Готові списки джерел за темами / Daniel Gendre

Добірка наукової літератури з теми "Daniel Gendre"

Автор: Grafiati

Опубліковано: 26 липня 2024

Оновлено: 28 липня 2024

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Статті в журналах з теми "Daniel Gendre"

Gregoli, Roberta. "Se eu fosse você: liminal spaces of gender and sexuality." Significação: Revista de Cultura Audiovisual 48, no. 55 (January 30, 2021): 36–54. http://dx.doi.org/10.11606/issn.2316-7114.sig.2021.160524.

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The body swap comedy is a privileged genre for investigating norms related to gender and sexuality in popular culture. This article explores these norms through the close analysis of the film Se eu fosse você (Daniel Filho, 2006), using Mikhail Bakhtin’s thesis on the carnivalesque and Judith Butler’s theory of gender performativity. Despite the film’s overall strong conservative framework, it is argued that just as revealing as what the film tries to regulate is what it exposes: double standards, failures in the heteronormative matrix, and disruptive sex acts and gendered behavior.

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Hutahaean, Hasahatan. "Menafsir Genre Apokaliptik Kitab Daniel." ILLUMINATE: Jurnal Teologi dan Pendidikan Kristiani 3, no. 1 (September 22, 2020): 25–39. http://dx.doi.org/10.54024/illuminate.v3i1.81.

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The Apocalyptic genre is one genre that is difficult to understand because of its long intricacies and requires accuracy. One reason for the difficulty in interpreting the apocalyptic genre is the use of symbols that are not uncommon for today's readers. The use of symbols is very close to the speaker and, the first reader. The Book of Daniel is identical to the many uses of the symbolic language of the two Apocalyptic genre Books in the Bible. Readers increasingly need to be careful and careful when classifying symbol languages because there are differences in the use of symbols and language of descriptions. This paper was prepared by searching the literature with a qualitative approach. With the support of data from journal articles and cognate books, the research achieved the expected goals. The discussion begins by describing the apocalyptic genre based on literal facts. Then examine the uses of symbols, images, and others and the need for the interpreter's humility when trying to interpret this genre, especially in the use of symbolic language. The results show that many parts can be understood by following the rules of interpretation of the apocalyptic genre in the use of symbolic language. But some parts are precisely still a mystery to the reader as sealing of their meaning.AbstrakGenre Apokaliptik termasuk salah satu genre yang sulit untuk dipahami karena seluk-beluk yang panjang dan memerlukan ketelitian. Salah satu penyebab sulitnya menafsir genre apokaliptik yakni pemakaian simbol-simbol yang tidak lazim bagi pembaca masa kini. Pemakaian simbol-simbol sangat dekat bagi penutur dan pembaca pertamanya. Kitab Daniel identik dengan banyaknya pemakaian bahasa simbol dari dua Kitab genre apokaliptik dalam Alkitab. Pembaca semakin perlu berhati-hati dan teliti ketika mengelompokkan bahasa-bahasa simbol karena terdapat perbedaan penggunaan simbol dan bahasa penggambaran. Tulisan ini disusun dengan penelusuran kepustakaan dengan pendekatan kualitatif. Dengan dukungan data dari artikel jurnal dan buku-buku serumpun maka penelitian mencapai tujuan yang diharapkan. Pembahasan dimulai dengan memaparkan genre apokaliptik berdasar fakta-fakta literal. Kemudian menelisik penggunaan simbol, gambar dan yang lain serta perlunya kerendahan hati penafsir ketika mencoba menafsirkan genre ini khususnya dalam penggunaan bahasa simbol. Hasilnya menunjukkan banyak bagian yang dapat dipahami dengan mengikuti kaidah penafsiran bagi genre apokaliptik dalam pemakaian bahasa simbol. Namun ada bagian-bagian yang justru masih menjadi misteri bagi pembacanya sebagai penyegelan terhadap maknanya.

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Gates, Sarah. ""A Difference of Native Language": Gender, Genre, and Realism in Daniel Deronda." ELH 68, no. 3 (2001): 699–724. http://dx.doi.org/10.1353/elh.2001.0022.

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Valeta, David M. "The Book of Daniel in Recent Research (Part 1)." Currents in Biblical Research 6, no. 3 (June 2008): 330–54. http://dx.doi.org/10.1177/1476993x07084791.

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This is the first of two articles exploring recent research on the book of Daniel. The focus of Part 1 is the court tale narratives of Daniel 1—6, with particular attention to genre identification, sociological and ideological viewpoints, and textual and language issues. Other topics of interest are represented in the bibliography, which identifies important publications since 1993. Foundational works published prior to 1993 are also included. Historical-critical analysis of Daniel 1—6 has furthered understanding of important topics such as the nature of court tale literature and the context of conquest, exile and empire in the ancient Near East, and how those constructs affect the biblical writings. New explorations of Daniel 1—6 that focus on literary, multi-critical and interdisciplinary approaches to the study of this book suggest interesting answers to perennial debates over issues such as the language, genre and ideology of these court tales, and are a main focus of this survey article. Part 2 will explore the apocalyptic material of Daniel 7—12, including discussion of topics such as the Son of Man and the nature of vision material in the Hebrew Bible.

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Pääkkölä, Anna-Elena, and Rebecca Burditt. "Fart for Fart's Sake? The Fantastical Reality, Sacred-Profane Musical Bodies, and Nostalgic Millennial Masculinities in Swiss Army Man." Music and the Moving Image 17, no. 1 (April 1, 2024): 3–19. http://dx.doi.org/10.5406/19407610.17.1.01.

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Abstract This article explores the uses of music, voice, and sound in Daniels’ 2016 film Swiss Army Man (SAM)—a story about a friendship between a stranded, suicidal loner (Paul Dano) and a farting, talking corpse (Daniel Radcliffe). We argue that the film's unique play between nondiegetic and diegetic sound, musical references to popular culture, and privileging of bodily noise (particularly farting) generate a distinctive soundscape that adds new dimensions to SAM's major themes of loneliness and nostalgia. This study draws upon scholarship in musicology, film studies, social history, and queer studies to better define the sonic techniques that the directors and composers employ. In doing so, it also helps us locate how sound articulates the film's genre, its construction of masculinity, and the queerness of the two protagonists’ relationship. Our goal is to provide insight into a film in which farting equals music, and meaning is made through colliding dualities: sacredness vs. vulgarity, a hyperbody that is both dead and alive, heterosexual yearning vs. homoromantic bonding, and even comedy vs. tragedy.

