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Статті в журналах з теми "Critique de la colonialité":

1

Scafoglio, Luca. "« Décoloniser » la Théorie critique ? Une hypothèse de travail sur Adorno et la decolonialidad." Rue Descartes N° 103, no. 1 (November 16, 2023): 78–92. http://dx.doi.org/10.3917/rdes.103.0078.

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« L’approche de la « decolonialidad » , telle qu’elle a été élaborée par Dussel, Quijano, Mignolo, Castro-Gomez, Lugones, Maldonado Torres et Grosfoguel, met en avant l’actualité du colonialisme. La « colonialité » désigne la « structure de pouvoir » mise en place à partir de la conquête de ce qu’on appelle « l’Amérique latine » par les Européens, comme condition et mode éminent d’établissement du capitalisme, qui constitue « le mode de domination le plus général du monde contemporain ». Au cœur de cette « colonialité du pouvoir » se trouve une classification sociale eurocentrique de la population mondiale, selon des critères raciaux. En même temps, la thèse est formulée qu’un tel régime de domination s’installe dans la dimension constitutive du paradigme moderne de la raison – le binôme « rationalité/modernité ». Confronter la théorie critique de l’« École de Francfort » avec la question de la décolonialité permet de déplacer de manière décisive le centre de gravité de la répression de la nature interne, autour de laquelle se stabilise le sujet identique, à la répression que ce sujet exerce envers l’autre – à qui toute subjectivité est déniée et qui est au contraire assimilé à la nature externe. Odysseus sera remplacé par Cortés : les lignes d’une refonte de la préhistoire ( Urgeschichte ) de la subjectivité sont clairement offertes. Il s’agirait d’examiner de plus près le lien entre échange et violence, abstraction et domination, raison et domination, et de repenser la dialectique eurocentrée de l’ Aufklärung à la lumière de la conquête, c’est-à-dire de l’assujettissement des peuples indigènes, de ce qui allait devenir l’« Amérique » et de la traite des peuples africains. »
2

Chaka, Chaka, and Sibusiso Ndlangamandla. "Relocating English Studies and SoTL in the Global South: Towards Decolonizing English and Critiquing the Coloniality of Language." Journal of Contemporary Issues in Education 17, no. 2 (December 13, 2022): 39–56. http://dx.doi.org/10.20355/jcie29495.

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South Africa has policies and frameworks for curriculum design, transformation, and quality assurance in each public institution of higher education (HE). These policies influence the scholarship of teaching and learning (SoTL), particularly at the departmental and disciplinary levels of English Studies. Despite the policy narratives and rhetoric, English Studies still carries vestiges of colonialism and apartheid in South Africa. Similarly, in other disciplines, scholars in the Global South have highlighted coloniality, epistemicides, epistemic errors, and epistemic injustices, but not in a dual critique of SoTL and the English language. Hypercritical self-reflexivity by academics should be the norm in SoTL, and this should be linked to language-based curriculum reforms and module content designs. All of these self-reflexive efforts should foreground how the mission to transform and decolonize is entangled with Eurocentric paradigms of English language teaching. This paper characterizes the nexus between SoTL and the coloniality of language within South African higher education. It also discusses and critiques the nature of an English department in a post-apartheid and postcolonial South Africa. In addition, it critiques the coloniality of language and imperial English language paradigms often embraced by higher education institutions (HEIs) in South Africa, and delineates curriculum transformation, Africanization, and decolonizing English within this educational sector. Finally, the paper challenges Eurocentric SoTL practices and colonialist English language paradigms by framing its argument within a critical southern decolonial perspective and a post-Eurocentric SoTL.
3

Corral-Broto, Pablo, and Antonio Ortega Santos. "simple overflow?" Perspectivas - Journal of Political Science 25 (December 17, 2021): 29–42. http://dx.doi.org/10.21814/perspectivas.3564.

