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Добірка наукової літератури з теми "Cultural history"

Автор: Grafiati

Опубліковано: 4 червня 2021

Оновлено: 14 вересня 2024

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Статті в журналах з теми "Cultural history"

1

Burke, Peter. "Cultural history as polyphonic history." Arbor 186, no. 743 (May 6, 2010): 479–86. http://dx.doi.org/10.3989/arbor.2010.743n1212.

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2

Burke, Peter. "Cultural History and its Neighbours." Culture & History Digital Journal 1, no. 1 (May 10, 2012): e006. http://dx.doi.org/10.3989/chdj.2012.006.

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3

Licht, Walter. "Cultural History/Social History." Historical Methods: A Journal of Quantitative and Interdisciplinary History 25, no. 1 (January 1, 1992): 37–41. http://dx.doi.org/10.1080/01615440.1992.9956341.

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4

Zhivov (†), Viktor. "Conceptual History, Cultural History, Social History." ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies 2 (November 1, 2014): 1–14. http://dx.doi.org/10.21900/j.vivliofika.v2.746.

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Анотація:

V. M. Zhivov’s introduction to Studies in Historical Semantics of the Russian Language in the Early Modern Period (2009), translated here for the first time, offers a critical survey of the historiography on Begriffsgeschichte, the German school of conceptual history associated with the work of Reinhart Koselleck, as well as of its application to the study of Russian culture. By situating Begriffsgeschichte in the context of late-nineteenth and early twentieth-century European philosophy, particularly hermeneutics and phenomenology, the author points out the important, and as yet unacknowledged, role that Russian linguists have played in the development of a native school of conceptual history. In the process of outlining this alternative history of the discipline, Zhivov provides some specific examples of the way in which the study of “historical semantics” can be used to analyze the development of Russian modernity.

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5

Berman, Ronald. "Cultural History and Cultural Materialism." Journal of Aesthetic Education 24, no. 1 (1990): 111. http://dx.doi.org/10.2307/3332859.

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6

Davies, Christie. "A Cultural History of Humour:A Cultural History of Humour." American Anthropologist 100, no. 1 (March 1998): 241–42. http://dx.doi.org/10.1525/aa.1998.100.1.241.

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7

Berger, Stefan. "Social History vs Cultural History." Theory, Culture & Society 18, no. 1 (February 2001): 145–53. http://dx.doi.org/10.1177/02632760122051689.

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8

Rajkumari, Yaisna. "Manipuri Lores: Folktales, Cultural History and Anthologies." International Journal of Languages, Literature and Linguistics 7, no. 3 (September 2021): 140–43. http://dx.doi.org/10.18178/ijlll.2021.7.3.301.

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Анотація:

The paper will establish a connection between folktales and the cultural history of a region, particularly with respect to the Indian state of Manipur. It is premised on the belief that a study of folktales can alert us not only to the various interconnections between folktales and the cultural history of a place but also help analyse the dynamics of the publication of the anthologies of folktales in relation to this cultural history. The paper will include analyses of Meitei and tribal tales pertaining to the nationalist phase and contemporary period in the history of the North Eastern Indian state of Manipur and look at how in the past few years, compilers and translators have incorporated versions of tales different from the earlier anthologies, establishing a direct link between the tales and the times of their publication.

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9

Dierks, Konstantin. "Men’s History, Gender History, or Cultural History?" Gender & History 14, no. 1 (April 2002): 147–51. http://dx.doi.org/10.1111/1468-0424.00257.

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10

Edwards, Philip, and Terence Brown. "Rewriting Cultural History." Irish Review (1986-), no. 6 (1989): 101. http://dx.doi.org/10.2307/29735430.

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Дисертації з теми "Cultural history"

1

Ford, Marcia. "Una historia cultural de LatinoAmerica : a cultural history of Latin America /." [Rohnert Park, Calif.], 2003. http://members.aol.com/latinowebquest/Index.html.

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2

Watson, Kelly L. "Encountering Cannibalism: A Cultural History." Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1149995164.

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3

Marris, Alan David. "The cultural history of the werewolf." Thesis, University of Sussex, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260040.