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Gijón, Pablo Rubio. "Deshonra (Daniel Tinayre, 1952)." Acta Hispanica 22 (January 1, 2017): 113–20. http://dx.doi.org/10.14232/actahisp.2017.22.113-120.

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Within the context of the film industry of the first peronist period (1946-1955) crime films established themselves as a means to disseminate the dominant ideology. Some of the characteristics of this genre were used to leave proof of the pre-eminence of the State as a safeguard of the status quo. However, Deshonra (1952) resorts in its structure to visual features that could be interpreted as a veiled criticism to the very ideology it aims to divulge. The crime film genre, from its constitutive proposals and its supposed ideological rigidity in a political framework such as Peronism, may grant some areas of ambiguity.

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Agustina, Pradipta, and Maimunah Maimunah. "Queering The Construction Of Gender Identity In Chris Columbus’ Movie Mrs. Doubtfire." ATAVISME 16, no. 2 (December 30, 2013): 141–52. http://dx.doi.org/10.24257/atavisme.v16i2.89.141-152.

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The construction of traditional gender roles has affected the understanding of being feminine and masculine. This understanding seems to influence gender performance in the film Mrs. Doubtfire. This onehourandfiftysevenminute film was directed by Chris Columbus. This study is conducted to examine how gender performativity is illustrated in the film and what ideology lies within the film. Queer theory, especially gender performativity by Judith Butler is used as the framework of the study. The study is done by observing and analysing chosen scenes from the film focusing on the performance of Daniel Hillard as Euphegenia Doubtfire. Narrative aspect of the film is not only the main concern; the nonnarrative is also part of the analysis especially on costume, makeup, performance and color. The main finding of this study is this film in one hand celebrates traditional gender roles but on the other hand promotes gender as performance. Femininity is pictured as fluid. Therefore, it is also a performativity. The contestation between those two opposing ideas is smoothly wrapped through amusing film such as Mrs. Doubtfire. Abstrak: Film Mrs. Doubtfire karya Chris Columbus menampilkan konstruksi yang berbeda dengan konstruksi peran gender yang telah menjadi mainstream. Berdurasi 1 jam dan 57 menit, film ini menampilkan konstruksi maskulinitas dan femininitas yang dapat saling bertukar, cair, dan tidak baku. Studi ini mengkaji dua pertanyaan utama. Pertama, bagaimana konstruksi peran gender digugat melalui performativitas gender? Kedua, ideologi apa yang terdapat dalam film? Teori Queer terutama gender performativitas yang dikemukakan oleh Judith Butler menjadi kerangka penelitian ini. Penelitian ini dilakukan dengan mengobservasi dan menganalisis adegan terpilih dengan berfokus pada penampilan Daniel Hillard sebagai Euphegenia Doubtfire. Aspek naratif dalam film bukan satusatunya perhatian utama. Aspek nonnaratif juga menjadi bagian analisis kostum, tata rias, penampilan, dan warna. Penelitian ini menyimpulkan bahwa film ini pada satu sisi mengonfirmasi peran gender yang tradisional, tetapi di lain pihak juga mencoba menawarkan performativitas gender. Ideologi film ini menggambarkan femininitas sebagai sesuatu yang cair sehingga femininitas juga sesuatu yang sifatnya performativitas. Kontestasi antara kedua hal tersebut disajikan dengan menarik dalam film Mrs. Doubtfire. KataKata Kunci: konstruksi gender; performativitas gende; teori queer

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Suri, Gayatri. "Gendered Orientations around Domestic Objects; A Study of Home Truths: Gender, Domestic Objects and Everyday Life." New Literaria 04, no. 01 (2023): 100–104. http://dx.doi.org/10.48189/nl.2023.v04i1.014.

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When Daniel Miller asked ‘Why some things matter?’, it became critical to question why they matter differently for various genders. This paper is an attempt to analyze how ‘orientations’ around objects play out differently for the female gender in Sarah Pink’s (2004) Home Truths: Gender, Domestic and Everyday Life. The domestic space of research informants in England and Spain is taken up to explore not only how orientations are different for the female genders, but how they also go on to reinforce gender roles. Thus works of foundational thing theorists like Bill Brown, Bruno Latour and Daniel Miller’s ideas of subject-object relations are critiqued and revealed to be inadequate until gender is factored in. Additionally, the paper also reveals how bodies then purposely attempt to break out of gender roles by molding their subject-object relations. Ultimately, things end up shaping our mind more than we can fathom.

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Saez de Adana, Francisco. "Reseña de "Authorizing Superhero Comics. On the Evolution of a Popular Serial Genre" de Daniel Stein." CuCo, Cuadernos de cómic, no. 17 (January 7, 2022): 154–57. http://dx.doi.org/10.37536/cuco.2021.17.1567.

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Waller, Daniel James. "Sympathy for a Gentile King: Nebuchadnezzar, Exile, and Mortality in the Book of Daniel." Biblical Interpretation 28, no. 3 (June 4, 2020): 327–46. http://dx.doi.org/10.1163/15685152-00283p03.

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Abstract Nebuchadnezzar II sacked Jerusalem and destroyed its temple. Yet he emerges in Daniel 1-4 as a compelling and sometimes sympathetic hero-villain. Drawing upon the concept of the story-collection, this article considers the implications of this genre for character formation, examines the further thematic means by which Nebuchadnezzar’s sympathetic characterization is generated in the book of Daniel, and explains his character in terms that make his often contradictory nature understandable across the text of the book. This article argues that Nebuchadnezzar’s dreams reflect deep-seated anxieties about his own mortality and relates these anxieties about death and time to Daniel’s broader themes of time, mortality, and exile. It suggests an analogy between the death of the self and the death of one’s state, and suggests that Nebuchadnezzar’s portrayal in Daniel has a role to play in our understanding of Daniel as a reflection upon life in exile.

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Дисертації з теми "Daniel Gendre"

Owen, Craig. "Dancing gender : exploring embodied masculinities." Thesis, University of Bath, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.636536.