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This article analyzes the emergence of the critique of the "environmental coloniality" of Spain’s Francoist dictatorship, and how it connected to the foundation of several environmental injustice struggles in Spain. This coloniality can be observed in contemporary critiques of "internal colonialism", which arose during the 1970s. Green intellectuals, such as Mario Gaviria, went as far as to describe three types of environmental colonialism based on classic colonialism: space colonialism, energy colonialism and extractivism. In this article we argue that the Spanish case illustrates that the global colonial system implies a certain capacity for reversibility. In comparison to liberal democracies, the environmental coloniality of a fascist regime involves more violence and repression in the coloniality of power, knowledge, and being. Such reversibility, along with the old patterns of environmental coloniality, prompts historians to criticize the rhetoric of European economic miracles and high-modernity through the lens of decolonial environmental history. We can describe the concept of environmental coloniality from three perspectives. First is the conceptualization of the environment as an object of capitalist appropriation of scientific processes overseen by the State. This perspective can be described in terms of the commodification of nature. Secondly, and related to this first element, is the coercive nature of a fascist state that annuls any decision-making processes or social participation in the field of environmental management. Finally is a fascist state’s violent repression of any form of social contestation. From these three perspectives we can conclude that environmental coloniality gave rise to a cycle of struggles for the defense of land, water, and community life; these struggles can be considered decolonial, because they proposed an alternative model to the authoritarianism of the fascist state.
4

Goodhead, Dokubo Melford. "The Prophetic Statement in Sophocles’ Oedipus the King and Chinua Achebe’s Things Fall Apart: A Textual Comparison." Contemporary Journal of African Studies 3, no. 2 (February 29, 2016): 95–111. http://dx.doi.org/10.4314/contjas.v3i2.4.

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Oedipus the King and Things Fall Apart show fundamental similarities. This essay explores these similarities in an attempt to give more of a formalist interpretation and a somewhat fresh insight into Achebe’s path-breaking novel, anchored on his use of the prophetic statement. In drawing a comparison between the two texts, the paper is not seeking to engage in a “colonialist” or “neo-colonialist” critique. Rather, it employs the formalist approach to read Achebe’s timeless masterpiece beyond its use as an anthropological text in certain quarters of the Western academy in order to situate the novel in the tradition of the best literary writing.Keywords: Formal critique; prophetic statement; fate; agency; proverbs; character; colonialism; cosmopolitanism
5

Anzi, Achia. "Coloniality and its Future." Kronos 47, no. 1 (December 31, 2021): 1–10. http://dx.doi.org/10.17159/2309-9585/2021/v47a11.

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Decoloniality emerged in the last two decades as a new mode of critique against colonialism and coloniality. While its insights are inspired by dependency and postcolonial theories, decoloniality challenges them both, particularly their inability to depart with modern Western epistemology. Written in response to Arjun Appadurai's recent critique of On Decoloniality by Catherine E. Walsh and Walter D. Mignolo, this article attempts to articulate decoloniality's approach to epistemology and discourse analysis. Whereas Appadurai describes Walsh and Mignolo's position as an anachronistic attempt to "return to the precolonial past," this article underlines his inability to transcend the modern linear order of time.
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Blondel, Cyril. "Gymnastique épistémologique, critique et réflexive : la construction d’une recherche en « ex-Yougoslavie » face à la colonialité du savoir." Nouvelles perspectives en sciences sociales 13, no. 1 (March 21, 2018): 57–89. http://dx.doi.org/10.7202/1044011ar.

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Cet article tente de retracer une histoire, celle de l’évolution de ma propre réflexivité durant le temps d’une thèse intitulée « Aménager les frontières des périphéries européennes. La frontière Serbie/Croatie à l’épreuve des injonctions à la coopération et à la réconciliation » (thèse de doctorat, Tours, Université François-Rabelais, 2016). Mon propos ici est de rendre compte d’une conviction, la nécessité de s’engager dans une démarche réflexive et critique avant, pendant et après la production de la recherche en elle-même. Cet article constitue ainsi une tentative de démonstration par l’exemple de l’intérêt d’une telle posture. Je vise, d’une part, à exposer comment j’ai construit mes réflexions épistémologiques, par une déconstruction progressive des cadres théoriques classiques (nationalistes, post-socialiste, post-yougoslave) choisis ou imposés. D’autre part, j’expose les aboutissements de cette réflexivité, c’est-à-dire principalement ma prise de conscience de la colonialité du savoir (et du mien en particulier). Cette gymnastique m’a permis de parfois dépasser certaines limites de mon travail, et plus souvent d’en rendre compte, mais aussi d’accepter l’indépassable lié à certains aspects de ma situation de recherche, de la manière dont je l’ai énoncée et conduite. Mener ce type d’exercice et en rendre compte contribuent alors à mieux préciser les conditions de validité scientifique de ces travaux, à mieux situer le propos et l’apport du chercheur, sa position et donc sa positionalité.
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Borch, Christian. "Crowds, Race, Colonialism: On Resuscitating Classical Crowd Theory." Social Research: An International Quarterly 90, no. 2 (June 2023): 245–69. http://dx.doi.org/10.1353/sor.2023.a901704.

