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Добірка наукової літератури з теми "Deleuze"

Автор: Grafiati

Опубліковано: 4 червня 2021

Оновлено: 29 липня 2024

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Статті в журналах з теми "Deleuze"

1

Bogue, Ronald. "Speranza, the Wandering Island." Deleuze Studies 3, no. 1 (June 2009): 124–34. http://dx.doi.org/10.3366/e1750224109000518.

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Michel Tournier's novel Friday is the subject of an important essay of Deleuze's, in which he presents the concept of the ‘a priori Other’. Alice Jardine and Peter Hallward have offered critiques of Deleuze via readings of this essay, but neither takes into consideration the full significance of Tournier's novel or Deleuze's commentary. Jardine and Hallward provide divergent and only partial perspectives on Deleuze. If there are several Deleuzes, each defined by a critical point of view, there is also a single Deleuzian problem that informs the Tournier essay and Deleuze's thought as a whole.

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2

Bennett, Michael James. "Deleuze and Heidegger on Truth And Science." Open Philosophy 1, no. 1 (September 14, 2018): 173–90. http://dx.doi.org/10.1515/opphil-2018-0013.

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Abstract Deleuze and Guattari’s manner of distinguishing science from philosophy in their last collaboration What is Philosophy? (1991) seems to imply a hierarchy, according to which philosophy is more adequate to the reality of virtual events than science is. This suggests, in turn, that philosophy has a better claim than science to truth. This paper clarifies Deleuze‘s views about truth throughout his career. Deleuze equivocates over the term, using it in an “originary” and a “derived” sense, probably under the influence of Henri Bergson, who does similarly. Moreover, William James and pragmatism were to Bergson what the early analytic philosophers Frege and Russell are to Deleuze: excessively scientistic foils whose confusions about truth arise as a result of failing to distinguish science from philosophy. By situating Deleuze’s conception of truth in relation to the early Heidegger’s, which it to some extent resembles, the paper concludes by suggesting that, surprisingly, neither kind of truth Deleuze licenses applies to science, while both apply to philosophy. Science is indifferent to truth in the way that some of Deleuze‘s readers have incorrectly wanted to say that he thinks philosophy is.

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3

Sanzhenakov, A. A. "Deleuze’s History of Philosophy as Creativity." Siberian Journal of Philosophy 16, no. 3 (2018): 250–57. http://dx.doi.org/10.25205/2541-7517-2018-16-3-250-257.

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The article is devoted to the attempt to reveal the specific nature of Deleuze’s work on the history of philosophy. For this purpose the author analyzes the historical method of Deleuze from two angles. First, he explores the Deleuzean point of view on the history of philosophy. Second, he presents commentators’ account on the work of Deleuze on the history of philosophy. It is shown that, in the opinion of the French philosopher, the history of philosophy in the ordinary sense is a repressive discipline which needs to be overcome. On the other hand, it is shown that the Deleuzean negative attitude towards the history of philosophy and some philosophers of the past arises from his anti-Platonism and an attempt to build an alternative line of metaphysics. In general, the history, according to Deleuze, should not aim to preserve the past (to be a doxography), but, on the contrary, should provide the conditions for creativity.

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4

Junutytė, Laura. "KAI KURIŲ GILLES’IO DELEUZE’O SĄVOKŲ TEORINĖS IŠTAKOS." Problemos 76 (January 1, 2009): 225–35. http://dx.doi.org/10.15388/problemos.2009.0.1930.

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Straipsnyje analizuojama dviejų Deleuze’o tapsmo ontologiją paveikusių klasikinių filosofų – Benedikto Spinozos ir Gottfriedo Leibnizo koncepcijos, ieškant jų įtakos pagrindinėms Deleuze’o sąvokoms. Tyrimo atspirties tašku pasirinkti Deleuze’o veikalai, skirti analizuoti minėtiems autoriams, kuriais remdamasis Deleuze’as kūrė savo autorinę filosofiją. Straipsnyje remiamasi teze, jog Deleuze’o filosofija nesuvokiama be nuorodų į klasikinę filosofiją. Jo sąvokos – senųjų sąvokų keitimo ir atnaujinimo rezultatas. Straipsnio pradžioje nagrinėjama Deleuze’o santykio su klasikiniais autoriais problema: kokios priežastys ir motyvai skatino Deleuze’ą domėtis filosofijos istorija pasirenkant mąstytojus, išvengiančius filosofijos tradicijos? Kokia prieiga prie klasikinių tekstų jam būdinga?Pagrindiniai žodžiai: imanencija, išraiška, būties vienbalsiškumas, klostė, įvykis.The Theoretical Origins of Some Gilles Deleuze’s ConceptsLaura Junutytė SummaryThe article analyzes the conceptions of Benedictus Spinoza and Gotfryd Leibniz, the authors who mostly influenced the ontology of becoming of Gilles Deleuze. The main object of this research is the first Deleuze’s publications about the traditional philosophers who became the basis for creating his original philosophy. The main thesis of this article is that Deleuze’s philosophy is incomprehensible without references to traditional philosophy because his concepts are a result of the transformation of old concepts. In the beginning of the article, the problem of Deleuze’s relationship with classical philosophers is considered: what kind of reasons and motives forced Deleuze to follow the history of philosophy and to choose the authors who avoid the tradition of philosophy? And what method was applied in reading these classical texts?Keywords: immanence, expression, univociy of being, the fold, the event.