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Within popular culture we have recently witnessed a proliferation of male dancers. This has been spear-headed by the success of the BBC television program Strictly Come Dancing. The current cultural fascination with dance provides a stark contrast to traditional discourses in England that position dance as a female activity, with men’s participation frequently associated with homophobic stigma. We therefore have a context in which multiple and contradictory discourses on masculinity are available for men to make sense of themselves. This thesis explores how young men negotiate these discourses when learning to dance. The research is based upon an ethnographic study of capoeira and Latin and ballroom dance classes in South West England. The core methods included 1) four years of embodied fieldwork in the form of the researcher learning to dance, 2) writing field-notes and collecting multi-media artefacts, 3) interviewing dancers, and 4) photographing dancers in action. The researcher also drew upon a diverse range of subsidiary methods that included producing a dance wall of collected images and artefacts, cataloguing relevant dance websites and YouTube videos, and extensive use of Facebook for publishing photographs, sharing resources and negotiating ongoing informed consent. The findings of this PhD identify how learning capoeira and Latin and ballroom dance produces embodied, visual and discursive transitions in male dancers’ performances of masculine identities. The analysis focuses on three sets of practices that work to support or problematise the transitions in masculine identities in dance classes. These practices include 1) dancing with women in ballroom dancing, 2) performing awesome moves in capoeira, and 3) men’s experiences of stiff hips. In examining transitions across these three processes the thesis documents the changing possibilities and constraints on embodied masculinities in dance.

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DeLater, James Huet Pierre-Daniel Huet Pierre-Daniel. "The 1683 De optimo genere interpretandi (On the best kind of translating) of Pierre-Daniel Huet : introduction, English translation, notes, and commentaries /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/9439.

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Boldrin, Beatrice. "La danse orientale entre stéréotypes et symboles : enjeux de "féminités contemporaines"." Thesis, Paris 5, 2014. http://www.theses.fr/2014PA05H018.

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Dans cette étude, nous analysons les évolutions des modèles contemporains de féminité dans le cadre des débats sur l’identité de genre à travers l’étude de la danse orientale. Nous envisageons la danse orientale à la fois comme un terrain de confrontation, de partage et d’hybridation de différentes conceptions et vécus du corps et comme une possibilité d’exploration empirique et conceptuelle de différentes identités de genre, culturelles et esthétiques. Ce sujet d’étude nous permet de réfléchir sur l’imaginaire du ventre féminin comme symbole genré, depuis les Orientalistes jusqu’à la pratique d’aujourd’hui dans les cours de danse parisiens. Le corps dansant et ses ressentis ont été traités comme les moyens expressifs à partir desquels structurer notre réflexion incarnée sur le féminin. Une enquête de terrain dans le milieu des cours de danse parisiens actuels nous a permis d’analyser les formes de partage culturel qui s’y produisent. Cela a mis en lumière les changements que la pratique de cette danse produit dans les relations des femmes à leur intimité physique et sexuée et les influences occidentales des hybridations multiples de cette danse avec d’autres styles de danse. Dans le milieu de cours de danse orientale, les femmes qui la pratiquent sont amenées à expérimenter dans des espaces clos et exclusivement féminins la stratification de conceptions traditionnelles du corps et de différents systèmes philosophiques et esthétiques. La danse orientale modifie-t-elle donc en Occident les catégories et les formes du corps désirable ? Qu’est-ce que les femmes recherchent dans cette pratique aujourd’hui ?
This study traces the evolution of contemporary models of femininity in virtue of the mindset and self-perception of contemporary French women. My work focuses on the practice of oriental dance with respect to the question of gender identity. I intend to look at oriental dance as the catalyst of cultural confrontation and hybridization of Eastern and Western concepts of the body. Because this dance is primarily designed for women, I consider it an empirical vehicle for exploring issues of gender identity (notions of what is female, feminine, and femininity) through the investigation of the belly and the pelvis. Incorporating a qualitative survey among women practicing oriental dance today in Paris, my work seeks to understand how this dance influences the relationship a women has with her body and intimate self as well as how the Western outlook has altered and influenced oriental dance. What do contemporary dancing bodies in Paris share between themselves in the practice of this dance? How does oriental dance influence or become altered by the predominant dance forms in French culture? How do these different aesthetic concepts of the female body influence each other through Oriental dance, and how does this dance form modify the idea of what is the desirable female body? What are women searching for through the practice of Oriental dance today?

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Guillen, Marissa E. "The Performance of Tango: Gender, Power and Role Playing." Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1213208506.

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Hollander, Jocelyn A. "Discourses of danger : the construction of gender through talk about violence /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/8887.

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Whitehead, Anne. "Trauma, gender and performance : theorizing the body of the survivor." Thesis, University of Newcastle Upon Tyne, 1997. http://hdl.handle.net/10443/865.

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My thesis emerges out of the new disciplines of trauma studies and gender theory, both of which explore the coming into being of the subject. The traumatic event is that which overwhelms the subject and cannot be integrated into a sense of self Gender theory explores the ways in which woman is positioned as object in the patriarchal culture, and so cannot fully experience herself as subject. Both disciplines have mobilized narrative as a goal - narrative depends upon the adoption of a position as subject. I aim to theorize the body of the survivor of trauma and to explore the means by which the traumatic symptom might be transformed into narrative. Post-1980 psychiatrists have linked the traumatic symptom to the work of Pierre Janet (1859- 1947) on hysteria. Janet regarded the body as inseparable from consciousness and was concerned with the ways in which the whole organism engaged in the performance of activity. Janet's writing stood at the beginning of a tradition of thought on the 'body image', in which the performance of activity on a psycho-physical level was regarded as the basis of subjectivity. I am interested in mobilizing this theoretical framework as a therapeutic strategy for trauma. Through bodily movement, elements of narrative are explored - temporal sequence and flow, occupying new positions or perspectives - as a means of approach to a more integrated sense of self I also propose to conceptualize the gendering of the subject as a mode of somatic performance. The transformative potential of physical movement provides a means by which the objectified body, which is positioned outside of its own intentionality, can explore the possibility of occupying new positions as a subject.

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Shriver-Rice, Meryl. "Inclusion in New Danish Cinema: Gender, Sexuality, and Transnational Belonging." Scholarly Repository, 2011. http://scholarlyrepository.miami.edu/oa_dissertations/598.

