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Статті в журналах з теми "Electronic music":
Ma, Lita. "Bentuk dan Elemen Musik Akustik dalam Piano Kover Lagu ‘DNA’ karya BangtanSonyeondan (BTS)." PROMUSIKA 9, no. 2 (March 17, 2022): 78–83. http://dx.doi.org/10.24821/promusika.v9i2.5435.
Vickery, Lindsay. "The Western Edge: some recent electronic music from Western Australia." Organised Sound 6, no. 1 (April 2001): 69–74. http://dx.doi.org/10.1017/s1355771801001108.
Sofer, Danielle. "Categorising Electronic Music." Contemporary Music Review 39, no. 2 (March 3, 2020): 231–51. http://dx.doi.org/10.1080/07494467.2020.1806628.
Lewis, Ralph. "Electronic Music Midwest." Computer Music Journal 43, no. 1 (January 2020): 79–87. http://dx.doi.org/10.1162/comj_r_00501.
Bondarenko, Andriy. "UKRAINIAN ELECTRONIC MUSIC IN GLOBALISATION AND NATIONAL REVIVAL." Scientific Journal of Polonia University 43, no. 6 (June 18, 2021): 9–15. http://dx.doi.org/10.23856/4301.
Vágnerová, Lucie. "‘Nimble Fingers’ in Electronic Music: Rethinking sound through neo-colonial labour." Organised Sound 22, no. 2 (July 12, 2017): 250–58. http://dx.doi.org/10.1017/s1355771817000152.
Heuguet, Guillaume. "Electronic music history reloaded: Ishkur’s online “Guide to electronic music 3.0”." Sound Studies 6, no. 2 (July 2, 2020): 275–79. http://dx.doi.org/10.1080/20551940.2020.1794332.
Afdhal, Muhammad. "“REPUBLIKEN” MENYATU DALAM PERBEDAAN." Imaji 17, no. 1 (June 27, 2019): 66–73. http://dx.doi.org/10.21831/imaji.v17i1.25736.
Mazierska, Ewa. "Improvisation in Electronic Music—The Case of Vienna Electronica." Open Cultural Studies 2, no. 1 (December 1, 2018): 553–61. http://dx.doi.org/10.1515/culture-2018-0050.
Hammer, Ernest Lee, and Peter Manning. "Electronic and Computer Music." Computer Music Journal 12, no. 2 (1988): 54. http://dx.doi.org/10.2307/3679942.
Дисертації з теми "Electronic music":
Ciraulo, Christopher Samuel. "UEME : the underground electronic music experience." Thesis, Massachusetts Institute of Technology, 2005. http://hdl.handle.net/1721.1/31198.
Includes bibliographical references (p. 120-121).
The global electronic music scene has remained underground for its entire lifespan, momentarily materializing during an event, a place defined by the music performed and the people who desire the experience. As festivals around the globe begin to take shape, the identity of electronic music defines itself almost instantaneously with a strict desire to return to its roots and find a new place to redefine itself in the next moment. The next moment is envisioned in Chicago. The city becomes a stage, through its current reputation as an event place, and through a new idea for an electronic music event alive within the interstitial spaces of the downtown. The art of electronic music, specifically the DJ and the sampling of music old and new, becomes the underlying process by which spaces are "sampled" to create a movement of light, sound and crowd through the dense architecture of Chicago's loop.
Christopher Samuel Ciraulo.
M.Arch.
Chantler, John. "No Such Array : Developing a material and practice for electronic music performance." Thesis, Kungl. Musikhögskolan, Institutionen för komposition, dirigering och musikteori, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4170.
Flanagan, Beavan. "Turning over, for 13 instruments, piano, electronic microtonal piano and electronics." Thesis, McGill University, 2013. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=116997.