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4

Gee, Lindsay Mary. "Lydia : a cultural and social history." Thesis, University of Oxford, 1993. http://ora.ox.ac.uk/objects/uuid:3ab35d75-60de-4739-81ad-5e4e8dfb912a.

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Анотація:

A date-chart of significant periods and events from the third millennium BC to the seventh century AD prefaces the work. The text's chronological span runs from the heyday of the Mermnad kingdom to that of the Roman Empire, and the primary emphasis is on giving a narrative of the country's development under Greek influence: a wide range of literary and archaeological material is employed to this end. The thesis is divided into six parts: the first deals with geographical notices in such authors as Strabo and Pliny; the second chronicles the Mermnad period, between the seventh and sixth centuries, with particular reference to contacts with the Ionian Greeks; the third describes Lydian experiences during the ensuing period of Persian hegemony, between the sixth and fourth centuries; the fourth, covering the sequel to Alexander's takeover, focusses on the culminating stages of Hellenization, discussing Sardis' Hellenistic period and the Seleukid and Attalid foundations in the countryside. The fifth part discusses the village communities, over an extended period as the topic warrants: inscriptions of the Roman period predominate, and are incorporated on the grounds that a broader panorama is thereby achieved, and that the patterns delineated will have changed only slowly and are anyway of relevance for the Hellenized country's continuing history. The sixth part, on religion native and foreign, deals with the relevant inscriptions and literature, charting the progressive influence of Persian and Greek cult but also the surviving Anatolian elements. Appendices follow on the evidence for the process of change in language use from Lydian to Greek, on Maionia and the Heraklidai, and on Mycenaean contacts, together with a catalogue of the numismatic sources for religious history. Maps and sketch-plans accompany the text at appropriate points.

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5

Micaković, Elizabeth Joan. "T.S. Eliot's voice : a cultural history." Thesis, University of Exeter, 2015. http://hdl.handle.net/10871/18902.

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Анотація:

This thesis is a diachronic account of T. S. Eliot’s speaking voice, which, over fifty years, developed into the meticulously crafted tool of the twentieth-century author and critic and the politically and socially powerful instrument of the public intellectual. Eliot’s voice, although certainly the offspring of the nineteenth-century marriage of authorship as a bona fide profession and oral performance, was, however, unique in its responsiveness to twentieth-century legal and political debates on national identity and stability, copyright, and the powerful potential of recording technologies to both disseminate an author’s words almost exponentially whilst simultaneously encroaching on the traditional material of authorship: print. Indeed, what underpins this thesis is the argument that he was both fascinated by and actively involved in shaping those very discourses on the authority of the spoken voice in the belief that the power of the spoken word, and ultimately of his own voice, held an unrivalled ability to impact on social behaviour and national stability.

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6

Munro, Lisa L. "Inventing Indigeneity: A Cultural History of 1930s Guatemala." Diss., The University of Arizona, 2014. http://hdl.handle.net/10150/347326.

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Анотація:

Popular images of indigenous cultures, both past and present, have served to construct pernicious racial stereotypes of native peoples throughout the Americas. These stereotypes have led to the discrimination and marginalization of native peoples; however, they also have functioned to construct identities and cultural values of non-Indian people. Existing scholarship on the representation of native peoples of Latin America has focused on the ways that nineteenth-century elites in that region appropriated certain elements of indigenous cultures to construct a sense of national unity and historical continuity. However, this scholarship has overlooked the ways that images of the Maya produced social and cultural identities outside of Latin America, as the U.S. public avidly consumed a variety of images of the Maya and commercialized their material culture in the early twentieth century. Analyzing the question of identity construction through the appropriation of Mayan culture, this dissertation focuses on the U.S. construction and use of a particular racial discourse about native people. Public audiences consumed racial discourses in the context of a series of transnational cultural initiatives, including international expositions, popular film, and textile exhibits, which shaped public understandings of the Maya. I argue that despite growing public interest in Mayan culture and shifting understandings about the relationship between race and culture, these venues of visual display reinforced and reproduced older racial discourses of Indian degeneracy. I examine documentary evidence, such as travel brochures, newspapers, and archival materials to show that sites of visual display invented a new language of "indigeneity," which functioned to define not only native peoples, but also to shape U.S. public social identities. I conclude that the production of racial discourses of the Maya as culturally and racially inferior throughout the twentieth century defined contemporary understandings of U.S. identities and the role of indigenous history.