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Abstract: Crowd psychologist Gustave Le Bon is often seen as emblematic of fin-de-siècle crowd theory. Widely read in the 1890s, Le Bon's work was later critiqued for its gendered descriptions and political biases. This essay reconsiders fin-de-siècle crowd theory in light of postcolonial critique and asks whether parts of this tradition merit attention in discussion of crowd action today. While Le Bon's work is based on a racial hierarchy and subscribes to a colonial episteme, the situation is more complex when it comes to sociologists such as Gabriel Tarde and Émile Durkheim. While elements of their work can be subjected to postcolonial critique, their theorization on crowds points to distinctly collective dimensions of crowd action that are important to revive.
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Rivera Berruz, Stephanie. "On the Critique of Coloniality." Radical Philosophy Review 26, no. 2 (2023): 335–39. http://dx.doi.org/10.5840/radphilrev2023262142.

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Pfeil, Bruno, Wallace dos Santos de Moraes, and Cello Latini Pfeil. "Colonialidade cishetero-endossexo Uma crítica decolonial à decolonialidade." Revista Brasileira de Estudos da Homocultura 6, no. 19 (2023): 324–49. http://dx.doi.org/10.31560/2595-3206.2023.19.15215.

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Xiao, Mengmeng, and Yi Jiang. "Marx’s Critical Ambition and Immanent Critique." BCP Business & Management 20 (June 28, 2022): 590–95. http://dx.doi.org/10.54691/bcpbm.v20i.1036.

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In this paper, we investigate is how critical theorists have carried out Marx’s critical ambition. We examine the meaning of Marx’s aspiration of critique, the approach of immanent critique, and the application of this approach in various realms. Our analysis is based on the literature review of the works of critical theorists who specialize in feminism, labor, neo-colonialism, and other areas. We find that Marx aspired to achieve human emancipation through a type of critique that works within the existing system, rejects predictions and dogmas, and has the potential to transform both the system and the norm. Alternatively, we find that critical theorists have used immanent critiques as the core approach to fulfill Marx’s critical ambition, and this approach has been used in various domains in society, including gender, economic, and intercultural relations. These findings shed light not only on the influence of Marx’s expectation of critique on the core approach of critical theory but also on the ways critical theorists fulfill Marx’s ambition. Our findings provide a theoretical ground for the transformative potential of the ongoing movements that attempt to overthrow certain unjust norms in society. Also, our findings affirm the political efficacy of the participants of these progressive social movements.

Дисертації з теми "Critique de la colonialité":

1

Montrésor, Timpesta Pascale. "L'emploi des mots "noir" et "nègre" dans l'hexagone aux XIXe et XXe siècles." Thesis, La Réunion, 2017. http://www.theses.fr/2017LARE0023.

