Готові списки джерел за темами / Cultural history of time

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Добірка наукової літератури з теми "Cultural history of time"

Автор: Grafiati
Опубліковано: 10 березня 2023

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Статті в журналах з теми "Cultural history of time"

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Oravec, Jo Ann. "Time Capsules: A Cultural History." Journal of Popular Culture 37, no. 4 (April 7, 2004): 735–37. http://dx.doi.org/10.1111/j.0022-3840.2004.096_9.x.

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Matuozzi, Robert N. "Time Capsules: A Cultural History (review)." Libraries & the Cultural Record 39, no. 2 (2004): 241–43. http://dx.doi.org/10.1353/lac.2004.0035.

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Burke, Peter. "Reflections on the Cultural History of Time." Viator 35 (January 2004): 617–26. http://dx.doi.org/10.1484/j.viator.2.300212.

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4

Zhivov (†), Viktor. "Conceptual History, Cultural History, Social History." ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies 2 (November 1, 2014): 1–14. http://dx.doi.org/10.21900/j.vivliofika.v2.746.

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V. M. Zhivov’s introduction to Studies in Historical Semantics of the Russian Language in the Early Modern Period (2009), translated here for the first time, offers a critical survey of the historiography on Begriffsgeschichte, the German school of conceptual history associated with the work of Reinhart Koselleck, as well as of its application to the study of Russian culture. By situating Begriffsgeschichte in the context of late-nineteenth and early twentieth-century European philosophy, particularly hermeneutics and phenomenology, the author points out the important, and as yet unacknowledged, role that Russian linguists have played in the development of a native school of conceptual history. In the process of outlining this alternative history of the discipline, Zhivov provides some specific examples of the way in which the study of “historical semantics” can be used to analyze the development of Russian modernity.
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Ferreira Dieppe, Carla. "The colour of time." Cadernos de Pesquisa do CDHIS 34, no. 1 (June 26, 2021): 285–93. http://dx.doi.org/10.14393/cdhis.v34n1.2021.56793.

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A presente resenha trata de discussões contemporâneas sobre a convergência entre a História Cultural, imagem e culturas visual e digital na Pós-Modernidade. A obra "The Colour of Time: a new history of the world", do historiador e jornalista Dan Jones e da artista e especialista em imagens históricas Marina Amaral, é um produto da cultura de convergência, possibilitada pela Revolução da Informação e pela criação da Internet. A coloração das fotografias em preto e branco resgata o trabalho dos daguerreotipistas do final do século XIX e início do século XX, em uma releitura da prática de aproximação da imagem do real com recursos da cultura visual e digital.
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Born, Georgina. "Making Time: Temporality, History, and the Cultural Object." New Literary History 46, no. 3 (2015): 361–86. http://dx.doi.org/10.1353/nlh.2015.0025.

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Torop, Peeter. "Semiotics of cultural history." Sign Systems Studies 45, no. 3/4 (December 31, 2017): 317–34. http://dx.doi.org/10.12697/sss.2017.45.3-4.07.

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The interpretation of cultural history in the context of cultural semiotics, especially interpretation of semiotics of cultural history as a semiotics of culture, and semiotics of culture as a semiotics of cultural history, gives us, first, a deeper understanding of the analysability of cultural history and, at the same time, of the importance of history and different aspects of temporality for the semiotics of culture. Second, the history of the semiotics of culture, especially the semiotics of culture of the Tartu-Moscow School of Semiotics, is an organic part of cultural history, while the self-presentation of the school via establishing explicit and implicit contacts with the heritage of Russian theory (the Formalist School, the Bakhtin circle, Vygotskij, Eisenstein etc) was already a semiotic activity and an object of the semiotics of cultural history. Third, the main research object of semiotics of culture is the hierarchy of the sign systems of culture and the existent as well as historical correlations between these sign systems. Such conceptualization of the research object of semiotics of culture turns the latter into a semiotics of cultural history. Emphasizing the semiotic aspect of cultural history can support the development of semiotics of culture in two ways. First, semiotics of culture has the potential of conducting more in-depth research of texts as mediators between the audience and the cultural tradition. Second, semiotics of culture as a semiotics of cultural history can be methodologically used for establishing a new (chronotopical) theory of culture.
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Needham, Susan, and Karen Quintiliani. "Communicating time, place, and history." Journal of Asian Pacific Communication 32, no. 1 (August 4, 2022): 6–24. http://dx.doi.org/10.1075/japc.00082.nee.

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Abstract Prolung Khmer (ព្រលឹងខ្មែរ, meaning “Khmer Soul” or “Khmer Spirit”), is a culturally salient ideological discourse found in modern Cambodian culture in the homeland and the diaspora. Prolung Khmer draws on symbols and practices from Cambodia’s 2000-year cultural heritage, linking Khmer history, religion, language, the arts, and socio-political relationships in an essentialized ideology of Khmer culture. Using a genealogical analysis, this article traces the historical development of Prolung Khmer from earliest times to the present with examples from Cambodia and the diaspora. We argue that through its use, Prolung Khmer delineates, historicizes, and naturalizes what it means to be Khmer in the homeland and the diaspora.
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PETERSON, DEREK R. "NONCONFORMITY IN AFRICA'S CULTURAL HISTORY." Journal of African History 58, no. 1 (February 8, 2017): 35–50. http://dx.doi.org/10.1017/s0021853716000657.

