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Статті в журналах з теми "Creta romana"
González Mora, Francisco Javier. "Reseña: V. Bucciantini, Studio su Nearco di Creta. Dalla descrizione geografica alla narrazione storica, Studi di Storia greca e romana 11, Alessandria, Edizioni dell’ Orso, 2015, 251 pp. [ISBN 9788862746434]." Karanos. Bulletin of Ancient Macedonian Studies 2 (November 8, 2019): 111–13. http://dx.doi.org/10.5565/rev/karanos.42.
Повний текст джерелаAngelakis, A. N. "Evolution of rainwater harvesting and use in Crete, Hellas, through the millennia." Water Supply 16, no. 6 (May 21, 2016): 1624–38. http://dx.doi.org/10.2166/ws.2016.084.
Повний текст джерелаRawson, Elizabeth. "Theatrical Life in Republican Rome and Italy." Papers of the British School at Rome 53 (November 1985): 97–113. http://dx.doi.org/10.1017/s006824620001151x.
Повний текст джерелаLópez Rodríguez, María Paz, Libertad Serrano Lara, and David Expósito Mangas. "CREACIÓN DE LA MALLA EN EL CONJUNTO ARQUEOLÓGICO DE CÁSTULO: DE LA DISCIPLINA AL VECTOR." Revista Otarq: Otras arqueologías, no. 1 (February 14, 2017): 249. http://dx.doi.org/10.23914/otarq.v0i1.97.
Повний текст джерелаKarambinis, Michalis. "The cities of Crete under Roman rule (1st–3rd centuries AD)." Journal of Greek Archaeology 7 (November 23, 2022): 233–68. http://dx.doi.org/10.32028/jga.v7i.1716.
Повний текст джерелаValmaña Ochaita, Alicia. "Principios democráticos en Atenas y en la república romana." Via Inveniendi Et Iudicandi 5, no. 2 (July 5, 2016): 166. http://dx.doi.org/10.15332/s1909-0528.2010.0002.08.
Повний текст джерелаYarza Urquiola, Valeriano. "Notas sobre toponimia de origen romano en Bizkaia." Fontes Linguae Vasconum, no. 120 (December 21, 2015): 345–84. http://dx.doi.org/10.35462/flv120.4.
Повний текст джерелаBrunhara, Rafael. "A "seção romana" de Alexandra, de Lícofron (vv. 1226-1282)." Cadernos de Literatura em Tradução, no. 15 (April 18, 2016): 57–68. http://dx.doi.org/10.11606/issn.2359-5388.i15p57-68.
Повний текст джерелаBáez Hernández, Montserrat Andrea. "Sacre reliquie dei cimiteri di Roma." Revista Eviterna, no. 10 (September 28, 2021): 7–24. http://dx.doi.org/10.24310/eviternare.vi10.13135.
Повний текст джерелаPoyiadji, Eleftheria, Nikolaos Nikolaou, and Petros Karmis. "GROUND FAILURE DUE TO GYPSUM DISSOLUTION." Bulletin of the Geological Society of Greece 43, no. 3 (January 24, 2017): 1393. http://dx.doi.org/10.12681/bgsg.11315.
Повний текст джерелаДисертації з теми "Creta romana"
Cigaina, Lorenzo. "La formazione dell’identità regionale di Creta (III sec. a.C. - IV sec. d.C.): il ruolo costitutivo della religione." Doctoral thesis, Università degli studi di Trieste, 2013. http://hdl.handle.net/10077/9487.
