Добірка наукової літератури з теми "Dvořák"
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Статті в журналах з теми "Dvořák"
Murár, Tomáš. "“A work of art is an object that necessitates contemplation”. Latency of visual studies within the Vienna School of Art History?" Ikonotheka, no. 30 (May 28, 2021): 9–29. http://dx.doi.org/10.31338/2657-6015ik.30.1.
Повний текст джерелаBranda, Eva. "Speaking German, Hearing Czech, Claiming Dvořák." Journal of the Royal Musical Association 142, no. 1 (2017): 109–36. http://dx.doi.org/10.1080/02690403.2017.1286129.
Повний текст джерелаKopecký, Jiří. "Karl Goldmark and Czech national opera: The final operas of Antonín Dvořák and Zdeněk Fibich." Studia Musicologica 57, no. 3-4 (September 2016): 349–59. http://dx.doi.org/10.1556/6.2016.57.3-4.4.
Повний текст джерелаVejvodová, Veronika. "Antonín Dvořák in the Notes of the Traveller Josef Kořenský and Czech Society in America in 1893." Musicalia 11, no. 1-2 (2020): 114–49. http://dx.doi.org/10.37520/muscz.2019.004.
Повний текст джерелаPines, Roger. "Rusalka. Antonín Dvořák." Opera Quarterly 7, no. 3 (1990): 148–50. http://dx.doi.org/10.1093/oq/7.3.148.
Повний текст джерелаNotley, Margaret. "Brahms, Dvořák, Suk." Nineteenth-Century Music Review 4, no. 1 (June 2007): 146–48. http://dx.doi.org/10.1017/s1479409800000161.
Повний текст джерелаVejvodová, Veronika. "Rané písně Antonína Dvořáka: literární předlohy, rukopisné fragmenty, nakladatelé." Muzeum Muzejní a vlastivedná práce 60, no. 2 (2022): 30–38. http://dx.doi.org/10.37520/mmvp.2022.015.
Повний текст джерелаCigoj Krstulovič, Nataša. "Nacionalni in transnacionalni vidiki glasbe: študija primera zgodnje recepcije Dvořákovih del na Slovenskem." Musicological Annual 51, no. 1 (June 1, 2015): 97–114. http://dx.doi.org/10.4312/mz.51.1.97-114.
Повний текст джерелаCampo-Bowen, Christopher. "Bohemian Rhapsodist: Antonín Dvořák's Píseň bohatýrská and the Historiography of Czech Music." 19th-Century Music 40, no. 2 (2016): 159–81. http://dx.doi.org/10.1525/ncm.2016.40.2.159.
Повний текст джерелаGabrijelova, Jarmila. "Antonín Dvořák and Richard Wagner." Muzikologija, no. 6 (2006): 305–16. http://dx.doi.org/10.2298/muz0606305g.
Повний текст джерелаДисертації з теми "Dvořák"
Žárová, Hana. "Antonín Dvořák - Rusalka." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2009. http://www.nusl.cz/ntk/nusl-79116.
Повний текст джерелаBallinger, Rebecca. "Sacred songs of Dvořák, Menotti, Ravel and Wolf." Kansas State University, 2012. http://hdl.handle.net/2097/13747.
Повний текст джерелаDepartment of Music
Amy Rosine
This report examines the sacred works of four composers that were intended for performance in a secular environment, rather than for any portion of a liturgical service. It will discuss the theoretical, stylistic and performance considerations of each work, as well as biographical information about each composer, their compositional style, and how the work was initially developed. These works include the Biblické písně, Op. 99 of Antonín Dvořák, selections from the Möricke Lieder and Spanisches Liederbuch of Hugo Wolf, Maurice Ravel’s Deux mélodies hébraïque, “Oh, Sweet Jesus” from Gian Carlo Menotti’s’ the Saint of Bleecker Street and the quartet from his Amahl and the Night Visitors.
Döge, Klaus. ""... über den wird noch viel geredet werden"." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-219111.