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5

Baranova, Jūratė. "KANTAS IR DELEUZE’AS: KOKIA YRA GILIAUSIA VAIZDUOTĖS PASLAPTIS?" Problemos 84 (January 1, 2013): 153–69. http://dx.doi.org/10.15388/problemos.2013.0.1771.

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Straipsnyje nagrinėjama Kanto nužymėtos ir Deleuze’o eksperimentiniame mąstyme rekonstruotos vaizduotės kaip vieno iš trijų proto gebėjimų raiškos lauko alternatyvos. Siekiama atsakyti į paties Deleuze’o išsikeltą kantišką klausimą: kokia yra giliausia paslaptis? Aptinkamos kelios atsakymo alternatyvos. Šiame tyrime paaiškėjo, kad Deleuze’o atsakymai į paties išsikeltą klausimą „kokia yra giliausia vaizduotės paslaptis?“ patiria metamorfozes, kurios apsuka ratą. Nuo pradinės pozicijos, kai vaizduotė veikia tik paklusdama intelektui ar protui, ji juda link laisvo trijų nepriklausomų sugebėjimų – intelekto, proto, vaizduotės atitikimo, paskui – link jų nedarnios dermės, jų kovos, kuri skatina kiekvienos naują atsiskleidimą, galiausiai – prie vaizduotės anihiliacijos, kuri leidžia užgimti naujai minčiai, taigi, ratas apsisuka ir grįžtama prie jų dermės naujame lygmenyje, moderuojant filosofiniam skoniui. Tačiau visas šias metaformorfozes jungia viena bendra Kanto suformuluota prielaida: vaizduotė niekada neišvengia triadinės priklausomybės, ji neveikia viena; ji galima tik santykyje su intelektu ir protu, t. y. kitais trimis jai paraleliais ir simultaniškais sugebėjimais.Pagrindiniai žodžiai: Kantas, Deleuze’as, vaizduotėKant and Deleuze: What is the Deepest Secret of Imagination? Jūratė Baranova Abstract The paper discusses the problem of possible philosophical understanding of imagination from the Kantian-Deleuzean point of view. At the begining of his philosophical carreer, one can say, “early Deleuze” in 1963 published the book „Kant’s Critical Philosophy“ (La philosophie critique de Kant). The same year he wrote an essay “The Idea of Genesis in Kant’s Esthetics”. In both texts returning to Kant’s book Critique of Pure Reason, Deleuze notices, that it is widely acknowledged that schematizing is an original and irreducible act of imagination: only imagination can and knows how to schematize. Nevertheless, the imagination does not schematize of its own accord, simply because it is free to do so. It schematizes only for a speculative purpose, in accordance with the determinate concepts of the understanding; when the understanding itself plays the role of legislator. This is why it would be misguided to search the mistery of schematizing for the last word on the imagination in its essence or in its free spontaneity. “Schematizing is indeed a secret, but not the deepest secret of imagination,” – writes Deleuze. Some questions arise at this point. The first one – who speaks here: Kant or Deleuze? The second one – what is this deepest secret of imagination, as an intrigue of this kantian-deleuzean voice? How many possible answers to this question one can discern passing from “early Deleuze” to “late Deleuze”? In this article the author discoved some possible metamorphosis or twists of imagination in the experimental reading of Deleuze. It starts from the submissive position being directed by Understanding or Reason, to the free accord of three independent faculties, towards their discord, even fight, even death of the imagination for the sake of the thought and at least – the whirl closes and comes to the same point but from a different point of view: imagination, together with understanding and reason participate as an integral part of philosophical taste in later Deleuze. But one point united all these different adventures of imagination. Imagination always acts only in relation to the understanding and reason, it never plays free. It could never be able to play alone. Keywords: Kant, Deleuze, imagination.

