att göra dessa mästerverk relevanta idag behövs, tror jag, en varsam redigering. I och med det här arbetet önskar jag skapa en fungerande form där Bachs musik blir en naturlig del av det liturgiska flödet. De kriterier jag velat uppfylla för kantaterna är följande: · Texten ska vara på svenska. För Luther och Bach var det en självklarhet att det skulle vara på folkspråket · Orkestern ska inte vara för stor, det ska vara görbart ekonomiskt. Stråkar plus ytterligare ett eller två instrument · Endast en solist per söndag · Kantatens satser ska spridas ut över gudstjänsten. Hos Bach delades den endast upp i två delar · Koralmelodierna som används ska finnas i vår psalmbok. För att (som jag tidigare skrev) koralerna ska fungera som mänsklighetens (eller församlingens) röst, bör det vara melodier man känner till · Det får inte bli för långt (gudstjänsten ska inte vara mycket längre än en normal gudstjänst med körmedverkan) Sammanfattningsvis är alltså min frågeställning följande ”Finns det fortfarande plats för Johann Sebastian, hans musik och hans teologiska arv i det svenskkyrkliga gudstjänstlivet”? Min förhoppning är att Bachs, enligt min åsikt, tidlösa musik i allmänhet och hans kantater i synnerhet ska rymmas i vår kyrkas stora musikaliska arv, att musiken ska beröra människor och förändra deras liv på sätt som exempelvis sångerna från kommuniteten i Taizé och lovsångsrörelsens musik gör och har gjort. Svenska kyrkan är och ska vara en folkkyrka med breda och många teologiska och musikaliska influenser och traditioner. Utifrån kriterierna ovan skapas fyra kantater, för Första advent, Fastlagssöndagen, Påskdagen och Tacksägelsedagen.
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Brolin, Nord Elin. "En studie av skador hos stolar från renässansen 1560-tal till biedermeier 1850-tal. : Ett arbete om sambandet mellan konstruktion, material och skadebild." Thesis, Linköpings universitet, Malmstens Linköpings universitet, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-150581.
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Through the selection of six representative typical Swedish chairs from each era, I present manufacturing techniques and how the craftsmanship has affected the style of the chairs over time. My main source material is the objects themselves. I chose to analyze the constructions and what can distinguish them apart in techniques, material choices, aesthetics and design. The main part of my work has been to find out what are the most occurring damages and its causes. Most damages from renaissance to biedermeier can be linked to the mortise joint. Through interviews with experienced conservators and with my own experiences as a cabinet maker and conservator, I discuss the concept of the ultimate chair design in terms of stability. I have come to the conclusion that the most solid chair is the eight to twelve framed chairs from the Renaissance, but the chair must be adapted to the intended use.
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Koch, Ute Christina. "Maecenas Repräsentationsmechanismen von Favoriten am Beispiel von Heinrich Graf von Brühl." Paris, EPHE, 2010. http://www.theses.fr/2010EPHE4038.
Повний текст джерелаАнотація:
Durant la période d’union saxo-polonaise, Heinrich Comte de Brühl acquit une position exceptionnelle à la cour de Dresde. De page à Premier ministre et favori d’Auguste III, il travailla pendant vingt-cinq ans à sa carrière sociale et professionnelle. « Deuxième homme » de Dresde, il décidait de la politique intérieure et extérieure des deux royaumes, et déterminait également la politique culturelle. En tant que directeur des achats pour la pinacothèque royale, directeur de la manufacture de porcelaine, et directeur de l’opéra de Dresde, il occupait les postes clés de la vie culturelle. Cette thèse se propose d'examiner les parties différentes de l’engagement culturel de Brühl. L’engagement artistique était une condition indispensable pour la réussite dans la société de cour. Des connaissances sur l’art et les sciences étaient nécessaires à la carrière d’un courtisan et la constitution de collections exposait cette marque de distinction. Ainsi Brühl ne se contenta donc pas de châteaux majestueux, car il se consacra également à la construction de diverses collections, parallèlement à sa carrière politiqueDuring the period of Saxon-polish union, Henry Count of Brühl attained an extraordinary position at the court of Dresden. From donzel to Prime Minister and favourite of August III, he had been working on his social and political fo 25 years. "Second Man" of Dresden, he not only defined domestic policy and foreign affairs but cultural policy as well. As the Director of the acquisitions of the royal gallery, the director of the porcelain manufactory and the director of the Opera at Dresden, he occupied key positions in cultural live. The thesis at hand examines different parts of the count's cultural management. Artistic engagement was an indispensable requirement for social success at court. Connoisseurship in the arts and sciences were necessary for the career of a courtesan, and the constitution of collections exposed this mark of distinction. Hence Brühl wasn't only content with luxurious castles but also promoted, in addition to his career, the accumulation of various collections
Книги з теми "Età barocca"
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Alberto, Grohmann, and Accademia properziana del Subasio, eds. Assisi in età barocca. Assisi: Accademia properziana del Subasio, 1992.
