Добірка наукової літератури з теми "Essays and songs"
Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями
Ознайомтеся зі списками актуальних статей, книг, дисертацій, тез та інших наукових джерел на тему "Essays and songs".
Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.
Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.
Статті в журналах з теми "Essays and songs"
Lukaniuk, Bohdan. "From the Musical History of Liberation Songs. Problem Essays." Ethnomusic 18, no. 1 (December 2022): 25–64. http://dx.doi.org/10.33398/2523-4846-2021-18-1-25-64.
Повний текст джерелаLukaniuk, Bohdan. "From the musical history of liberation songs. Problem essays." Ethnomusic 18, no. 1 (December 2022): 25–64. http://dx.doi.org/10.33398/2523-4846-2022-18-1-25-64.
Повний текст джерелаBergman, David, and John Taggart. "Songs of Degrees: Essays on Contemporary Poetry and Poetics." American Literature 67, no. 3 (September 1995): 618. http://dx.doi.org/10.2307/2927972.
Повний текст джерелаLukaniuk, Bohdan. "From the Musical History of Liberation Songs. Problem Essays." Ethnomusic 17, no. 1 (2021): 74–105. http://dx.doi.org/10.33398/2523-4846-2021-17-1-74-105.
Повний текст джерелаSieber, Patricia, Mario De Grandis, Ke Wang, Hui Yao, Jingying Gao, Ian McNally, Xu Yichun, and Jenn Marie Nunes. "In Search of Pure Sound: Sanqu Songs, Genre Aesthetics, and Translation Tactics." Journal of Chinese Literature and Culture 8, no. 1 (April 1, 2021): 163–202. http://dx.doi.org/10.1215/23290048-8898674.
Повний текст джерелаLaing, Dave. "31 Songs and Nick Hornby's pop ideology." Popular Music 24, no. 2 (May 2005): 269–71. http://dx.doi.org/10.1017/s0261143005000486.
Повний текст джерелаBethke, Robert D., Richard A. Reuss, and Archie Green. "Songs about Work: Essays in Occupational Culture for Richard A. Reuss." Western Folklore 56, no. 2 (1997): 177. http://dx.doi.org/10.2307/1500206.
Повний текст джерелаPorter, Gerald, and Archie Green. "Songs about Work. Essays in Occupational Culture for Richard A. Reuss." Jahrbuch für Volksliedforschung 41 (1996): 186. http://dx.doi.org/10.2307/848452.
Повний текст джерелаLa Charité, Virginia A. "Book Review: Songs of Degrees: Essays on Contemporary Poetry and Poetics." Philosophy and Literature 19, no. 2 (1995): 398–99. http://dx.doi.org/10.1353/phl.1995.0088.
Повний текст джерелаHuber, Patrick, and Archie Green. "Songs about Work: Essays in Occupational Culture for Richard A. Reuss." Journal of American Folklore 108, no. 428 (1995): 211. http://dx.doi.org/10.2307/541385.
Повний текст джерелаДисертації з теми "Essays and songs"
Li, Chol-Won. "Essays on the neo-Schumpeterian growth theory : heterogenous R & D, cycles and inequality." Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.270431.
Повний текст джерелаWitte, Anne E. "Le Songe d'une nuit d'été de William Shakespeare : essai de lecture anthropologique." Paris 3, 1997. http://www.theses.fr/1998PA03A063.
