Добірка наукової літератури з теми "Culturall history"
Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями
Ознайомтеся зі списками актуальних статей, книг, дисертацій, тез та інших наукових джерел на тему "Culturall history".
Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.
Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.
Статті в журналах з теми "Culturall history"
Burke, Peter. "Cultural history as polyphonic history." Arbor 186, no. 743 (May 6, 2010): 479–86. http://dx.doi.org/10.3989/arbor.2010.743n1212.
Повний текст джерелаBurke, Peter. "Cultural History and its Neighbours." Culture & History Digital Journal 1, no. 1 (May 10, 2012): e006. http://dx.doi.org/10.3989/chdj.2012.006.
Повний текст джерелаRajkumari, Yaisna. "Manipuri Lores: Folktales, Cultural History and Anthologies." International Journal of Languages, Literature and Linguistics 7, no. 3 (September 2021): 140–43. http://dx.doi.org/10.18178/ijlll.2021.7.3.301.
Повний текст джерелаAddy, Shadrick. "History Re-Experienced: Implementing Mixed Reality Systems into Historic House Museums." International Journal of Machine Learning and Computing 11, no. 4 (August 2021): 311–16. http://dx.doi.org/10.18178/ijmlc.2021.11.4.1053.
Повний текст джерелаMasferrer Kan, Elio. "Region, culture, and history. The historical cultural structure of power in the Mexican Catholic Church." Signos Históricos 24, no. 48 (June 26, 2022): 168–96. http://dx.doi.org/10.24275/qoiv1455.
Повний текст джерелаBerna, Ioana-Bianca. "Diplomația culturală şi re-clasarea relațiilor culturale România-Franța / Cultural Diplomacy and the Re-shaping of the Romanian-France Cultural Relations." Hiperboreea A2, no. 3-6 (January 1, 2013): 54. http://dx.doi.org/10.5325/hiperboreea.2.3-6.0054.
Повний текст джерелаMAFTEI, Jana, and Anișoara POPA. "Cultural Diplomacy in the 21st Century in the European Context." Analele Universităţii "Dunărea de Jos" din Galaţi Fascicula XIX Istorie 19 (June 8, 2021): 183–94. http://dx.doi.org/10.35219/history.2020.10.
Повний текст джерелаКостянтин Анатолійович Яценко. "MULTICULTURAL EDUCATION AS A MEANS OF SOLVING INTER-CULTURAL RISKS: PRO ET CONTRA." Intermarum history policy culture, no. 5 (January 1, 2018): 362–71. http://dx.doi.org/10.35433/history.111827.
Повний текст джерелаKoreti, Shamrao. "Socio-Cultural History of the Gond Tribes of Middle India." International Journal of Social Science and Humanity 6, no. 4 (April 2016): 288–92. http://dx.doi.org/10.7763/ijssh.2016.v6.659.
Повний текст джерелаŽukienė, Rasa. "Apie du lietuvių menininkus, tapusius Vakarų pasaulio kultūros istorijos dalimi." OIKOS: lietuvių migracijos ir diasporos studijos 22 (2016): 99–107. http://dx.doi.org/10.7220/2351-6561.22.8.
Повний текст джерелаДисертації з теми "Culturall history"
Ramos, Cebrián Sergio. "Espacios activos y derechos pasivos: una historia no resuelta en las políticas culturales de proximidad." Doctoral thesis, Universitat de Vic - Universitat Central de Catalunya, 2021. http://hdl.handle.net/10803/672418.
Повний текст джерелаLa tesi se centra en entendre com concep la cultura l'Estat i com determina que la ciutadania té dret a accedir-hi. Per a això ha de crear una sèrie de lleis, institucions, programes i accions. Aquesta forma d'entendre i facilitar l'accés a la cultura no sempre respon a les necessitats de la ciutadania que en l'actualitat ha exigit noves formes d'accés i institucions en els quals accedir de manera activa a la cultura. La tesi aprofundeix en aquesta tensió entre la cultura d'Estat i les necessitats i exigències culturals que sorgeixen per part de la ciutadania, centrant-me en com els espais culturals de proximitat ja siguin públics, privats o comuns, són el lloc en què es negocia, en moltes ocasions es tensa, la noció d'accés i s'exigeixen noves formes d'entendre i valorar la cultura.