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By examining the recent work by Danish writer-directors of both Dogme and New Danish Cinema from 1998 onward, this study pinpoints examples of film analysis that articulate the shared ethical themes of New Danish Cinema. These themes include Danish citizenship and identity, the reduction of family risk, negotiating prejudice and inclusion through desire, humility and empathy, and transnational belonging during a time of rising globalization. A number of the realistic fiction films of New Danish Cinema reflect Denmark’s preceding anti-Hollywood film movement dubbed Dogme 95. This movement first provided the political push for ethically valuable film making in a “realistic” aesthetic. Egalitarian in substance, and also in production, Denmark has a similar number of recently successful female writer-directors as male writer-directors. Known as a largely homogenized country with a recent rise in immigrants, Denmark has demonstrated that it is possible for film to be used as a vehicle to reinforce cultural ethics and political values while also navigating through the ongoing and mounting forces of digital communication and globalization.

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Chénetier, Marion. "L'oralité dans le théâtre contemporain : Herbert Achternbusch, Pierre Guyotat, Valère Novarina, Jon Fosse, Daniel Danis, Sarah Kane." Paris 3, 2004. http://www.theses.fr/2004PA030030.

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Quand la scène se vide de ses personnages, quand la fiction ne soutient plus l'action dramatique, que reste-t-il au théâtre ? L'oralité. Une parole qui déplace le drame pour le situer au cœur du langage et faire des lecteurs les acteurs du texte. Étudier les manifestations de l'oralité à travers six œuvres contemporaines - celles de H. Achternbusch, de P. Guyotat, de V. Novarina, de J. Fosse, de D. Danis et de S. Kane - c'est montrer comment un mode d'énonciation spécifique s'encode dans une écriture et se transmet au lecteur. Définie par ce qui demeure du corps dans la langue quand la voix s'en absente, l'oralité rehausse la dimension sonore et rythmique de l'écriture. Elle donne ainsi à la matérialité de la langue un rôle décisif dans la constitution du sens, et renoue avec la physique de la parole. Bouleversant les codes linguistiques, elle travaille aux frontières du langage et se sert de celui-ci pour sonder l'inconnu. Par elle, le théâtre est appelé à être un lieu où l'expérience redevient possible. Située à la croisée de la stylistique, de la linguistique, de la poétique et de l'esthétique, l'oralité invite aussi à repenser les catégories fondatrices du théâtre. Elle modifie d'autre part les termes du vieux débat entre textocentristes et scénocentristes : l'oralité ne conditionne pas l'oralisation des textes, même si elle peut à l'occasion la programmer. Notion transversale, l'oralité interroge enfin la théâtralité même de la parole dans les divers genres littéraires
As soon as characters have moved away from the stage, when fiction no longer sustains dramatic action, what remains of the theatre ? Orality : an utterance that displaces drama to nest it at the heart of language and transforms readers into actors of the text. Studying the written manifestations of orality through the works of six contemporaries -H. Achternbusch, P. Guyotat, V. Novarina, J. Fosse, D. Danis and S. Kane- amounts to showing how a specific enunciative mode gets encoded in the writing and is transmitted to the reader in order to make of the theatre the locus wherein physical speech can be rediscovered. Defined as what remains of the body in language when voice has deserted it, orality enhances the dimensions of sound and rhythm in writing. It thus entrusts the materiality of language with a decisive role in the constitution of meaning. Unsettling linguistic codes, orality works on the edges of language, uses it to sound the unknown ; it is the means whereby the theatre may become the site where experience again becomes possible. At the crossroads of stylistics, linguistics, poetics and esthetics, orality is an invitation to rethink the founding categories of the theatre. It also modifies the terms of the old debate in which text and staging vied for preeminence : orality is not the condition for the oral rendering of texts, even if it occasionnally programs it. As a transversal notion, orality questions the very theatricality of speech in various literary genres

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Härtwig, Daniel [Verfasser], and Jens [Akademischer Betreuer] Werner. "Die Rolle von LGR6 in der Genese des humanen duktalen Pankreaskarzinoms (PDAC) / Daniel Härtwig ; Betreuer: Jens Werner." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2019. http://d-nb.info/1193924227/34.

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Mueller, Gavin. ""Straight up Detroit shit" genre, authenticity, and appropriation in Detroit ghettotech /." Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1182534766.

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Книги з теми "Daniel Gendre"

Gendre, Daniel. Daniel Gendre: UdSSR. Zürich: Offizin Zürich, 2008.

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Housted, Erik. Fattig-Holm: Tre guldalderskæbner : guldsmeden Michael Holm 1774-1860, kobberstikkeren Jens Holm 1776-1859, maleren Heinrich Gustav Ferdinand Holm 1803-1861. København: Rhodos, 1994.

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Jensen, Jørgen Bonde. H.C. Andersen og genrebilledet. København: Babette, 1993.

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Madsen, Preben Juul. Danske genremalere: Fortællende billeder i 1800-tallet. København: P. Fogtdal, 1988.

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1947-, Thomas Helen, ed. Dance, gender, and culture. New York: St. Martin's Press, 1993.

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Portræt af et lokalsamfund: Fra amagerdragt til røvgevir. Aarhus, Denmark]: Aarhus Universitetsforlag, 2020.

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editor, Svenningsen Jesper, Villumsen Anne-Mette editor, Fuglsang kunstmuseum, Nivaagaards malerisamling, Ribe kunstmuseum (Denmark), and Skovgaardmuseet i. Viborg, eds. Wilhelm Marstrand: En store fortæller. Niva: Nivaagaards Malerisamling, 2020.

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Maryono. Pragmatik genre tari pasihan gaya Surakarta. Jebres, Surakarta: ISI Press Solo, 2010.

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Tomko, Linda J. Dancing class: Gender, ethnicity, and social divides in American Dance, 1890-1920. Bloomington: Indiana University Press, 1999.

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Hanna, Judith Lynne. Dance, sex and gender: Signs of identity, dominance, defiance, and desire. Chicago: University of Chicago Press, 1988.

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Частини книг з теми "Daniel Gendre"

San Miguel, María Ferrández. "The Book of Daniel." In Trauma, Gender and Ethics in the Works of E.L. Doctorow, 72–105. New York, NY : Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429280870-3.

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Srivastava, Shreya, and Shilpa Darivemula. "Geometry of gender." In The 'Female' Dancer, 226–34. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003382874-22.