Повний текст джерелаThis anthropological reading of a midsummer night's dream focuses on the symbolic and historical aspects of the play's calendar. The frequent mentions of the moon, of the seasons and of midsummer as well as of holidays such as saint valentine's day, saint george's feast and may 1st are considered. The possibility of identifying the particular occasion during which the play had been given and of testing the hypothesis of a courtly marriage situated between 1594 and 1596 are also studied. In an interpretation of the main symbols of the play such as the changeling, the donkey and the fairies (titania, puck and oberon), the second part explains different rites of passage that the characters undergo which modify their social status. Thus, hermia, helena, lysander and demetrius leave their adolescence to integrate the adult community. The changeling enters the masculine world and theseus abandons the ways of old egeus in order to create a new society. The success of these different transformations is assured by magical practices carried out throughout the play. Bottom's transformation is inspired by agrarian rituals dating from the middle ages. His words and his scatalogical gestures have a regenerative function. This links him to the seasonal cycle that gives rhythm to the calendar. His role resembles that of oberon in that he surrounds the couples with symbols of fertility. The third part situates dream in the political and cultural context of the era. Influenced by humanism, protestantism, capitalism and the reformation, the universe of dream reflects the power plays between the elite and popular classes. The weaving motifs in the play including the silkworms, the story of the mulberry tree and bottom the weaver echo both the writer's and the magician's work
Zhang, Chao. "Formation des paradigmes religieux entre essai et hagiographie : étude de deux Biji du bouddhisme Chan des Song du Sud (1127-1279)." Paris, EPHE, 2014. http://www.theses.fr/2014EPHE4029.
Повний текст джерелаDuring the Song Dynasty, the writings of the Buddhist Chan School reached their peak. Several new literary forms emerged, including the Chan Biji (Miscellanies) which appeared in the early 12th century and flourished during the following centuries. Composed essentially of anecdotes of hagiographic nature, the Biji texts contain a considerable amount of writings and acts of the clergy and laypeople of the Chan, which were unpublished at the time and deal with various aspects of Buddhist life in pre-modern China. To explore this genre, neglected until today, the author’s research is based on two representative Biji works - the Luohu Yelu (Record of unofficial sayings on the Luo Lake) and Ganshan yunwo Jitan (Memories and sayings from the host of the "Nestled in the clouds" cottage on Gan Mount). After historical and documentary studies of these texts, the author identified four research themes offering an overview of the underlying religious paradigm. This work concludes with a reflection on the formal characteristics of the Chan Biji
Dutournier, Guillaume. "Zhu Xi et Lu Jiuyuan. Description d’une relation lettrée dans la Chine des Song (second XIIe siècle) : un essai d’anthropologie du savoir." Thesis, Paris, INALCO, 2014. http://www.theses.fr/2014INAL0033/document.
Повний текст джерелаBy focusing on the relations between Zhu Xi and Lu Jiuyuan, two scholar-officials of the Song dynasty generally seen as major representatives of what is often called “neoconfucianism”, this dissertation uses the insights of the intellectual history of the period to propose a new perspective to study the patterns of controversy in traditional China. Taking as a starting point both a pragmatic description of the words and deeds of these two literati and an original translation of some texts they produce and put into practice, it attempts to stick to an emic point of view against any objectivist bias. The description of the assumptions of the actors (i.e., the rules that pattern their speech and actions) enables us to reconstruct a system of conscious values hierarchized under the idea of “knowledge”, and thereby puts into question our modern conception of knowledge. In order to achieve a deep understanding of this order of meaning, one needs to elaborate a suitable anthropology, for which the concepts and method developed by Louis Dumont have proved to be of fundamental value, leading to an attempt at an anthropology of knowledge. On an analytical level, the overall perspective we propose contributes to the intelligibility of the relation between Zhu Xi and Lu Jiuyuan, and, more generally, to the collective dynamics underlying this relation. On a disciplinary level, it confirms both the importance of an anthropological approach for the understanding of Chinese history and, in return, the importance of sinology as a source of precious insights for anthropology
Trong, Lucien. "La Résistance à la pourriture des panneaux contreplaqués et des panneaux de particules : étude expérimentale d'une méthode en conditions non stériles." Nancy 1, 1986. http://www.theses.fr/1986NAN10006.
Повний текст джерелаSarmento, Thais Marçal Passos. "Essa canção não é mais que mais uma tradução? Análise de versões de canções da Nova Trova cubana por Chico Buarque." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8145/tde-10082016-123103/.
