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Статті в журналах з теми "Documentary photography":
Noble, Anne, and Geoffrey Batchen. "Had We Lived ... Phantasms & Nieves Penitentes: Conversation between Anne Noble and Geoffrey Batchen." Grimace, Vol. 2, no. 1 (2017): 20–29. http://dx.doi.org/10.47659/m2.020.art.
Padmanabhan, Lakshmi. "A Feminist Still." Camera Obscura: Feminism, Culture, and Media Studies 35, no. 3 (December 1, 2020): iv—29. http://dx.doi.org/10.1215/02705346-8631535.
Dondero, Maria Giulia. "Photography as a Witness of Theatre." Recherches sémiotiques 28, no. 1-2 (October 7, 2010): 43–57. http://dx.doi.org/10.7202/044587ar.
Langendorf, Richard. "Documentary photography." Computers, Environment and Urban Systems 15, no. 1-2 (January 1991): 74. http://dx.doi.org/10.1016/0198-9715(91)90058-l.
Colner, Miha, and Ivan Petrović. "Ivan Petrović, Photographer, Archivist and Artist: Interview with Ivan Petrović." Cabinet, Vol. 2, no. 2 (2017): 4–9. http://dx.doi.org/10.47659/m3.004.int.
Arsita, Adya. "JUKSTAPOSISI FOTOGRAFI DI NOVEL GRAFIS ‘THE PHOTOGRAPHER’." spectā: Journal of Photography, Arts, and Media 2, no. 2 (April 24, 2019): 135–44. http://dx.doi.org/10.24821/specta.v2i2.2554.
Нецић, Неда. "ДОКУМЕНТАРНОСТ И ФОТОЖУРНАЛИЗАМ У ПРОМЕНИ ГУТЕНБЕРГОВОГ ДРУШТВА". БАЛКАНСКЕ СИНТЕЗЕ 9, № 1 (23 листопада 2022): 31–44. http://dx.doi.org/10.46630/bs.1.2022.03.
Pevec, Iza, and Lukas Birk. "Keeping a Story Alive: Interview with Lukas Birk." Membrana Journal of Photography, Vol. 3, no. 2 (2018): 4–13. http://dx.doi.org/10.47659/m5.004.int.
Kuo, Li-Hsin. "Politicising Documentary Photography." Javnost - The Public 14, no. 3 (January 2007): 49–64. http://dx.doi.org/10.1080/13183222.2007.11008946.
Zakharova, Oleksandra. ""PHOTOTELLING" AS THE INNOVATION OF PHOTOJOURNAL "6 MOIS" BY CONNECTING PRESS AND BOOK MARKETS." Bulletin of Taras Shevchenko National University of Kyiv. Sociology 8 (2017): 29–33. http://dx.doi.org/10.17721/2413-7979/8.5.
Дисертації з теми "Documentary photography":
Abdullah, Ismail Bin. "Documentary photography : a study of nineteenth century documentary photography with special reference to West Malaysian historical photographs 1874-1910." Thesis, Goldsmiths College (University of London), 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.344016.
Dunn, Geoffrey. "Deconstructing documentary : theory and practice in documentary film and photography /." Diss., Digital Dissertations Database. Restricted to UC campuses, 2004. http://uclibs.org/PID/11984.
Opal, Jack A. "Rethinking Documentary Photography: Documentary and Politics in Times of Riots and Uprisings." Ohio University Honors Tutorial College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1366971692.
Mitropoulos, Maria Michael. "Regimes of truth : documentary photography in the margins." Queensland University of Technology, 2003. http://eprints.qut.edu.au/16077/.
Opal, Jack A. "Documentary Photography and the Edge of the Sword." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1492608162938188.
Mitropolous, Maria. "Regimes of truth: Documentary photography in the margins." Thesis, Queensland University of Technology, 2003. https://eprints.qut.edu.au/106899/1/T%28CI%29%2082%20Regimes%20of%20truth.pdf.
Johansson, Mouafik Adam. "Photography genres - A research study on the difference between documentary photography & photojournalism." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23212.
To summarize my thesis, I investigated what the underlying factors for an image genre categorization is influenced by, if it is the content of the image, which affects its effect or if it is either the audience context / production context that determines a picture's genre. To my help I decided to go to Japan and meet a photographer named Said Karlsson to conduct an ethnographic study and interview him on the spot. Firstly, I did this by finding the differences between each image and to photograph things that interest me in Japan that became part of my media production. What investigation resulted, with the help of the interview and discussions about each other's pictures, was that a picture's genre is not determined by the content of an image, it is in the context context, the picture is within.