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Schulze-Fellmann, Janine. "The Male Dancer." In Gender Studies im Dialog, 267–92. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839458075-014.

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Putcha, Rumya S. "Disembodiment and South Asian Performance Cultures." In Music and Democracy, 175–200. Vienna, Austria / Bielefeld, Germany: mdwPress / transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839456576-008.

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This chapter exposes the role of expressive culture in the rise and spread of late twentieth-century Hindu identity politics. Rumya S. Putcha examines how Hindu nationalism is fueled by affective logics that have crystallized around the female classical dancer and have situated her gendered and athletic body as a transnational emblem of an authentic Hindu and Indian national identity. This embodied identity is represented by the historical South Indian temple dancer and has, in the postcolonial era, been rebranded as the nationalist classical dancer. The author connects the dancer to transnational forms of identity politics, heteropatriarchal marriage economies, as well as pathologies of gender violence. In so doing, the author examines how the affective politics of 'Hinduism' have functionally disembodied the Indian dancer from her voice and her agency in a democratic nation-state. Putcha argues that the nationalist and now transnationalist production of the classical dancer exposes misogyny and casteism and thus requires a critical feminist dismantling.

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Polhemus, Ted. "Dance, Gender and Culture." In Dance, Gender and Culture, 3–15. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22747-1_1.

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Polhemus, Ted. "Dance, Gender and Culture." In Dance, Gender and Culture, 3–15. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-23842-2_1.

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Isbell, John Claiborne. "28. Marie Catherine Sophie de Flavigny, Comtesse d’Agoult [Daniel Stern]." In Destins de femmes, 155–60. Cambridge, UK: Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0346.28.

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Destins de femmes is the first comprehensive overview of French women writers during the turbulent period of 1750-1850. John Isbell provides an essential collection that illuminates the impact women writers had on French literature and politics during a time marked by three revolutions, the influx of Romantic art, and rapid technological change. Each of the book’s thirty chapters introduces a prominent work by a different female author writing in French during the period, from Germaine de Staël to George Sand, from the admired salon libertine Marie du Deffand to Flora Tristan, tireless campaigner for socialism and women’s rights. Isbell draws from multi-genre writers working in prose, poetry and correspondence and addresses the breadth of women’s contribution to the literature of the age. Isbell also details the important events which shaped the writers’ lives and contextualises their work amidst the liberties both given and taken away from women during the period. This anthology fills a significant gap in the secondary literature on this transformative century, which often overlooks women who were working and active. It invites a further gendered investigation of the impact of revolution and Romanticism on the content and nature of French women’s writing, and will therefore be appropriate for both general readers, students, and academics analysing history and literature through a feminist lens.

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Gilleri, Giovanna. "A Pleasurable Danger: Sadomasochism." In Sex, Gender and International Human Rights Law, 163–203. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003377832-9.

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Kandali, Moushumi. "Gender and dance." In Reflections of Dance along the Brahmaputra, 136–53. London: Routledge India, 2023. http://dx.doi.org/10.4324/9781003398776-11.

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Broomfield, Mark. "Breaking the Fourth Wall of Gender." In Black Queer Dance, 60–83. London: Routledge, 2024. http://dx.doi.org/10.4324/9780429021763-4.

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Тези доповідей конференцій з теми "Daniel Gendre"

Nemtseva, Anastasia A. "INSIGHTS INTO THE CATEGORY OF GENDER IN THE DANISH LANGUAGE." In Second Scientific readings in memory of Professor V. P. Berkov. St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063584.

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The article examines some peculiarities of the category of gender in the Danish language through the prism of combinability of nouns with agreement forms. Step-by-step analysis of the samples comprising both spoken and written Danish enables us to come to a conclusion that insofar as the Danish language is concerned the category of gender is not a purely grammatical category expressed in article forms. It transpires that the opposition of “specific denotatum” (common gender) and “matter” (neuter gender) makes the category of gender a semantic category as well. Besides, the category of gender in the Danish language can also be viewed as a pragmatic category. It can be observed when a speaker violates grammatical norms, expressing his/her attitude to denotatum/situation. Similar processes are registered in the category of number in the Danish language, especially when “indefinite plurality” is to be distinguished from «indefinite amount» or when one demonstrates his/her attitude to the situation.

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TALPĂ, Svetlana. "The importance of noting dance on paper as a particular method of teaching-learning-evaluation of dance disciplines." In Probleme ale ştiinţelor socioumanistice şi ale modernizării învăţământului. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.46728/c.v2.25-03-2022.p155-159.

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This article discusses practitioners who have contributed to the development of the process of capturing dance or dance movements on paper, through: notation, photography and film. The reflections of these personalities, such as Ann Hutchinson, Rudolf Von Laban, Eadweard Muybridge, Lois Greenfield, Ted Shawn, Norman McLaren and Sue Healey, included the definition of direct research on how these three documentary media interact to describe a dancing in various choreographic genres. The aim of this research is to highlight the importance of noting and capturing the body in motion, to see if it is possible to make an evolution in the process of teaching-learning-assessment of dance disciplines, by analyzing and "reading" a document, being able to communicate dance to the dancer / student when a living body is absent.

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Martinsone-Škapare, Katrīne. "Character Dance Genre in the Creative Work of Ballet Master M. Petipa and Ballet Art Education." In 81th International Scientific Conference of the University of Latvia. University of Latvia Press, 2023. http://dx.doi.org/10.22364/htqe.2023.48.

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This research delves into the historical development of the character dance genre in ballet education. By analyzing ballet literature from Latvia and Europe published over the past decade, the study aims to create a theoretical outline of character dance history. This will provide a wider understanding of the genre and serve as a professional teaching tool for academic dance performers and pedagogues. The research focuses on French ballet master M. Petipa’s contribution to the development of ballet art, particularly his character dance “writing” as a means of enriching the choreographical language of classical ballet. The study also examines the interpretation of foreign dance elements and movement composition in classical dance. The enduring value of M. Petipa’s classical ballet works, including Pharaoh’s Daughter, Don Quixote, Bayadere, The Sleeping Beauty, Nutcracker, Swans’ Lake, and Raymonda, are reviewed in the study. The research identifies essential pedagogical principles for the development of ballet education, including the consideration of character dance genre. Ultimately, this study will provide a methodical learning material of a historical period for the professional growth of character dance ballet performers and to preserve M. Petipa’s legacy in classical ballet culture.