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De Toussaint Louverture à Fanny – l'héroïne du roman de Marie Ndiaye En Famille– l'emploi et la réception des mots « noir » ou « nègre » correspondent soit à une lutte de la reconnaissance réciproque entre le maître et l'esclave soit à la révolte du sujet noir qui impose son droit à la parole ou encore au déni de cette lutte pour fonder un projet sociétal qui ne repose plus sur l'occultation de l'Autre mais sur un dialogue interculturel. Au XIXème siècle, contrairement aux textes scientifiques qui réifient le sujet nègre afin de le catégoriser, la littérature, quant à elle, promeut l'interaction et l’intersubjectivité en mettant en scène l'appréhension du sujet noir et du sujet blanc au sein de la métropole. L'expérience de l'Ailleurs se vérifie aussi en France où les sujets s'interrogent sur leurs places respectives dans l'espace commun. Si ce siècle est marqué par des valeurs européo-centristes qui rejettent l'humanité du sujet noir, le XXème siècle, quant à lui, révèle, une parole nègre qui les conteste en revendiquant sa dignité. Cependant, les désillusions des indépendances et des départementalisations découvrent aussi bien les limites de l'européocentrisme que celles de cette parole nègre car les essentialismes n'enraient ni la solitude ni le désarroi de l'être. Dans les textes littéraires, scientifiques et politiques, la production et la réception des mots « noir » et « nègre » témoignent des tentatives d'émancipation de la domination de l'Autre pour constituer une poétique et un projet sociétal qui s'appuie sur l'éthique d'un dialogue entre les cultures et entre les genres
From Toussaint Louverture to Fanny – the heroine of Marie NDiaye novel’s En famille – the use and reception of these words refer either to a struggle for recognition between mas-ters and slaves or to the uprising of the black man who imposes his right to the freedom of speech or the denial of this struggle in order to found a society project which no longer relies on the obliteration of the Other but on an intercultural dialogue. In 19th century, despite the scientific texts reifying the Black man in order to categorize him, literature promotes interac-tion and intersubjectivity by portraying the apprehension of Blacks and Whites. Experiencing each other in France is questioned within a common space. Whereas this century marked by Eurocentrism values denying the humanity of the Black man, the 20th century reveals that the Negro speech puts into question these values by claiming his dignity. After the Second World War however, the independence and the departmentalization brought disillusion, revealing both the limits of Eurocentrism and the word Negro since essentialisms have neither the soli-tude nor the dismay in being. In literature, science and politics, the production of the words « black » and « negro » and its response bears witness to the attempts of the emancipation from the Other’s domination to create a common poetics and society based on a project effi-cient dialogue between culture and genders
2

Martínez, Andrade Luis. "Critique de la modernité et écologie dans la théologie de la libération : la pensée de Leonardo Boff." Paris, EHESS, 2014. http://www.theses.fr/2014EHES0071.

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La critique du capitalisme - en tant que système idolâtre -, est un thème singulier dans l'architectonique théorique et discursive de la Théologie de la libération. Si, auparavant, le pauvre fut la figure préférentielle de cette théologie, désormais c'est la victime - au sens benjaminien du terme - qui constitue le sujet central de son locus. La victime se dédouble entre le pauvre d'une part et la nature de l'autre, tous deux ruinés par la grande industrie et l'agriculture extensive ; d'où la nécessité de repenser la lutte à partir des victimes du système hégémonique. Dans une large mesure, tout en prenant en considération la spécificité coloniale latino-américaine, la Théologie de la libération partage la critique à la fois romantique et marxiste de la civilisation moderne et capitaliste. Cette critique est articulée à un projet de libération qui octroie à l'utopie un rôle crucial pour la défense de l'humanité et de la nature. Ainsi, en analysant le cas de Leonardo Boff, nous observons la critique de la modernité faite par la Théologie de la libération. De surcroît, la Théologie de la libération en général et la pensée de Leonardo Boff en particulier constituent un apport théorique d'envergure en ce qui concerne la dynamique meurtrière de la formation sociale hégémonique. Cette investigation s'appuie sur trente entretiens semi-directifs et un séjour de trois mois au Brésil
The critique of capitalism - understood as an idolized system - is a particular theme in the architectonic theory and discourse of liberation theology. If formerly the poor were the preferred figure for this theology, nowadays it is the victim - in the sense of Walter Benjamin -who is placed in the center of its locus. The victim expresses itself in two forms, on the one hand the poor and on the other hand the nature, both destroyed by big industry and intensive agriculture; from there comes the necessity to rethink the struggle from the ;victims of the hegemonic system. In a large extent, taking into consideration specifically colonial Latin America, the liberation theology shares the romantic and the Marxist criticism of the modern and capitalist civilization. This critique finds itself articulated through the liberation project which concedes to Utopia a crucial role in the defense of humanity and nature. By analazing the thought Leonardo Boff, we are able to observe the critique that is carried out in Theology of Liberation. Even though, the theology of liberation in general and the intellectual contibutions of Leonardo Boff, constitute an important foundation what's referred to as the destructive dynamic of a the formation of a social hegemony. This research is based on 30 semi-direct interviews and field research in Brazil
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Olsson, Niclas. "Nineteen Eighty-Four as a Critique of British Colonialism." Thesis, Umeå universitet, Institutionen för språkstudier, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-149323.

