Добірка наукової літератури з теми "Crucifixion in art"
Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями
Ознайомтеся зі списками актуальних статей, книг, дисертацій, тез та інших наукових джерел на тему "Crucifixion in art".
Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.
Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.
Статті в журналах з теми "Crucifixion in art":
Jeffrey, David Lyle. "Meditation and Atonement in the Art of Marc Chagall." Religion and the Arts 16, no. 3 (2012): 211–30. http://dx.doi.org/10.1163/156852912x635205.
Panteleev, Aleksey D. "Crucifixion in the Ancient Art of the Roman Period." Actual Problems of Theory and History of Art 11 (2021): 124–33. http://dx.doi.org/10.18688/aa2111-01-11.
de Chaves, Lila. "An Investigation on a Coptic Embroidered Panel from the 13th Century “Crucifixion with the Twelve Apostles” (Benaki Museum, Athens)." Heritage 4, no. 4 (November 13, 2021): 4335–43. http://dx.doi.org/10.3390/heritage4040239.
Coatsworth, Elizabeth. "The ‘robed Christ’ in pre-Conquest sculptures of the Crucifixion." Anglo-Saxon England 29 (January 2000): 153–76. http://dx.doi.org/10.1017/s0263675100002441.
Fowler, Cynthia. "Herman Trunk’s Cubist Crucifix: A Case Study." Religion and the Arts 15, no. 5 (2011): 628–47. http://dx.doi.org/10.1163/156852911x596264.
Ledovskih, Natalya P., and Olga G. Belomoeva. "Existential analysis philosophy of art creation." Aspirantskiy Vestnik Povolzhiya 19, no. 7-8 (April 7, 2020): 50–53. http://dx.doi.org/10.17816/2072-2354.2019.19.7-8.50-53.
Tarakanova, Ekaterina I. "WOODEN “CRUCIFIXION” BY FILIPPO BRUNELLESCHI AND MASACCIO’S FRESCO “TRINITY”." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 1 (2022): 124–33. http://dx.doi.org/10.28995/2686-7249-2022-1-124-133.
Misler, Nicoletta, and John E. Bowlt. "Catherine’s Icon: Pavel Filonov and the Orthodox World." Religions 12, no. 7 (July 6, 2021): 502. http://dx.doi.org/10.3390/rel12070502.
Bigaj-Zwonek, Beata. "Religious Motifs in Polish Contemporary Art Using the Crucifixion: An Outline of the Problem." Perspektywy Kultury 28, no. 1 (March 1, 2020): 149–66. http://dx.doi.org/10.35765/pk.2020.2801.12.
González, Cristina Cruz. "Crucifixion piety in New Mexico: On the origins and art of St. Librada." Res: Anthropology and aesthetics 65-66 (March 2015): 89–104. http://dx.doi.org/10.1086/691028.
Дисертації з теми "Crucifixion in art":
Harley, Felicity. "Images of the crucifixion in late antiquity : the testimony of engraved gems." Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phh285.pdf.
Horvath, Jennifer. "Resistance, Resurrection, Liberation: Beyond the Existing Readings of Marc Chagall's Crucifixion Paintings." University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1427980680.
Anderson, Keith Edward. "An investigation of the theological questions raised by twentieth-century works of art which make use of the iconography of the crucifixion." Thesis, Oxford Brookes University, 2014. https://radar.brookes.ac.uk/radar/items/8e78f44e-8d37-4f6a-a078-75318d1b3a4a/1.
Thoury, Corinne de. "Le couteau et la croix, émergence du paradoxe : esthétique et poi͏̈étique du sacrifice dans l'art à travers les figures d'Isaac et du Christ." Paris 3, 2001. http://www.theses.fr/2001PA030163.
The two great biblical sacrifices give rise to a number of inconsistencies, which are difficulties to define an interpretation. Isaac, son of the Holy Promise, risks death by a test sent by God himself ; Christ, becomes flesh, dies subjected to a punishment reserved for criminals and slaves by the state. From an artistic point of view, Crucifixion and Isaac on the altar display a polymorphy, illustration of the complexity of the faces linked to the sacrifice and raise the question of the different ways to picture the body. This question penetrates the theological debate of the first centuries of our era and the answer was the proclamation of the Incarnation dogma, founded on a paradox. .
Rehlinger, Geneviève. "Jésus le Christ dans l'oeuvre de Marc Chagall : le motif du crucifié." Metz, 2006. http://docnum.univ-lorraine.fr/public/UPV-M/Theses/2006/Schmitt_Rehlinger.Genevieve.LMZ0607_1_2.pdf.
To determine the place of Jesus the Christ in the works of Chagall, we rely on a corpus of 365 artistic works with the motif of Christ crucified and different literary documents (such as letters, biography and poems). Among other things we refer to the different fields of the history of Art, Judaism (Shoah), and Christianity as well as the biblical exegesis. The first part specifies the critical and interpretative readings being influenced by the cultural and religious belonging of their author. The second part explores the different influences received by the artist from the cultural, artistic, ethnic, religious and historical point of view. It particularly focuses on the divergences between the Christian and Jewish communities concerning Jesus Christ. The third part puts forward the remarkable place of the motif of Christ crucified takes in an artist born of Judaism. It asks the question of the use of a Christian motif by a Jew. The fourth part introduces the place of the motif in the artist works, a place which is unknown, under-evaluated, and contested. A study of the topics and associated motives under the categories of “grotesque”, “report” and “deport” introduces the viewer to the path of a painter who discovers, appropriates and transcends a motif in Christian art. Consequently, the careful retrospective reading of the motif emphasizes the polysemic and pluri-religious side of the design which definitively makes a visionary of Chagall
Walker, Ashely Wilemon. "The Thirteenth-Century Fresco Decoration of Santa Maria Ad Cryptas in Fossa, Italy." Digital Archive @ GSU, 2009. http://digitalarchive.gsu.edu/art_design_theses/52.