The thesis focuses on understanding how the State conceives culture and how it determines that citizens have the right to access it. To do so, it has to create a series of laws, institutions, programs and actions. This way of understanding and facilitating access to culture does not always respond to the needs of citizens who have now demanded new forms of access and institutions in which to actively access culture. The thesis delves into this tension between the culture of the State and the cultural needs and demands that arise from the citizenship, focusing on how the cultural spaces of proximity, whether public, private or common, are the place where the notion of access is negotiated, often in tension, and where new ways of understanding and valuing culture are demanded.
Programa de Doctorat: Traducció, Gènere i Estudis Culturals
Ford, Marcia. "Una historia cultural de LatinoAmerica : a cultural history of Latin America /." [Rohnert Park, Calif.], 2003. http://members.aol.com/latinowebquest/Index.html.
Повний текст джерелаFontaine, Alexia. "Conditions d'émergence et développement des collections vestimentaires : patrimonialisation, muséalisation, virtualisation : regards croisés en France - Canada -Québec (XIXe-XXIe siècle)." Thesis, Lille 3, 2016. http://www.theses.fr/2016LIL30060/document.
Повний текст джерелаCurious about the unexplained advent of the fashion museum, this study originated with the task of identifying and examining the basic characteristics of the “fashion museum,” which it considers to be a historically specific construct. Since the 1990’s, the fashion museum has asserted itself in the cultural world as a new model of museum. This study inquires into the phenomena that undergirded this flourishing. If this institution first appeared in the 1980’s, it originated from an older model known as the “costume museum”. Thus I intend to undertake a study on the “fashion museum” using the observable phenomenon of the museum itself. To do so, this project inscribes the “fashion museum” in a long patrimonial tradition, demonstrating the conditions of its emergence and the trajectory that dress collections followed within the broader museum landscape, including the development of other forms of museums, from the first “costume museum” to the fashion museum of today. While, until now, researchers have determined a turning point between the dress and the fashion museology in the 1970’s, I distinguish four regimes of heritage investment in clothing collection, result in edge of a museology of the vestimentary patrimony. This study aims to reveal the trajectory that dress collections followed within the broader museum landscape, and to explain the characteristic of a museology in the making: decompartmentalization of collections, transcultural exhibitions, tranversal and interdisciplinary discourse, and anthropological museography
Watson, Kelly L. "Encountering Cannibalism: A Cultural History." Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1149995164.
Повний текст джерелаMarris, Alan David. "The cultural history of the werewolf." Thesis, University of Sussex, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260040.
Повний текст джерелаGee, Lindsay Mary. "Lydia : a cultural and social history." Thesis, University of Oxford, 1993. http://ora.ox.ac.uk/objects/uuid:3ab35d75-60de-4739-81ad-5e4e8dfb912a.
Повний текст джерелаMicaković, Elizabeth Joan. "T.S. Eliot's voice : a cultural history." Thesis, University of Exeter, 2015. http://hdl.handle.net/10871/18902.
Повний текст джерелаEberhardt, Sophie. "Entre France et Allemagne, de la ville ancienne à la Neustadt de Strasbourg : la construction du regard patrimonial." Thesis, Lyon 3, 2015. http://www.theses.fr/2015LYO30004/document.
