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Статті в журналах з теми "Deleuze, Gilles (1925-1995 ; philosophe)":
Boundas, Constantin V. "Gilles Deleuze (1925?1995)." Man and World 29, no. 3 (July 1996): 233–34. http://dx.doi.org/10.1007/bf01248434.
Espinoza Lolas, Ricardo. "Sensación y Política en Gilles Deleuze." Revista de Filosofia Aurora 29, no. 46 (April 17, 2017): 35. http://dx.doi.org/10.7213/1980-5934.29.046.ds02.
de la Vega, Xavier. "Gilles Deleuze (1925-1995). Félix Guattari (1930-1992). Une philosophie rhizomatique." Sciences Humaines N° Hors-série, HS11 (January 6, 2022): 38. http://dx.doi.org/10.3917/sh.hs11.0038.
Pinho, Thiago. "Six Steps towards an Object-oriented Social Theory (O.O.S.T)." Conatus 8, no. 1 (June 30, 2023): 263–83. http://dx.doi.org/10.12681/cjp.28198.
Gualandi, Alberto. "The dance of the mind. Physics and metaphysics in Gilles Deleuze and David Bohm." Veritas (Porto Alegre) 62, no. 2 (October 26, 2017): 279. http://dx.doi.org/10.15448/1984-6746.2017.2.28508.
Matti, Felipe. "Espacio-aliento y Espacio cualquiera." Tópicos. Revista de Filosofía de Santa Fe, no. 45 (December 11, 2023): e0058. http://dx.doi.org/10.14409/topicos.2023.45.e0058.
Baranova, Jūratė. "THE TENSION BETWEEN CREATED TIME AND REAL TIME IN ANDREI TARKOVSKY’S FILM ANDREI RUBLIOV." Creativity Studies 12, no. 2 (December 31, 2019): 327–40. http://dx.doi.org/10.3846/cs.2019.9810.
Halpern, Catherine. "Gilles Deleuze (1925-1995)." Sciences Humaines Les Essentiels, HS3 (April 1, 2018): 144. http://dx.doi.org/10.3917/sh.hs3.0144.
Cohen, Esther. "Gilles Deleuze (1925–1995) In memoriam." Acta Poética 36, no. 1 (January 2015): 133–38. http://dx.doi.org/10.1016/j.apoet.2015.03.008.
Barros, Maria Elizabeth Barros de, and Jésio Zamboni. "Gilles Deleuze, clínico da atividade filosófica: paradoxo do filósofo trabalhador." Fractal : Revista de Psicologia 24, no. 3 (December 2012): 579–98. http://dx.doi.org/10.1590/s1984-02922012000300010.
Дисертації з теми "Deleuze, Gilles (1925-1995 ; philosophe)":
Lléres, Stéphane. "La philosophie transcendantale de Gilles Deleuze." Amiens, 2010. http://www.theses.fr/2010AMIE0006.
Vankeerberghen, Véronique. "L'ontologie de Gilles Deleuze." Paris 8, 2001. http://www.theses.fr/2001PA081904.
Sauvagnargues, Anne. "Esthétique et philosophie dans l'oeuvre de Gilles Deleuze." École normale supérieure-Lettres et sciences humaines (Lyon ; 2000-2009), 2003. http://www.theses.fr/2003ENSF0094.
Yoo, Ga Yeon. "Éthique et esthétique de l’image dans la philosophie de Gilles Deleuze." Electronic Thesis or Diss., Paris 8, 2021. http://www.theses.fr/2021PA080121.
Our thesis work aims to identify the essential character of the image in the philosophy of Gilles Deleuze. It is true that he is the first philosopher to consider the movement of images as the basis of thought. He has indeed written several books about the image. To him, it resembles the movement of thought and ideas and, as such, it is a means of expression and a way of existing, so it is substantial in expressing philosophy. The image allows thought to become a process to facilitate the thinker's reasoning, to understand his act, to desire life and to form the sensible. This is why Deleuze does not limit his theory of the image to the image of cinema, but extends it to all images of thought. This long neglected dimension is beginning to interest more in research on the philosophy of Deleuze. Indeed, the image makes it possible to invent the actual and virtual world of thought, and the possible and real world of existence, so that it is political, ontological and existential. The image invites us to enter into a new sensitivity and a new composition of the relationships of thoughts. The ethics of the image consists of a totality of ideas which expands and differs into everything, which accelerates in movement and slows down in rest. It constitutes its ultimate and absolute unity in a singular way of aesthetic activities. This is how the ethics of image creates a new image that is aesthetic, stylistic and transcendent in its heterogeneities, discontinuities, insensibility. The aesthetic style image specifies this new image as a new form of thought and defines it by constituent elements, expressions and contents
Michalet, Judith. "Vie et création chez Gilles Deleuze." Paris 1, 2009. http://www.theses.fr/2009PA010561.