Повний текст джерелаL’unificazione politica di Creta si realizzò nel III sec. a.C. con la fondazione della «Federazione dei Cretesi» (koinon ton Kretaieon). Questa istituzione coordinava l’azione delle numerose città-stato dell’isola nei rapporti con le grandi potenze del Mediterraneo, Roma inclusa. Per quanto riguarda la politica interna, tuttavia, le città-stato mantenevano ampli margini di autonomia. Questa ricerca indaga i fattori extra-politici di coesione (etnici, culturali, religiosi) che contribuirono all’unificazione di Creta. La religione rivestì un ruolo determinante nella formazione di un polo identitario in cui i Cretesi poterono riconoscersi. Le due divinità locali principali, Zeus Kretagenés («Zeus nato a Creta») e Artemide-Diktynna, furono venerate sul piano federale dall’ellenismo fino a tutta l’epoca imperiale. Gli aspetti religiosi mostrano dunque un rilevante grado di continuità attraverso le diverse epoche. Grazie alla loro adattabilità, infatti, essi poterono essere declinati nelle diverse circostanze storiche e politiche. La storia del koinon cretese si articola in quattro fasi, ciascuna delle quali corrisponde a un capitolo della tesi: ellenismo (III sec. – 67 a.C.), epoca tardo-repubblicana (67-31 a.C.), età imperiale (31 a.C. – 297 d.C.) e tardo-antica (IV – inizio V sec. d.C.). L’istituzione ellenistica è stata recentemente definita come una mera “alleanza” per sottolineare la priorità degli interessi politico-militari delle città-stato che ne erano membri. La ricerca ha potuto mettere in evidenza alcuni aspetti in precedenza poco considerati, che indicano un livello di coesione maggiore e più profondo – se non di fatto, almeno nelle intenzioni dei Cretesi: i tentativi di sviluppare una monetazione comune, l’elaborazione di un’unità etnica attraverso l’idea di una Creta unitaria, l’esistenza di uno stadio per gli agoni federali a Gortina, la convergenza degli interessi religiosi attorno alla figura di Zeus Kretagenés già in questa fase. In epoca tardo-repubblicana si compì l’unificazione politica dell’isola, ma ciò avvenne a prezzo dell’indipendenza, poiché l’isola fu sottomessa a Roma e ridotta a provincia (67 a.C.). Il koinon fu trasformato in un’assemblea provinciale assimilabile per molti versi ad altri istituti analoghi dell’Impero. Zeus Kretagenés restò la divinità principale dell’isola e venne raffigurato su un cistoforo d’argento emesso a nome del koinon. In età imperiale si completò il processo di unificazione e di accentramento già avviato: Gortina si affermò come sede di riunione e di zecca del koinon, oltre che come capitale provinciale. L’agorà della città divenne il luogo di rappresentanza dei Cretesi e dei membri dell’amministrazione romana. Il koinon, infatti, si profila in questa fase come un organo complementare dell’amministrazione imperiale, con funzioni di rappresentanza della popolazione provinciale. Nel teatro dell’acropoli di Gortina si svolgevano le assemblee federali; le festività religiose comuni erano celebrate nel tempio (dedicato forse a Zeus) con l’annesso stadio presso il Pretorio. La fase originaria di questo tempio può essere datata all’epoca augustea e riferita alle rievocazioni imperiali della vittoria di Azio (31 a.C.). Il koinon imperiale era presieduto da un sommo sacerdote (archiereus), i cui compiti principali erano l’organizzazione delle attività di culto federale, il finanziamento di costose evergesie e la rappresentanza dei Cretesi di fronte alle autorità romane. L’esame delle immagini scelte per la monetazione del koinon dimostra una pluralità di interessi religiosi che si estendono ben oltre il culto imperiale, affondando le loro radici nella tradizione locale. Accanto alla venerazione del Divo Augusto risaltano in primo piano il culto di Zeus Kretagenés e quello di Diktynna, i cui maggiori santuari erano rispettivamente situati nella Grotta sul monte Ida e nella Creta occidentale, presso Capo Spatha nelle vicinanze di Kydonia. Nel I-II