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Gimunová, Marta, Tomáš Vodička, Kristián Jánsky, Miriam Kalichová, Antonín Zderčík, Alena Skotáková, Petr Hedbávný, and Kateřina Kolářová. "The effect of classical ballet, Slovakian folklore dance and sport dance on static postural control in female and male dancers." In 12th International Conference on Kinanthropology. Brno: Masaryk University Press, 2020. http://dx.doi.org/10.5817/cz.muni.p210-9631-2020-4.

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Purpose: Classical ballet, Slovakian folklore dance, and sport dance training differ in their way how to master the art of dance; however, postural control is essential for the correct exe-cution of complex movements used in all types of dance. The aim of this study was to analyse the differences in static postural control between classical ballet dancers, Slovakian folklore dancers and sport dancers and to analyse the effect of body mass, body height and toe grip strength on postural control. Methods: 68 dancers, between 17 to 28 years of age, participated in this study: 21 dancers from Slovakian folklore dance group VSLPT Poľana Brno (12 females, 9 males), 22 dancers from Brno Dance conservatory (16 females, 6 males) and 25 sport dancers competing at Brno Dance Open 2019 (12 females, 13 males). All participants were asked to stand upright, barefooted, arms along the body, both feet on the Emed-at platform (Novel GmbH, Germany) for 10 seconds with their eyes open to obtain the length of COP line (cm), average velocity of COP (cm/s), the elliptic area (mm2) and numerical eccentricity of the ellipse. The toe grip strength was measured for each foot when sitting using toe grip dynamometer (Takei Scien-tific Instruments, Niigata, Japan). To analyse the effect of dance style, to grip strength, body mass, body height, and gender on postural control variables, Kruskal Wallis test, and Spear-man Rank Order Correlation were used. Results: Abetter postural stability measured by the length and average velocity of COP was observed in sport dancers, compared to classical ballet and Slovakian folklore dancers. Sport dancers are used to a greater load on the forefoot and to a special foot roll-of pattern when dancing, which may lead together with a constantly changing environment during competi-tions to their enhanced postural stability. Despite the differences in dance training and dance footwear of female and male dancers (high-heel shoes in sport and Slovakian folklore female dancers, pointe shoes in female ballet dancers), no statistically significant difference in pos-tural variables between genders was observed. Similarly, in analysed dancers, no effect of age, body mass, and body weight on postural control were observed. The toe grip strength was not observed to affect the postural variables in this study. The greatest toe grip strength was observed in female ballet dancers, despite their younger age. Ballet dance training in-cludes repetitive exercises focused on foot and toes such as battement tendu or demi-pointe and en pointe positions probably resulting in the greater strength of the toes. Conclusion: In this study, better postural stability measured by the length and average ve-locity of COP was observed in sport dancers, compared to classical ballet and Slovakian folklore dancers. In analysed dancers, no effect of body mass, body weight, gender, and toe grip strength on postural control variables was observed. Future studies focused on postural stability changes in non-dancers after a sport dance, classical ballet and Slovakian folklore dance training program would provide additional knowledge about the process how each type of dance enhance the balance and other coordinative skills.

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Barnwell, Jeppe. "Fictional Documentarism : An understudied genre in Danish and European Literature." In Impossible fictions / Fictions impossibles. Fabula, 2024. http://dx.doi.org/10.58282/colloques.11161.

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Zhuang, Haolin, Shun Lei, Long Xiao, Weiqin Li, Liyang Chen, Sicheng Yang, Zhiyong Wu, Shiyin Kang, and Helen Meng. "GTN-Bailando: Genre Consistent long-Term 3D Dance Generation Based on Pre-Trained Genre Token Network." In ICASSP 2023 - 2023 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2023. http://dx.doi.org/10.1109/icassp49357.2023.10095203.

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Huang, Yuhang, Junjie Zhang, Shuyan Liu, Qian Bao, Dan Zeng, Zhineng Chen, and Wu Liu. "Genre-Conditioned Long-Term 3D Dance Generation Driven by Music." In ICASSP 2022 - 2022 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2022. http://dx.doi.org/10.1109/icassp43922.2022.9747838.

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Bentivogli, Luisa, Beatrice Savoldi, Matteo Negri, Mattia A. Di Gangi, Roldano Cattoni, and Marco Turchi. "Gender in Danger? Evaluating Speech Translation Technology on the MuST-SHE Corpus." In Proceedings of the 58th Annual Meeting of the Association for Computational Linguistics. Stroudsburg, PA, USA: Association for Computational Linguistics, 2020. http://dx.doi.org/10.18653/v1/2020.acl-main.619.

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Vasiljević Ilić, Slavica. "KRALj MILUTIN U SINAKSARSKOM ŽITIJU DANILA TREĆEG." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.257vi.

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The paper points to differences in the depiction of the character of the Holy King Milutin within the genre of hagiography, especially in the works by Danilo II of Pec, who succeeded Danilo I, and Danilo III of Banja, and in the selection of stylistic devices serving the purpose of his characterisation. To this end, the author focuses on The Short Hagiography of King Milutin by Danilo III and its literary significance. In the process of characterisation of King Milutin, Danilo III is primarily interested in his charity work, in order for the 'unifying' element of his enterprise to be highlighted. With regard to this, the author points to sources of some Biblical quoatations used throughout the text and their being embedded in the idea of the work as a whole and shows that the abundance of figures of speech represents the foundation of hyperbolisation of the celebrated. This abundance of literary devices, especially the figure of diction and that of trope, along with the clearly expressed idea of an all-expanding and all-permeating love towards Orthodox Christians, which King Milutin shows by giving charity, both classifies Danilo III as one of the greatest literary figures of Medieval Serbian Literature and reveals his education. In his literary interpretation, much as in his clerical service, Danilo III created a halo for King Milutin.

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Kim, Jinwoo, Heeseok Oh, Seongjean Kim, Hoseok Tong, and Sanghoon Lee. "A Brand New Dance Partner: Music-Conditioned Pluralistic Dancing Controlled by Multiple Dance Genres." In 2022 IEEE/CVF Conference on Computer Vision and Pattern Recognition (CVPR). IEEE, 2022. http://dx.doi.org/10.1109/cvpr52688.2022.00348.