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This essay explored the possibilities of Nineteen Eighty-Four being read as a critique of British colonialism in Kenya. The questions I have tried to answer are: What are the significant aspects found in Nineteen Eighty-Four that correlate to postcolonial literature? What are the significant parallels drawn between Orwell’s Airstrip One and the British colonial state in Kenya? In regards to similarities between Oceania and colonial Kenya, do they shed a new light on Nineteen Eighty-Four in terms of themes? I have tried to answer these questions by using the theory of postcolonialism, and reference literature from colonial Kenya. This ultimately led to many similarities made apparent between Nineteen Eighty-Four and colonial Kenya.
4

Deeming, David. "Swift, Ireland and the aesthetic critique of modernity." Thesis, Birkbeck (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312170.

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The thesis examines the cultural and political significance of the formal and stylistic strategies in the work of Jonathan Swift; particularly the early prose satire A Tale of a Tub. Given his Irish origins and the largely colonial basis of England's relationship with Ireland, Swift's aesthetic strategies are shown to offer a mode of aesthetic resistance to, and interrogation of, English colonialism. In a rapidly modernising, secularising England national identity and social cohesion were being increasingly galvanised through an aesthetic ideology that emphasised the function of the aesthetic as that which can present a model of integration and shared values. Swift, drawing upon his experience of an Ireland socially fragmented by colonialism, emphasises the simultaneous, if contradictory, function of the aesthetic as the domain of the subjective imagination. An extreme wit, feared by Locke as that which will cause the individual subject to forget his or her social responsibilities, itself fragments society by encouraging the individual to inhabit an interiorised world of irrational associations. Swift, ostensibly satirising such behaviour in the Tale in the name of an English nationalism, actually allows the logic of such an extreme wit to dominate. Thus, he utilises what Vivian Mercier has shown to be the modes of traditional Irish literature, while simultaneously engaging with the (colonising, commercialising) ramifications of England's emergence into modernity. In the first, introductory chapter I explain, with reference to Swift's early life and work and to the critical work that already exists on Swift, why this thesis is a necessary addition to such a body of criticism. Chapter Two constitutes a closer examination of the Tale, the strategies of which are illuminated by a comparison with other works from the Anglo-Irish tradition: Burke, Swift's eighteenth-century Dublin biographers, the political economy of Sir Francis Brewster. Chapter Three turns to Swift's attempts to conform to English social and cultural modes in the first half of his career, particularly in The Examiner of 1710-11. The thesis returns to the idea of Swift as an Irish literary subverter in Chapter Four, this time by looking at the way the Tale and its companionpiece The Battle of the Books employ a form of 'extreme' allegory described by Walter Benjamin as essentially baroque in origin, and so able to adopt a critical position towards the early enlightenment principles of Swift's mentor and patron, Sir William Temple. Given that the category of the modem aesthetic emerges conceptually as a product of the enlightenment, Chapter Five examines Swift's work in the context of subsequent European enlightenment thinkers Kant and Herder, showing how Swift can be said to mediate their respective positions. The thesis concludes by arguing for Swift as, ultimately, a champion of reason; and goes on to point towards how Swift's aesthetic critique has resonances for our own contemporary situation: namely, how his early satirising of modem astrology is an early recognition of the unreason inherent in mass culture.
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Barry, Anne Heather. "A comprehensive critique of international health, medical anthropology, and the legacy of colonialism." Thesis, The University of Arizona, 2009. http://hdl.handle.net/10150/192285.

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Bello, Urrego Alejandra. "La gestion moderne de la souffrance : généalogie du corps souffrant en Colombie." Electronic Thesis or Diss., Paris 8, 2018. http://www.theses.fr/2018PA080132.