Ao, Long. "La critique littéraire de Gilles Deleuze." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL185.
This dissertation proposes to contribute to the study of literary criticism of Deleuze, by examining at the same time Deleuze’s philosophical works, in order to demonstrate the autonomy of his literary criticism between philosophy and literature. This shows the double ambition of his literary criticism: the reading of literary works as philosophical exploration, and the metaphysical reflection incorporated in the study of the text. To show at the same time the evolution of his literary criticism and the dialogues that Deleuze engaged with literary critics and philosophers, this dissertation adopts the point of view of Deleuze in his criticisms, that is to say, to find a project of his literary criticism. The analysis of this project is guided by the Deleuzian conceptualization that has continued to be renewed, ranging from the question of genesis to that of finality and autonomy. In the argumentation of each part, this dissertation adopts comparative methods: a comparison within Deleuze’s works to demonstrate the shift of his critical horizon, a comparison with other literary critics to value his critical approaches, and a synchronic dialogue with other philosophers to contextualize its conceptualizations. Deleuze’s literary criticism, studied in his thematic genealogy, gives a place in which the relationship between literature and philosophy remains no longer at the conceptual or interpretative level, but in a reciprocal exploration, always problematised by his literary criticism
Antonelli, Marangi Marcelo Sebastián. "Le concept d’immanence dans la philosophie de Gilles Deleuze." Paris 8, 2012. http://www.theses.fr/2012PA084258.
This thesis deals with the concept of immanence in the work of Gilles Deleuze. It is maintained in our hypothesis that it is an ontological, noological, political and ethical notion what constitutes the nucleus of his philosophical project. The ontological dimension refers to the re-elaboration of Duns Scott’s thesis on the univocity of being and the comprehension of Spinoza’s immanence as “expressive pantheism”. The noological aspect focuses on immanence as a “plane”, within Deleuze’s frame of conception of thought and philosophy, and sets a counterpoint with François Jullien concerning his approach to immanence in terms of “depth”. From the political point of view, the idea of “post-historical axiomatics” implies the functioning of capitalist immanence, which feature of “end of history” is connected to Kojève’s thesis. Furthermore, the essential layouts of politics of immanence as from the pledge of becoming-minor are deployed. The ethical aspect articulates three axes around the idea of “practical immanence”. First, it analyses the statements that conform the intertwining between Nietzsche and Spinoza (valorization of the body, definition of ethics as ethology, apology of joy). Second, it tackles nihilism, recognized as an effect of transcendent positions, which goes beyond Nietzsche’s realm and turns into “resentment” towards the event, which is acquitted by means of amor fati. It also becomes “loss of the world”, which vent consists on the “belief in this world”. Third, within the vitalist structure, the determination of desire as an immanent principle of a prudent experimentation and the “body without organs” as “plane of immanence” of desire are probed
Sibertin-Blanc, Guillaume. "Politique et clinique : recherche sur la philosophie pratique de Gilles Deleuze." Lille 3, 2006. http://www.theses.fr/2006LIL30027.
Yang, Kailin. "Le problématique du virtuel chez Gilles Deleuze." Paris 8, 2002. https://octaviana.fr/document/18140205X#?c=0&m=0&s=0&cv=0.
Brito, Vanessa. "Les arts dans la philosophie de Gilles Deleuze." Paris 8, 2007. http://www.theses.fr/2007PA082850.