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7

Hatherell, William. "A cultural history of Brisbane 1940-1970 /." [St. Lucia, Qld.], 2003. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe17644.pdf.

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8

Armstrong, Christopher. "Placing Atlantic Canada, community, cultural history, politics." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0020/NQ43463.pdf.

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9

Driscoll, P. M. "A cultural history of Wiltshire, 1750-1800." Thesis, University of Cambridge, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.598655.

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Анотація:

This thesis constructs the first integrated cultural history of a county as a unit for the eighteenth century. Surveying a diversity of environments, urban and rural, this study emphasises the variety of cultural activities and contexts within a single English county. Such a detailed study of a whole county – not just major towns – brings geography to the fore, recognising the importance of not only ‘natural’, but also human, geography – in the form of communications networks, urban planning, and local economies – in shaping provincial cultural life in the eighteenth century. The thesis mines a rich seam of source material including local newspapers, books, diaries and correspondence to explore five central aspects of Wiltshire’s cultural life. Each of the chapters – on religion, sociability, sport, the theatre, and music – reveals important details of English provincial life, from religious, social, and economic imperatives to leisure pursuits and pastimes. Together, the chapters form a detailed case study of Wiltshire’s own cultural life and the provincial county’s relations with regional, national, and metropolitan social and cultural influences. Because of its breadth of focus and the diversity of its sample, this thesis creates a body of material that is used to analyse key themes in the historiography of eighteenth-century society and culture. The thesis thus employs its empirical geographical basis to interrogate concepts and models such as class, commercialisation, politeness and the urban renaissance, and to evaluate the way these developments played themselves out on the ground in Wiltshire. The county history therefore not only extends historians’ knowledge of local provincial culture and society, but contributes to an understanding of eighteenth-century English culture at large.

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10

Stevens, Charlotte. "Snapshots from the cultural history of taste." Thesis, Loughborough University, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.416724.

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Анотація:

This thesis explores the cultural, or literary history of taste as a social construct. Taking the mid-eighteenth century as its starting point, the thesis adopts an historicist approach to five very particular texts from this vast history. It begins by focusing on three novels: firstly, Henry Fielding's Tom Jones (1749) which was published at a time when there was increasing pressure to create `standards' of taste; secondly, Jane Austen's Sense and Sensibility (1811) which belongs to a moment that scrutinised these `standards'; and thirdly, Charles Dickens's Oliver Twist (1837), which reflects an era in which taste is driven by commercial forces. The final chapters explore a significant twentieth-century development in the history of taste: namely, the adaptation of text into film. Here, David Lean's Oliver Twist (1948) and Tony Richardson's Tom Jones (1963) become the focus for close investigation. I argue that Lean's Oliver Twist very much belongs to a post-war Britain in which the acquisition of taste was part of a wider framework for maintaining national and social cohesion. Richardson's Tom Jones, I argue, must be read in relation to the cultural revolutions in tastet hat dominatedth e early 1960s.

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Книги з теми "Cultural history"

1

M, Mohsin K., Ahmed Sharif Uddin, Asiatic Society of Bangladesh, and Cultural Survey of Bangladesh Project., eds. Cultural history. Dhaka: Asiatic Society of Bangladesh, 2007.

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2

Etpison, Mandy T. Palau: Cultural history. Koror: Tkel Corp., 2004.

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3

1926-, Goldberg S. L., Smith F. B. 1932-, and Australian Academy of the Humanities., eds. Australian cultural history. Cambridge: Cambridge University Press, 1988.

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4

1926-, Goldberg S. L., Smith F. B. 1932-, and Australian Academy of the Humanities., eds. Australian cultural history. Melbourne: Published in association with the Australian Academy of the Humanities (by) Cambridge University Press, 1989.

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5

Akus, Chude. Idemili: Cultural history. Owerri: Center for Igbo Civilization and History, 1991.

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6

1933-, Neubauer John, ed. Cultural history after Foucault. New York: Aldine de Gruyter, 1999.