secolo emerge come santuario sovraregionale anche l’Asklepieion di Lebena. La cassa federale era probabilmente custodita nel tesoro sacro del Diktynnaion di Capo Spatha. Il culto dinastico ellenistico ebbe importanza limitata a Creta e rimase circoscritto al piano civico di singole poleis (Itanos in particolare), ma fu importante nel creare le premesse per il successivo sviluppo del culto imperiale. Dopo la morte di Augusto nel 14 d.C., fu istituito un culto federale dell’Imperatore divinizzato. Al suo santuario era associato il diritto di asilo, che era stato in precedenza abolito da Roma per i santuari locali probabilmente a causa di abusi da parte dei Cretesi durante il periodo tardoellenistico. L’aspetto delle statue di culto del Divo Augusto e di Zeus Kretagenés può essere ricostruito sulla base delle immagini monetali. Queste due divinità somme presentano diversi punti di contatto nell’iconografia, in particolare nell’associazione col motivo delle sette stelle dell’Orsa Maggiore, da leggersi come riferimento all’apoteosi imperiale e, insieme, ai miti locali connessi con la nascita di Zeus a Creta. In questo caso si può constatare uno scambio di temi tra Roma e la provincia, con una collaborazione attiva della seconda all’elaborazione della propaganda imperiale. L’Imperatore divinizzato, inserendosi nel pantheon locale, si integrava nella vita religiosa dei Cretesi, promuovendo l’articolazione della provincia nella cornice dell’Impero. Nell’epoca tardo-antica si registra un declino dell’istituzione federale, la cui iniziativa politica viene notevolmente ridimensionata e subordinata all’amministrazione provinciale. Si rilevano comunque segnali di una continuità del culto di Zeus Kretagenés. La tradizione religiosa costituisce quindi l’asse portante dell’identità regionale cretese – poi evolutasi in identità «romano-cretese» – attraverso sette secoli densi di mutamenti storico-politici.
Die vorliegende Forschung untersucht die außerpolitischen Faktoren, die zu der politischen Vereinigung und der Bildung einer regionalen Identität Kretas beigetragen haben. Darauf wirkten von Anfang an religiöse Elemente der lokalen Tradition, die nicht nur städtisch, sondern auch regional verbindend für die ganze Insel aufgefasst wurden. Zwei Gottheiten spielten dabei eine wichtige Rolle: Zeus Kratagenes und Artemis/Diktynna. Bei der Bildung der regionalen Identität sind auch mythische, ethnische und verfassungsmäßige Elemente tätig. Die politische Struktur der kretischen Einheit bildete das s.g. koinon („Bund“) der Kreter, das tatsächlich eine lockere Institution war, jedoch nicht ein rein politisch-militärisches Bündnis wie neulich behauptet worden ist. Die außerpolitischen Faktoren, die sich im Rahmen der Kulte polarisieren, unterstützten nachweislich den Zusammenhalt des Bundes. Die Geschichte der kretischen Föderation gliedert sich chronologisch in vier Phasen, jeder von denen ein Kapitel der Dissertation gewidmet ist: die hellenistiche (3. Jh. – 67 v.Chr.), die spätrepublikanische (44-31 v.Chr.), die kaiserzeitliche (31 v.Chr. – 297 n.Chr.) und die spätrömische Zeit (4. – Anfang 5. Jh.). Mit der Übergangsphase von der hellenistischen in die römische Zeit hing eine markante Umformulierung der Ziele und Kompetenzen des Bundes, der nun seine politische Unabhängigkeit zugunst der Römer einbüßte. Nach wie vor diente die Institution grundsätzlich den Repräsentationszwecken der gesamten Insel gegenüber den Großmächten des Mittelmeerraumes, und zwar früher den hellenistischen Reichen und später Rom. Diesbezüglich sind in der Arbeit die literarischen, epigraphischen und archäologischen Quellen versammelt und kritisch dargelegt, um den organisatorischen Aufbau und die Zwecke der Einrichtung festzustellen. Daraus geht hervor, dass der Bund einen eigenen politischen Handlungsspielraum besaß, der während der Römerzeit in der Macht der Provinzialverwaltung seine Grenze hatte und sich gemäß den zeitgenössischen Bedingungen entwickelte. Trotz