Повний текст джерелаRockwood, Mark. "Form, Style, and Influence in the Chamber Music of Antonin Dvořák." Thesis, University of Oregon, 2017. http://hdl.handle.net/1794/22726.
Повний текст джерелаHrbáčková, Noema. "Antonín Dvořák s jeho písňová tvorba se zaměřením na písně milostné." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2006. http://www.nusl.cz/ntk/nusl-78568.
Повний текст джерелаSup, Tomáš. "A.Dvořák"Rusalka" práce na hlavní roli." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-202909.
Повний текст джерелаDöge, Klaus. ""... über den wird noch viel geredet werden": ein Einblick in die neuere Dvořák-Literatur." Musikgeschichte in Mittel- und Osteuropa ; 1 (1997), S. 217-230, 1997. https://ul.qucosa.de/id/qucosa%3A15327.
Повний текст джерелаJamník, Tomáš. "Violoncellové koncerty Antonína Dvořáka." Doctoral thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-253655.
Повний текст джерелаGrešlová, Alena. "Klavírní koncert Antonína Dvořáka." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-363547.
Повний текст джерелаBogner, Ryan. "A study of the factors that influence compositions of common texts with an emphasis regarding the text of Te Deum settings by Antonín Leopold Dvořák and Franz Joseph Haydn." Thesis, Kansas State University, 2011. http://hdl.handle.net/2097/9096.
Повний текст джерелаDepartment of Music
Joshua Oppenheim
Julie Yu Oppenheim
The Te Deum chant began in the Roman Catholic Church in prayer, and like many other psalms used in the Mass, it has evolved into a concert piece with settings composed for coronations, military victories, and other festive occasions. This author has identified two significant settings of this text by Joseph Franz Haydn and Antonín Leopold Dvořák for this discussion to study how common factors (primarily a common text) influence their compositions. Chapter I provides the purpose of the study, a brief description of related research, description of the appendices, and analytical criteria for examining the Te Deum settings. Chapter II presents a study of the ancient Te Deum psalm and its text. Topics for discussion include a brief overview of the history of chant. In regards to the Te Deum, further studies are included on its history, uses within prayer, the text, melody, and other uses of the Te Deum. Chapter III contains an in-depth analysis of the Haydn Te Deum (HXXIIIc:2) and the Dvořák Te Deum (Op. 103, B176, [Op. 93, Op. 98]). Analytical criteria for examining these settings consist of: a brief biographical sketch along with each composers compositional characteristics and reasons for commissioning this piece; discussions on general characteristics, structural and formal design, themes, melodic/harmonic characteristics, rhythmic/metrical/tempo characteristics, articulations, dynamics, texture, performance, pedagogical, and conducting considerations. Chapter IV summarizes general trends in the usage of the text of Te Deum. Information for this final chapter is derived from the in-depth analysis, the ancient history of the Te Deum, and other settings of the Te Deum text examined in sources similar to this document. The findings contain summaries of the musical elements listed above as well as general and specific commonalities of textual influence between the selected Te Deum settings. Appendix A provides the complete text of the Te Deum psalm with English translations and melody. Appendix B provides a score analysis of Te Deum (HXXIIIc:2). Appendix C provides a score analysis of Te Deum (Op. 103, B176, [Op. 93, Op. 98]).
Книги з теми "Dvořák"
Dvořák. London: Haus Pub., 2004.
Знайти повний текст джерелаJelen, Josef. Antonín Dvořák. Praha: Nakladatelství L, 1991.
Знайти повний текст джерелаInternational Musical Festival (26th 1991 Brno, Czech Republic). Mozart, Dvořák a dnešek =: Mozart, Dvořák, and today. Brno: Mezinárodní hudební festival, 1991.
Знайти повний текст джерелаDvořák, Otakar. Můj otec Antonín Dvořák. Příbram: Knihovna Jana Drdy, 2004.
Знайти повний текст джерелаWalter, Wiese. Tschechische Kammermusik: Smetana, Dvořák, Janáček. Winterthur: Amadeus, 2004.