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Звіти організацій з теми "Daniel Gendre"

Kanstrup, Henrik R. An Examination of Gender Diversity in the 21st Century Royal Danish Armed Forces - Can the US Experience Contribute to the Future Danish Armed Forces? Fort Belvoir, VA: Defense Technical Information Center, April 2001. http://dx.doi.org/10.21236/ada407256.

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Gikandi, Levi. COVID-19 and Vulnerable, Hardworking Kenyans: Why it's time for a strong social protection plan. Oxfam, Kenya Red Cross Society, Concern Worldwide, ACTED, IMPACT Initiatives, The Centre for Rights, Education and Awareness (CREAW), Wangu Kanja Foundation, November 2020. http://dx.doi.org/10.21201/2020.6591.

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Seven NGOs, the Kenyan government, the European Union and the Danish and German governments are working together to implement a ’Safety Nets’ programme targeting Kenya’s millions of informal workers. With rising food insecurity and sexual and gender-based-violence, mounting job losses, poor access to water and sanitation, and a lack of formal safety nets, the Kenyan informal sector has suffered the brunt of the COVID-19 pandemic. The Safety Nets programme has revealed that cash transfers which support the most vulnerable people, and are implemented safely, transparently and accountably, have the potential to help vulnerable households stave off starvation, infection and eviction. They can also help reduce the vulnerability of survivors and those at risk of sexual and gender-based violence. The results of this programme demonstrate that nascent Kenyan ‘social protection’ programmes should be 1) immediately extended and expanded to the many vulnerable Kenyans currently not enrolled in any social protection programme; and 2) strengthened long-term to make them more effective, sustainable and accountable.

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La respuesta del Banco de la República a la pandemia del COVID-19. Banco de la República de Colombia, June 2021. http://dx.doi.org/10.32468/blog15062021.

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La pandemia del Covid-19 generó una contracción económica y un incremento de la tasa de desempleo sin precedentes en la historia del país. Al momento de su mayor impacto, en abril de 2020, el DANE estimó mediante el índice de seguimiento económico (ISE) que la actividad económica se contrajo a una tasa anual del 20,1%. Igualmente informó que la tasa de desempleo alcanzó un 19,8% a nivel nacional y un 23,5% en las trece principales ciudades.

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Informe de la Junta Directiva al Congreso de la República - Julio de 2023. Banco de la República, August 2023. http://dx.doi.org/10.32468/inf-jun-dir-con-rep.4-2023.