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Sculture in legno di età barocca in Basilicata. Napoli: Paparo, 2005.
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Milizia, Francesco. Francesco Milizia: Architetti di età barocca e tardobarocca. Torino: Testo & immagine, 1998.
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Le cupole di Borromini: La scientia costruttiva in età barocca. Milano: Electa, 2004.
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Brustolon, Andrea. Andrea Brustolon: opere restaurate: La scultura lignea in età barocca. Padova: Il poligrafo, 2011.
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Maria, Spiazzi Anna, and Mazza Marta, eds. Andrea Brustolon: Opere restaurate : la scultura lignea in età barocca. Padova: Il poligrafo, 2011.
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Genova, Università di, ed. Vanitas: Percorsi iconografici nell'arte genovese tra Cinquecento ed età barocca. Roma: De Luca, 2012.
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La scena del mondo: Teatro e letteratura di Sicilia in età barocca. Palermo: Dharba, 1991.
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L'arte dei marmorari in Italia meridionale: Tipologie e tecniche in età barocca. Roma: De Luca, 2013.
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Primerano, Domenica, and Domizio Cattoi. Paris Lodron: Arcivescovo di Salisburgo : un principe illustre nella prima età barocca. Rovereto (Trento): Nicolai, 2004.
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Gasser, Stefan, Alain Fretz, Katharina Simon-Muscheid, and Primula Bosshard. "Recycling mittelalterlicher Skulpturen im Zeitalter des Barock. Die Schreinfiguren aus dem Retabel der ehem. Peterskapelle auf dem Bisemberg (Montorge) bei Freiburg i. Ue." In Ex quadris lapidibus. La pierre et sa mise en oeuvre dans l'art médiéval, 477–84. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.sta-eb.1.100221.
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"15 Die Querelle des Anciens et Modernes." In Das Zeitalter des Barock, 374–402. De Gruyter, 2021. http://dx.doi.org/10.1515/9783110699272-016.
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Pérez Gutiérrez, Francisco. "Contenu et intention religieuse dans deux romans de Baroja (1872-1956) et Azorin (1874-1967)." In 1898 : littérature et crise religieuse en Espagne, 109–27. Presses universitaires du Septentrion, 2000. http://dx.doi.org/10.4000/books.septentrion.49643.
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Doraiswamy, L. K. "Liquid-Liquid and Solid-Liquid Reactions." In Organic Synthesis Engineering. Oxford University Press, 2001. http://dx.doi.org/10.1093/oso/9780195096897.003.0023.
Повний текст джерелаАнотація:
Chapter 14 was concerned with gas-liquid reactions, although it was mentioned at the beginning of the chapter that the same principles would apply equally if phase 1 were a liquid or a solid. The premise for such a statement was that phase 1 comes into the picture only to the extent that it supplies the solute A that diffuses into phase 2 and reacts with B in the film, bulk, or both, in that phase only. Because the state of phase 1 is immaterial in such a situation, the theories are equally applicable when the phase is a liquid or a solid. However, an additional factor comes into play when phase 1 is also a liquid. Component B from phase 2 can have a finite solubility in phase 1, diffuse into that phase and react there with A. Thus reaction can occur in both phases. This is equally true when phase 1 is a solid, but the mechanism of diffusion and reaction in a solid is different. It is also possible for a gas and a solid to simultaneously dissolve and react in a liquid, but as three phases are involved here, it is considered in Chapter 17. In this chapter we consider the following two classes of reactions: liquid-liquid and solid-liquid. One encounters reactions belonging to these classes quite frequently in organic chemical technology. We shall give instances of these while dealing with the individual systems. Hydrolysis and saponification of esters and fats (Jeffreys et al., 1961; Donders et al., 1968; Sharma and Nanda, 1968), sulfonation and nitration of aromatic compounds (Albright and Hanson, 1969, 1975; Hanson and Ismail, 1976; Barona and Prengle, 1973), alkylation of isobutane, toluene, and phenols with isobutylene (Jernigan et al., 1965; Mosby and Albright, 1966; Sprow, 1969; Tiwari and Sharma, 1977; Zaldivar et al., 1996), and oximation of cycloyhexanone (Rod, 1974, 1976) are some of the liquid-liquid reactions in which reaction occurs in both phases. The reaction last mentioned between cyclohexanone (which constitutes the organic phase) and aqueous hydroxylamine sulfate (containing ammonium sulfate) to give cyclohexanone oxime comprises the first step in the manufacture of caprolactam, an important reactant in the synthesis of Nylon.
