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Добірка наукової літератури з теми "Creation"

Автор: Grafiati

Опубліковано: 4 червня 2021

Оновлено: 16 листопада 2024

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Статті в журналах з теми "Creation"

1

Rustamova, Ibodat, and Gulbarno Asomiddinova. "THE ISSUE OF CREATING CHARACTER IN ARTISTIC CREATION." Oriental Journal of Social Sciences 02, no. 06 (June 1, 2022): 133–39. http://dx.doi.org/10.37547/supsci-ojss-02-03-18.

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2

Tapadia, Swapnaja. "Perspective on a Value Creating Company - Value Creation & Measurement." International Journal of Science and Research (IJSR) 13, no. 5 (May 5, 2024): 1016–19. http://dx.doi.org/10.21275/sr24516120725.

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3

MOO, DOUGLAS J. "Creation and New Creation." Bulletin for Biblical Research 20, no. 1 (January 1, 2010): 39–60. http://dx.doi.org/10.2307/26423963.

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Abstract The phrase "new creation," used twice in the letters of Paul (Gal 6:15, 2 Cor 5:17), appears abruptly in both contexts and has therefore been subject to several different interpretations. This article argues that the phrase is best understood as a broad description of the "new state of affairs" inaugurated through Christ's first coming and to be consummated at his second coming. This interpretation fits with the usual meaning of the phrase in Jewish literature and makes best sense in both contexts where it occurs. Though the phrase cannot, then, be limited to cosmic renewal, it includes this element and therefore provides some basis for environmental stewardship by Christians today.

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4

David M. Bergeron. "Creating Entertainments for Prince Henry's Creation (1610)." Comparative Drama 42, no. 4 (2008): 433–49. http://dx.doi.org/10.1353/cdr.0.0033.

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5

Phillips, J. "Creating the conditions for creation --or competition?" Journal of Intellectual Property Law & Practice 6, no. 6 (May 13, 2011): 351. http://dx.doi.org/10.1093/jiplp/jpr053.

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6

Scherr, Barry P., and Susanna Witt. "Creating Creation: Readings of Pasternak's Doktor Zivago." Slavic and East European Journal 46, no. 3 (2002): 599. http://dx.doi.org/10.2307/3220210.

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7

Abdusalomovna, Shokhista Mahmudova. "PSYCHOANALYTIC ANALYSIS OF THE CREATIVE PSYCHOLOGY AND THE NATURE OF ARTISTIC CREATION." American Journal of Philological Sciences 4, no. 10 (October 1, 2024): 44–52. http://dx.doi.org/10.37547/ajps/volume04issue10-07.

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Анотація:

In this scientific article, the creative spirit and the nature of artistic creativity are discussed in detail based on the evidence of the different and common aspects of scientific views in world and Uzbek literature. The process of writing down the conclusions about life on the basis of thinking, intelligence, strong mental impressions of the creative people , the personality of the creative person, the psychology of creativity is subjected to psychoanalytical analysis. We have analyzed the images of the creator depicted in the stories and stories of Uzbek writers Sh.Kholmirzayev, E.Azam, N.Eshonkul based on the psychological method, and how the image of the creator is depicted in these works, the hero's worldview, character, and the social conditions and social environment in the formation of these characters. We observed the effect. Valuable opinions were expressed on such important issues as the creative person, his natural talent, the creator and the environment, the role of social life in the formation of the creative worldview, the formation of true talent as an artistic individuality, the horizons of artistic creativity, and the artist's artistic level.

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8

Edwards, Michael. "Wealth creation and poverty creation." City 6, no. 1 (April 2002): 25–42. http://dx.doi.org/10.1080/13604810220142826.

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9

Orr, Brian J. "Creatio ex Creatione a Natura Amoris." Evangelical Quarterly 93, no. 4 (December 1, 2022): 353–83. http://dx.doi.org/10.1163/27725472-09304003.

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Abstract Creatio ex nihilo is the dominant creation theory in the Christian tradition. Relational theologian Thomas Jay Oord proposes an alternative creation theory, in which God everlastingly creates from what he previously created. Key reasons why Oord argues creatio ex nihilo should be rejected are that it has Gnostic roots, is not explicitly taught in Scripture, and is illogical. This article critically assesses Oord’s arguments against creatio ex nihilo, contending that his conclusions are misguided due to a Biblicist tendency in his reading of the text and the inaccurate definition of creatio ex nihilo he argues against. With the biblical and historical data, a definition of creatio ex nihilo representative of the Christian tradition is articulated. This essay then demonstrates how creatio ex nihilo is superior to Oord’s alternative theory.