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Être contrôlé et discipliné par l’institution médicale constitue paradoxalement un privilège, car seulement certaines personnes ont accès aux soins. Ce paradoxe est le point de départ pour : explorer la relation entre les processus de construction et de gestion du corps souffrant et la configuration d’une forme particulière de pouvoir, telle qu’elle s’exprime dans le développement de la médecine moderne en Colombie ; établir la généalogie d’une gouvernementalité impériale prenant appui sur la prédation médicale des corps.Ce travail s’attache à montrer le rôle majeur de la circulation globale des discours sur le corps souffrant dans la naturalisation d’une répartition globale et coloniale de la souffrance. La construction et la gestion de ce corps, coordonnées à l'échelle globale, continuent de naturaliser cette répartition en garantissant que la souffrance soit effectivement inscrite sur le corps. Ce dosage de la souffrance sous-tend un système ontologique proprement moderne défini sur une échelle allant d’humain à objet.L’approche conceptuelle et méthodologique autour de cette problématique est une tentative de réponse à la question comment critiquer la modernité à travers les outils de l’épistèmê moderne (principalement au sein des savoirs réputés académiques) ? Pour ce faire, le cadre d’analyse a recours aux positionnements du black feminism, du féminisme du tiers-monde étasunien, du tournant décolonial, des féminismes antiracistes latino-américains et s’inspire aussi de la perspective épistémologique andine (la science du tissu aymara-quechua). Ce travail dialogue également avec les études postcoloniales sur la médecine et avec l’histoire des émotions.2
Paradoxically, being controlled and disciplined by the medical institution is a privilege, since only some people can access it. This paradox constitutes the starting point: to explore the relationship between the processes of construction and management of the suffering body and the configuration of a particular form of power, as it is expressed in the development of modern medicine in Colombia; and to establish the genealogy of an imperial governmentality based on the medical predation of bodies.This work tries to demonstrate the leading role of the global circulation of discourses on the sick body in the naturalization of a global and colonial distribution of suffering. The construction and management of this body, coordinated on a global scale, continue to naturalize this distribution guaranteeing that suffering is effectively inscribed in the bodies. This dosage of suffering conditions a properly modern ontological system defined on a scale that goes from the human to the object.The conceptual and methodological framework from which this problem is addressed is an attempt to answer the question: how to criticize modernity through the tools of modern episteme (mainly within the knowledge known as academic)? For this, this analysis frames dialogues with the ways of thinking of: black feminism, feminism of the third world of the United States, decolonial turn, and Latin American anti-racist feminisms. This analysis is also inspired by the Andean epistemological perspective (the science of Aymara-Quechua weaving). Additionally, this work dialogues with postcolonial studies on medicine and with the history of emotions.3
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Svensson, Christer. "Nineteenth-century critique of colonialism and racism in Joseph Conrad’s Heart of Darkness (1899) : A denunciation of European colonialism in a time of atrocities." Thesis, Högskolan Dalarna, Institutionen för språk, litteratur och lärande, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:du-38051.

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Merino, Roger. "Law as field of critique and power. The politics of legal theory from Latin America." Derecho & Sociedad, 2017. http://repositorio.pucp.edu.pe/index/handle/123456789/117292.

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Анотація:
The dominant theoretical frameworks that define the ontological and epistemological limits of legal theory have marginalized or excluded alternatives visions on justice and social organization. Moreover, and in spite of being deeply embedded in specific political and ideological matrix, these frameworks have attempted to obscure the role of the political in the definition of its conceptual basis. The theoretical perspective that is developed in this article - and that is part of a long tradition of critical theories (in plural) - seeks to reveal the deep relation between Law and Politics and reformulate it analytically in order to propose a broad vision of the legal theory from Latin America.
Los marcos teóricos dominantes que definen los límites ontológicos y epistemológicos de la teoría legal han marginalizado o excluido visiones alternativas sobre la justicia y la organización social. Además, y a pesar de estar profundamente arraigados a una matriz política e ideológica determinada, estos marcos teóricos han pretendido oscurecer el rol de lo político en la definición de su base conceptual. La perspectiva teórica que se desarrolla en el presente artículo, y que es parte de una larga tradición de teorías críticas (en plural), busca revelar la profunda relación entre el Derecho y la Política, y reformularla analíticamente para proponer una visión amplia sobre la teoría legal desde América Latina.
9

Davies, Jack Frederick. "Exorcising the Demons-A Critique of the Totalizing Political Ideologies of Modernity." Ohio University Honors Tutorial College / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1524826887336661.

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Kuo, Chien-hua. "A post-colonial critique of the representation of Taiwanese culture in children's picturebooks." Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1124153596.