dieser Wandlungen zeigt der religiöse Rahmen der Institution von griechischer Zeit bis in die Kaiserzeit eine verwunderliche Beständigkeit. Es hat den Anschein, dass die Religion die grundlegende identitätsstiftende Aufgabe absolvierte, während den hellenistischen Versuch, eine ethnische Identität der Kreter zu gründen, die Römer wahrscheinlich hatten platzen lassen oder jedenfalls erheblich abgebaut. Das numismatische Material stellt eine wichtige Quelle dar, weil es uns über die wirtschaftliche Initiative sowie über die Selbstdarstellung und die religiösen Prioritäten des Bundes informiert. Das höchste Amt des koinon war dasjenige des Provinzialoberpriesters, der außer der Aufsicht über die Provinzialkulte anderen rein politischen Aufgaben nachkam und für die finanzielle Unterstützung des Bundes sorgte. Was das Finanzwesen angeht, verfügten die Kreter über einen Bundesschatz, den sie mit bestimmter Selbstständigkeit verwalten konnten. Daraus ergibt sich das Bild einer organischen komplementären Zusammenarbeit der Provinzialen neben der römischen Verwaltung. Durch den Kaiserkult wurde der römische Kaiser in die lokale Religion hineinbezogen und eng mit der Hauptgestalt des kretischen Pantheons, dem Zeus Kretagenes, verbunden. Auf Dauer bahnte sich ein Wechselspiel an, indem die auf Kreta entwickelten Elemente teilweise nach Rom zurückflossen. Das enge Nebeneinander römischer und einheimischer Instanzen spiegelte sich auch topographisch in der Hauptstadt Gortyn wider. Zusammenfassend, bot die Religion den Kretern eine aussichtsreiche Integrationsmöglichkeit im römischen Reich, ohne dass sie auf ihre historichen Wurzeln verzichten müssten. Das kretische Oberpriestertum konnte nämlich das Sprungbrett für eine politische Karriere in der römischen Verwaltung bilden. Die lokale mythologische bzw. religiöse Tradition brachte durch die Übernahme römischer Elementen und insbesondere des Kaiserkultes die Macht Roms in die unmittelbare Erfahrung der Kreter hinein. Die Identität der oberhalb der einzelnen Stadtstaate erreichten politischen Vereinigung stützte sich auf den konstituierenden und zusammenhaltenden Faktor der Religion.
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Sweetman, Rebecca J. "The mosaics of Roman and early Christian Crete." Thesis, University of Nottingham, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311720.
Повний текст джерелаKouremenos, Anna. "Houses and identity in Roman Knossos and Kissamos, Crete : a study in emulative acculturation." Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669880.
Повний текст джерелаCAVALLINI, GABRIELE. "CREMA AL CROCEVIA DELLA MANIERA: EPISODI ARTISTICI FRA TRADIZIONE LOMBARDA, VIA ROMANA E VIA GENOVESE." Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/1065.
Повний текст джерелаThis study is focused on the artistic expressions in Crema along the XVI century, considering artists, happenings, public and private commissions. Starting from the work of Benedetto Diana in Santa Maria della Croce, through the workshop of Vincenzo Civerchio, we arrive studying Aurelio Buso and Carlo Urbino, at the end of the century. This study presents come new documents, as one that certificate the journey of Aurelio Buso to Genua and others that show the origin of Carlo Urbino.
CAVALLINI, GABRIELE. "CREMA AL CROCEVIA DELLA MANIERA: EPISODI ARTISTICI FRA TRADIZIONE LOMBARDA, VIA ROMANA E VIA GENOVESE." Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/1065.
Повний текст джерелаThis study is focused on the artistic expressions in Crema along the XVI century, considering artists, happenings, public and private commissions. Starting from the work of Benedetto Diana in Santa Maria della Croce, through the workshop of Vincenzo Civerchio, we arrive studying Aurelio Buso and Carlo Urbino, at the end of the century. This study presents come new documents, as one that certificate the journey of Aurelio Buso to Genua and others that show the origin of Carlo Urbino.