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7

Davies, Jude. Diana, A Cultural History. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230598256.

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8

Pittock, Joan H., and Andrew Wear, eds. Interpretation and Cultural History. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21272-9.

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9

Garrett, Martin. Provence: A cultural history. Oxford: Signal, 2006.

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10

Burke, Peter. What is cultural history ? Cambridge, U.K: Polity Press, 2004.

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Частини книг з теми "Cultural history"

1

Claus, Peter, and John Marriott. "Cultural history." In History, 238–51. Second edition. | Abingdon, Oxon ; New York : Routledge, [2017]: Routledge, 2017. http://dx.doi.org/10.4324/9781315684673-13.

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2

Claus, Peter, and John Marriott. "Cultural History." In History, 180–97. 3rd ed. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003156086-13.

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3

Tsuji, Kinko, and Stefan C. Müller. "Cultural History." In Spirals and Vortices, 3–29. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-05798-5_1.

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4

Jelavich, Peter. "Cultural History." In Transnationale Geschichte, 227–37. Göttingen: Vandenhoeck & Ruprecht GmbH & Co. KG, 2010. http://dx.doi.org/10.13109/9783666367366.227.

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5

Manning, Patrick. "Cultural History." In Navigating World History, 229–54. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1057/9781403973856_13.

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6

Jelavich, Peter. "Cultural History." In Transnationale Geschichte, 227–37. Göttingen: Vandenhoeck & Ruprecht, 2010. http://dx.doi.org/10.13109/9783647367361.227.

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7

Todd, Molly. "Cultural History." In Undergraduate Research in History, 120–27. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003024774-18.

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8

Harootunian, Harry. "Shadowing History." In Cultural Studies, 181–200. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003209331-3.

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9

Kalela, Jorma. "Cultural Critics." In Making History, 113–45. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-0-230-35658-0_5.

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10

Torres Rivera, Edil. "History." In International and Cultural Psychology, 1–10. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-46105-7_1.

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Тези доповідей конференцій з теми "Cultural history"

1

García Ramírez, William. "Paisajes en movimiento: metodología para la identificación de paisajes culturales en las plazas de mercado de Bogotá." In Seminario Internacional de Investigación en Urbanismo. Barcelona: Curso de Arquitetura e Urbanismo. Universidade do Vale do Itajaí, 2016. http://dx.doi.org/10.5821/siiu.6356.

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Анотація:

El reto que plantea esta investigación es comprender los distintos paisajes culturales presentes en las plazas de mercado de Bogotá, a través de la historia de la primera plaza de mercado cubierta de Bogotá y del país: La plaza de mercado de la Concepción. La reconstrucción de este paisaje cultural tiene un contexto físico: Bogotá, y un contexto temporal: la transición entre siglo XIX y Siglo XX (1.864-1.953). La propuesta de investigación se sustenta en la siguiente hipótesis: Los valores patrimoniales contenidos en el paisaje cultural de las plazas de mercado, no dependen de la existencia de la arquitectura que los alberga, sino de la permanencia de los ritos, costumbres, tradiciones que escapan a las formas espaciales, por lo que muchos de estos valores prevalecen hasta hoy como manifiestos de una cultura en las plazas de mercado bogotanas. Es por ello, que la identificación de los paisajes culturales manifestados en esta plaza de mercado, permitirá detentar los principales tipos de paisajes culturales actuales y sus valores patrimoniales, como testimonios del permanente encuentro entre las culturas del campo y de la ciudad. The challenge of this research is to understand the different cultural landscapes present in the market places of Bogota, across the history of the first marketplace covered of Bogota and of the country: The marketplace of the Concepcion. The reconstruction of this cultural landscape has a physical context: Bogota, and a temporary context: the transition between 19th century and 20th century (1.864-1.953). This proposal is sustained in the following hypothesis: The patrimonial values contained in the cultural landscape of the marketplaces, do not depend on the existence of the architecture that shelters them, but of the permanency of the rites, customs, traditions that escape to the spatial forms, for what many of these values prevail up to today as manifests of a culture in the of Bogotá marketplaces. It is for it, that the identification of the cultural landscapes demonstrated in the marketplace, will allow to hold the principal types of cultural current landscapes and his patrimonial values, as testimonies of the permanent meeting between the cultures of the country and the city.