Повний текст джерелаThe heritage of Strasbourg was built within the context of a boundary city, in which different influences, mainly French and German, have contributed to forge a singular character. Nonetheless, the values attributed to the site are not only determined by the restrictive field of national considerations. From the Second Empire to nowadays, they have continually evolved, and especially since the decades following the Second World War. Our study aims at explaining the construction and evolution of heritage values of Strasbourg, mainly those of the Neustadt, conceived and built during the German annexation (1871-1918), when Strasbourg became the capital of the Reichsland Elsass-Lothringen. The period of study opens during the 1840s, when the first inventory of historical monuments was created and a program of modernisation and embellissement was carried out by the City authorities. It stretches until nowadays, when the Neustadt is arousing increasing interest from the local and regional institutions, in the scientific field and among the population. Diverse sources have been exploited during researches: Municipal Council’s minutes, archives of the Municipal Council of Fine-Arts, archives of the Regional Office for Historical Monuments, handbooks and periodicals in architecture and urban planning, histories of Strasbourg, guides and trips narrations, and the press. In the thesis, « Héritage » is conceived as the « ensemble of anthropic construction inherited, partly or completely subsisting », and « Patrimoine » as « the part of heritage identified worthy of conservation, restoration, and valorisation ». (Gauthiez, 2006, p. 126).Firstly, the researches have revealed that the values of heritage of Strasbourg are founded, for one part, on the discourses hold on these objects, as well as on the silences. These discourses and silences are nourished by strong ideological considerations linked to doctrines and practices in the heritage field in France and in Germany. Originally unknown, then considered as « foreign » and finally as heritage « hyper-valorised » illustrating the crossed-influences between France and Germany, the heritage of the Neustadt is founded on conflicts and ideological overtaking all along the XXth century. Nowadays, Unesco World Heritage inscription is envisaged for the Neustadt.Secondly, it appeared that another part of the values of heritage is inscribed within the strong regional substrate and the continuity of actors. A discrepancy appeared when comparing the discourses and practices. Projects are in some case continued beyond the national changes. The important regional substrate has also allowed the construction of a mythological dimension to heritage (Barthes, 1957), and has strengthened the coherence in the urban landscape.Thirdly, the values of heritage rely for a large part on the knowledge within the institutional and administrative spheres, the scientific field, and among the population. The fact that the heritage of the first quarters of the XIXth century of Strasbourg is today under-valorised is the result of a lack of interest within the academic field. The approach selected allows overtaking the current practices in the study of architecture and urban planning by better taking into account the discourses on heritage and by including anthropological, symbolical, political, sociological and cultural aspects, so as to expose the construction of heritage gaze (regard patrimonial)
Perez, Zapico Daniel. "Production et usages sociaux de l'électricité dans les Asturies (1880-1936)." Thesis, Université Paris-Saclay (ComUE), 2016. http://www.theses.fr/2016SACLV011.
Повний текст джерелаAt the end of the 19th century, the electricity has been responsible for deep modifications in the daily life of the Asturian society that included, for example, new forms of organizing the social time or planning the paces of work and leisure. Electricity establishes the break in the rigid separation between night and day which existed prior to its appearance, and proved itself as the best way of lighting in surpassing other technologies as mineral or vegetable oils and gas lighting. The electricity then became a symbolic image of progress and its brilliant light began to conquer the public space, the workspace and even the private sphere, as a metaphor for the triumph of modern industrial society and by inducing changes in habits and traditions. What comes with this study is, therefore, a research project capable of establishing the beginnings and the first development of the electric industry in Asturias, a peripheral region in Spain, as a general contribution to the study of the Spanish electrification process. This study also tries to deploy a broad vision in the analysis, capable of integrating the many implications of the phenomenon. Above all, there is special attention to the socio-cultural approaches to the electrical phenomenon, such as those which relate to the leisure and the sociability, to the cultural outreach of electricity, electricity and urban spaces of representation, the imaginary of this energy or the relations between electricity, and everyday life or the domestic sphere. In short, it is to develop a true social and cultural history of electricity, its representations and practices from using Asturias, this Spanish region, as a laboratory to analyze the mutual interaction between technology, society and culture
Hatherell, William. "A cultural history of Brisbane 1940-1970 /." [St. Lucia, Qld.], 2003. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe17644.pdf.
Повний текст джерелаКниги з теми "Culturall history"
Akus, Chude. Idemili: Cultural history. Owerri: Center for Igbo Civilization and History, 1991.
Знайти повний текст джерелаEtpison, Mandy T. Palau: Cultural history. Koror: Tkel Corp., 2004.
Знайти повний текст джерелаSito Arquitetura: Edifícios culturais : Centro Cultural Usiminas. São Paulo, SP: C4, 2006.
Знайти повний текст джерелаMelendez, Adilson. Sito Arquitetura: Edifícios culturais : Centro Cultural Usiminas. São Paulo, SP: C4, 2006.