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AbstractThis article uses E. P. Thompson's last book – Witness against the Beast (1993) – as an occasion to claim oddity, peculiarity, and nonconformity as subjects of African history. Africa's historians have been engaged in an earnest effort to locate contemporary cultural life within the longue durée, but in fact there was much that was strange and eccentric. Here I focus on the reading habits and interpretive strategies that inspired nonconformity. Nonconformists read the Bible idiosyncratically, snipping bits of text out of the fabric of the book and using these slogans to launch heretical and odd ways of living. Over time, some of them sought to position themselves in narrative structures that could authenticate and legitimate their dissident religious activity. That entailed experimentation with voice, positionality, and addressivity.
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Padilla Peralta, Dan-el. "Hammer Time: The Publicii Malleoli Between Cult and Cultural History." Classical Antiquity 37, no. 2 (October 1, 2018): 267–320. http://dx.doi.org/10.1525/ca.2018.37.2.267.

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This article studies the adoption of the nickname Malleolus (“little hammer”) by members of the gens Publicia in mid-republican Rome to illustrate the importance of grounding cultural history in the lives of seemingly minor political players and the mundane objects with which they came to be associated. After reviewing the occupational significance of hammers during the First Punic War (Part I), I scrutinize the ritual and cultic intersignifications of hammers in fourth- and third-century BCE central Italy (II) in order to set up a comprehensive reconstruction of the social and semiotic networks that structured and mediated the dedication of a temple to the goddess Flora by the brothers Publicii Malleoli at a time of internal political crisis and external conflict (III). Central to the political and intercultural contests of mid-republican Rome was the generative force of the polyvalent and object-centered cognomen in establishing and promoting individual and collective identities.
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Дисертації з теми "Cultural history of time"

1

Svanberg, Kerstin. "Bringing the history of fashion up-to-date; towards a model for temporal adatation in translation." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-22629.

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In cultural adaptation, the translator has a solid theoretical ground to stand upon; scholars have elaborated strategies that are helpful to this effect. However, there is little research, if any, to rely upon in the matter of temporal adaptation. The aim of this paper is to fill this gap. The primary data used in this translational study consists of an English source text that was published in 2008 and the resulting target text, translated to Swedish in 2012. Hence, in order for the target text to function in its time, there was a four-year long time gap to fill with accurate and relevant data and in a style that would not deviate from the author’s original intentions; the target text needed to be temporally adapted. In what follows, I will suggest a set of strategies for temporal adaptation. The model is elaborated with strategies for cultural adaptation as a starting point and based upon measures taken to relocate the target text to 2012. The suggested strategies are time bridging, updating, adjustment and omission. These four strategies make up the model that I put forward to bridge the theoretical gap that seems to prevail in the matter of temporal adaptation. However, considering that the data used in this study was relatively limited, the applicability of the strategies may be the scope of future studies.
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2

Lowrey, Brian. "The Forging of a Nation: Cultural and Political Scottish Unity in the Time of Robert the Bruce." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707260/.

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While Scotland was politically unified before the First Scottish War of Independence (1296-1328), it was only nominally so. Scotland shared a rich cultural unity amongst the clans, and it was only through the invasion from England, and the war that followed, that Scotland found a true political unity under King Robert the Bruce. This thesis argues that Scotland had a shared cultural identity, including the way it waged war, and how it came to be united under one king who brought a sense of nationalism to Scotland.
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Swanepoel, Aletta Catharina. "Re-placing memories : time, space and cultural expression in Ivan Vladislavić's fiction / Aletta Catharina Swanepoel." Thesis, North-West University, 2012. http://hdl.handle.net/10394/7749.

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Ivan Vladislavić’s fiction shows a preoccupation with the South African past in terms of both time and space and with the influence of ideology on the interpretation of the past and of cultural artefacts such as cityscapes, buildings, monuments, photographs, and fine art within the South African context. No study has yet considered Vladislavić’s entire oeuvre in terms of the interaction between time and space and their particular manifestation in concrete cultural expressions that generate meaning that can only be recognized over time and within the limits of different perspectives. In order to situate his work within such a paradigm, this thesis discusses various theories on the representation of time and space and their application and argues that Vladislavić represents concrete reality and abstract ideas about the past and ideologies in an interrelated manner, in order to illuminate the ways in which concrete reality influences perceptions of the past and its associated ideologies, but also how past and ideology, in turn, influence how concrete reality is perceived. His fiction can thus be described as exploring the complex dynamic between concrete and abstract. Perspective plays an important role in his fiction in terms of both his representation of concrete (city and artefacts) and abstract reality (past and ideology). Characters’ perspectives come into play as they negotiate, create and interpret concrete and abstract reality, and in the light of how they ‘see’ the world, their identities are shaped. Vladislavić shows that perspective is inevitably blurred with ideological prejudice. He does so, in such a way, that a reader is often led to reconsider her/his own way of perceiving both concrete and abstract. Cultural artefacts, in particular, mediate perceptions of time and of place; they are (in)formed by ideology and also have singular signifying possibilities and limitations. By drawing attention to his own expression in language, by creating seemingly random lists, or focusing on the multiple meanings of a word in a playful manner, Vladislavić shows that, like artefacts, language too is a medium for mediation that is subject to and formative of ideology.
Thesis (PhD (English))--North-West University, Potchefstroom Campus, 2012.
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4

Newby, Alison Michelle. "'Women's sphere' and religious activity in America, 1800-1860 : dynamic negotiation of reality and meaning in a time of cultural distortion." Thesis, University of Manchester, 1992. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:230201.