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6

Satoor, Christopher. "‘A Part’ of the World: Deleuze and the Logic of Creation." Deleuze Studies 11, no. 1 (February 2017): 25–47. http://dx.doi.org/10.3366/dls.2017.0250.

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Is there a particular danger in following Deleuze's philosophy to its end result? According to Peter Hallward, Deleuze's philosophy has some rather severe conclusions. Deleuze has been portrayed by him as a theological and spiritual thinker of life. Hallward seeks to challenge the accepted view of Deleuze, showing that these accepted norms in Deleuzian scholarship should be challenged and that, initially, Deleuze calls for the evacuation of political action in order to remain firm in the realm of pure contemplation. This article intends to investigate and defend Deleuze's philosophy against the critical and theological accounts portrayed by Hallward, arguing that Deleuze's philosophy is not only creative and vital but also highly revolutionary and ‘a part’ of the given world. It then goes on to examine Hallward's distortion of the actual/virtual distinction in Deleuze because Hallward is not able to come to grips with the concept of life in Deleuze's philosophy. We live in an intensive and dynamic world and the main points of Deleuze's philosophy concern the transformation of the world. Deleuze is not seeking to escape the world, but rather to deal with inventive and creative methods to transform society.

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7

Boundas, Constantin V., Daniel W. Smith, and Ada S. Jaarsma. "Encounters with Deleuze." Symposium 24, no. 1 (2020): 139–74. http://dx.doi.org/10.5840/symposium20202417.

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This interview, conducted over the span of several months, tracks the respective journeys of Constantin V. Boundas and Daniel W. Smith with the philosophy of Gilles Deleuze. Rather than “becoming Deleuzian,” which is neither desirable nor possible, these exchanges reflect an array of encounters with Deleuze. These include the initial discoveries of Deleuze’s writings by Boundas and Smith, in-person meetings between Boundas and Deleuze, and the wide-ranging and influential philosophical work on Deleuze’s concepts produced by both Boundas and Smith. At stake in this discussion are key contributions by Deleuze to continental philosophy, including the distinction between the virtual and the actual and the very nature of a “concept.” Also at stake is the formative or pedagogical impact of a philosopher, like Deleuze, on those who find and fully engage with his texts, concepts, and project. Cette interview, menée sur plusieurs mois, suit les parcours respectifs de Constantin V. Boundas et Daniel W. Smith avec la philosophie de Gilles Deleuze. Au lieu de « devenir Deleuzien, » ce qui n’est ni souhaitable ni possible, ces échanges reflètent un éventail de rencontres avec Deleuze. Il s’agit notamment des premières découvertes des écrits de Deleuze par Boundas et Smith, des rencontres en personne entre Boundas et Deleuze, et du travail philosophique vaste et in􀏔luent sur les concepts de Deleuze produit par Boundas et Smith. L’enjeu ici étant les contributions clés de Deleuze à la philosophie continentale, y compris la distinction entre le virtuel et l’actuel, et la nature même d’un « concept. » Mais il y a aussi l’impact formateur ou pédagogique d’un philosophe, comme Deleuze, sur ceux qui trouvent et s’engagent pleinement dans ses textes, ses concepts et ses projets.

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8

Luna, Wendyl. "Re-thinking Thought: Foucault, Deleuze, and the Possibility of Thinking." Foucault Studies 1, no. 27 (December 30, 2019): 48–68. http://dx.doi.org/10.22439/fs.v27i27.5891.

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This paper examines how Foucault and Deleuze understand each other’s work, arguing that they are united in their common endeavour to make it possible to think again. Focusing on Foucault’s ‘Theatrum Philosophicum’ and Deleuze’s Foucault, it shows how each of Foucault and Deleuze considers the other as someone who opens anew the possibility of thinking. The first section examines Deleuze’s interpretation of Foucault’s work. It demonstrates that, despite sounding as if he is elucidating his own philosophy, Deleuze is correct in saying that Foucault re-thinks thought by positing the disjunction between the articulable and the visible, among other things. Turning to Foucault’s review of Deleuze’s works, the second section explains why Foucault deems Deleuze’s notion of thought as a disjunctive affirmation. By underscoring the disjunctive role ‘and’ plays in the disjunctive affirmation of ‘the event and the phantasm’ and/or of thought itself and its object, Foucault considers Deleuze as someone who re-thinks thought not by conceptualising it but by thinking difference. The paper concludes that, while each endeavours to consider thought in a new light, both Foucault and Deleuze believe that the other makes it possible to think again.