Знайти повний текст джерелаWhat is cultural history? 2nd ed. Cambridge, U.K: Polity Press, 2008.
Знайти повний текст джерелаLima: A cultural history. New York: Oxford University Press, 2005.
Знайти повний текст джерелаImpotence: A cultural history. Chicago, IL: University of Chicago Press, 2007.
Знайти повний текст джерелаArthur, Cotterell, and Arthur Cotterell. China: A cultural history. New York: New American Library, 1988.
Знайти повний текст джерелаSiberia: A cultural history. Oxford: Oxford University Press, 2010.
Знайти повний текст джерелаGarrett, Martin. Provence: A cultural history. Oxford: Signal, 2006.
Знайти повний текст джерелаЧастини книг з теми "Culturall history"
Tsuji, Kinko, and Stefan C. Müller. "Cultural History." In Spirals and Vortices, 3–29. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-05798-5_1.
Повний текст джерелаJelavich, Peter. "Cultural History." In Transnationale Geschichte, 227–37. Göttingen: Vandenhoeck & Ruprecht, 2010. http://dx.doi.org/10.13109/9783647367361.227.
Повний текст джерелаTodd, Molly. "Cultural History." In Undergraduate Research in History, 120–27. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003024774-18.
Повний текст джерелаJelavich, Peter. "Cultural History." In Transnationale Geschichte, 227–37. Göttingen: Vandenhoeck & Ruprecht GmbH & Co. KG, 2010. http://dx.doi.org/10.13109/9783666367366.227.
Повний текст джерелаManning, Patrick. "Cultural History." In Navigating World History, 229–54. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1057/9781403973856_13.
Повний текст джерелаClaus, Peter, and John Marriott. "Cultural history." In History, 238–51. Second edition. | Abingdon, Oxon ; New York : Routledge, [2017]: Routledge, 2017. http://dx.doi.org/10.4324/9781315684673-13.
Повний текст джерелаHarootunian, Harry. "Shadowing History." In Cultural Studies, 181–200. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003209331-3.
Повний текст джерелаTrim, Richard. "Tracing Cultural History." In Mapping the Origins of Figurative Language in Comparative Literature, 43–54. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781032130378-5.
Повний текст джерелаKalela, Jorma. "Cultural Critics." In Making History, 113–45. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-0-230-35658-0_5.
Повний текст джерелаBaldacci, Cristina. "Re-Presenting Art History." In Cultural Inquiry, 173–82. Berlin: ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-21_18.
Повний текст джерелаТези доповідей конференцій з теми "Culturall history"
García Ramírez, William. "Paisajes en movimiento: metodología para la identificación de paisajes culturales en las plazas de mercado de Bogotá." In Seminario Internacional de Investigación en Urbanismo. Barcelona: Curso de Arquitetura e Urbanismo. Universidade do Vale do Itajaí, 2016. http://dx.doi.org/10.5821/siiu.6356.
Повний текст джерелаEkaterina, Malygina. "DOCUMENTARY HERITAGE OF KHAKASSIA: THE POSSIBILITY OF USING IN SOCIAL AND CULTURAL EDUCATION AND PATRIOTIC EDUCATION OF CITIZENS." In Archives in history. History in archives. Ottisk, 2018. http://dx.doi.org/10.32363/978-5-6041443-5-0-2018-157-161.
Повний текст джерелаOrozco Varela, Luis Pablo, Mariana Blanco Ortiz, Gustavo Campos Fonseca, María Cubillo González, and Javier Nuñez Marín. "El Museo Dialoga: el museo y la sociedad en comunicación crítica." In Congreso CIMED - II Congreso Internacional de Museos y Estrategias Digitales. Valencia: Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/cimed22.2022.15643.
Повний текст джерелаEkaterina, Golubtsova. "THE ROLE OF REPORTING DOCUMENTATION IN THE ACTIVITY RESEARCH CULTURALLY – EDUCATIONAL INSTITUTIONS OF KHAKASSIA IN THE YEARS OF GREAT PATRIOTIC WAR." In Archives in history. History in archives. Ottisk, 2018. http://dx.doi.org/10.32363/978-5-6041443-5-0-2018-162-167.