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The thesis uses the case study of the experience of middle-class northern white women in America during the period 1800-1860 to explore several issues of wider significance. Firstly, the research focuses upon the dynamic relationships between the culturally-constructed categories of public/formal and private/informal power and participation at both the practical and symbolic levels, suggesting ways in which they intersected on the lives of women. Secondly, consideration is given to the validity of the stereotyped view that 'domestic' women were necessarily disadvantaged and dominated relative to those who aspired to public political and economic roles. Thirdly, the relationship of religious belief to these two areas is discussed, in order to discover its relevance to the way in which women both perceived themselves and were perceived by others. In seeking to explore these issues, the research has analysed the patterns of social and cultural change in the era under question, indicating how those changes influenced the perceptions and experiences of both women and men. Their reactions in terms of discourse and activity are located as strategies of negotiation in redefining both social role and participation for the sexes. The rhetoric of 'separate spheres', which was used by men and women to order their mental and physical surroundings, is reduced to its symbolic constituents in order to illustrate that the distinction between male and female arenas was more perceptual than actual. The motivating forces behind the activities and ideas of women themselves are investigated to determine the role of religion in the construction of both female self-images and wider negotiational strategies. The context of nineteenth-century social dynamics has been revealed by detailed analysis of extensive primary sources originated by both women and men for private as well as public consumption. Feminist tools of analysis which enable the conceptualisation of 'meaningful discourse' as including female contributions have further enhanced the specific focus on how women constructed their own world-views and approaches to reality. 'Traditional' approaches and tools are shown to have seriously skewed and misrepresented the reality and variety of both discourse and female experience in the era. Great efforts have been made to allow women to speak in their own words. This has produced an insight into a richness of female social participation and discourse which would otherwise be obscured. The research indicates that women were indeed actors and negotiators during the period. Those women who advocated as primary the duties of women in the domestic and social arenas were by no means setting narrow limitations on female participation in both society and discourse. The religious impulses and eschatological frameworks derived by women (varied as they were) served to order and renegotiate reality and meaning, whilst they produced female roles and influence of great significance. Women were not passive victims of male oppression. Religion can thus be perceived as a positive force which women were able to approach both for its own sake, and for their own particular ends.
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Dearman, Vera. "The reality of time, history and life in the prose of Ivan Bunin." Thesis, University of Sheffield, 1999. http://etheses.whiterose.ac.uk/14915/.

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The thesis focuses on two major aspects. Firstly, it offers a discussion of the evolution of the notion of 'historicity' in the thought of various Russian thinkers and cultural historians with particular reference to the ideas of Berdiaev, Bakhtin and Likhachev. It also addresses the problem of the contribution made to the twentieth-century humanities by the 'Slavonic Renaissance' of the early part of the twentieth century. Secondly, the work examines various views on the issue of historical time and its perception and representation in artistic work, focusing primarily on the specificity of artistic time in the prose of Ivan Bunin. The discussion of this issue is based on four of Bunin's substantial works (The Shadow of the Bird, The Life of Arsen 'ev The Emancipation of Tolstoi and Dark Avenues), examining the problem of historical time from semantic and formal points of view. The analysis of the novel The Life of Arsen 'ev emerges as central to the whole discussion since it approaches the problem of the notion of 'path through life' and its significance both for an understanding of Bunin's work and in relation to the discursive practice of the 1920s and early 1930s in Russia. Moreover, for Bunin this category proves to be both a feature of artistic thinking and of generic significance, extending the boundaries of understanding and portrayal of historical time in its various aspects.
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Jordan, John Frederick Dodge. "Legal culture in a turbulent time : law and society in early modern Saxony." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:08a01053-87e3-4310-a974-b194f516b692.

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This thesis reconstructs and interprets the evolution of legal culture in the Saxon city of Freiberg in the sixteenth century. It challenges the notion that early modern state institutions were punitive and disciplinary; and instead posits that in Saxony, they were flexible and sought to maintain social harmony. While previous scholarship has favoured a sociological approach, based on the concept of social control, this thesis employs a legal anthropological optic to study the interaction of state institutions and social life holistically. The focus is not just on how state institutions sought to regulate social life, but also on how ordinary people used institutions for their diverse purposes. The goal of this methodological approach, based on Lawrence Friedman’s concept of legal culture, is to assess the relative position and interaction of the people, the judiciary, and the law in early modern Germany. Probing the interactions of the court and the residents of Freiberg reveals that the court was primarily a record-keeper and a mediator. For the former, it logged and transcribed all manner of transactions: peace pacts, loans, and house purchases; and Freibergers readily turned to the court to get a formal record of an obligation. For the latter, the court was rarely a site of punishment, rather it was a place where conflicts were regulated, and bonds forged. At court, Freibergers fostered ties to one another. Neither of these roles, record-keeper or mediator, are ones traditionally ascribed to early modern courts. Only by considering by the culture of a court does either become apparent.
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Eugene, Nicole Christina. "POTENT SLEEP: THE CULTURAL POLITICS OF SLEEP." Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1151208257.

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Johnson, Stacey. "Taking pictures, making movies and telling time : charting the domestication of a producing and consuming visual culture in North America." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35900.

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The dissertation examines how image-making, a common pastime, was made common. It investigates the ways in which the production and consumption of images in the context of the North American family contributed to the development of a distinctly domestic and privatized visual culture, and the transformation of the home into a site for privatized spectatorship.
Four cultural forms (No. 1 Kodak, Box Brownie, Cine Kodak and Cine Kodak 8) are specified in this development, all pioneered by the Eastman Kodak Company. The dissertation traces Eastman Kodak's direct involvement in the popularization of image practices. It analyzes strategies used by them to make this possible, namely an appeal to the becoming lifestyles of the bourgeois and middle-classes.
The analysis links the popularization of image-making and consuming practices to other popular amusements (i.e. cycling, cinema-going) to work against an artifact-centred analysis. Issues of gender and generation are critically evaluated as concepts used to instill image-making as a popular, family practice. Shifts in modern temporal and spatial experience, as well as mobility are also explored in relation to popular image-making.
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Merrick, Meg. "Patterns of Time, Place, and Culture: Land Use Zoning in Portland, Oregon, 1918-1924." PDXScholar, 1998. https://pdxscholar.library.pdx.edu/open_access_etds/2874.