Smith, Tamytha Cameron. "Personal Passions and Carthusian Influences Evident in Rogier Van Der Weyden's Crucified Christ between the Virgin and Saint John and Diptych of the Crucifixion." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5245/.
Yang, Chuan-Tsing. "The Crucifixion." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc501140/.
Ogden, Jenna Noelle. "The Leprous Christ and the Christ-like Leper: The Leprous Body as an Intermediary to the Body of Christ in Late Medieval Art and Society." Cleveland State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=csu1305075738.
Balicka-Witakowska, Ewa. "La crucifixion sans crucifié dans l'art éthiopien : recherches sur la survie de l'iconographie chrétienne de l'Antiquité tardive /." Warszawa ; Wiesbaden : ZAŚ PAN, 1997. http://catalogue.bnf.fr/ark:/12148/cb39219741v.
Книги з теми "Crucifixion in art":
Julia, Hasting, ed. Crucifixion. London: Phaidon, 2000.
Boespflug, François. Crucifixion: La crucifixion dans l'art, un sujet planétaire. Montrouge: Bayard Édition, 2019.
Réunion des musées nationaux (France), Musée national de la Renaissance (France), and Union latine, eds. Le triptyque aztèque de la crucifixion. Paris: Réunion des musées nationaux, 2004.
Brindisi, Remo. La passione. Roma: Edicigno, 1990.
Bergmann, Ulrike. Neue Forschungen zur gefassten Skulptur des Mittelalters: Die gotischen Crucifixi dolorosi. München: Siegl, 2001.
Lara, Angel Aroca. El Crucificado en la imaginería andaluza del siglo XVII. Córdoba: Publicaciones del Monte de Piedad y Caja de Ahorros de Córdoba, 1987.
Castro, Sandra. Art of the cross: A Philippine tradition. Makati City, Philippines: Ayala Museum, 2002.
Lorentz, Philippe. La Crucifixion du Parlement de Paris. Paris: Réunion des musées nationaux, 2004.
Menichelli, Antonio Santantoni. Passio: Un volto dolente da contemplare. Ponte S. Giovanni (Perugia): Quattroemme, 2004.
Pinault, François. Adel Abdessemed, Décor. Paris]: Barral, 2012.
Частини книг з теми "Crucifixion in art":
Binski, Paul. "The crucifixion and the censorship of art around 1300." In The Medieval World, 418–36. Second edition. | Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2017. | Series: The Routledge worlds: Routledge, 2018. http://dx.doi.org/10.4324/9781315102511-25.
Neil, Josephine. "Chapter 12The Reception of Divine Grace in Hendrick ter Brugghen’s Crucifixion with the Virgin and Saint John." In Sacred Images and Normativity: Contested Forms in Early Modern Art, 224–41. Turnhout, Belgium: Brepols Publishers, 2021. http://dx.doi.org/10.1484/m.sacrima-eb.5.122589.
Wenkel, David H. "The Act of Beating the Fool." In Jesus' Crucifixion Beatings and the Book of Proverbs, 89–103. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-48270-5_7.
"Ekphrasis of the Crucifixion." In Michael Psellos on Literature and Art, translated by Charles Barber and Elizabeth A. Fisher, 290–99. University of Notre Dame Press, 2017. http://dx.doi.org/10.2307/j.ctvpj7gd5.27.
Viladesau, Richard. "The Cross in Modern Visual Art." In The Wisdom and Power of the Cross, 180–256. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197516522.003.0004.
"Tintoretto’s Crucifixion and Cassinese Spirituality." In Nuns and Reform Art in Early Modern Venice, 160–80. Routledge, 2017. http://dx.doi.org/10.4324/9781315090429-9.
Burnham, Rika. "12 Radiant Dialogue: Discovering Piero’s Crucifixion in The Frick Collection." In Time and Presence in Art, 235–42. De Gruyter, 2022. http://dx.doi.org/10.1515/9783110722079-013.
"Madonna’s crucifixion and the woman’s body in feminist theology." In Doing Gender in Media, Art and Culture, 129–45. Routledge, 2009. http://dx.doi.org/10.4324/9780203876800-17.
"Iconoclasm: Crucifixion as Self-Annihilation in Late Works (1804 – 27)." In The Visionary Art of William Blake. I.B. Tauris, 2018. http://dx.doi.org/10.5040/9781350989375.ch-005.
Hornik, Heidi J. "Eschatology in Fine Art." In The Oxford Handbook of Eschatology, 629–54. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780195170498.003.38.
Тези доповідей конференцій з теми "Crucifixion in art":
ХУХАРЕВ, В. В. "Stone Cross from Podborovie Village in Tver Region: a Preprint." In Тверь, тверская земля и сопредельные территории в эпоху средневековья. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2018.978-5-9906508-3-1.203-207.