Повний текст джерелаThis research seeks to study renditions in Portuguese written by Chico Buarque for songs originally composed by the two most important composers of the Cuban Nueva Trova. Renditions of three songs composed by Pablo Milanés are analyzed into detail and are, afterwards, compared with two renditions written for two songs by Silvio Rodríguez. The research is inserted into two perspectives within Descriptive Translation Studies (HOLMES, 2000): product oriented (analyses of renditions for the lyrics to be sung) and function oriented (general contexts in which these renditions are inserted). The corpus for this research is formed by five song renditions, recorded by different singers in different contexts, whose source texts are: 1) Canción [De qué calada manera] (a musicalized poem by Cuban writer Nicolas Guillén, 2) Todos los ojos te miran, 3) Yolanda composed by Pablo Milanés 4) Supón e 5) Imagínate these last two ones composed by Silvio Rodríguez. The rendition of Canción [De qué calada manera] is present in the album Chico Buarque (1984) as Como se fosse a primavera [Canción]. Iolanda, the rendition for Yolanda, is found in the album Chico Buarque - Duetos (2002) and had previously been part of Simones repertoire in a duet with Chico in her album Desejos, in 1984. Todos os olhos te olham, rendition for Todos los ojos te miran was recorded by singer Simone in the album Raio de Luz in 1991, with the title Todos os olhos te olham. From the songs originally written by singer and composer Silvio Rodríguez, Chico Buarque wrote renditions for Supón and Imagínate, both to be recorded by Nara Leão in her album Nasci para bailar, in 1992, with the titles Supõe and Imagina só, respectively. The most attentive focus of the analyses are directed towards the renditions for the songs composed by Pablo Milanés, being the songs written by Silvio Rodríguez compared with Milanéss ones, regarding the different translation methods utilized by Chico Buarque. This study considers the different goals for the translation of music lyrics in their relation with different translation methods, based on the proposition delineated by Low (2003) anchored in the theory of Skopos (cf Reiss e Vermeer, 1984). In the particular instance of the translation of a song to be sung, in which the lyrics form a text in symbiosis with the music, it is our contention that this is a type of subordinate translation, a modality of translation in which the linguistic element (text) is subjected to an extra-linguistic element (in the case of the corpus of this research, the music) (HURTADO, 2001). For the analysis of the corpus, two methodological tools have been combined: 1) the modalities of translation lined out by Francis Henrik Aubert (1998), which allows us to consider treating the verbal text within linguistic parameters, making proximity and distancing measures possible between source text and target text for comparative goals; 2) the Pentathlon Principle proposed by Peter Low (2005), which has allowed the consideration of the role of extralinguistic aspects in the result of the translation in the target text. Within our research questions, we have proposed to consider to what extent the translation from Spanish to Portuguese may facilitate a more literal treatment of the lyrics, since they form a linguistically close pair, and how the music and the artists repertoire may direct the method of translation chosen, despite the proximity between the languages involved. To conclude, having in mind the questions who are the translators?, what has been translated?, why have some specific things been translated?, when (in what moments, contexts) did the translations happen?, what are the purposes of the translations performed (to whom, towards what goal)?, how was it translated?, within the ones Lieven Dhulst proposes to historicize translation (MILTON; MARTINS, 2010), this research seeks to contribute, through a case study, to a broader history of the translation of popular music to be sung, in Brazil.
Song, Li. "Three Essays on Mechanism Design." Thesis, 2018. https://thesis.library.caltech.edu/10420/1/Song-Li-2017.pdf.
Повний текст джерелаThis thesis addresses mechanism design problems in three different contexts.
Chapter 2 compares two widely used student assignment mechanisms, the deferred-acceptance algorithm (DA) and the Boston algorithm (BA), in the context of the Chinese College Admission System. Two features of this system separate the study in this chapter from previous studies. First, the maximal number of schools that a student can apply to is fixed, and is significantly smaller than the total number of schools nationwide. Second, schools’ preferences over applicants are not publicly observed. Under further assumptions, which include that applicants have the same preferences over schools and schools rank applicants by a common standard, I find that students are more likely to compete for seats at top schools under DA than BA. Furthermore, there are cases in which students’ over-competition of top schools under DA results in a less efficient outcome compared to BA.