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Until recently, few have questioned the notion that the separation of uses in land use zoning is inherently correct. Many observers of the city are now suggesting that zoning, as it has been practiced in this country over the last 80 years, has created cities that are fractured and function poorly. Others propose that zoning should be reconsidered as a remedy for urban dysfunction. They suggest that the whole notion of zoning be rethought. The purpose of this study is to uncover some of the underlying rationales and methodologies that set the model for zoning. This study examines the rationales behind the classification and location of land use zones in a fast-growing area of Portland, Oregon, for its first zoning ordinance through history, culture, and geography. Between 1919 and 1924, two ordinances were prepared using two very different methodologies. The first of these was designed by nationally known consultant, Charles H. Cheney, using the latest scientific methods. After its rejection in the polls, a second ordinance was developed by a prominent group of realtors in conjunction with the city planning commission using more intuitive methods. This “realtors’ code” (MacColl 1979) was approved by the Portland electorate in 1924. Some fifty years later, the Portland planning commission would identify zoning as having played a significant role in the deterioration of the Buckman neighborhood in the study area. The comparison of the rationales and methods behind the locations of zone boundaries in both ordinances against the locations of actual uses in the study area, reveals the powerful influences of social Darwinism, laissez-faire attitudes, and newly developing social science methods on the association of zoning with the separation of uses and the land use patterns that were created.
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Viana, Josà Ãtalo Bezerra. "The many arts of Cariri: relations between tourism and cultural heritage in the 21st century." Universidade Federal do CearÃ, 2017. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=19201.

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CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel Superior
The main research subjects of this dissertation are the relations between tourism and cultural heritage in setting discourses about time and the representations on a Cariri region cultural identity. The objective of this work is to analyse the touristic uses of cultural heritage aiming to the social and economic development of Cariri region at the beginning of 21st century. Starting in the 2000s, one notes that the patrimonialising processes engendered in Cariri were bound to projects of future that mobilized the cultural assets as touristic resources, putting them in temporal paces that sometimes drawn close to the past, associated to tradition, sometimes reaching to the future, associated with some aspects of the market integration of cultural heritage. This movement corresponded to social processes that singularized the present by means of deliberate strategies on the fabrication of traditions and the invention of practices and cultural values on which it was set as relevant in the elaboration of a sense of belonging. Developed from a group of documents â which embraces journals from the press, tourist guides and leaflets, reports of work, development projects from touristic sector, and others â, the issues on this work converge with the discussions carried out by Grupo de Estudos e Pesquisa em PatrimÃnio e MemÃria â GEPPM/UFC/CNPq, to which this research is associated. It aims to contribute to the debate related to the field of cultural heritage in Brazil.
As relaÃÃes entre turismo e patrimÃnio cultural na configuraÃÃo de discursos sobre o tempo e as representaÃÃes acerca de uma identidade cultural caririense sÃo os objetos de estudo desta tese. O objetivo do trabalho à analisar os usos turÃsticos do patrimÃnio cultural com vistas ao desenvolvimento sociocultural e econÃmico da regiÃo do Cariri no limiar do sÃculo XXI. A partir dos anos 2000, nota-se que os processos de patrimonializaÃÃo engendrados ali estiveram vinculados a projetos de futuro que mobilizavam os bens culturais enquanto recursos turÃsticos, inserindo-os nos ritmos de temporalidades que ora se aproximavam do passado, associado à tradiÃÃo, ora se dirigiam ao futuro, relacionado aos aspectos de inserÃÃo comercial do patrimÃnio. Esse movimento correspondeu a processos sociais de singularizaÃÃo do presente, mediante estratÃgias deliberadas de fabricaÃÃo de tradiÃÃes e invenÃÃo de prÃticas e valores culturais sobre os quais atribuiu-se relevante importÃncia na construÃÃo dos sentidos de pertencimento. Desenvolvidas a partir de um conjunto documental que abrange periÃdicos da impressa, guias e folderes de divulgaÃÃo turÃstica, relatÃrios de trabalho, projetos de desenvolvimento do setor do turismo, entre outras, as problemÃticas deste trabalho convergem com as discussÃes realizadas pelo Grupo de Estudos e Pesquisa em PatrimÃnio e MemÃria âGEPPM/UFC/CNPQ, no qual esta pesquisa vinculada, no intuito de contribuir com a reflexÃo em torno das questÃes relativas ao campo do patrimÃnio cultural no Brasil
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Книги з теми "Cultural history of time"

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Sengupta, Jayita. Time, History and Cultural Spaces. London: Routledge India, 2022. http://dx.doi.org/10.4324/9781003311539.

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Time capsules: A cultural history. Jefferson, N.C: McFarland & Co., 2003.

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3

Anu, Korhonen, and Tuohela Kirsi, eds. Time frames: Negotiating cultural history. Turku: Department of Cultural History, Turku University, 2002.

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4

Soviet civilization: A cultural history. New York: Arcade Pub., 1990.

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5

David, Morse. England's time of crisis: From Shakespeare to Milton : a cultural history. New York: St. Martin's Press, 1989.

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6

Undoing time: The cultural memory of an Italian prison. Oxford: Peter Lang, 2012.

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7

James, Clive. Cultural amnesia: Notes in the margin of my time. London: Picador, 2007.

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8

van, Schendel Willem, and Schulte Nordholt Henk 1953-, eds. Time matters: Global and local time in Asian societies. Amsterdam: VU University Press, 2001.

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9

Steele, Valerie. Paris fashion: A cultural history. 2nd ed. Oxford: Berg, 1998.

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10

Steele, Valerie. Paris fashion: A cultural history. New York: Oxford University Press, 1988.