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9

Bell, Jeffrey A. "Making Sense of Problems." Journal of Speculative Philosophy 36, no. 2 (July 1, 2022): 244–53. http://dx.doi.org/10.5325/jspecphil.36.2.0244.

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ABSTRACT In this article I extend Gilles Deleuze’s understanding of sense, as developed in Logic of Sense, by developing a metaphysics of problems. In doing this, we can appreciate the role Hume’s philosophy plays in Deleuze’s thought, and most importantly how we can understand sense in the context of making sense of life. With this perspective in place, we compare Deleuze’s project with Pierre Bourdieu’s and, finally, apply the notion of making sense to the history of the emergence of capitalism. With this discussion of the history of capitalism, we see how Deleuze draws from both Hume and Marx, or, in short, we sketch a Deleuzo-Humean political theory.

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10

Nilsen, Remi. "Om Deleuze uten Deleuze." Agora 23, no. 01-02 (March 18, 2005): 265–76. http://dx.doi.org/10.18261/issn1500-1571-2005-01-02-19.

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Більше джерел

Дисертації з теми "Deleuze"

1

Andrew, Culp. "Deleuze Beyond Deleuze: Thought Outside Cybernetics." Universität Leipzig, 2020. https://ul.qucosa.de/id/qucosa%3A71595.

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2

Tibik, Kamuran. "Deleuze&#039." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/12607900/index.pdf.

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Deleuze'
s Struggle Against Transcendence and Criticisms About It TIBIK, Kamuran M.S., Department of Philosophy Supervisor: Prof.Dr. Yasin Ceylan December,2006, 128 pages In this study, I first studied the undecidability of transcendence and immanence. Then, I studied the demarcation problem between transcendence and immanence with its results in philosophy. Thirdly, I touched on the idea of the death of philosophy in relation to this demarcation problem. Fourthly, I tried to present Deleuze'
s dualist approach to concepts and I also studied Hume'
s effect on the emergence of this dualist approach. As the fifth, I tried to relate the demarcation problem to ethics, concepts and the future of philosophy. Finally, I presented questions and criticisms about both Hume'
s and Deleuze'
s views on immanence and ethics.

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3

Porter, Robert. "Deleuze, geophilosophy, criticism." Thesis, Queen's University Belfast, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326283.

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4

CASTRO, EMANUEL MELLO MATTOS DE. "DELEUZE AND PERSPECTIVISM." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2015. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=25466@1.

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Анотація:

PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
A pesquisa centra-se na importância do conceito de Perspectivismo na filosofia de Gilles Deleuze. Procurando desarticular a forma-Sujeito, para Deleuze pontos de vista têm a ver com diferenças e não com identidades; a constituição não de sujeitos e objetos, mas de perspectivas ou pontos de vista. Em Deleuze, o perspectivismo não é a relatividade do verdadeiro, mas a verdade da relatividade.
This research focuses on the importance of the concept of Perspectivism in Gilles Deleuze s philosophy. Trying to dismantle the Subject form, for Deleuze points of view have to do with differences rather than identities; not the constitution of subjects and objects, but perspectives or points of view. In Deleuze, perspectivism isn t the relativity of the true, but the truth of relativity.

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5

Percino, Eziel Belaparte. "Deleuze com Proust." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-04082017-125535/.