Paradoulakis, Dimitris [Verfasser]. "Coexistence and conciliation between Greek Orthodoxy and Roman Catholicism in Venice: The case of Gerasimos Vlachos (1607–1685), Cretan Metropolitan of Philadelphia / Dimitris Paradoulakis." Hamburg : Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky, 2021. http://d-nb.info/1232407852/34.
Повний текст джерелаRichaud, Gilbert. "Gaspard André (1840-1896), architecte à Lyon et en Suisse romande." Lyon 2, 2008. http://theses.univ-lyon2.fr/documents/lyon2/2008/richaud_g.
Повний текст джерелаThe work of Gaspard André features regularly nowadays amongst those of the masters of Eclecticism. Born into a Protestant family from Switzerland, a student of the École des Beaux-Arts in Lyons and later in Paris – where he would be one of the most brilliant amongst his peers - André began his career in Lyons in 1872, with commissions for religious buildings (the Protestant temple and the Church of Saint-Joseph). These were followed by further commissions for the Théâtre des Célestins and the fountain in the Place des Jacobins. From 1882 onwards, a wealthy clientele of businessmen (É. Aynard, the Gillets, F. Mangini, H. Germain) entrusted him with the task of building their villas, banks and factories. He would simultaneously be an ardent promoter of the decorative arts whilst he reached significant official positions. His final years (1889-96) were marked by a particular form of stylistic simplicity while he started a second new career in Switzerland (University of Lausanne). His style is characterised by unusual designs (schools in the Rue Tronchet) and never-before-seen plastic formulae (pure and asymmetric forms of his final projects). His writings reveal how his train of thought was enhanced by his close study of the main architectural trends of the second half of the 19th century, and the importance attached then, to the discussions and the debates on the origins of Classicism and its transformations. Conversely, his final works and their surprising constructive and formal sobriety – which have likely influenced architects like Tony Garnier or Paul Cret - clearly demonstrate the nature of the forces and tensions that favoured the emergence of the Modern Movement
Widmann, Esther [Verfasser], and Diamantis [Akademischer Betreuer] Panagiotopoulos. "Ain't no mountain high enough. Man and the environment in the uplands of Crete from the Neolithic to the end of the Roman period / Esther Widmann ; Betreuer: Diamantis Panagiotopoulos." Heidelberg : Universitätsbibliothek Heidelberg, 2014. http://d-nb.info/117992469X/34.
Повний текст джерелаChevrollier, François. "La province romaine de Crète-Cyrénaïque, de Pompée à Dioclétien. Histoire, administration, société." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040077.
Повний текст джерелаThe last twenty years or so have seen a dramatic increase in the interest on Roman Crete, while long-standing archaeological excavations in Cyrenaica (when they were still possible) brought to light lots of information on the Roman period. However, the administrative setting which the two areas lived in during the High Empire remains almost completely unknown because of the historians’ disinterest in this double province of the Roman Empire. Created by Pompey and still a reality during the Tetrarchy, the province of Crete and Cyrene is often thought as a marginal and unsuccessful administrative entity, far away from Rome. The thesis aims at re-evaluating the historical role of the province in the Roman Empire and at analyzing the way local societies reacted to the Roman domination. The first part focuses on the administrative history of the province. The chronology of its creation is studied along with the reasons why Rome chose the administrative solution of the union. The fasti of the Roman magistrates in charge of the province are established and the internal organization of the province is analyzed. In the second and third parts, the life and evolution of local societies under Roman domination are discussed through a prosopographical analysis. Portraying the senators originating from Crete and Cyrenaica as well as the archontes of the Hadrianic panhellenic league and the high priests of the imperial cult gives valuable information on how local elites reached the superior strata of Roman society. But most of the aristocrats were only active locally and never got beyond their own city-states. Several stemmata of local families help to understand how the Roman Empire change the way of representing themselves and alter their strategies of social domination
Bedel, Marie. "La « matière troyenne » dans la littérature médiévale : Guido delle Colonne Historia destructionis Troiae : introduction, édition-traduction partielles et commentaire." Thesis, Lyon 2, 2014. http://www.theses.fr/2014LYO20042.