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Частини книг з теми "Cultural history of time"

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Banerjee, Mousumi Guha. "On Time and History." In Time, History and Cultural Spaces, 34–43. London: Routledge India, 2022. http://dx.doi.org/10.4324/9781003311539-4.

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Haider, Nishat. "History, Memory and Time." In Time, History and Cultural Spaces, 129–43. London: Routledge India, 2022. http://dx.doi.org/10.4324/9781003311539-13.

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Alexandre-Garner, Corinne. "Narrative and History in Lawrence Durrell's Avignon QuintetCo." In Time, History and Cultural Spaces, 109–21. London: Routledge India, 2022. http://dx.doi.org/10.4324/9781003311539-11.

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Dore, Geetha Ganapathy, and Cécile Oumhani. "In Conversation." In Time, History and Cultural Spaces, 168–76. London: Routledge India, 2022. http://dx.doi.org/10.4324/9781003311539-17.

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Mehta, Julie Banerjee. "Journeys of the Travelling Tongue to Imaginary Homelands." In Time, History and Cultural Spaces, 147–62. London: Routledge India, 2022. http://dx.doi.org/10.4324/9781003311539-15.

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Choudhury, Sanchita. "Undying Death." In Time, History and Cultural Spaces, 71–80. London: Routledge India, 2022. http://dx.doi.org/10.4324/9781003311539-7.

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Datta, Kusumita. "Painting – Whitewashing." In Time, History and Cultural Spaces, 83–96. London: Routledge India, 2022. http://dx.doi.org/10.4324/9781003311539-9.

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Sengupta, Jayita. "Introduction." In Time, History and Cultural Spaces, 1–22. London: Routledge India, 2022. http://dx.doi.org/10.4324/9781003311539-1.

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Ganguly, Deb Kamal. "Deleuzean ‘Difference’." In Time, History and Cultural Spaces, 44–61. London: Routledge India, 2022. http://dx.doi.org/10.4324/9781003311539-5.

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Joshi, Divya. "Vaastu Shaastra." In Time, History and Cultural Spaces, 62–70. London: Routledge India, 2022. http://dx.doi.org/10.4324/9781003311539-6.

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Тези доповідей конференцій з теми "Cultural history of time"

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Neumann, Hans-Rudolf, Dirk Röder, and Hartmut Röder. "Diverse and rich fortified cultural heritage of the Iberian Peninsula. Basis for culture tourism with the European Culture Route Fortified Monuments FORTE CULTURA®." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11394.

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Fortresses are architectural pearls, cultural sites, event locations, experience places and memorials, mostly situated at breath-taking places on mountains, rivers or in the under-ground. Fortresses are monuments of common European history, they mirror the past into the present, connect cultures and offer deep insights into the historical conflicts. Fortified monuments are part of what makes Europe unique and attractive. This cultural heritage has to be preserved and made accessible for the culture tourism at the same time. The Iberian fortified heritage has big potential for new culture touristic topics and travel routes away from mass tourism. Therefore, cultural routes are a useful instrument. The European Culture Route Fortified Monuments –FORTE CULTURA®– is the European umbrella brand for fortress tourism. It offers useful instruments for international marketing of fortified monuments. The implementation of the attractive architectura militaris of the Iberian Peninsula into the culture route FORTE CULTURA® makes it possible to network this culture asset touristically, make it visible and experienceable on international tourism markets and market it Europe-wide. By implementing a new touristic regional brand “FORTE CULTURA – Iberian Fortified Heritage” the qualified culture tourism will be addressed. This supports a balance between over and under presented monuments and extends the sphere of activity of local actors onto whole Europe.
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Popova, R. I. "Formation Of A Culture Of Life Safety Among Students." In Pedagogical Education: History, Present Time, Perspectives. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.08.02.20.

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Vilkova, A. Vl. "The Pedagogical Approach To The Development Of Information Security Culture." In Pedagogical Education: History, Present Time, Perspectives. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.08.02.102.

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Tsyvunina, A. D. "The Communicative Culture Of Adolescents In The Era Of Informatization And Digitalization." In Pedagogical Education: History, Present Time, Perspectives. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.08.02.91.

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Kestemont, Mike, Folgert Karsdorp, and Marten Düring. "Mining the Twentieth Century’s History from the Time Magazine Corpus." In Proceedings of the 8th Workshop on Language Technology for Cultural Heritage, Social Sciences, and Humanities (LaTeCH). Stroudsburg, PA, USA: Association for Computational Linguistics, 2014. http://dx.doi.org/10.3115/v1/w14-0609.

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Martin, Shelley F. "Removal of History." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.27.

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In regarding history as a concept, the foundation of both the critical and the cultural historian relies on the metaphor selected to order the world. The acquisition of knowledge by inquiry, as in the Greek “historia”, is related to the Latin “videre” ( to see), and develops an historical sense which includes the perception of the past, the present, and the future simultaneously. These relationships of time usually move either horizontally as a chronological time line with clear regulations and overlaps; or vertically with the direct impact of a cut or incision that both divides and links at the same time. A ruin is a state of time where, for a moment, all three tenses collide as the past and the future crash into the present. In a ruin both the productions and the destructions of history reveal themselves as an opportunity to recognize the significance and signatures of events and the boundaries enclosing them.
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Gaitanaru, Andrei. "VIDEO GAMES IN THE XXIST CENTURY." In eLSE 2017. Carol I National Defence University Publishing House, 2017. http://dx.doi.org/10.12753/2066-026x-17-043.