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2

Belousov, Maksim. "LOUIS THE PIOUS IN HISTORY AND LITERATURE." In World literature Cultural Codes. Baskir State University, 2021. http://dx.doi.org/10.33184/kkml-2021-11-19.3.

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3

Ekaterina, Malygina. "DOCUMENTARY HERITAGE OF KHAKASSIA: THE POSSIBILITY OF USING IN SOCIAL AND CULTURAL EDUCATION AND PATRIOTIC EDUCATION OF CITIZENS." In Archives in history. History in archives. Ottisk, 2018. http://dx.doi.org/10.32363/978-5-6041443-5-0-2018-157-161.

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4

Haake, Susanne, and Wolfgang Muller. "New memory spaces for cultural history." In 2015 Digital Heritage. IEEE, 2015. http://dx.doi.org/10.1109/digitalheritage.2015.7413921.

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5

Patel, Amit Dinesh. "Exploring Cultural Diversity in Experimental Sound." In Rethinking the History of Technology-based Music. University of Huddersfield, 2022. http://dx.doi.org/10.5920/culturaldiversity.

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6

Neumann, Hans-Rudolf, Dirk Röder, and Hartmut Röder. "Diverse and rich fortified cultural heritage of the Iberian Peninsula. Basis for culture tourism with the European Culture Route Fortified Monuments FORTE CULTURA®." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11394.

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Анотація:

Fortresses are architectural pearls, cultural sites, event locations, experience places and memorials, mostly situated at breath-taking places on mountains, rivers or in the under-ground. Fortresses are monuments of common European history, they mirror the past into the present, connect cultures and offer deep insights into the historical conflicts. Fortified monuments are part of what makes Europe unique and attractive. This cultural heritage has to be preserved and made accessible for the culture tourism at the same time. The Iberian fortified heritage has big potential for new culture touristic topics and travel routes away from mass tourism. Therefore, cultural routes are a useful instrument. The European Culture Route Fortified Monuments –FORTE CULTURA®– is the European umbrella brand for fortress tourism. It offers useful instruments for international marketing of fortified monuments. The implementation of the attractive architectura militaris of the Iberian Peninsula into the culture route FORTE CULTURA® makes it possible to network this culture asset touristically, make it visible and experienceable on international tourism markets and market it Europe-wide. By implementing a new touristic regional brand “FORTE CULTURA – Iberian Fortified Heritage” the qualified culture tourism will be addressed. This supports a balance between over and under presented monuments and extends the sphere of activity of local actors onto whole Europe.

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7

Tsuboi, Uzuhiko. "Cultural Observations on the History of Wheels." In International Congress & Exposition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 1998. http://dx.doi.org/10.4271/980617.

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8

Shatin, Yurii V. "“Bobok” by Dostoevsky: fiction phenomenon in the journalistic context." In Communication and Cultural Studies: History and Modernity. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1258-1-21-23.

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9

Konev, Kirill. "Constructing the Image of the Entente and the United States in the Bolshevik and Anti-Bolshevik Periodicals (1918–1920): A Comparative Analysis." In Communication and Cultural Studies: History and Modernity. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1280-2-82-88.

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Prokhorova, Irina E. "Turgenevs in the the “Vestnik Evropi” (“Bulletin of Europe”) and the problem of intergeneration communication." In Communication and Cultural Studies: History and Modernity. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1258-1-33-39.

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Звіти організацій з теми "Cultural history"

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Blaxter, Tamsin, and Tara Garnett. Primed for power: a short cultural history of protein. TABLE, November 2022. http://dx.doi.org/10.56661/ba271ef5.