Повний текст джерелаThis work proposes to explore one of the many medieval texts on the myth of the Trojan War. Transmitted to medieval Europe not through Homer but by the Latin classics and some authors of late Antiquity, this myth was a huge success in Europe during the middle Ages, despite the ignorance of the Greek and the Iliad. We chose to partially edit and comment on one of the most important monuments of the medieval Trojan material, almost unpublished text today because totally abandoned since the Renaissance and the return to the ancient texts. In an introduction, we exposed the principles of our editing work, that is to say, listed the various manuscripts used by the original publisher (Nathaniel Griffin) and especially presented our basic manuscript, Cod. Bodmer 78, absent from the list of manuscripts collated by Griffin. Then we have a chapter on the language of the text, a medieval Latin highly readable although full of "modernism", particularly in terms of vocabulary. Then, after introducing the text, the language and our editing method, we exposed the little things we had on our author, his life, his work and the intellectual context in which he evolved in thirteenth century Sicily, and the European craze for the Trojan material explains his choice to take this great myth in his Historia. Then, we had to mention the many sources used by Guido delle Colonne, its indirect or direct or unacknowledged sources. Lastly, we provided a summary of each book published and translated. Then follows a detailed bibliography on manuscripts and old editions of this text, textbooks, historical and cultural context in Europe and Sicily in the Middle Ages, the Greek texts, Latin and vernacular related to the Trojan War and that influenced our author near or far, the critical works on the treatment of this Trojan material in antiquity and the Middle Ages, and finally some bibliographic elements on Guido and his work. Then comes our edition-translation. The translation is accompanied by a double pageantry: one for the sources and reminiscences, and a critical apparatus that considers and compares the lessons contained in our manuscript with basic variants cited by the previous editor in some manuscripts that he used. At the bottom of the translation include scholarly notes for names or facts mentioned in the text and deserve an explanation. After this introduction and part philological edition, the second major part of this thesis consists of a comment and annexes. In our review, we wanted to examine our text in its narratological, thematically, linguistic, generic and ideological aspects. That is why we have devoted the first chapter to the narratological study of the text, its content, its layout, its narrative techniques, use of sources and its main themes. In a second part, we discussed the type and tone of the Historia, which intends to be a historical text while attending a fictional material since mythological, at a time when genres are not yet defined and less compartmentalized; we have also commented extensively and illustrated the choice of writing in prose and Latin at a time when fashion is to poetry and vernacular. In the end, our third chapter focuses on the scientific, political and ideological content of this text peppered with parentheses and moral scholars. Finally, we proposed a diplomatic edition of the unedited or translated part of the manuscript, as well as appendices on manuscripts and vocabulary, and of course the name index and a glossary of rare or surprising words
Книги з теми "Creta romana"
Simiakaki, Ilaria. Creta romana e protobizantina: Atti del congresso internazionale (Iraklion, 23-30 settembre 2000). Padova: Bottega d'Erasmo, 2004.
Знайти повний текст джерелаHarrison, George William Mallory. The Romans and Crete. Amsterdam: A.M. Hakkert, 1993.
Знайти повний текст джерелаCigaina, Lorenzo. Creta nel Mediterraneo greco-romano: Identità regionale e istituzioni federali. Roma: Edizioni Quasar, 2020.
Знайти повний текст джерелаAndromaco di Creta: Medicina e potere nella Roma neroniana. Acireale (Catania): Bonanno, 2012.
Знайти повний текст джерелаGortina di Creta: Quindici secoli di vita urbana. Roma: "L'Erma" di Bretschneider, 2010.