Chapter 3 studies the mechanism design problem in a market where buyers have type-dependent outside options. Previous literature usually assumes that buyers obtain a fixed value if they do not participate in a sale. This chapter focuses on scenarios in which the value of the option outside of a particular sale varies across different types of buyers. In such a scenario, an optimal mechanism for selling a private-valued item to unit-demand buyers is a second-price auction, with either a reserve price or a fixed show-up fee. This mechanism induces segregation of the market: buyers with a type which values the item high enough will exercise their outside option.
Chapter 4 analyzes grant-issuing processes in a mechanism design framework. Applicants submit their proposals for projects that may not be carried out without external funds. The grant issuer makes a selection from the proposals and decides the amount to award each selected project within a budget. This chapter characterizes optimal mechanisms to efficiently allocate the grant-issuer’s budget. The optimal mechanism overcomes the problem of mis-allocation of the current merit-based mechanism. However, the problem of crowding-out private funds still stands. This chapter also shows how the specific formof institutional constraints—the flexibility of the budget constraint, and whether an applicant can reject a grant after being rewarded — affects the form of the optimal grant-issuing mechanism.
Wang, Kuo-Kuang, and 王國光. "A Critique Essay on the Film Script Song of Justice." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/euaw5p.
Повний текст джерела國立臺北藝術大學
電影創作學系碩士班
100
Song of Justice is a historical film illustrating the legendary hero, Wen Tian -xiang (文天祥), a scholar-general in the last years of the Southern Song Dynasty in the history of China. From a man living an ordinary life to becoming a great hero, Wen Tian -xiang chose to step out of his comfort zone, resisted the Mongol invaders, and refused to yield to the Yuan Dynasty despite being captured and tortured in the dark ages of China. Through different views between Wen Tian -xiang and Marco Polo, the supporting character, this film re-examines the 11-year large-scale land and naval battles happened seven hundred years ago between the Mongols and the Song troops in Chinese history. This screenplay was inspired by Akira Kurosawa''s "Seven Samurai" (1954), Mel Gibson’s “Braveheart” (1995) and Luc Besson’s "The Lady "( 2011). “Braveheart” is the main basis of the script structure. Discourse and research methods will focus on the creating process from a historical story to a three-act play script. An in-depth analysis on the script structure and characters will also be conducted in the essay.
Shen, Menghan. "Three Essays on How Parents and Schools Affect Offspring’s Outcomes." Thesis, 2016. https://doi.org/10.7916/D8MS3SKT.
Повний текст джерелаКниги з теми "Essays and songs"
Page, Jake. Songs to birds: Essays. Boston: D.R. Godine, 1993.
Знайти повний текст джерелаOld songs in a new café. New York: Warner Books, 1995.
Знайти повний текст джерелаWaller, Robert James. Old songs in a new café. New York: Warner Books, 1994.
Знайти повний текст джерелаSongs of ourselves: America's interior landscape. Allentown, Pennsylvania: Blue Heron Books Works, LLC, 2015.
Знайти повний текст джерелаWaller, Robert James. Old songs in a new café: Selected essays. Thorndike, Me: Thorndike Press, 1994.
Знайти повний текст джерелаSongs of a painter: Essays revisited, 2002-2007. Mission, B.C: Limited Edition Publishing, 2012.
Знайти повний текст джерелаS, Reyes Soledad, ed. Tellers of tales, singers of songs: Selected critical essays. Malate, Manila, Philippines: De La Salle University Press, 2001.
Знайти повний текст джерелаSongs of degrees: Essays on contemporary poetry and poetics. Tuscaloosa: University of Alabama Press, 1994.
Знайти повний текст джерелаA permeable life: Poems and essays. United States]: Available Light Publishing, 2013.
Знайти повний текст джерелаOsofisan, Femi. Literature and the pressures of freedom: Essays, speeches, and songs. Ibadan [Nigeria]: Opon Ifa Readers, 2001.
Знайти повний текст джерелаЧастини книг з теми "Essays and songs"
Gross, Barry. "All My Sons and the Larger Context." In Essays on Modern American Drama, edited by Dorothy Parker, 55–67. Toronto: University of Toronto Press, 1987. http://dx.doi.org/10.3138/9781487577803-006.