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Анотація:

Protein has a singularly prominent place in discussions about food. It symbolises fitness, strength and masculinity, motherhood and care. It is the preferred macronutrient of affluence and education, the mark of a conscientious diet in wealthy countries and of wealth and success elsewhere. Through its association with livestock it stands for pastoral beauty and tradition. It is the high-tech food of science fiction, and in discussions of changing agricultural systems it is the pivotal nutrient around which good and bad futures revolve. There is no denying that we need protein and that engaging with how we produce and consume it is a crucial part of our response to the environmental crises. But discussions of these issues are affected by their cultural context—shaped by the power of protein. Given this, we argue that it is vital to map that cultural power and understand its origins. This paper explores the history of nutritional science and international development in the Global North with a focus on describing how protein gained its cultural meanings. Starting in the first half of the 19th century and running until the mid-1970s, it covers two previous periods when protein rose to singular prominence in food discourse: in the nutritional science of the late-19th century, and in international development in the post-war era. Many parallels emerge, both between these two eras and in comparison with the present day. We hope that this will help to illuminate where and why the symbolism and story of protein outpace the science—and so feed more nuanced dialogue about the future of food.

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Samper, Cristián. Cultural Ecology in the Americas. Inter-American Development Bank, December 2003. http://dx.doi.org/10.18235/0007950.

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Mack, Flannery. Rewriting History: Using Reconciliation Processes to Revise Dominant Cultural Narratives and Assessing Cultural Readiness for Reconciliation. Portland State University Library, January 2016. http://dx.doi.org/10.15760/honors.282.

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Hummel, Susan, Sarah Foltz-Jordan, and Sophia Polasky. Natural and cultural history of beargrass (Xerophyllum tenax). Portland, OR: U.S. Department of Agriculture, Forest Service, Pacific Northwest Research Station, 2012. http://dx.doi.org/10.2737/pnw-gtr-864.

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Prendergast, Ellen L. Hanford Cultural Resources Laboratory Oral History and Ethnography Task Annual Report. Office of Scientific and Technical Information (OSTI), July 2003. http://dx.doi.org/10.2172/15010293.

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Yaremchuk, Olesya. TRAVEL ANTHROPOLOGY IN JOURNALISM: HISTORY AND PRACTICAL METHODS. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11069.

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Our study’s main object is travel anthropology, the branch of science that studies the history and nature of man, socio-cultural space, social relations, and structures by gathering information during short and long journeys. The publication aims to research the theoretical foundations and genesis of travel anthropology, outline its fundamental principles, and highlight interaction with related sciences. The article’s defining objectives are the analysis of the synthesis of fundamental research approaches in travel anthropology and their implementation in journalism. When we analyze what methods are used by modern authors, also called «cultural observers», we can return to the localization strategy, namely the centering of the culture around a particular place, village, or another spatial object. It is about the participants-observers and how the workplace is limited in space and time and the broader concept of fieldwork. Some disciplinary practices are confused with today’s complex, interactive cultural conjunctures, leading us to think of a laboratory of controlled observations. Indeed, disciplinary approaches have changed since Malinowski’s time. Based on the experience of fieldwork of Svitlana Aleksievich, Katarzyna Kwiatkowska-Moskalewicz, or Malgorzata Reimer, we can conclude that in modern journalism, where the tools of travel anthropology are used, the practical methods of complexity, reflexivity, principles of openness, and semiotics are decisive. Their authors implement both for stable localization and for a prevailing transition.

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Morrison, Dawn, and Adam Smith. Fort Huachuca history of development : existing reports and contexts. Engineer Research and Development Center (U.S.), January 2021. http://dx.doi.org/10.21079/11681/39479.

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The Fort Huachuca Environmental and Natural Resources Division (ENRD) tasked ERDC-CERL to compile a history of the development of Fort Huachuca for use in evaluating existing facilities and how they fit within the larger, overarching history of the fort. Fort Huachuca desires a comprehensive history of the fort for use in better understanding how its various facilities integrate into the overall history and development of the fort and its existing National Historic Landmark (NHL) and proposed existing evaluated, eligible, and listed National Register of Historic Places (NRHP) properties and districts. This comprehensive history will help ENRD in making determinations on how to address future National Register of Historic Places (NRHP) nominations and/or recommendations for adding new historic districts or expanding the existing historic district. ERDC-CERL compiled content from 18 existing historic contexts, building inventory and cultural re-sources reports, NRHP nomination and registration forms, and Historic American Buildings Survey (HABS) forms previously completed for the ENRD, and used these resources to compile the current history.