Знайти повний текст джерелаPreston, Day Leslie, Mook Margaret S. 1960-, and Muhly James David, eds. Crete beyond the palaces: Proceedings of the Crete 2000 Conference. Philadelphia: INSTAP Academic Press, 2004.
Знайти повний текст джерелаSapouna, Polina. Die Bildlampen römischer Zeit aus der Idäischen Zeusgrotte auf Kreta. Oxford, England: Archaeopress, 1998.
Знайти повний текст джерелаRural settlement in Hellenistic and Roman Crete: The Akrotiri peninsula. Oxford, England: Archaeopress, 2001.
Знайти повний текст джерелаHavé-Nikolaus, Felicitas. Untersuchungen zu den kaiserzeitlichen Togastatuen griechischer Provenienz: Kaiserliche und private Togati der Provinzen Achaia, Creta (et Cyrene) und Teilen der Provinz Macedonia. Mainz am Rhein: P. von Zabern, 1998.
Знайти повний текст джерелаThe mosaics of Roman Crete: Art, archaeology and social change. New York: Cambridge University Press, 2012.
Знайти повний текст джерелаЧастини книг з теми "Creta romana"
Tzamtzis, Ioannis E. "The Integration and Perception of the Rule of Law in Roman Crete." In Law in the Roman Provinces, 243–66. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198844082.003.0013.
Повний текст джерелаHolton, David. "The Tragic, the Comic and the Tragicomic in Cretan Renaissance Literature." In Greek Laughter and Tears. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474403795.003.0021.
Повний текст джерелаMajcherek, Grzegorz, and Iwona Zych. "The Cretan presence in Marina el-Alamein." In Classica Orientalia. Essays presented to Wiktor Andrzej Daszewski on his 75th Birthday, 357–78. DiG Publisher, 2011. http://dx.doi.org/10.37343/pcma.uw.dig.9788371817212.pp.357-378.
Повний текст джерелаLippolis, Enzo. "Roman Gortyn:." In Roman Crete: New Perspectives, 155–74. Oxbow Books, 2016. http://dx.doi.org/10.2307/j.ctvh1drr7.15.
Повний текст джерела"Roman Rule:." In A History of Crete, 67–84. Haus Publishing, 2019. http://dx.doi.org/10.2307/j.ctvjdzcsx.10.
Повний текст джерелаFrancis, Jane E. "Apiculture in Roman Crete." In Roman Crete: New Perspectives, 83–100. Oxbow Books, 2016. http://dx.doi.org/10.2307/j.ctvh1drr7.11.
Повний текст джерелаAngelakis, Andreas N. "Urban hydro-technologies in Crete, Greece through the centuries." In The Cultural Dynamics in Water Management from Ancient History to the Present Age, 35–50. IWA Publishing, 2021. http://dx.doi.org/10.2166/9781789062045_0037.
Повний текст джерелаKaranastasi, Pavlina. "Roman imperial sculpture from Crete:." In Roman Crete: New Perspectives, 101–18. Oxbow Books, 2016. http://dx.doi.org/10.2307/j.ctvh1drr7.12.
Повний текст джерелаNiniou-Kindeli, Vanna, and Nikos Chatzidakis. "The Roman theatre at Aptera:." In Roman Crete: New Perspectives, 127–54. Oxbow Books, 2016. http://dx.doi.org/10.2307/j.ctvh1drr7.14.
Повний текст джерелаFant, Clyde E., and Mitchell G. Reddish. "Crete." In A Guide to Biblical Sites in Greece and Turkey. Oxford University Press, 2003. http://dx.doi.org/10.1093/oso/9780195139174.003.0015.
Повний текст джерелаТези доповідей конференцій з теми "Creta romana"
Cimpoi, Mihai. "Caragiale și teatrul absurdului." In Ion Luca Caragiale și personajele sale emblematice (170 de ani de la naștere). “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/ilc.170.2022.01.
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