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Kirkley, William W. "Creating ventures: decision factors in new venture creation." Asia Pacific Journal of Innovation and Entrepreneurship 10, no. 1 (December 5, 2016): 151–67. http://dx.doi.org/10.1108/apjie-12-2016-003.

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Анотація:

Purpose The purpose of this pilot study was to identify the key factors that influence the decisions of entrepreneurs who are considering the creation of a new venture. The pilot was conducted to explore the cognitive antecedents of entrepreneurial decision-making and whether specific factors contribute to the decision to create a new venture. Design/methodology/approach The study utilised an inductive and interpretive research design within a constructivist paradigm. The sample comprised entrepreneurs situated in a business incubation unit who engaged in a series of semi-structured interviews. The results of this study will be used to refine the questions asked in preparation for a larger sample using in-depth interviews with identified entrepreneurs. The resulting narrative in this pilot was subjected to discourse analysis and is categorised into relevant themes. Findings The findings in this pilot study reveal that factors such as technological advancement, market opportunity, competition, customer demand and prevailing market conditions have a significant influence on the decision-making process involved in creating a new venture. Research limitations/implications Although the pilot has identified several factors in entrepreneurial decision-making, further work will be needed in the research design to be able to expose the cognitive processes associated with each factor. The aim is to identify the common cognitive characteristics associated with thinking through the decision to create a new venture with a much larger sample of entrepreneurs. Originality/value The value of this research lies in exploring and developing a better understanding of the antecedent cognitive processes used by entrepreneurs for identifying unique, innovative new ideas and converting them into exploitable products or services through new venture creation.

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Дисертації з теми "Creation"

1

Witt, Susanna. "Creating creation : readings of Pasternak's Doktor Zivago /." Stockholm : Almqvist och Wiksell international, 2000. http://catalogue.bnf.fr/ark:/12148/cb39183263m.

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2

Witt, Susanna. "Creating creation readings of Pasternak's Doktor Živago /." Doctoral thesis, Stockholm : Almqvist och Wiksell International, 2000. http://catalog.hathitrust.org/api/volumes/oclc/46340409.html.

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3

Spiegel, Flora Elise. "Creator and creation in Anglo-Saxon literary traditions." Thesis, University of Cambridge, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.613911.

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4

Gotkin, Joseph Daniel. "Creation." Thesis, The University of Arizona, 2013. http://hdl.handle.net/10150/297617.

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Анотація:

What drives creation in art? What differs in this between artists, and more specifically? What comes from letting that creativity flow out, unhampered yet guided? What are the influences that inspiration plays in creation? These questions are what I want to explore for myself visually, creating compositions that are continually inventive. I explored these questions through a process driven by as pure an inspiration as I could obtain using the medium that is the most natural - and thus the smallest impediment to my thought process - and adding cohesiveness at the end to create a full, technical, interesting, and thought provoking composition. I think in ink, so to speak, and I used this quality to help me just draw; each piece evolved from one stroke to the next, growing and building with the simple joy of drawing guided by subconscious and experiential cues. As the drawings neared their completion, much more consideration was taken in order to form the complete gestalts. In the end, 3 completely unique character interactions took form, whose detail and oddity allow the viewer to explore the depths of my mind and make inferences of their own creation upon them.

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5

E, Cascante Quirós María Jesús, and Natalia Schlothauer. "From Sole-Creation to Co-Creation : Social Marketing Value Creation through Corporate-NPO Collaboration." Thesis, Högskolan i Gävle, Företagsekonomi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-23453.