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Khomenko, Tetiana, та Yuriy Kolisnyk. Втрати української культури у російсько-українській війні: культурно-інформаційний спротив. Ivan Franko National University of Lviv, березень 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11749.

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The authors explored the activity of mass media and cultural organizations aimed at clarification of the current problematic issue – preservation of Ukrainian cultural heritage under the conditions of the full-scale invasion of Russia into Ukraine. The authors emphasize that occupants not only destroy historic buildings, i.e. material objects, but also steal art values, destroy library and archive funds; their actions are aimed at destruction of our spirituality, identity and history. It is pointed out that there are the main streams in the work of journalists, experts, and culture figures, namely: fixation of losses, propaganda of the Ukrainian culture in the world, expert evaluation of the restitution possibilities, and filling of the culture material with patriotic sense. The full-scale invasion of Russia into Ukraine on the 24th of February 2022 led to the numerous loss of life, ruination of the military, civil and infrastructure objects. But the state-aggressor destroys and robs our culture in this war. Since the beginning of the war mass media have been actively informing about the situation in the regions, which happened to be at the line of the Russian troops attack. The information was in particular about the fact that different educational establishments, libraries and their funds, museums with valuable collections, theatres, religious buildings and historic buildings had been ruined. To tell the truth the information was incomplete due to the limited opportunities to monitor the situation. However, later it has been systematized. The work of journalists and experts contributed to this since they stated the criminal acts of Russia, informing about the ruination facts of historic, sacral, cultural monuments, devastation of many museum collections, destruction of library and archive funds. Digitalization of the Russian war crimes against Ukrainian culture became one more important work aimed at preservation of the Ukrainian cultural heritage. It was done by means of interactive maps of the Ukrainian cultural losses and it enables documenting crimes of the occupant army and spreading this information at the international level. Key words: culture, cultural front, cultural losses, cultural values, cultural heritage, war, media.

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Pryt, Karina. Polish-German film relations in the process of building German cultural hegemony in Europe 1933-1939. Universitätsbibliothek Johann Christian Senckenberg, December 2022. http://dx.doi.org/10.21248/gups.70888.

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The article presents Polish-German film relations in the framework of Nazis cultural diplomacy between 1933 and 1939. The Nazi effort to create a cultural hegemony through the unification of the European film market under German leadership serves as an important point of reference. On the example of the Polish-German relationship, the article analyses the Nazi “soft power” in terms of both its strength and limits. Describing the broader geopolitical context, the article proposes a new trail in the research on both the film milieus and the cinema culture in Poland in the 1930s. In mythological terms, it belongs to cultural diplomacy and adds simultaneously to film history and New Cinema History.

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Story, Madison, and Adam Smith. Fort Hunter Liggett : a history and analysis. Engineer Research and Development Center (U.S.), January 2023. http://dx.doi.org/10.21079/11681/46340.

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The US Congress codified the National Historic Preservation Act of 1966 (NHPA), the nation’s most effective cultural resources legislation to date, mostly through establishing the National Register of Historic Places (NRHP). The NHPA requires Federal agencies to address their cultural resources, which are defined as any prehistoric or historic district, site, building, structure, or object. Section 110 of the NHPA requires Federal agencies to inventory and evaluate their cultural resources, and Section 106 requires them to determine the effect of Federal undertakings on those potentially eligible for the NRHP. Fort Hunter Liggett is located on California’s Central Coast within Monterey County. The fort has been used as a training facility for large-scale maneuvers and live-fire exercises since its establishment as a US Army training facility in 1941. The periods of significance for Criterion A are: from 1769 to 1833, relating to the founding and development of Mission San Antonio de Padua; from 1834 to 1923, relating to Euro-American land grants and ranchos; from 1923 to 1940, relating to Hearst’s purchase of the property and subsequent development; from 1940 to 1945, relating to the establishment of the Hunter Liggett Military Reservation (HLMR) and activities related to WWII; from 1959 to 1970, relating to the establishment and buildup of CDEC; and from 1975 to 1980, relating to HLMR’s redesignation as Fort Hunter Liggett and associated development. This report provides a comprehensive historic context for ranges, features, and buildings at Fort Hunter Liggett in support of Section 110 of the NHPA.

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