Знайти повний текст джерелаPhilippe, Simon. Antonín Dvořák, ou L'effusion lyrique. Genève: Editions Papillon, 2004.
Знайти повний текст джерелаStrejc, Zdeněk. Antonín Dvořák and his operas. Prague: Dilia, 1991.
Знайти повний текст джерелаDöge, Klaus. Antonín Dvořák: Leben, Werke, Dokumente. 2nd ed. Zürich: Atlantis Musikbuch-Verlag, 1997.
Знайти повний текст джерелаBurghauser, Jarmil. Antonín Dvořák: Life and work. Praha: KLP, 2007.
Знайти повний текст джерелаThirion, Annie. Antonín Dvořák: Sa vie, son oeuvre. Zaventem, Belgium: Graffikka, 2003.
Знайти повний текст джерелаЧастини книг з теми "Dvořák"
Döge, Klaus. "Antonín Dvořák." In Kammermusikführer, 166–83. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03514-1_32.
Повний текст джерелаDöge, Klaus. "Dvořák, Antonín." In Komponisten Lexikon, 174–77. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_87.
Повний текст джерелаDöge, Klaus. "Dvořák, Antonín." In Komponisten, 87–90. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02947-8_17.
Повний текст джерелаPaclt, Jaromír. "Dvořák, Antonín (Leopold)." In Metzler Komponisten Lexikon, 228–31. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_91.
Повний текст джерелаSmaczny, Jan. "Dvořák: The Operas." In Dvorak and His World, edited by Michael Beckerman, 104–33. Princeton: Princeton University Press, 2012. http://dx.doi.org/10.1515/9781400831692.104.
Повний текст джерелаKrigar, Hermann. "Antonín Dvořák: A Biographical Sketch." In Dvorak and His World, edited by Michael Beckerman, 211–29. Princeton: Princeton University Press, 2012. http://dx.doi.org/10.1515/9781400831692.211.
Повний текст джерелаBeveridge, David. "Dvořák and Brahms: A Chronicle, an Interpretation." In Dvorak and His World, edited by Michael Beckerman, 56–91. Princeton: Princeton University Press, 2012. http://dx.doi.org/10.1515/9781400831692.56.
Повний текст джерелаHorowitz, Joseph. "Dvořák and the New World: A Concentrated Moment." In Dvorak and His World, edited by Michael Beckerman, 92–103. Princeton: Princeton University Press, 2012. http://dx.doi.org/10.1515/9781400831692.92.
Повний текст джерелаAurenhammer, Hans. "MAX DVOŘÁK. DENKMALPFLEGE ALS PRAKTISCHE REALISIERUNG DER KUNSTGESCHICHTE IN DER MODERNE." In Max Dvorak, 14–16. Wien: Böhlau Verlag, 2012. http://dx.doi.org/10.7767/boehlau.9783205792314.14.
Повний текст джерелаBeckerman, Michael. "The Master's Little Joke: Antonín Dvořák and the Mask of Nation." In Dvorak and His World, edited by Michael Beckerman, 134–54. Princeton: Princeton University Press, 2012. http://dx.doi.org/10.1515/9781400831692.134.
Повний текст джерелаТези доповідей конференцій з теми "Dvořák"
Srinivas, Mullahalli V., and George J. Dvorak. "Energy Released by Interfacial Decohesion in a Two-Phase Composite System." In ASME 1998 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 1998. http://dx.doi.org/10.1115/imece1998-0356.
Повний текст джерелаRice, Alyssa, Gabrielle Longo, Faith Shank, and Clayton Neighbors. "Just Say No: The Relationship between Conformity Motives, Refusal Self-Efficacy, and Cannabis-Related Consequences." In 2021 Virtual Scientific Meeting of the Research Society on Marijuana. Research Society on Marijuana, 2022. http://dx.doi.org/10.26828/cannabis.2022.01.000.03.
Повний текст джерела