Turning Over ('ressasser') est une composition pour 13 instruments, piano, piano électronique et sons électroniques d'une durée de 13 minutes. Un fort accent sur l'harmonie, qui est le résultat de deux années de recherche sur les théories du tempérament musical du 17e, 18e et 20e siècle, est reflété dans les variations subtiles de tempérament entre les instruments acoustiques et les éléments électroniques. Le discours musical reflète des préoccupations philosophiques concernant le concept de l'essence dans la musique et de sa nature illusoire – ceci se traduit dans une forme musicale qui est toujours en état de transformation.
Jacobson, Kurt. "Connections in music." Thesis, Queen Mary, University of London, 2011. http://qmro.qmul.ac.uk/xmlui/handle/123456789/6020.
Sheppard, Adam. "Aesthetic Practices in my Live Electronic Music." Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_theses/202.
Sosa, Ortega Jorge Raymundo Rudy Paul. "Refractions a collection of three pieces for solo instruments and fixed electronic media /." Diss., UMK access, 2008.
First piece for amplified clarinet and fixed electronic media, the second piece for electric guitar and fixed electronic media, and the third piece for amplified high voice (soprano or tenor) and fixed electronic media. "A dissertation in music composition." Advisor: Paul Rudy. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Apr. 14, 2009 Online version of the print edition.
Bassingthwaighte, Sarah. "Electroacoustic music for flute /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/11390.
Davies, Robin 1975. "Toolkit : specialized software tools for electronic music composition." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32905.
Rawlinson, Julian Dean. "Interpretive electronic music systems : a portfolio of compositions." Thesis, University of Edinburgh, 2011. http://hdl.handle.net/1842/5973.
Payling, David. "Visual music composition with electronic sound and video." Thesis, Staffordshire University, 2014. http://eprints.staffs.ac.uk/2047/.
Книги з теми "Electronic music":
Collins, Nicolas. Handmade Electronic Music. Edited by Nicolas Collins. Third edition. | New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429264818.
Stevens, Blake. Teaching Electronic Music. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780367815349.
National Radio Institute (Washington, D.C.), ed. Electronic music technology. Washington, D.C: McGraw-Hill Continuing Education Center, 1988.
Holmes, Thomas B. Electronic andexperimental music. New York: Scribner's, 1985.
National Council for Educational Technology. Electronic music systems. 2nd ed. London: NCET, 1990.
Collins, Nicolas. Handmade Electronic Music. London: Taylor and Francis, 2006.
1965-, Bogdanov Vladimir, ed. All music guide to electronica: The definitive guide to electronic music. San Francisco: Backbeat Books, 2001.
Manning, Peter. Electronic and computer music. New York, NY: Oxford University Press, 2002.
Peter, Manning. Electronic and computer music. Oxford: Clarendon, 1985.
Holmes, Thomas B. Electronic and experimental music. New York: Scribner's, 1985.
Частини книг з теми "Electronic music":
Hartmann, William M. "Electronic Music." In Principles of Musical Acoustics, 279–86. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-6786-1_27.
Kaul, Timor. "Electronic Body Music." In Handbuch Popkultur, 102–6. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05601-6_18.
Battier, Marc. "Analyzing Electronic Music." In Teaching Electronic Music, 58–74. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780367815349-5.
Ross, Sara. "Overlooking the Scene: Electronic Music and Toronto’s Music City Project (1999–2019)." In Electronic Cities, 79–94. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-33-4741-0_6.
Sallis, Friedemann, Valentina Bertolani, Jan Burle, and Laura Zattra. "Introduction." In Live Electronic Music, 1–13. Abingdon, Oxon; New York, NY: Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315776989-1.
Benedictis, Angela Ida De. "Authorship and performance tradition in the age of technology." In Live Electronic Music, 195–216. Abingdon, Oxon; New York, NY: Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315776989-10.
Scaldaferri, Nicola. "(Absent) authors, texts and technologies." In Live Electronic Music, 217–29. Abingdon, Oxon; New York, NY: Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315776989-11.