Le, Tallec Anne. "Le nouveau Documentaire Social : critique et renouveau du documentaire photographique américain sur la côte Ouest des Etats-Unis entre 1970 et 1980." Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010542.
A group of students gathered around shared artistic ideals comes to life at University of California San Diego in the nineteen-seventies. Fred Lonidier, Martha Rosier, Allan Sekula and Phel Steinmetz, ail firmly focused on photography, elaborate a collective thought albeit never actually founding an official group. However, a shared emulation endemic to the West Coast and to the university where ideas birthed by leading thinkers such as D. Antin, H. Marcuse, J. Baldessari, B, Brecht, H Lefebvre or H. Haacke collectively stimulates the minds of those around, adds a certain group resonance to the photographers' methods and processes. Furthermore, Documentary and Corporate Violence, a text written by A Sekula in 1976, uses the term small group to refer to the photographers involved This text - to which we give the status of manifesto - criticizes the modernist reading of traditional american documentary photographers. It also exposes the attitudes developed by this group which we coin as New Social Documentary. We will distinguish one of these attitudes from the others : a documentary photographic practice which opens itself to other media, displays a strong textual presence, newly-thought scenography and exhibition paths, widened audiences, an interest in themes strongly anchored in contemporary activism, and which transforms what was so far considered as banal and mundane into testimonies of profound changes in societal structure. Modernist photography, an object to deconstruct, as well as the institutions that celebrate it represent a documentary tradition which needs to be renewed. The new documentary propositions along with the context of collective questioning from which they derive constitute the object of this study
Grayson, Louise. "Streets apart genres of editorial photographs and patterns of photographic practice." Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/50796/1/Louise_Grayson_Thesis.pdf.
Gwaze, Alex. "Public mirror: legitimizing 'social' photography as a contemporary discipline." Master's thesis, University of Cape Town, 2018. http://hdl.handle.net/11427/29561.
Книги з теми "Documentary photography":
Arthur, Rothstein. Documentary photography. Boston: Focal Press, 1986.
Rothstein, Arthur. Documentary photography. Boston: Focal Press, 1986.
Bogre, Michelle. Documentary Photography Reconsidered. London; New York: Bloomsbury Visual Arts, an imprint of Bloomsbury Publishing, Plc, 2019.: Routledge, 2020. http://dx.doi.org/10.4324/9781003103516.
Kadic, Fatima. Documentary photography and propaganda. London: LCP, 2001.
Biasi, Mario De. Mario De Biasi: Dal fotogiornalismo alla fotografia astratta. Venezia: Marsilio, 2010.
Biasi, Mario De. Mario De Biasi: [people. Bologna, Italy: Damiani, 2005.
Biasi, Mario De. Mario De Biasi: Il mio sogno è qui. Milano: Electa, 2016.
James, Burant, National Archives of Canada. Documentary Art and Photography Division., Public Archives Canada. Picture Division., and National Photography Collection (Canada), eds. Documentary Art and Photography Division. Ottawa, Ont: National Archives of Canada, 1992.
National Archives of Canada. Documentary Art and Photography Division. Documentary Art and Photography Division. Ottawa: Ministry of Supply and Services, 1992.
Gordon, Stillman. Groundwork: A documentary photography project. Richmond, Virginia: Gordon Stillman Photography, 2011.
Частини книг з теми "Documentary photography":
Bogre, Michelle. "Reconsidering Documentary Photography." In Documentary Photography Reconsidered, 14–71. London; New York: Bloomsbury Visual Arts, an imprint of Bloomsbury Publishing, Plc, 2019.: Routledge, 2020. http://dx.doi.org/10.4324/9781003103516-1.
Bogre, Michelle. "Documentary Photography and Memory." In Documentary Photography Reconsidered, 72–119. London; New York: Bloomsbury Visual Arts, an imprint of Bloomsbury Publishing, Plc, 2019.: Routledge, 2020. http://dx.doi.org/10.4324/9781003103516-2.
Bogre, Michelle. "The Documentary Photograph as Evidence." In Documentary Photography Reconsidered, 120–53. London; New York: Bloomsbury Visual Arts, an imprint of Bloomsbury Publishing, Plc, 2019.: Routledge, 2020. http://dx.doi.org/10.4324/9781003103516-3.