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Анотація:

Aim: The aim of this study was to investigate the structure of social marketing within a collaboration between non-profit organisations (NPOs) and business organisations as well as whether this collaboration facilitates the process of social marketing for the NPOs. For this purpose, Austin and Seitanidi´s (2012a, 2012b, 2014) Collaborative Value Creation (CVC) framework was applied to social marketing as value outcome by combining it with Andreasen and Kotler´s (2003) model of the social marketing process in NPOs. Method: A qualitative study was conducted based on secondary and primary data. Hereby, primary data was gathered from a total of seven NPOs and twelve respondents across Sweden by the use of face-to-face and phone interviews. Result & Conclusions: Two main findings were identified in this study. Firstly, within the process of social marketing in a corporate-NPO collaboration the NPOs predominantly plan and design the campaigns independently. Hereby, it is shown that the NPO´s organisational model of operation influences the collaboration structure. Secondly, it is demonstrated that the corporate-NPO collaboration facilitates the NPOs social marketing process. Suggestions for future research: Further investigations of NPOs could be undertaken by distinguishing between their organisational model and area of operation in order to complement the presented theoretical model of the social marketing process in the corporate-NPO collaboration. Additionally, the perspective of business organisations could be considered. Contribution of the thesis: The present study contributes to literature by providing a theoretical model based of the social marketing process in the corporate-NPO collaboration. It demonstrates that this collaboration facilitates the social marketing process of the NPOs.

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6

McCabe, Gordon. "Universe creation." Thesis, University of Reading, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.394235.

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7

Holmes, Thomas W. "Creation Myths." Ohio University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1243973511.

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Eveler, Jesse B. "Knowledge Creation." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1242833183.

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Dorman, Daniel. "Creation Myth." Cleveland State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=csu1493918336967034.

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Doyle, Alexandra. "Developing a Choreographic Process: Instinctual Creation vs. Premeditated Creation." Thesis, The University of Arizona, 2015. http://hdl.handle.net/10150/579302.

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Анотація:

This thesis is a research project undertaken in order to develop a personal process of choreography. As a dance major at a university with a heavy emphasis on choreography, I feel it is important to identify and develop my own choreographic process. I am trying to find my own voice as a choreographer, so I am testing different recognized methods of movement creation in order to develop a process. Each semester, fall and spring, I choreographed separate pieces that were driven by a different process. Fall semester I choreographed driven by instinctual creation; spring semester I choreographed driven by premeditated creation. Throughout each process, I kept detailed journals on what choreographic tools and techniques I used to develop each piece. The largest products of my research were the two dances created, so the bulk of my thesis is videos of my dances. However, I wanted to document the processes to learn which techniques worked and which didn't. To close out my time here at the university, I will choreograph a solo using the information gathered from my research.

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Книги з теми "Creation"

1

Parker, Barry. Creation. Boston, MA: Springer US, 1988. http://dx.doi.org/10.1007/978-1-4899-3332-4.

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2

Spirin, Gennadiĭ. Creation. Grand Rapids, Mich: Zonderkidz, 2008.

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3

Govier, Katherine. Creation. Waterville, Me: Thorndike Press, 2003.

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4

Spirituality, Friends of Creation. Creation. Oakland, Calif.]: [Friends of Creation Spirituality], 1985.

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5

Serunjogi, Priscilla. Creation. Siloam Springs, AR: Concerned Communications, 2002.

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6

Serunjogi, Priscilla. Creation. Siloam Springs, AR: Concerned Communications, 2002.

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7

G, Bennett John. Creation. Santa Fe, NM: Bennett Books, 1998.

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8

ill, Egas Jan, ed. Creation. Wheaton, Ill: Tyndale, 1992.

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9

Zonderkidz, ed. Creation. Grand Rapids, Mich: Zondervan, 2013.

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10

Aivanhov, Omraam Mikhael. Creation artistique et creation spirituelle.--. Frejus: Prosveta, 1986.

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Частини книг з теми "Creation"

1

Baker-Fletcher, Karen. "Creator, Creation, and Gender." In The Routledge Companion to Christian Ethics, 18–30. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429345081-3.

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2

Price, George McCready. "Creation and the Creator." In Selected Works of George McCready Price, 219–38. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003003601-29.

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3

Blackhirst, Rod. "Creation." In Encyclopedia of Psychology and Religion, 549–50. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24348-7_140.

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4

Sell, Peter S. "Creation." In Expert Systems — A Practical Introduction, 21–37. London: Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-07416-7_4.

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5

Scott, Peter. "Creation." In The Blackwell Companion to Political Theology, 333–47. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470997048.ch24.

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6

Scott, Peter Manley. "Creation." In The Wiley Blackwell Companion to Political Theology, 376–88. Chichester, UK: John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781119133759.ch27.

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7

Gladstone, David. "Creation." In The Twentieth-Century Welfare State, 32–51. London: Macmillan Education UK, 1999. http://dx.doi.org/10.1007/978-1-349-27525-0_3.