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En el transcurso del primer semestre de 2023 la economía colombiana continuó avanzando en el proceso de ajuste requerido para corregir los desequilibrios macroeconómicos y controlar las presiones inflacionarias acumuladas tras los diversos choques de oferta y la rápida expansión de la demanda durante 2021 y 2022, la cual superó el crecimiento potencial de la economía. El ajuste económico en curso ha sido posible gracias a la moderación del crecimiento de la demanda interna y a la progresiva disolución de los choques de oferta que elevaron los costos de producción. La demanda interna comenzó a desacelerase en los últimos meses de 2022 y se contrajo un -0,2 % en el primer trimestre de este año, debido al menor crecimiento del consumo de los hogares y a la caída de la formación bruta de capital. Por su parte, los menores precios internacionales de las materias primas, la paulatina normalización de las cadenas de suministro y la apreciación de la tasa de cambio han contribuido a disipar los choques de oferta, lo cual se ha reflejado en una disminución de la inflación anual de precios al productor desde un nivel del 19,2 % a finales de 2022 al 4,7 % en junio de 2023 1. El menor dinamismo de la demanda interna se ha venido reflejando en una desaceleración progresiva de la actividad económica. Es así como en el primer trimestre de 2023 el PIB registró un crecimiento anual del 3,0 %, ritmo equivalente a una tercera parte del crecimiento promedio anual que se observó durante los tres primeros trimestres de 2022 (9,1 %). Según el indicador de seguimiento de la economía (ISE) que elabora el DANE, esta pérdida de dinamismo continuó en abril y mayo, al registrarse variaciones de ese indicador del -0,8 % y 0,6 %, respectivamente, frente a los mismos meses de 2022. Estos resultados fueron inferiores a lo observado en marzo (1,4 %), en la serie del ISE ajustada por efecto estacional y calendario. Ello apunta a que el crecimiento del PIB seguirá declinando en el segundo trimestre, lo cual es coherente con el pronóstico de crecimiento del PIB ligeramente inferior al 1,0 % para 2023 elaborado por el equipo técnico. A pesar de la desaceleración económica en curso, el mercado laboral sigue mostrando fortaleza, como se deduce del continuo descenso de la tasa de desempleo en el agregado nacional hasta el trimestre móvil terminado en mayo (10,4 %), su valor más bajo desde el inicio de la pandemia del covid-19 2. La desaceleración de la actividad económica es un fenómeno que se anticipaba, en parte, como resultado de la política monetaria restrictiva que adoptó el Banco de la República para controlar las presiones inflacionarias. A la menor actividad económica también estaría contribuyendo una política fiscal menos expansionista que en 2022, según se contempla en los pronósticos presentados en el Marco Fiscal de Mediano Plazo de 2023 (MFMP-23). A esto se añadió una desaceleración de la demanda externa relevante para el país debido al menor crecimiento de los socios comerciales, en un contexto internacional de altas tasas de interés de política monetaria, tasas de inflación por encima de sus metas y elevada incertidumbre generada por la prolongación de la invasión de Rusia a Ucrania. La Junta Directiva del Banco de la República (JDBR) ha sido reiterativa en sus diversas comunicaciones sobre la necesidad de adelantar este proceso de ajuste, para lograr el retorno gradual de la inflación a la meta del 3 %, corregir los desequilibrios macroeconómicos y asegurar la sostenibilidad del crecimiento económico en el largo plazo. La responsabilidad constitucional que recae sobre el Banco de la República, sobre la cual se hizo énfasis en el pasado Informe al Congreso, exige mantener una inflación baja y estable en consonancia con la política económica en general, de manera que permita apoyar un crecimiento económico sostenible y un balance externo financiable. Las decisiones de política monetaria se han adoptado con el respaldo de la sólida base institucional y técnica que soporta el esquema de inflación objetivo, cimentada en la experiencia acumulada durante más de dos décadas por el banco central. Los motivos específicos que ha tenido la JDBR para emprender un proceso de ajuste monetario, el más fuerte desde que el Banco de la República adoptó la estrategia de inflación objetivo, han sido complejos y de diversa índole. Las presiones inflacionarias provinieron inicialmente de choques de oferta de origen externo e interno que presionaron al alza los costos y precios de los alimentos y otros productos de consumo, a las cuales se agregaron presiones de origen cambiario. Estos choques llevaron a un incremento de las expectativas de inflación, lo cual desató un proceso de indexación de precios, que se exacerbó debido a los excesos de demanda que surgieron en 2022. La respuesta de la política monetaria mediante el incremento de las tasas de interés buscaba reducir los excesos de demanda, contener el aumento de las expectativas y limitar los efectos de la indexación de precios. Todo ello crea las condiciones propicias para permitir que, a medida que los choques de oferta cedan y se alivien, y con ello las presiones de costos, la inflación empiece a reducirse. Este es un proceso que se cumple con cierto rezago, pero que, dado el tiempo que la política monetaria lleva actuando, ya se ha empezado a producir, como lo mostró la reciente disminución de la tasa de inflación y la revisión a la baja de sus expectativas a diferentes plazos. Acorde con el mandato constitucional de asegurar una coordinación de la política monetaria con la política económica general, además de mitigar las presiones inflacionarias, el ajuste monetario viene cumpliendo el propósito de corregir los desequilibrios macroeconómicos que ponen en riesgo la estabilidad de la economía colombiana. Al respecto, no cabe duda de que el crecimiento del PIB del 7,3 % en 2022 fue sobresaliente, al haber más que duplicado el crecimiento mundial (3,5 %) y superado ampliamente la expansión de América Latina y el Caribe (3,9 %), según cifras del FMI. Un dinamismo económico tan elevado trae importantes ganancias de bienestar, en particular cuando permite reducir las tasas de desempleo, como ha venido ocurriendo en Colombia; sin embargo, es un crecimiento insostenible en tanto se fundamenta en una situación fiscal ampliamente deficitaria y en un preocupante incremento en el endeudamiento de los hogares. Ello generó un exceso de demanda agregada que no solo presionó al alza la inflación y sus expectativas, sino que también amplió el déficit de la cuenta corriente de la balanza de pagos a niveles históricamente altos durante varios años. El déficit de la cuenta corriente aumentó desde un nivel del 5,6 % del PIB en 2021, que ya era elevado, a uno del 6,2 % del PIB en 2022, uno de los más altos observados en Colombia. La ampliación del desbalance externo en 2022 se produjo en un año en el que los precios internacionales del petróleo, el carbón y el café se mantuvieron en niveles favorables, lo que contribuyó al buen desempeño de las exportaciones. No obstante, para cubrir los faltantes de oferta, la economía incrementó de manera importante su demanda de importaciones, impidiendo una reducción del desbalance externo. Como consecuencia, la economía colombiana recurrió a un mayor endeudamiento externo, bien sea como flujo de inversión de portafolio o como endeudamiento directo. Todo esto muestra la vulnerabilidad que significa para la economía mantener un nivel de gasto que supera significativamente sus ingresos. La política monetaria restrictiva, junto con el aumento en la carga tributaria, han venido induciendo un ajuste progresivo de estos desequilibrios. La desaceleración de la demanda interna iniciada a partir del cuarto trimestre de 2022 ocurrió de la mano de una moderación del consumo de los hogares, cuyo crecimiento en el primer trimestre de 2023 fue del 3,0 %, comparado con un incremento del 9,5 % en 2022. Esto último se ha reflejado en una desaceleración del crédito de consumo, que pasó de crecer desde un ritmo cercano al 23 % anual a finales del tercer trimestre del año anterior, a algo menos del 7,0 % anual a mediados de junio de 2023. De haberse continuado con una expansión tan rápida del crédito de consumo, se habría podido generar una situación insostenible sobre la capacidad de pago de los hogares. Asimismo, la formación bruta de capital, que tuvo un desempeño sobresaliente en 2022, empezó a mostrar ajustes en sus principales componentes. La principal fuente de dicha corrección ha sido la inversión en maquinaria y equipo, que en el primer trimestre del año presentó caídas tanto en términos trimestrales como anuales, principalmente en el rubro de equipo de transporte. A la par con el avance en la corrección de los desequilibrios macroeconómicos, la inflación total interrumpió la tendencia creciente que mantuvo hasta marzo de 2023. En efecto, luego de alcanzar un nivel del 13,1 % al cierre del año anterior, la inflación total se mantuvo estable alrededor del 13,3 % durante los primeros tres meses de 2023, y a partir de abril empezó a descender, para ubicarse en 12,1 % en junio. Los alimentos han sido el rubro que más ha contribuido a este cambio de tendencia, al haber reducido su variación anual del 27,8 % en diciembre pasado al 14,3 % en junio. Esta variación ha sido compensada en alguna medida por el incremento de la inflación de regulados, debido a los sucesivos aumentos en los precios de la gasolina. Por su parte, la inflación básica (sin alimentos ni regulados) continúa mostrando rigidez, al ubicarse en el 10,5 % en junio, lo que refleja procesos de indexación de precios. La subcanasta de servicios ha sido especialmente afectada por el fenómeno de indexación, a lo cual se han agregado las presiones de costos laborales, el aumento en los precios de los alimentos que han presionado al alza las comidas fuera del hogar y la elevada demanda por servicios de entretenimiento. Este comportamiento debería ir cediendo a medida que los efectos de la política monetaria terminen por transmitirse a la economía, y la tendencia decreciente de la inflación se refleje en una revisión a la baja de las expectativas de variación de precios por parte del público. Así lo prevén los pronósticos del equipo técnico y las expectativas del mercado que anticipan una inflación decreciente durante los próximos dos años. ____________________________________________________________ 1 Corresponde a la variación anual del IPP de oferta interna. 2 Al cierre de este Informe se conocieron los datos de la Gran Encuesta Integrada de Hogares de junio, con los cuales la tasa de desempleo se mantuvo estable en su medición desestacionalizada del agregado nacional para el trimestre móvil (10,3 %), aunque con una reducción para el dato puntual de junio

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