Bogre, Michelle. "The Photographer as Witness." In Documentary Photography Reconsidered, 154–201. London; New York: Bloomsbury Visual Arts, an imprint of Bloomsbury Publishing, Plc, 2019.: Routledge, 2020. http://dx.doi.org/10.4324/9781003103516-4.
Bogre, Michelle. "Narrative." In Documentary Photography Reconsidered, 202–32. London; New York: Bloomsbury Visual Arts, an imprint of Bloomsbury Publishing, Plc, 2019.: Routledge, 2020. http://dx.doi.org/10.4324/9781003103516-5.
Anderson, Joel. "From the photo session to documentary photography." In Theatre & Photography, 48–59. London: Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-34562-2_8.
Bersch, Al, and Leslie Grant. "From Witness to Participant: Making Subversive Documentary." In Oral History and Photography, 187–201. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230120099_11.
Downing, Taylor. "CGI and the End of Photography as Evidence." In The Documentary Film Book, 68–72. London: British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92625-1_6.
Brown, Roger. "Photography as Process, Documentary Photographing as Discourse." In Visual Research Methods in the Social Sciences, 271–95. 2nd ed. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003250746-12.
Lessard, Bruno. "Shot in the Dark: Nocturnal Philosophy and Night Photography." In Critical Distance in Documentary Media, 45–67. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96767-7_3.
Тези доповідей конференцій з теми "Documentary photography":
Martins Farina, Mauricius, and Mateus Souza Lobo Guzzo. "Engagement and estrangement: contribution to documentary photography methodology." In XXIII Congresso de Iniciação Científica da Unicamp. Campinas - SP, Brazil: Galoá, 2015. http://dx.doi.org/10.19146/pibic-2015-38145.
Li, Xiaozhou. "The Evolution of the Style of Chinese Documentary Photography." In 2nd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/iccese-18.2018.154.
Hill, Rodrigo, and Tom Roa. "Place-making: Wānanga based photographic approaches." In LINK 2022. Tuwhera Open Access, 2022. http://dx.doi.org/10.24135/link2022.v3i1.188.
Fan, Liu, and Zhang Yansong. "Research on the “Instantaneity” of Documentary Photography from the Perspective of Reception Aesthetics." In 2021 International Conference on Modern Educational Technology and Social Sciences (ICMETSS 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210824.032.
Yancheva, Gergana, Kamelia Planska-Simeonova, and Svetoslava Dimitrova. "EDUCATION IN DOCUMENTARY AND APPLIED PHOTOGRAPHY AS PART OF THE TRAINING OF STUDENTS IN THE PROFESSIONAL FIELD PUBLIC COMMUNICATIONS AND INFORMATION SCIENCES. PROJECT RESULTS." In 13th annual International Conference of Education, Research and Innovation. IATED, 2020. http://dx.doi.org/10.21125/iceri.2020.0873.
Wenhao, Xu. "Dialogue Between Sincerity and Piety: A Study on the Artistic Characteristics of Documentary Photography Works of Lu Nan’s Four Seasons: Daily Life of Tibetan Peasants." In 2021 International Conference on Culture, Design and Social Development (CDSD 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220109.041.
Mortensen Steagall, Marcos. "Reo Rua (Two Voices): a cross-cultural Māori-non-Māori creative collaboration." In LINK 2022. Tuwhera Open Access, 2022. http://dx.doi.org/10.24135/link2022.v3i1.184.
Boone, Veronique Joanna, and Denis Derycke. "Analyse architecturale, modélisation 3D et narration filmique : un regard original sur quelques objets corbuséens." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.764.
Aristizábal, José Antonio. "HUMBERTO RIVAS, DESDE LO ROMÁNTICO Y LO SINIESTRO. HUMBERTO RIVAS FROM THE ROMANTIC AND THE SINISTER." In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.6880.
Bobrovskaya, Evgeniya, Tat'yana Ershova, Natal'ya Lazarevskaya, and Maria Medvedeva. ""Galina Vatslavna Dluzhnevskaya (1946–2014). Scientific research activities and the documentary heritage"." In Monuments of archaeology in studies and photographs (in the memory of Galina Vatslavna Dluzhnevskaya). Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-907053-08-3-2018-30-34.
Звіти організацій з теми "Documentary photography":
Swanson, Benjamin, Grant Meyer, and Julie Coonrod. Coupling of Hydrologic/Hydraulic Models and Aerial Photographs Through Time, Rio Grande Near Albuquerque, New Mexico: Report Documentary 2007 Work. Fort Belvoir, VA: Defense Technical Information Center, August 2010. http://dx.doi.org/10.21236/ada529438.