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Анотація:
Thesis (Ph. D.)--Ohio State University, 2005.
Title from first page of PDF file. Document formatted into pages; contains xvi, 312 p.; also includes graphics (some col.). Includes bibliographical references (p. 305-312). Available online via OhioLINK's ETD Center

Книги з теми "Critique de la colonialité":

1

Malela, Buata B. Aimé Césaire: Le "fil et la trame" : critique et figuration de la colonialité du pouvoir. Paris]: Anibwé, 2009.

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2

Bond, Patrick, and Garcia Ana. BRICS: An anti-capitalist critique. Auckland Park, South Africa: Jacana Media, 2015.

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3

Norma, Field, and Duke University Press, eds. Positions, East Asia cultures critique: The comfort women : colonialism, war, and sex. Durham, NC: Duke University Press, 1997.

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4

Nehru Memorial Museum and Library. Centre for Contemporary Studies., ed. Colonialism, evolutionism, and anthropology: A critique of the history of ideas 1850-1930. New Delhi: Centre for Contemporary Studies, Nehru Memorial Museum and Library, 1997.

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5

Varikas, Eleni, and Maria Eleonora Sanna. Genre, modernité et colonialité du pouvoir. Paris: Harmattan, 2011.

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6

Byrd, Jodi A. The transit of empire: Indigenous critiques of colonialism. Minneapolis: Univ Of Minnesota Press, 2011.

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7

Colm, Hogan Patrick, and Pandit Lalita, eds. Literary India: Comparative studies in aesthetics, colonialism, and culture. Albany: State University of New York Press, 1995.

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8

Dorismond, Edelyn. Le problème haïtien: Essai sur les racines de la colonialité de l'Etat haïtien. [Haïti]: Éditions Étoile Polaire, 2020.

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9

Thompson, Ewa M. Imperial knowledge: Russian literature and colonialism. Westport, Conn: Greenwood Press, 2000.

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10

Jonathan, White, ed. Recasting the world: Writing after colonialism. Baltimore: Johns Hopkins University Press, 1993.

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Частини книг з теми "Critique de la colonialité":

1

Opi, Bosco. "Fanonian Critique of Encampment." In Refugee Coloniality, 31–51. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-54501-6_3.

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2

Opi, Bosco. "Critique of the UNHCR." In Refugee Coloniality, 59–89. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-54501-6_5.

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3

Segato, Rita, and Ramsey McGlazer. "Gender and Coloniality." In The Critique of Coloniality, 49–73. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003164999-3.

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Segato, Rita, and Ramsey McGlazer. "Sex and the Norm." In The Critique of Coloniality, 74–102. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003164999-4.

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5

Segato, Rita, and Ramsey McGlazer. "Aníbal Quijano and the Coloniality of Power." In The Critique of Coloniality, 21–48. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003164999-2.

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6

Segato, Rita, and Ramsey McGlazer. "Toward a University for Our America 1." In The Critique of Coloniality, 203–23. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003164999-9.

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Segato, Rita, and Ramsey McGlazer. "The Deep Rivers of the Latin American Race." In The Critique of Coloniality, 159–84. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003164999-7.

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Segato, Rita, and Ramsey McGlazer. "Let Each People Weave Its Own History." In The Critique of Coloniality, 103–32. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003164999-5.

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Segato, Rita, and Ramsey McGlazer. "The Color of the Prison in Latin America." In The Critique of Coloniality, 185–202. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003164999-8.

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Segato, Rita, and Ramsey McGlazer. "Black Oedipus." In The Critique of Coloniality, 133–58. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003164999-6.

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Тези доповідей конференцій з теми "Critique de la colonialité":

1

Nisa, Azkiya, and Diah Lasman. "Critique of French Colonialism in Poem Neigesur Paris (1945)by Léopold Sedar Senghor." In Proceedings of the 1st Conference of Visual Art, Design, and Social Humanities by Faculty of Art and Design, CONVASH 2019, 2 November 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.2-11-2019.2294870.

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2

McEntee, Kate. "Communities of Practice: Doing Design Differently." In Pivot 2021 Dismantling/Reassembling: Tools for Alternative Futures. Design Research Society, 2021. http://dx.doi.org/10.21606/pluriversal.2021.0002.