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A complicação deleuze-proustiana é um horizonte de incidência e emergência de ideias sobre a questão do pensamento. A fim de fazer jus a este horizonte, a presente tese examina as duas partes do livro Proust et les signes, animada tanto pelo que nele incide, reconstituindo e discutindo as suas formulações conceituais, quanto pelo que dele emerge, combinando a fotografia da explicação com o cinema da experiência, duas noções que, disparadas e fomentadas pela complicação, orientam aqui o próprio ato de examinar: ideia foto-cinema. É que, em qualquer instância, pensar não é apenas compactar exposições lineares e estáticas: além de surgir disparado e fomentado pelos signos emitidos por um objeto, o pensamento se desenha na dupla face da fixação e do movimento. Quando a tarefa ordinária, que remete apenas a um emaranhado de escolhas habituais e quebradiças, expõe-se à imprevisibilidade de um encontro extraordinário, os disparadores e fomentadores, que não são o objeto, mas os seus signos, não produzem outra coisa senão um sentimento de obrigação, a necessidade de um trabalho do pensamento; tudo aí se desdobra num exercício que tanto tematiza o outro quanto se torna ele mesmo uma verdadeira prática, um funcionamento: tríplice fronteira, jazz, lentidão e excesso. A questão, pois, nunca é a de estritamente inventariar o que é, afinal, Deleuze com Proust, dominando-o com arcadas mãos, mas a de assumi-lo como um território íntimo de signos, propício para uma espécie de cultivo livre que se faz desigualmente sobre e com ele, dinâmica funcional invariavelmente desejada e perseguida.
The deleuzian-proustian complication is an occurrence and emergency horizon of ideas concerning thought. In order to do justice to this horizon, this thesis examines both parts of Proust et les signes, encouraged not only by what occurs on it, through reconstitution and discussion of its conceptual formulations, but also by what emerges of it, combining photography of explanation with cinema of experience, two notions that, triggered and fomented by complication, guide herein the very act of examining: photo-cinema idea. It is just that thought is, in any instance, not only about compacting linear and inert statements: apart from the fact that it arises triggered and fomented by signs emanating from an object, thought is drawn on the double side of fixation and movement. When the ordinary task, which only refers to a tangle of usual and brittle choices, exposes itself to the unpredictability of an extraordinary encounter, triggers and fomenters, which are not the object, but their signs, do not produce anything else but an obligation feeling, the need of mind work; everything there unfolds into an exercise that both broaches the other and turns itself into a real practice, an operation: triple border, jazz, slowness and excess. Therefore, the question is never about strictly inventorying what after all is Deleuze with Proust, mastering them with arched hands. It would be rather about assuming it as an intimate sign territory, fertile to a sort of free cultivation which unevenly makes itself about and with it, a functional dynamic invariably desired and pursued.

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6

Schleusener, Simon. "Deleuze and Neoliberalism." Universität Leipzig, 2020. https://ul.qucosa.de/id/qucosa%3A72860.

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Анотація:

The following essay takes the topic of this special issue as an opportunity to not just investigate Deleuze’s “Postscript on Control Societies,” but to look more generally at the text’s place within his work as a whole. Indeed, as various authors have observed, there are a number of aspects that clearly distinguish the essay from the bulk of Deleuze’s other writings. First, what the Postscript aims at is a very direct and immediate “diagnosis of the present” (Foucault 1999: 91). Despite its brevity, the essay therefore entails a wide-ranging account of the (social, economic, cultural, and technological) ‘system’ which was about to take hold when Deleuze wrote the essay (1990) – and which still seems pervasive today. Second, the Postscript represents one of the few instances where Deleuze addresses new media, the digital, cyberspace, and computers: technologies, that is, which in the last few decades have thoroughly transformed the world we live in (cf. Galloway 2012). Third, while Deleuze is usually considered to be a thinker of affirmative creation and a joyous politics of difference and becoming, the Postscript may be the text that most evidently lends itself to discovering not only a more contemporary, but also a somewhat ‘darker’ Deleuze (cf. Culp 2016). For although it underlines the necessity of “finding new weapons” and developing “new forms of resistance” – pointing out that the question is not “whether the old or new system is harsher or more bearable” (Deleuze 1995: 178) – one can argue that the Postscript’s general perspective and tone is in fact more bleak and pessimistic than most of Deleuze’s other writings.

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7

Redner, Gregg. "Deleuze and film music." Thesis, University of Exeter, 2008. http://hdl.handle.net/10036/55453.

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This thesis grows from the premise that film music analysis is currently at an impasse. The reason for this impasse is the inability of film theory and music theory to relate to one another because of their lack of a common theoretical language. It is my contention that a large percentage of the scholarly writing on film music is less than successful, because of the inability of these two disciplines to relate to each other theoretically. Therefore, it is the intention of this thesis to construct a methodological bridge which will allow music theory and film theory to relate to each other on a common analytical plane. I am primarily concerned with just how the film score functions once it enters into the mise-en-scène and is able to exist on an equal theoretical plane with the other elements of the filmic universe. In order to facilitate this, I will apply philosophical concepts drawn from the philosophy of Gilles Deleuze to the analysis of six individual film/score(s): L’Atalante (Jean Vigo, 1934), Things to Come (William Cameron Menzies, 1936), Scott of the Antarctic (Charles Frend, 1948), East of Eden (Elia Kazan, 1955), Hamlet (Grigori Kozintsev, 1964) and Blue (Krzysztof Kieslowski, 1993). Each of these scores provides a specific theoretical challenge which can not be overcome through the use of traditional analytical methodologies. By adapting specific Deleuzian philosophical concepts (sensation, nomadology, the refrain, the eternal refrain, becoming, utopia, smooth space, and duration) to the individual scores in question I will demonstrate that it is possible to create a flexible analytical methodology which draws the various elements of the film into a deep relationship with the score, thereby revealing the score’s actual function in each instance.