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8

Thomas, Denis’ A., and Melanie H. Morris. "Creation." In Creative Play Therapy with Adolescents and Adults, 99–111. New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429449307-7.

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9

Cave, Peter, and Dan Cohn-Sherbok. "Creation." In Arguing about Judaism, 18–25. 1. | New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429319730-2.

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10

Mathew, Meena. "Creation." In Christianity, 375–77. Dordrecht: Springer Netherlands, 2023. http://dx.doi.org/10.1007/978-94-024-2241-2_73.

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Тези доповідей конференцій з теми "Creation"

1

Silvia Barros De Held, Maria, Carlos Alho, and Vanda Matos. "The Process of Creation: Artistic Creation and Creative Processes." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001393.

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Анотація:

This research is built upon the search for the understanding of today's status of the process of creation, and how it has been considered through time, first through an philosophical approach, then through psychological aesthetics and finally, more recently, through psychology. If all construction of reality are built upon the interaction between physical world, the psychological or subjective world and the world of human creation, it seems to be clear that the creative process is, by excellency, a paradigm of the human experimental or experiential phenomena. Assuming a descriptive case study approach, Boa Nova Tea House of Siza Viera is analyzed. In Siza Vieira´s creative process, the drawing constantly validates his work. Architecture balances between art and technique as a creative act resulting from the artist mental reflective and experimental construction.

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2

Chen, Yi-Wen. "Value creation in cultural and creative industry." In 2012 IEEE 3rd International Conference on Software Engineering and Service Science (ICSESS). IEEE, 2012. http://dx.doi.org/10.1109/icsess.2012.6269521.

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3

Verejanu, Dan. "The „Innocent”, „Paradise”, „Absolute” Man in Lucian Blaga’s Lyrical and Philosophical Works." In Conferinta stiintifica nationala "Lecturi în memoriam acad. Silviu Berejan", Ediția 6. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/lecturi.2023.06.23.

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Researching the metaphor function, Blaga speaks in his essay „The genesis of the metaphor and the sense of culture” about the man who „became a man”. Blaga was always preoccupied of the Man who has a destiny of creating culture (metaphorical and stylistically), with its sacred abyss roots and a great launch of revelation intentions. The true ambassador of united Romania, focused especially into giving greatness to the being, Lucian Blaga became aware of the value of creation moment. The man, existing in the mystery horizon for revelation, it is a creation man, a man of culture. Referring to the creative power which attracted all the other concepts from his philosophical and poetry works, Blaga thinks that we are what we create. The value creator himself represents the creative power. Working on the face of the culture man, after his own face, the lyrical philosopher suggests that each of us can affirm himself as an absolute power. Only when the creation Man discovers that the Divine power it is in us, he discovers the creation power that he has. Only being aware of how much creation power one has, one can surprise himself in a transformation process that leads to absolute power.

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4

Romero, Margarida, and Niki Lambropoulos. "Digital game creation as a creative learning activity." In 2015 International Conference on Interactive Mobile Communication Technologies and Learning (IMCL). IEEE, 2015. http://dx.doi.org/10.1109/imctl.2015.7359615.

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5

Hanes, Roger, Jo Salter, Paul Popay, and Frances Hedley. "Service creation tools for creating speech interactive services." In 3rd European Conference on Speech Communication and Technology (Eurospeech 1993). ISCA: ISCA, 1993. http://dx.doi.org/10.21437/eurospeech.1993-317.

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Berger, Pierre. "Digital creation." In VRIC '14: Virtual Reality International Conference - Laval Virtual 2014. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2617841.2620704.

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Feldman, Sara (Salevati). "Co-Creation: Human and AI Collaboration in Creative Expression." In Electronic Visualisation and the Arts (EVA 2017). BCS Learning & Development, 2017. http://dx.doi.org/10.14236/ewic/eva2017.84.

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Amerieska, Siti, Imam Mulyono, and Novi Nugrahani. "Value Creation in Microfinance Institutions for Creating Holistic Accountability." In 1st Annual Management, Business and Economic Conference (AMBEC 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/aebmr.k.200415.016.

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Fuentes-Durá, Pedro, Nuria Matarredona-Desantes, Teresa María Pellicer Armiñana, Sabina Asensio Cuesta, and Ignacio Payá Zaforteza. "CREATING THE CLASSROOM OF THE FUTURE THROUGH CO-CREATION." In 11th annual International Conference of Education, Research and Innovation. IATED, 2018. http://dx.doi.org/10.21125/iceri.2018.2177.