Повний текст джерелаGarro, Jimena. "Los eventos culturales masivos como patrimonio intangible: estrategias de articulación para sitios históricos del norte cordobés: los paisajes culturales en los sistemas de centros urbanos." In Seminario Internacional de Investigación en Urbanismo. Barcelona: Instituto de Arte Americano. Universidad de Buenos Aires, 2013. http://dx.doi.org/10.5821/siiu.5949.
Повний текст джерелаPatel, Amit Dinesh. "Exploring Cultural Diversity in Experimental Sound." In Rethinking the History of Technology-based Music. University of Huddersfield, 2022. http://dx.doi.org/10.5920/culturaldiversity.
Повний текст джерелаBelousov, Maksim. "LOUIS THE PIOUS IN HISTORY AND LITERATURE." In World literature Cultural Codes. Baskir State University, 2021. http://dx.doi.org/10.33184/kkml-2021-11-19.3.
Повний текст джерелаShatin, Yurii V. "“Bobok” by Dostoevsky: fiction phenomenon in the journalistic context." In Communication and Cultural Studies: History and Modernity. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1258-1-21-23.
Повний текст джерелаKonev, Kirill. "Constructing the Image of the Entente and the United States in the Bolshevik and Anti-Bolshevik Periodicals (1918–1920): A Comparative Analysis." In Communication and Cultural Studies: History and Modernity. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1280-2-82-88.
Повний текст джерелаProkhorova, Irina E. "Turgenevs in the the “Vestnik Evropi” (“Bulletin of Europe”) and the problem of intergeneration communication." In Communication and Cultural Studies: History and Modernity. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1258-1-33-39.
Повний текст джерелаЗвіти організацій з теми "Culturall history"
Morrison, Dawn, and Adam Smith. Fort Huachuca history of development : existing reports and contexts. Engineer Research and Development Center (U.S.), January 2021. http://dx.doi.org/10.21079/11681/39479.
Повний текст джерелаBlaxter, Tamsin, and Tara Garnett. Primed for power: a short cultural history of protein. TABLE, November 2022. http://dx.doi.org/10.56661/ba271ef5.
Повний текст джерелаEnscore, Susan, Dawn Morrison, Adam Smith, and Sunny Adams. Fort Huachuca ranges : a history and analysis. Engineer Research and Development Center (U.S.), December 2021. http://dx.doi.org/10.21079/11681/42720.
Повний текст джерелаHummel, Susan, Sarah Foltz-Jordan, and Sophia Polasky. Natural and cultural history of beargrass (Xerophyllum tenax). Portland, OR: U.S. Department of Agriculture, Forest Service, Pacific Northwest Research Station, 2012. http://dx.doi.org/10.2737/pnw-gtr-864.
Повний текст джерелаMack, Flannery. Rewriting History: Using Reconciliation Processes to Revise Dominant Cultural Narratives and Assessing Cultural Readiness for Reconciliation. Portland State University Library, January 2016. http://dx.doi.org/10.15760/honors.282.
Повний текст джерелаPrendergast, Ellen L. Hanford Cultural Resources Laboratory Oral History and Ethnography Task Annual Report. Office of Scientific and Technical Information (OSTI), July 2003. http://dx.doi.org/10.2172/15010293.
Повний текст джерелаAdams, Sunny E., Megan W. Tooker, and Adam D. Smith. Fort McCoy, Wisconsin WWII buildings and landscapes. Engineer Research and Development Center (U.S.), November 2020. http://dx.doi.org/10.21079/11681/38679.
Повний текст джерелаStory, Madison, and Adam Smith. Fort Hunter Liggett : a history and analysis. Engineer Research and Development Center (U.S.), January 2023. http://dx.doi.org/10.21079/11681/46340.
Повний текст джерелаYaremchuk, Olesya. TRAVEL ANTHROPOLOGY IN JOURNALISM: HISTORY AND PRACTICAL METHODS. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11069.
Повний текст джерелаPryt, Karina. Polish-German film relations in the process of building German cultural hegemony in Europe 1933-1939. Universitätsbibliothek Johann Christian Senckenberg, December 2022. http://dx.doi.org/10.21248/gups.70888.
Повний текст джерела