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Анотація:
This paper reflects on the role of communities of practice in building and supporting critical alternatives to conventional, Dominant Design (Akama, 2021; Rosner, 2018). Dominant Design refers to design practices cultivated within our industrialised, imperialist, patriarchal, capitalist modernity. Discourses and practices addressing this include decolonising design, stemming from modernity/coloniality critique and Indigenous knowledge systems, and anti-oppressive frameworks for design, based in anti- racism and Black feminist scholarship. These discourses at the margins of the dominant discourse and practice recognise the need for critical alternatives to design practices (Abdulla et al., 2019; Costanza-Chock 2018; Mignolo 2007; Schultz et al., 2018). This paper considers communities of practice as one way of practicing with the challenges of overwhelm, fear and lack of understanding and resources when pursuing decolonising and anti-oppression discourse and practice. The paper discusses the importance of practice as an ethic, and the role of spaces for rehearsing, experimenting with new types of doing, while being held accountable in community.
3

Carroll, Erin A., Danielle Lottridge, Celine Latulipe, Vikash Singh, and Melissa Word. "Bodies in critique." In the ACM 2012 conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2145204.2145311.

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4

Krause, Markus, Tom Garncarz, JiaoJiao Song, Elizabeth M. Gerber, Brian P. Bailey, and Steven P. Dow. "Critique Style Guide." In CHI '17: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3025453.3025883.

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Olsen, Dan R., and Jon R. Peachey. "Query-by-critique." In the 15th annual ACM symposium. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/571985.572004.

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Allenby, Brad. "Geoengineering: A critique." In 2011 IEEE International Symposium on Sustainable Systems and Technology (ISSST). IEEE, 2011. http://dx.doi.org/10.1109/issst.2011.5936870.

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7

Bossen, Claus. "Participation, power, critique." In the ninth conference. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1147261.1147276.

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DIAZ, Brigitte. "« La critique telle que je la rêve » : George Sand critique littéraire." In Critiquer au féminin au XIXe siècle. Fabula, 2023. http://dx.doi.org/10.58282/colloques.11431.

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9

Skilling, John. "Critique of information geometry." In BAYESIAN INFERENCE AND MAXIMUM ENTROPY METHODS IN SCIENCE AND ENGINEERING: Proceedings of the 33rd International Workshop on Bayesian Inference and Maximum Entropy Methods in Science and Engineering (MaxEnt 2013). AIP Publishing LLC, 2014. http://dx.doi.org/10.1063/1.4903705.

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Hullman, Jessica, Nicholas Diakopoulos, Elaheh Momeni, and Eytan Adar. "Content, Context, and Critique." In CSCW '15: Computer Supported Cooperative Work and Social Computing. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2675133.2675207.

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Звіти організацій з теми "Critique de la colonialité":

1

Pertel, Michael J. A Critique of Adaptive Routing. Fort Belvoir, VA: Defense Technical Information Center, June 1992. http://dx.doi.org/10.21236/ada448703.

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2

Taylor, W. L. A critique of trennschaukel operation. Office of Scientific and Technical Information (OSTI), April 1989. http://dx.doi.org/10.2172/5988978.

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Huber, Hartmut G. Higher Order Software - Evaluation and Critique. Fort Belvoir, VA: Defense Technical Information Center, August 1987. http://dx.doi.org/10.21236/ada198753.

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4

Jodoin, Vincent J. Critique of DELFIC's Cloud Rise Module. Fort Belvoir, VA: Defense Technical Information Center, May 1993. http://dx.doi.org/10.21236/ada265587.

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5

Sellers, Robin B. War Without Politics: A Critique of Clausewitz. Fort Belvoir, VA: Defense Technical Information Center, January 1997. http://dx.doi.org/10.21236/ada442317.

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Echevarria, Antulio J., and II. Rapid Decisive Operations: An Assumptions-Based Critique. Fort Belvoir, VA: Defense Technical Information Center, November 2001. http://dx.doi.org/10.21236/ada397272.

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7

Linkous, Frank S. Shock And Awe:" An Operational Art Critique". Fort Belvoir, VA: Defense Technical Information Center, May 2003. http://dx.doi.org/10.21236/ada420298.

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Scharfen, J. R. The Helms-Burton Act: A Strategic Critique. Fort Belvoir, VA: Defense Technical Information Center, March 1998. http://dx.doi.org/10.21236/ada345000.

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9

Ford, Prudence. A study of psoriasis : a methodological critique. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2684.

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10

Driscoll, John. Fractals as Basis for Design and Critique. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.7059.

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