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8

Kennedy, Niall. "Deleuze and the author." Thesis, Kingston University, 2016. http://eprints.kingston.ac.uk/38644/.

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This thesis argues that Gilles Deleuze, as philosopher, reader, and critic, recognised the central importance of a defined authorial subjectivity, closely associated with a philosophical or intellectual project, and that his analyses of philosophy, literature, visual art and cinema were shaped and determined by his recognition of that authority. In this respect, my reading challenges those critics who find in the work of Deleuze an assault on ‘author-centric’ interpretations of texts, and more generally on the concept of a unified self, and which uphold experimentation on the part of the reader or critic rather than interpretation. I argue that Deleuze has a coherent and meaningful conception of an author as a consciousness which persists through time, learns, plans and makes projects, differentiates itself from the work of other authors, is inspired and creative, takes positions in relation to the inheritance of artistic and philosophical traditions, and which is capable of entering into collaboration with others. Through close reading of Deleuze’s texts, I demonstrate that he consistently relies on the authorial function to impose unity and coherence on the distinctive - and often remarkable - body of work of an individual theorist or practitioner. I argue that the historical, political and social situation of an author is of great importance to the analysis of a text. Finally, unlike Roland Barthes or other critics invested in the ‘death’ or displacement of the author, I argue that Deleuze considers the competing interpretations of a text advanced by the reader or spectator to be of little or no importance.

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Borges, Charles Irapuan Ferreira. "Deleuze, ética e imanência." Pontifícia Universidade Católica do Rio Grande do Sul, 2013. http://hdl.handle.net/10923/3422.

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Made available in DSpace on 2013-08-07T18:55:34Z (GMT). No. of bitstreams: 1 000447790-Texto+Completo-0.pdf: 1204018 bytes, checksum: c4867d53c5956ae766dc04d823ee18d7 (MD5) Previous issue date: 2013
This work aims to present the core of the conceptual framework of Gilles Deleuze’s imanent ethics. Imanent ethics is referred here as a moral theory derived from the post-critical ontology which claims the absense of any transcendent principle to the process of formation of rules or moral norms. Instead, the imanent ethics theory sees in the genetic origin of reason itself the foundations of the practical rationality and action.
O presente trabalho tem por objetivo apresentar os principais elementos conceituais constitutivos da ética imanente de Gilles Deleuze. Por ética imanente entende-se uma teoria moral derivada da ontologia pós-crítica que postula a não aderência a qualquer princípio transcendente para a formação de regras ou normas morais. Pelo contrário, a ética imanente busca na origem genética da própria razão os fundamentos da racionalidade prática e da ação.

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10

Vankeerberghen, Véronique. "L'ontologie de Gilles Deleuze." Paris 8, 2001. http://www.theses.fr/2001PA081904.

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L'objet du travail a pour visée d'interroger la politique de pensée de Deleuze, à savoir les réquisits et effets du choix de l'immanence, de l'univocité ontologique et d'une virtualisation de certains dispositifs philosophiques. Il s'agira de montrer que le choix politique de l'immannence véhicule des garanties (égalité ontologique) et des contraintes (différence asymétrique) et que, doublé du choix d'une concaténation de certains systèmes philosophiques (les Stoîciens, Hume, Leibniz, Spinoza, Kant, Nietzsche, Bergson), il oriente la saisie des problèmes de la différence pure et de la co-genèse de l'être et de la pensée. . .

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Книги з теми "Deleuze"

1

Godani, Paolo. Deleuze. Roma: Carocci, 2009.

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2

Gualandi, Alberto. Deleuze. Paris: Les Belles lettres, 1998.

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3

illustrator, Cavaillez Aleksi, ed. Deleuze. Paris: Max Milo, 2012.

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4

Benit, Bernard. Deleuze. Paris: L'Harmattan, 2018.

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5

1972-, Romein Ed, Schuilenburg Marc 1971-, and Tuinen Sjoerd van 1978-, eds. Deleuze compendium. Amsterdam: Boom, 2009.

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1972-, Romein Ed, Schuilenburg Marc 1971-, and Tuinen Sjoerd van 1978-, eds. Deleuze compendium. Amsterdam: Boom, 2009.

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7

J, Stivale Charles, ed. Deleuze & Guatarri. Madison, Wis: University of Wisconsin Press, 1991.

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8

1925-1995, Deleuze Gilles, Bernold Andre 1958-, and Pinhas Richard, eds. Deleuze epars. Paris: Hermann, 2005.