Повний текст джерелаHardy, Thomas. "[On Sudermann's The Song of Songs]." In Thomas Hardy's Public Voice: The Essays, Speeches, and Miscellaneous Prose, edited by Michael Millgate. Oxford University Press, 2001. http://dx.doi.org/10.1093/oseo/instance.00226909.
Повний текст джерелаClark, Renée Chérie. "A Critical Appraisal of the Four Last Songs." In Vaughan Williams Essays, 157–73. Routledge, 2017. http://dx.doi.org/10.4324/9781315084336-8.
Повний текст джерелаBohlman, Philip V. "Folk Song at the Beginnings of National History." In Song Loves the Masses. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520234949.003.0002.
Повний текст джерела"Chapter Sixteen. Playing With Japanese Songs: Politics Or Pleasure?" In Essays on Japan, 307–25. BRILL, 2011. http://dx.doi.org/10.1163/ej.9789004189775.i-505.40.
Повний текст джерелаOnderdonk, Julian. "Hymn Tunes from Folk-songs: Vaughan Williams and English Hymnody." In Vaughan Williams Essays, 103–28. Routledge, 2017. http://dx.doi.org/10.4324/9781315084336-6.
Повний текст джерела"Arthur Miller: Songs of Innocence and Experience." In New Essays in American Drama, 75–97. BRILL, 1989. http://dx.doi.org/10.1163/9789004483514_008.
Повний текст джерела"Entitling Hebrew Books from Shir ha-Shirim (Song of Songs)." In Essays on the Making of the Early Hebrew Book, 112–52. BRILL, 2021. http://dx.doi.org/10.1163/9789004441163_006.
Повний текст джерелаHallmark, Rufus. "Robert Louis Stevenson, Ralph Vaughan Williams and their Songs of Travel 1." In Vaughan Williams Essays, 129–56. Routledge, 2017. http://dx.doi.org/10.4324/9781315084336-7.
Повний текст джерелаBohlman, Philip V. "The Nation and Its Fragments." In Song Loves the Masses. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520234949.003.0008.
Повний текст джерелаТези доповідей конференцій з теми "Essays and songs"
Borchard, Beatrix. ""Frau Klara Schumann der besten Sängerin."." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.81.
Повний текст джерелаAmazonas, Mauro, Thais Castro, Rosiane De Freitas, and Bruno Gadelha. "Construindo Paisagens Sonoras através da Colaboração em Espaços Públicos." In XV Simpósio Brasileiro de Sistemas Colaborativos. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbsc.2019.7815.
Повний текст джерелаKerr, Vicki. "Interpretar a Natureza de forma não natural: A música concreta e a performance do conhecimento – uma ave marinha de cada vez." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.129.g229.
Повний текст джерелаSANTOS, ELIZA DE JESUS BARROS DOS, and NÁDIA CRISTINA HONORATO DE ARAÚJO. "RECURSO DIDÁTICO “PLICKERS IMUNE” UMA ABORDAGEM METODOLOGICA." In II Congresso Brasileiro de Imunologia On-line. Revista Multidisciplinar em Saúde, 2022. http://dx.doi.org/10.51161/ii-conbrai/6389.
Повний текст джерелаSantos, Kassia Amanda Viana dos. "TRANSTORNO DO PROCESSAMENTO AUDITIVO CENTRAL E SUAS IMPLICAÇÕES NO DESENVOLVIMENTO DAS HABILIDADES DE LINGUAGEM." In I Congresso Brasileiro On-line de Ensino, Pesquisa e Extensão. Revista Multidisciplinar em Saúde, 2022. http://dx.doi.org/10.51161/ensipex/59.
Повний текст джерелаЗвіти організацій з теми "Essays and songs"
Yablonskyy, Maxym. «NEW DAYS» WEEKLY AND PETRO VOLYNIAK, PUBLISHER AND AUTHOR. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11058.
Повний текст джерела