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It may be said that the video games are a topical form of socio-cultural manifestation, because they make available to its public the means necessary for the inter-cultural and international communication (efficient communication channels and favorable social context), which then facilitate the appearance of new communities. These elements are worthy of being considered by the social sciences and also by the communication sciences, because communities of this kind are more numerous and more complex. They evolve along with the Internet as well as other types of modern media depending on the technological progress. Video games (the games developed for desktop systems and portable devices such as laptops, tablets and smartphones) have become a significant industry for the XXIst century due to the fact that in time they have constantly evolved and have managed to impose in the present time dominant media cultures. Along with their appearance numerous questions have surfaced regarding the impact of games on society, on the social environment, and also questions regarding the interactive processes and active audiences. Same as all the other new media, the video games, in their evolution, have borrowed elements and have adapted to the socio-cultural variety. The gaming industry was mainly shaped around the techno culture, our contemporary society being saturated by technology . Just like all the other histories, the video games history has been challenged in its turn by the specialists in the field. Seen in the most general way, the history is created and transmitted by people, who are being subjective most of the times. Considering these factors, it's clear that the history of video games is also comprised of a variety of fragmented information, which was and is being challenged to some extent. However, it is certain that the history of the Internet as well as the history of video games, are complex histories, that have developed depending on the technological context and evolution
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Koštialová, Katarína. "Lesné prostredie a náučné chodníky ako potenciál vidieckeho turizmu." In XXIV. mezinárodního kolokvia o regionálních vědách. Brno: Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9896-2021-36.

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The natural and cultural wealth of a particular place or locality plays an important role in rural tourism. The choice of the final destination is determined by several criteria, which merge with each other, such as landscape culture, natural potential, culture, history, opportunities for spending free time in an active way, genius loci of the locality, etc. In recent times, visiting the educational public footpaths is one of the popular free time activities. The object of the study, based on ethnological point of view, is to present existing initial information on the topic of educational public footpaths, analyze them as a specific form of tourism presenting natural and cultural wealth. The object of the study is educational public footpaths in the village of Oravská Lesná. With regards to methodology, the basic ethnographic methods, the study of literature, materials and documents were used. The educational public footpaths demonstrate not only natural and cultural values, but undoubtedly also reflect the identity of local society and they are strongly representative of the local area. The visitors to the educational public footpaths have the opportunity to perceive a relationship between the natural, landscape, cultural and historical phenomena in a more complex way directly in authentic environment. The study highlights the natural and cultural potential of the village and forest environment, serving as an initial determinant for domestic tourism in the village. The specific example of two educational public footpaths highlighted the sense of harmony between the local community and nature, with the specific type of cultural landscape reflecting history and spiritual values of local society.
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Lisovetc, Irina. "The Modern Multi-Functional Cultural Center (Yeltsin Center) as a Platform for Dialogue Both Public & Private." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-11.

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The article covers the modern multi-functional cultural centre as an institution of Russian culture of the 21st Century in the terms of the interaction of publicity and privacy. On the basis of the institutional approach in cultural theory and the philosophical and aesthetic analysis of the space of the cultural centre, the most important role of this institution in individual and personal assimilation of sociocultural values is substantiated. The objectives (programme) of such an institution, its chronotope and functionality are directed at the involvement of contemporaries into various forms and levels of the culture of the past, and its emotional-sensual assimilation via media-communication technologies. The ‘Yeltsin-Center’ in the city of Yekaterinburg was taken as the example not only for being orientated on the familiarisation of its visitors with the history of the Russian state and its culture of the late 20th century and the early 21st century, but also for the subjective experience of turning points of those times and the city where the personality and activities of the first Russian president were shaped and began. The calibre of the President’s personality, in this case, is diversely represented within the space of the Centre, and becomes crucial for understanding what was going on at that time. The ‘Yeltsin-Center’ is a principally new cultural complex, each component of which, and above all its central part - the Museum of the First President - is structured to show the turning point in Russian history as the President’s life journey and to encourage citizens to understand the past and present. The use of modern information technologies in this cultural complex, and primarily in its museum exhibition having been arranged as an artistic artefact, becomes crucial to the dialogue of publicity and privacy.
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Pasdzierny, Matthias. "How much is the glitch? Das digitale Paradigma als Herausforderung und Chance für die historische Musikwissenschaft." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.104.

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Musicology has long since been established as central part of the so-called Digital Humanities. For many areas of music culture as a whole, digitization is considered the central paradigm of our time. But what exactly does this mean, and is it not unusual for technical and cultural developments to be thrown through and into each other? In literary studies as well as in cultural and contemporary history, a critical discussion has already begun on the multiple narratives and projections about „(post)digitality“, which are particularly common in science itself. Against this background, the article pleads for taking digitality seriously as an object of investigation in historical musicology (and possibly also in the history of musicology) and for initiating a corresponding field of research. For example, what promises and debates about loss associated with digitality can be observed within music culture at different times and in different contexts, but also what sources could provide information about this. The introduction of the CD in the 1980s and the emergence of the EDM sub-genre Glitch in the mid-1990s serve as starting examples for such a critical-historical view of and on digitality.
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Звіти організацій з теми "Cultural history of time"

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Yaremchuk, Olesya. TRAVEL ANTHROPOLOGY IN JOURNALISM: HISTORY AND PRACTICAL METHODS. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11069.

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Our study’s main object is travel anthropology, the branch of science that studies the history and nature of man, socio-cultural space, social relations, and structures by gathering information during short and long journeys. The publication aims to research the theoretical foundations and genesis of travel anthropology, outline its fundamental principles, and highlight interaction with related sciences. The article’s defining objectives are the analysis of the synthesis of fundamental research approaches in travel anthropology and their implementation in journalism. When we analyze what methods are used by modern authors, also called «cultural observers», we can return to the localization strategy, namely the centering of the culture around a particular place, village, or another spatial object. It is about the participants-observers and how the workplace is limited in space and time and the broader concept of fieldwork. Some disciplinary practices are confused with today’s complex, interactive cultural conjunctures, leading us to think of a laboratory of controlled observations. Indeed, disciplinary approaches have changed since Malinowski’s time. Based on the experience of fieldwork of Svitlana Aleksievich, Katarzyna Kwiatkowska-Moskalewicz, or Malgorzata Reimer, we can conclude that in modern journalism, where the tools of travel anthropology are used, the practical methods of complexity, reflexivity, principles of openness, and semiotics are decisive. Their authors implement both for stable localization and for a prevailing transition.
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Титаренко, Дмитро Миколайович, and Таня Пентер. Local memory on war, German occupation and postwar years. An oral history project in the Donbass. Cahiers du monde Russe, Vol. 52, No. 2/3, 2011. http://dx.doi.org/10.31812/123456789/6476.