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9

Mackay, Robin. [Unknown Deleuze]. Falmouth: Urbanomic, 2007.

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10

Deleuze, Gilles. Gilles Deleuze. Paris: ADPF, 2003.

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Частини книг з теми "Deleuze"

1

Toews, David. "Deleuze." In Social Life and Political Life in the Era of Digital Media, 14–27. 1 Edition. | New York : Routledge, 2018. | Series: Routledge studies in social and political thought: Routledge, 2018. http://dx.doi.org/10.4324/9781315278698-3.

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2

Massumi, Brian. "Deleuze." In A Companion to Continental Philosophy, 559–73. Oxford, UK: Blackwell Publishing Ltd, 2017. http://dx.doi.org/10.1002/9781405164542.ch51.

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3

Gunter, Peter. "Gilles Deleuze, Deleuze’s Bergson and Bergson Himself." In Deleuze, Whitehead, Bergson, 167–80. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230280731_10.

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Buchanan, Ian. "Gilles Deleuze." In The Wiley-Blackwell Companion to Major Social Theorists, 175–92. Oxford, UK: Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781444396621.ch26.

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5

de Freitas, Elizabeth. "Gilles Deleuze." In Alternative Theoretical Frameworks for Mathematics Education Research, 93–120. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-33961-0_5.

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6

Semetsky, Inna. "Gilles Deleuze." In Re-Symbolization of the Self, 61–71. Rotterdam: SensePublishers, 2011. http://dx.doi.org/10.1007/978-94-6091-421-8_6.

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7

Kocyba, Hermann. "Deleuze, Gilles." In Metzler Philosophen Lexikon, 200–203. Stuttgart: J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03642-1_73.

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Sanders, Olaf. "Deleuze/Guattari." In International Handbook of Philosophy of Education, 103–14. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-72761-5_10.

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9

Acosta, Emiliano. "Deleuze, Gilles." In Lexikon der Geisteswissenschaften, 1177–81. Wien: Böhlau Verlag, 2011. http://dx.doi.org/10.7767/boehlau.9783205790099.1177.

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10

Lynch, Heather. "Gilles Deleuze." In The Routledge Handbook of Critical Pedagogies for Social Work, 271–82. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781351002042-23.

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Тези доповідей конференцій з теми "Deleuze"

1

Kostikova, Anna. "DELEUZE AND SIMONDON: SUBJECTIVITY AS TRANSINDIVIDUAL ONTOLOGY." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocialf2018/2.3/s07.006.

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2

França, Lívia Mara Botazzo. "O clinamen em Deleuze: uma estética do desvio." In Encontro da História da Arte. Universidade Estadual de Campinas, 2018. http://dx.doi.org/10.20396/eha.13.2018.4494.

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O presente artigo pretende aproximar o conceito filosófico do clinamen à luz das reflexões do pensador Gilles Deleuze, propondo uma abordagem estética, a Estética do Desvio, sobre o processo de criação no campo da arte contemporânea e sua lógica de atuação no caos, em semelhança à própria teoria atomista epicuriana, de que a relação causal do desvio de um átomo na trajetória se circunscreveria no próprio desvio espontâneo. O pensamento deleuzeano será oferecido como estrutura para a proposta estética desviante, a partir da aproximação e semelhança do conceito teórico com o fato artístico, que será demonstrado por meio de referenciais artísticos, observando os elementos contidos em seus modus operandi. Portanto, na esteira da filosofia rizomática e múltipla deleuzeana, aproximaremos Filosofia (criadora de conceitos) e Arte (criadora de afectos e perceptos), na perspectiva científica (a ciência como criadora de conhecimento, prospectos). Nestes três saberes, filosófico, artístico e científico, há uma correlação tangenciada no caos, coexistentes e conviventes nele, sob a qual estendemos o conceito do clinamen como desvio espontâneo.

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3

Tosel, Natascia. "THE POLITICAL PHILOSOPHY AS UTOPIA IN DELEUZE AND GUATTARI." In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s11.112.

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4

Gatti, Daniela, and Aline Silva Brasil. "“O Corpo-Lugar”: revisitações através de Deleuze e Guattari." In XXIII Congresso de Iniciação Científica da Unicamp. Campinas - SP, Brazil: Galoá, 2015. http://dx.doi.org/10.19146/pibic-2015-36978.

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Lopes, Daniel de Souza. "Deleuze, Kerouac e as relações entre corpo e pensamento." In VIII Semana de Orientação Filosófica e Acadêmica. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/phipro-sofia-010.