Biró, Dániel Péter, and George Tzanetakis. "Computer-supported analysis of religious chant." In Live Electronic Music, 230–52. Abingdon, Oxon; New York, NY: Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315776989-12.
Burle, Jan. "Fixing the fugitive." In Live Electronic Music, 253–74. Abingdon, Oxon; New York, NY: Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315776989-13.
Sallis, Friedemann. "A spectral examination of Luigi Nono’s A Pierre. Dell’azzurro silenzio, inquietum (1985) 1." In Live Electronic Music, 275–89. Abingdon, Oxon; New York, NY: Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315776989-14.
Тези доповідей конференцій з теми "Electronic music":
Li, Dejun, and Tian Xia. "Electronic music clothing." In International conference on Management Innovation and Information Technology. Southampton, UK: WIT Press, 2014. http://dx.doi.org/10.2495/miit130121.
Guoping You and Wanghui Zeng. "Electronic music box design." In 2016 2nd IEEE International Conference on Computer and Communications (ICCC). IEEE, 2016. http://dx.doi.org/10.1109/compcomm.2016.7924848.
Hayes, Lauren. "Live Electronic Music Performance." In MOCO '18: 5th International Conference on Movement and Computing. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3212721.3212891.
Siva Sankalp P., Trinayan Baruah, Shlesh Tiwari, and Sankar Ganesh S. "Intelligent classification of electronic music." In 2014 IEEE International Symposium on Signal Processing and Information Technology (ISSPIT). IEEE, 2014. http://dx.doi.org/10.1109/isspit.2014.7300559.
Mazurowski, Lukasz. "Generative electronic background music system." In PROCEEDINGS OF THE INTERNATIONAL CONFERENCE ON NUMERICAL ANALYSIS AND APPLIED MATHEMATICS 2014 (ICNAAM-2014). AIP Publishing LLC, 2015. http://dx.doi.org/10.1063/1.4912880.
Crab, Simon. "Exploring the Mystical Origins of Electronic Music." In Rethinking the History of Technology-based Music. University of Huddersfield, 2022. http://dx.doi.org/10.5920/mysticalorigins.
Irons, Jonathan, and Martin Schmucker. "Fingerprinting of music scores." In Electronic Imaging 2004, edited by Edward J. Delp III and Ping W. Wong. SPIE, 2004. http://dx.doi.org/10.1117/12.526758.
Eigenfeldt, Arne, and Philippe Pasquier. "Evolving structures for electronic dance music." In Proceeding of the fifteenth annual conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2463372.2463415.
Robinson, Frederic, Cedric Spindler, Volker Böhm, and Erik Oña. "Gestural control in electronic music performance." In the Audio Mostly 2015. New York, New York, USA: ACM Press, 2015. http://dx.doi.org/10.1145/2814895.2814901.
Goel, Utkarsh, Gulnawaz Aamir, Kanika Shah, and Mohammad Abdul Qadeer. "E-radio: The electronic music service." In 2011 IEEE 3rd International Conference on Communication Software and Networks (ICCSN). IEEE, 2011. http://dx.doi.org/10.1109/iccsn.2011.6014344.
Звіти організацій з теми "Electronic music":
Hickey, James. The Electronic Hardware Music Subculture in Portland, Oregon. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.7470.
Sun, Chenbing, Zhe Wang, and Yuening Dai. Music therapy for sleep quality in cancer patients with insomnia:A protocol for systematic review and meta-analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, December 2021. http://dx.doi.org/10.37766/inplasy2021.12.0128.
Kiv, Arnold E., Vladyslav V. Bilous, Dmytro M. Bodnenko, Dmytro V. Horbatovskyi, Oksana S. Lytvyn, and Volodymyr V. Proshkin. The development and use of mobile app AR Physics in physics teaching at the university. [б. в.], July 2021. http://dx.doi.org/10.31812/123456789/4629.
Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.