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This article presents the findings of a small oral history project carried out during the years 2001-2010 in the Eastern Ukrainian Donbass region. We learn from the interviews that loyalties were rather fragile and changed quite frequently during the war. The sharp lines of definition and categorisation which historians have created in dealing with the past do not fit wartime reality. Many people collaborated at one time and participated in Soviet resistance or fought in the Red Army at another. There were no clear lines between collaboration and resistance, but rather moral grey zones. Experiences of the occupation were diverse, and besides, experiences of terror and violence also included cultural and working experiences as well as various personal relationships with the German enemy. Therefore the authors argue for much more integrated research approaches trying to combine the wide range of different wartime experiences.
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Enscore, Susan, Adam Smith, and Megan Tooker. Historic landscape inventory for Knoxville National Cemetery. Engineer Research and Development Center (U.S.), April 2021. http://dx.doi.org/10.21079/11681/40179.

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This project was undertaken to provide the U.S. Department of Veterans Affairs National Cemetery Administration with a cultural landscape survey of Knoxville National Cemetery. The 9.8-acre cemetery is located within the city limits of Knoxville, Tennessee, and contains more than 9,000 buri-als. Knoxville National Cemetery was placed on the National Register of Historic Places on 12 September 1996, as part of a multiple-property submission for Civil War Era National Cemeteries. The National Cemetery Administration tasked the U.S. Army Engineer Re-search and Development Center-Construction Engineering Research Laboratory (ERDC-CERL) to inventory and assess the cultural landscape at Knoxville National Cemetery through creation of a landscape development context, a description of current conditions, and an analysis of changes over time to the cultural landscape. All landscape features were included in the survey because according to federal policy on National Cemeteries, all national cemetery landscape features are considered to be contributing elements.
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Khomenko, Tetiana. TIME AND SPACE OF HISTORICAL PARALLELS OF EUGEN SVERSTIUK’S JOURNALISM. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11095.

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The article is dedicated to the investigation of time-space measurements of journalistic works of Eugen Sverstiuk, a well-known Ukrainian journalist. In particular, the time-space continuum of his works is being discussed, which is characterized as comprehensive, continuous, filled with archetypical images which metaphorize the text, but at the same time structure it, and are beaded on the axis of time and documentarily located in the space. The logics of images initiated in the text is exaggerated by constant dwelling of the author in the time-space dimensions of the epoque, of which he was a contemporary, as well as precise knowledge of World and Ukrainian history and culture. Historical parallelism of journalism of E. Sverstiuk possesses double potential. On the one hand, the author provides arguments for confirmation of his own opinion, and on the other, he shows us historical collisions in the new aspect, which helps consider the past, better understand the present, and think of the future. Pages of his works is space for author’s considerations, which logics impresses by free transgression of the author in the time, and his ability to grasp the most essential, although sometimes precedent, sometimes sudden and forgotten, or even unknown historical facts in order to force them to resonate in the new historical realities, first of all to indicate the importance of national and the need for assigning to it more significance. Using retrospectives, E. Sverstiuk encourages us to return to the national sources and to seek in ourselves the reflections of nationality in order to return historical truth to our audience. This is what, according to E. Sverstiuk, was believed to be one of the most necessary conditions of existence to the independent state. Time-space continuum of E. Sverstiuk’s journalism is reproduction of comprehensive history as continuous process of the development of humanity, and of formation of comprehensive, total, and so to say epic reading and understanding of these processes via accentuation of reader’s attention on key events, phenomena, and facts.
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Baxter, Carey, Susan Enscore, Ellen Hartman, Benjamin Mertens, and Dawn Morrison. Nationwide context and evaluation methodology for farmstead and ranch historic sites and historic archaeological sites on DoD property. Engineer Research and Development Center (U.S.), March 2021. http://dx.doi.org/10.21079/11681/39842.

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The Army is tasked with managing the cultural resources on its lands. For installations that contain large numbers of historic farmsteads, meeting these requirements through traditional archaeological approaches entails large investments of personnel, time and organization capital. Through two previous projects, Engineer Research and Development Center, Construction Engineering Research Laboratory (ERDC-CERL) cultural resource management personnel developed a methodology for efficiently identifying the best examples of historic farmstead sites, and also those sites that are least likely to be deemed eligible for listing on the National Register of Historic Places. This report details testing the applicability of the methodology to regions across the country. Regional historic contexts were created to assist in the determination of “typical” farmsteads. The Farmstead/Ranch Eligibility Evaluation Form created by ERDC-CERL researchers was revised to reflect the broader geographic scope and the inclusion of ranches as a property type. The form was then used to test 29 sites at five military installations. The results of the fieldwork show this approach is applicable nationwide, and it can be used to quickly identify basic information about historic farmstead sites that can expedite determinations of eligibility to the National Register.
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Sultana, Munawar. Culture of silence: A brief on reproductive health of adolescents and youth in Pakistan. Population Council, 2005. http://dx.doi.org/10.31899/pgy19.1006.