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6

Aloisi, Alessandra. "Leopardi, Gilles Deleuze, and the Art the Philosophical Portrait." In Le Corpus : corps à corps. Fabula, 2024. http://dx.doi.org/10.58282/colloques.12150.

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7

Leroy, Sarah, and Sylvain Loiseau. "Contacts et emprunts entre discours : l'exemple du discours politique chez Deleuze." In 2ème Congrès Mondial de Linguistique Française. Les Ulis, France: EDP Sciences, 2010. http://dx.doi.org/10.1051/cmlf/2010148.

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8

Cunha, Carlos Fernando Carrer da. "GILLES DELEUZE E O PENSAMENTO NÔMADE: A MÁQUINA DE GUERRA PRIMITIVA." In VIII Semana de Orientação Filosófica e Acadêmica. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/phipro-sofia-008.

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9

Pereira, Caroliny. "A instauração de um acesso entre a memória da imagem e a fotografia futurista." In Encontro da História da Arte. Universidade Estadual de Campinas, 2014. http://dx.doi.org/10.20396/eha.10.2014.4122.

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Este artigo parte do ensejo de discutir a possibilidade de uma relação entre a fotografia futurista e a fotodinâmica, e a ideia de memória e em decorrência dela a de virtual, oriundas da filosofia bergsoniana e alguns filósofos contemporâneos a ele como Gilles Deleuze e José Gil.

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Bailey, Erin. "Deleuze, Artaud, and the Bard: Envisioning a Shakespearean Theater Education Yet to Come." In 2019 AERA Annual Meeting. Washington DC: AERA, 2019. http://dx.doi.org/10.3102/1443134.

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Звіти організацій з теми "Deleuze"

1

D. Cather. DELEUW CATHER FINAL YUCCA MOUNTAIN RAIL ACCESS STUDY CALIENTE ROUTE CONCEPTUAL DESIGN REPORT. Office of Scientific and Technical Information (OSTI), June 1992. http://dx.doi.org/10.2172/886027.

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2

Baader, Franz, Francesco Kriegel, Adrian Nuradiansyah, and Rafael Peñaloza. Repairing Description Logic Ontologies by Weakening Axioms. Technische Universität Dresden, 2018. http://dx.doi.org/10.25368/2022.238.

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The classical approach for repairing a Description Logic ontology O in the sense of removing an unwanted consequence α is to delete a minimal number of axioms from O such that the resulting ontology O´ does not have the consequence α. However, the complete deletion of axioms may be too rough, in the sense that it may also remove consequences that are actually wanted. To alleviate this problem, we propose a more gentle way of repair in which axioms are not necessarily deleted, but only weakened. On the one hand, we investigate general properties of this gentle repair method. On the other hand, we propose and analyze concrete approaches for weakening axioms expressed in the Description Logic EL.

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3

Badia, R., J. Ejarque, S. Böhm, C. Soriano, and R. Rossi. D4.4 API and runtime (complete with documentation and basic unit testing) for IO employing fast local storage. Scipedia, 2021. http://dx.doi.org/10.23967/exaqute.2021.9.001.

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This deliverable presents the activities performed on the ExaQUte project task 4.5 Development of interface to fast local storage. The activities have been focused in two aspects: reduction of the storage space used by applications and design and implementation of an interface that optimizes the use of fast local storage by MPI simulations involved in the project applications. In the rst case, for one of the environments involved in the project (PyCOMPSs) the default behavior is to keep all intermediate les until the end of the execution, in case these les are reused later by any additional task. In the case of the other environment (HyperLoom), all les are deleted by default. To unify these two behaviours, the calls \delete object" and \detele le"have been added to the API and a ag \keep" that can be set to true to keep the les and objects that maybe needed later on. We are reporting results on the optimization of the storage needed by a small case of the project application that reduces the storage needed from 25GB to 350MB. The second focus has been on the de nition of an interface that enables the optimization of the use of local storage disk. This optimization focuses on MPI simulations that may be executed across multiple nodes. The added annotation enables to de ne access patters of the processes in the MPI simulations, with the objective of giving hints to the runtime of where to allocate the di erent MPI processes and reduce the data transfers, as well as the storage usage.

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4

Technology and Mental Health for Children and Adolescents: Pros and Cons. ACAMH, January 2023. http://dx.doi.org/10.13056/acamh.22618.

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In this ‘Papers Podcast’, we welcome Professor Lina Gega and Dr. Hiran Thabrew, two of the editors of the CAMH Special Issue ‘Technology and Mental Health for Children and Adolescents: Pros and Cons’, to discuss the Special Issue and their co-produced Editorial ‘Control alt delete – technology and children’s mental health’.

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