What is always astonishing for the reader of Deleuze is the abundance of his artistic references and the multiplication of encounters between art and philosophy. By identifying a program with ethical and political resonances at work, for Deleuze, in literature, painting and cinema, this thesis sets out to clarify how these encounters between the readable and the visible are organized. What is ultimately at stake in the enquiry is the exact status and role of the arts in Deleuze's philosophy. By examining the themes of "voyance" and "fabulation", Deleuze's conception of the sublime, his use of allegory and the notion of a "practical philosophy", the enquiry finally reveals the construction of plane of immanence between the inventions of art and the powers of life
Книги з теми "Deleuze, Gilles (1925-1995 ; philosophe)":
Colebrook, Claire. Gilles Deleuze. London: Routledge, 2002.
Hughes, Joe. Philosophy after Deleuze. New York: Continuum, 2012.
Conway, Jay. Gilles Deleuze: Affirmation in philosophy. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2010.
V, Boundas Constantin, ed. Deleuze and philosophy. Edinburgh: Edinburgh University Press, 2006.
Hardt, Michael. Gilles Deleuze: An apprenticeship in philosophy. London: UCL Press, 1993.
Hardt, Michael. Gilles Deleuze: An apprenticeship in philosophy. Minneapolis: University of Minnesota Press, 1993.
May, Todd. Gilles Deleuze: An introduction. New York: Cambridge University Press, 2005.
Beckman, Frida. Deleuze and sex. Edinburgh: Edinburgh University Press, 2011.
Adrian, Parr, ed. The Deleuze dictionary. Edinburgh: Edinburgh University Press, 2005.
Ramey, Joshua Alan. The hermetic Deleuze: Philosophy and spiritual ordeal. Durham: Duke University Press, 2012.
Частини книг з теми "Deleuze, Gilles (1925-1995 ; philosophe)":
Beaulieu, Alain. "Deleuze, Gilles (1925–1995)." In Encyclopedia of Phenomenology, 1–7. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-47253-5_19-1.
Bonnemann, Jens. "Gilles Deleuze (1925–1995) – das Kino à la Bergson." In Filmtheorie, 205–41. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04634-5_9.
Justaert, Kristien. "Gilles Deleuze (1925–1995)." In Religion and European Philosophy, 370–82. Routledge, 2017. http://dx.doi.org/10.4324/9781315642253-32.
Pirktina, Lasma. "Gilles Deleuze (1925–1995)." In Das Ereignis, 80–96. Verlag Karl Alber, 2020. http://dx.doi.org/10.5771/9783495820544-80.
Halpern, Catherine. "Gilles Deleuze (1925-1995) Félix Guattari (1930-1992)." In Bibliothèque idéale de psychologie, 48–50. Éditions Sciences Humaines, 2020. http://dx.doi.org/10.3917/sh.marmi.2020.02.0048.
Kokubun, Koichiro. "Prologue." In The Principles of Deleuzian Philosophy, 1–8. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474448987.003.0001.
Voigt, Rüdiger. "Gilles Deleuze (1925–1995) und Félix Guattari (1930–1992)." In Staatsdenken, 405–9. Nomos Verlagsgesellschaft mbH & Co. KG, 2016. http://dx.doi.org/10.5771/9783845250939-405.
"GILLES DELEUZE (1925–1995) and FÉLIX GUATTARI (1930–1992)." In On Violence, 472–73. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822390169-059.
Colebrook, Claire. "Gilles Deleuze (1925-1995) and Félix Guattari (1930-1992)." In Edinburgh Encyclopaedia of Modern Criticism and Theory, 303–12. Edinburgh University Press, 2022. http://dx.doi.org/10.1515/9780748672554-039.
Colebrook, Claire. "Gilles Deleuze (1925-1995) and Félix Guattari (1930-1992)." In Introducing Literary Theories, 303–12. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474473637-039.
Тези доповідей конференцій з теми "Deleuze, Gilles (1925-1995 ; philosophe)":
dos Santos, Camila, and Andreia Machado Oliveira. "Communication Action Zones in Art and Technology - ZACAT." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.101.
dos Santos, Camila, and Andreia Machado Oliveir. "Zonas de Ação da Comunicação em Arte e Tecnologia - ZACAT." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.101.g142.
dos Santos, Camila, and Andreia Machado Oliveir. "Zonas de acción comunicativa en el arte y la tecnología - ZACAT." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.101.g141.