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Lee, P. J. "Estimating Mature Plays." In Statistical Methods for Estimating Petroleum Resources, edited by Jo Anne DeGraffenreid. Oxford University Press, 2008. http://dx.doi.org/10.1093/oso/9780195331905.003.0009.
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A key objective in petroleum resource evaluation is to estimate oil and gas pool size (or field size) or oil and gas joint probability distributions for a particular population or play. The pool-size distribution, together with the number-of-pools distribution in a play can then be used to predict quantities such as the total remaining potential, the individual pool sizes, and the sizes of the largest undiscovered pools. These resource estimates provide the fundamental information upon which petroleum economic analyses and the planning of exploration strategies can be based. The estimation of these types of pool-size distributions is a difficult task, however, because of the inherent sampling bias associated with exploration data. In many plays, larger pools tend to be discovered during the earlier phases of exploration. In addition, a combination of attributes, such as reservoir depth and distance to transportation center, often influences the order of discovery. Thus exploration data cannot be considered a random sample from the population. As stated by Drew et al. (1988), the form and specific parameters of the parent field-size distribution cannot be inferred with any confidence from the observed distribution. The biased nature of discovery data resulting from selective exploration decision making must be taken into account when making predictions about undiscovered oil and gas resources in a play. If this problem can be overcome, then the estimation of population mean, variance, and correlation among variables can be achieved. The objective of this chapter is to explain the characterization of the discovery process by statistical formulation. To account for sampling bias, Kaufman et al. (1975) and Barouch and Kaufman (1977) used the successive sampling process of the superpopulation probabilistic model (discovery process model) to estimate the mean and variance of a given play. Here we shall discuss how to use superpopulation probabilistic models to estimate pool-size distribution. The models to be discussed include the lognormal (LDSCV), nonparametric (NDSCV), lognormal/nonparametric–Poisson (BDSCV), and the bivariate lognormal, multivariate (MDSCV) discovery process methods. Their background, applications, and limitations will be illustrated by using play data sets from the Western Canada Sedimentary Basin as well as simulated populations.
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"CENSURA DE DON LUIS BARONA ZAPATA, CABALLERO DE LA ORDEN DE SANTIAGO, SEÑOR DE ROCAVILA, etc." In Obras completas, Vol. I y II, 327. Vervuert Verlagsgesellschaft, 2001. http://dx.doi.org/10.31819/9783865279217-011.
Повний текст джерелаТези доповідей конференцій з теми "Età barocca"
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Ong, Chin L., and John R. Thome. "Experimental Adiabatic Two-Phase Pressure Drops of R134a, R236fa and R245fa in Small Horizontal Circular Channels." In ASME/JSME 2011 8th Thermal Engineering Joint Conference. ASMEDC, 2011. http://dx.doi.org/10.1115/ajtec2011-44010.
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Experimental adiabatic two-phase pressure drops data for refrigerants R134a, R236fa and R245fa during flow boiling in small channels with internal diameters of 1.03, 2.20 and 3.04 mm are presented. The main purpose was to investigate the effects of channel confinement on adiabatic two-phase pressure drops. Thus, the two-phase pressure drop trends were systematically investigated over a wide range of test conditions for all three refrigerants and channel sizes. Statistical comparisons have also been made by comparing the experimental pressure drop data database with various macroscale and microscale prediction methods from the literature. The comparison showed relatively moderate accuracy for three prediction methods developed for macroscale flows, i.e. Baroczy and Chisholm, Friedel and the homogeneous model with the Cicchitti et al. viscosity relation. As for microscale prediction methods, the Cioncolini et al. annular flow model worked best with 68.5% of the data within ± 30%, followed by the Sun and Mishima and the Zhang et al. methods. Combining this database with the LTCM lab’s earlier database for 0.509 and 0.790 mm channels, there appears to be no evidence of a macro-to-microscale transition, at least with respect to two-phase pressure drops.