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Savčić, Sanja. "Veštačka inteligencija i problem autorstva." In Veštačka inteligencija: izazovi u poslovnom pravu, 11–31. Univerzitet u Beogradu – Pravni fakultet, 2024. http://dx.doi.org/10.51204/internet_dijalog_2401a.

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Анотація:

The use of computer programs in human intellectual work has attracted the attention of lawyers in the field of copyright since the very beginning. Even though to this day not all discussions regarding the role of a computer program in the creation of an author’s work have been resolved, it is an indisputable fact that a computer or a computer program in the process of creating a mental creation is nothing more than a tool for work, i.e., a mean of expressing the intellectual sphere of human being. Unlike previous forms of computer technology, artificial intelligence is capable of autonomously selecting, systematizing, and generating new content within a database (which can be quite large). Bearing in mind the representation of creations of artificial intelligence systems on the market of cultural, artistic, entertainment and similar content, which is traditionally protected by copyright protection, the question of the copyright framework for the use of such creations is of particular importance. The problem of authorship is posed as an initial one. In the copyright sense of the word, the author as the subject of copyright has numerous rights (of a moral and economic nature) by the exercise of which he achieves a financial benefit, that is, he protects his personal and property interests in connection with his intellectual creation. On the other hand, for users of the creative or entertainment content, the question of the subject of the right is relevant to determine the person whose consent is required if an action covered by exclusive right is undertaken, if such content would be subject to copyright (or some other) protection. In the context of copyright, the analysis starts from the key question of whether the creation of artificial intelligence is a work of authorship, based on which copyright arises, and only then, if the answer is affirmative, who is the subject of copyright. In this regard, our research should answer an essential question: does the existing framework of copyright protection include creations created using artificial intelligence systems?

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Звіти організацій з теми "Creation"

1

Jordon, Matthew, and Jonathan Wentworth. Woodland creation. Parliamentary Office of Science and Technology, January 2021. http://dx.doi.org/10.58248/pn636.

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Large-scale woodland creation is being promoted internationally to mitigate climate change. It can also supply other benefits, such as improving biodiversity, air and water quality. This POSTnote summarises key factors influencing how much carbon is taken up by woodland, the different objectives of woodland creation, constraints to increasing UK tree cover and different finance options.

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2

Jiang, Liangliang, Ross Levine, and Chen Lin. Competition and Bank Liquidity Creation. Cambridge, MA: National Bureau of Economic Research, April 2016. http://dx.doi.org/10.3386/w22195.

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Martin, David L., Grit Denker, Richard Waldinger, and Jerry Hobbs. Knowledge Creation Tools for DAML. Fort Belvoir, VA: Defense Technical Information Center, March 2006. http://dx.doi.org/10.21236/ada449078.

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Denman, Matthew R., Zachary Kyle Jankovsky, and William Stuart. Creation of the NaSCoRD Database. Office of Scientific and Technical Information (OSTI), September 2017. http://dx.doi.org/10.2172/1417871.

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Bartik, Timothy J. Incentives and Local Job Creation. W.E. Upjohn Institute, July 2018. http://dx.doi.org/10.17848/pb2018-3.

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Thakor, Anjan, and Edison Yu. Funding Liquidity Creation by Banks. Federal Reserve Bank of Philadelphia, February 2023. http://dx.doi.org/10.21799/frbp.wp.2023.02.

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Johnson, Jay. Creation of System Validation Platform. Office of Scientific and Technical Information (OSTI), November 2017. http://dx.doi.org/10.2172/1411762.

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Johnson, Jay. Creation of System Validation Platform. Office of Scientific and Technical Information (OSTI), December 2017. http://dx.doi.org/10.2172/1487438.

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Lempert, Walter R., J. W. Rich, Igor Adamovich, and Vish V. Subramaniam. Creation and Measurement of Air Plasmas. Fort Belvoir, VA: Defense Technical Information Center, January 2000. http://dx.doi.org/10.21236/ada397504.

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Lofstead, Gerald Fredrick. Simplifying Scientific Workflow Creation and Management. Office of Scientific and Technical Information (OSTI), May 2015. http://dx.doi.org/10.2172/1179257.

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