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Previous research on the reproductive health of adolescents and youth in Pakistan has not addressed the diversity of adolescent experiences based on social status, residence, and gender. To understand the transition from adolescence to adulthood more fully, it is important to assess social, economic, and cultural aspects of that transition. This brief presents the experience of married and unmarried young people (males and females) from different social strata and residence regarding their own attitudes and expectations about reproductive health. More young people aged 15–24 live in Pakistan now than at any other time in its history—an estimated 36 million in 2004. Recognizing the dearth of information on this large group of young people, the Population Council undertook a nationally representative survey from October 2001 to March 2002. The analysis presented here comes from Adolescents and Youth in Pakistan 2001–02: A Nationally Representative Survey. The survey sought information from youth aged 15–24, responsible adults in the household, and other community members in 254 communities. A total of 6,585 households were visited and 8,074 young people were interviewed.
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KellerLynn, Katie. Redwood National and State Parks: Geologic resources inventory report. National Park Service, October 2021. http://dx.doi.org/10.36967/nrr-2287676.

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Comprehensive park management to fulfill the NPS mission requires an accurate inventory of the geologic features of a park unit, but Comprehensive park management to fulfill the NPS mission requires an accurate inventory of the geologic features of a park unit, but park managers may not have the needed information, geologic expertise, or means to complete such an undertaking; therefore, the Geologic Resources Inventory (GRI) provides information and resources to help park managers make decisions for visitor safety, planning and protection of infrastructure, and preservation of natural and cultural resources. Information in the GRI report may also be useful for interpretation. park managers may not have the needed information, geologic expertise, or means to complete such an undertaking; therefore, the Geologic Resources Inventory (GRI) provides information and resources to help park managers make decisions for visitor safety, planning and protection of infrastructure, and preservation of natural and cultural resources. Information in the GRI report may also be useful for interpretation. This report synthesizes discussions from a scoping meeting for Redwood National and State Parks (referred to as the “parks” throughout this report) held in 2004 and a follow-up conference call in 2019. Two GRI–compiled GIS data sets of the geology and geohazards of the parks are the principal deliverables of the GRI. The GRI GIS data are available on the GRI publications website http://go.nps.gov/gripubs and through the NPS Integrated Resource Management Applications (IRMA) portal https://irma.nps.gov/App/Portal/Home. Enter “GRI” as the search text and select a park from the unit list. Writing of this report was based on those data and the interpretations of the source map authors (see “GRI Products” and “Acknowledgements”). A geologic map poster illustrates the geology GRI GIS data set and serves as a primary figure for this GRI report. No poster was prepared for the geohazards GRI GIS data set. Additionally, figure 7 of this report illustrates the locations of the major geologic features in the parks. Unlike the poster, which is divided into a northern and southern portion to show detail while accommodating the parks’ length, figure 7 is a single-page, simplified map. The features labeled on figure 7 are discussed in the “Geologic History, Features, and Processes” chapter. To provide a context of geologic time, this report includes a geologic time scale (see "Geologic History, Features, and Processes"). The parks’ geologic story encompasses 200 million years, starting in the Jurassic Period. Following geologic practice, the time scale is set up like a stratigraphic column, with the oldest units at the bottom and the youngest units at the top. Organized in this manner, the geologic time scale table shows the relative ages of the rock units that underlie the parks and the unconsolidated deposits that lie at the surface. Reading the “Geologic Event” column in the table, from bottom to top, will provide a chronologic order of the parks’ geologic history. The time scale includes only the map units within the parks that also appear on the geologic map poster; that is, map units of the geohazards data are not included. Geology is a complex science with many specialized terms. This report provides definitions of geologic terms at first mention, typically in parentheses following the term. Geologic units in the GRI GIS data are referenced in this report using map unit symbols; for example, map unit KJfrc stands for the Cretaceous (K) and Jurassic (J) Franciscan Complex (f), Redwood Creek schist (rc), which underlies a portion of the Redwood Creek watershed (see “GRI Products”).
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Blaxter, Tamsin, and Tara Garnett. Primed for power: a short cultural history of protein. TABLE, November 2022. http://dx.doi.org/10.56661/ba271ef5.

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Protein has a singularly prominent place in discussions about food. It symbolises fitness, strength and masculinity, motherhood and care. It is the preferred macronutrient of affluence and education, the mark of a conscientious diet in wealthy countries and of wealth and success elsewhere. Through its association with livestock it stands for pastoral beauty and tradition. It is the high-tech food of science fiction, and in discussions of changing agricultural systems it is the pivotal nutrient around which good and bad futures revolve. There is no denying that we need protein and that engaging with how we produce and consume it is a crucial part of our response to the environmental crises. But discussions of these issues are affected by their cultural context—shaped by the power of protein. Given this, we argue that it is vital to map that cultural power and understand its origins. This paper explores the history of nutritional science and international development in the Global North with a focus on describing how protein gained its cultural meanings. Starting in the first half of the 19th century and running until the mid-1970s, it covers two previous periods when protein rose to singular prominence in food discourse: in the nutritional science of the late-19th century, and in international development in the post-war era. Many parallels emerge, both between these two eras and in comparison with the present day. We hope that this will help to illuminate where and why the symbolism and story of protein outpace the science—and so feed more nuanced dialogue about the future of food.
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Mack, Flannery. Rewriting History: Using Reconciliation Processes to Revise Dominant Cultural Narratives and Assessing Cultural Readiness for Reconciliation. Portland State University Library, January 2016. http://dx.doi.org/10.15760/honors.282.

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Hummel, Susan, Sarah Foltz-Jordan, and Sophia Polasky. Natural and cultural history of beargrass (Xerophyllum tenax). Portland, OR: U.S. Department of Agriculture, Forest Service, Pacific Northwest Research Station, 2012. http://dx.doi.org/10.2737/pnw-gtr-864.

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