Готові списки джерел за темами / Cornici

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Добірка наукової літератури з теми "Cornici"

Автор: Grafiati
Опубліковано: 11 березня 2023

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Статті в журналах з теми "Cornici"

1

Fracchia, Fabrizio. "Il principio di gerarchia come paradigma di funzionalità dell'amministrazione militare." DIRITTO COSTITUZIONALE, no. 1 (March 2022): 75–94. http://dx.doi.org/10.3280/dc2022-001004.

Повний текст джерела
Анотація:
Dopo avere analizzato il concetto di gerarchia militare, l'articolo indugia sulla specialità dell'ordinamento militare, applicando al settore di indagine la prospettiva luhmanniana e applicando conseguentemente i concetti di differenziazione funzionale, codici, prestazione del sistema e cornici decisionali.
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2

Rusu, Anca-Maria. "Shakespeare and Romanian Performance – a Doctoral Perspective." Theatrical Colloquia 8, no. 2 (December 1, 2018): 211–17. http://dx.doi.org/10.2478/tco-2018-0016.

Повний текст джерела
Анотація:
Abstract There has been a constant interest in Shakespeare in the last twenty years among playwrights, critics, directors and actors. The revival of Shakespeare studies, the multitude of interpretations, theatre productions, research studies of doctoral type have been not just a reconsideration of texts, but also an attempt to modernise them. These findings and many other reflections on Shakespearean theatre and an amazing diversity, on which it had been founded, are the result of the doctoral research done by Antonella Cornici on the Shakespearean soliloquy and its diverse Romanian stage versions appeared in performances between 1990-2015.
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3

Canevelli, Francesco. ""Figli che rifiutano un genitore: intrecci relazionali nei percorsi di separazione" Prima parte." RIVISTA DI PSICOTERAPIA RELAZIONALE, no. 53 (June 2021): 26–47. http://dx.doi.org/10.3280/pr2021-053003.

Повний текст джерела
Анотація:
L'Autore presenta il fenomeno del rifiuto che un figlio manifesta nei confronti di un genitore all'interno di alcune situazioni che fanno se-guito alla separazione. Il fenomeno viene inquadrato all'interno di specifici scenari in cui si realizzano intrecci relazionali che sostengono e rafforzano il rifiuto stesso e che forniscono cornici di senso al suo realizzarsi. Vengono esaminate le ricadute che il rifiuto e il tipo di intrecci in cui si inserisce comportano per i bisogni di sviluppo del figlio e dell'intero sistema familiare. Vengono infine presi in esame i diversi contesti e le possibili articolazioni degli interventi specialistici in que-sto tipo di situazioni.
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4

Canevelli, Francesco. ""Figli che rifiutano un genitore: intrecci relazionali nei percorsi di separazione" Seconda parte." RIVISTA DI PSICOTERAPIA RELAZIONALE, no. 54 (January 2022): 37–59. http://dx.doi.org/10.3280/pr2021-054003.

Повний текст джерела
Анотація:
L'Autore presenta il fenomeno del rifiuto che un figlio manifesta nei confronti di un genitore all'interno di alcune situazioni che fanno se-guito alla separazione. Il fenomeno viene inquadrato all'interno di specifici scenari in cui si realizzano intrecci relazionali che sostengono e rafforzano il rifiuto stesso e che forniscono cornici di senso al suo realizzarsi. Vengono esaminate le ricadute che il rifiuto e il tipo di intrecci in cui si inserisce comportano per i bisogni di sviluppo del figlio e dell'intero sistema familiare. Vengono infine presi in esame i diversi contesti e le possibili articolazioni degli interventi specialistici in que-sto tipo di situazioni.
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5

Juri, Franco. "Il postmoderno nella narrativa Italiana degli anni ottanta : (Quali linguaggi?)." Acta Neophilologica 24 (December 15, 1991): 107–13. http://dx.doi.org/10.4312/an.24.0.107-113.

Повний текст джерела
Анотація:
È lecito parlare di una narrativa italiana postmoderna? E se lo è, quali sono gli aspetti che la identitficano e le danno diritto di stanzialità nell'arte scritta degli anni '80? La questione non è di facile penetrazione, visto che - a differenza dei generi e dei modi. riconducibili a cornici di facile sistemazione stilistico-temporale - il ˝postmoderno˝ in letteratura rimane soprattutto un'ipotesi in gestazione, destinata farse a restare solo fluida ed estemporanea sperimentazione; una risposta ludica alla crisi che fa da sfondo alla produzione letteraria, e più in genere culturale, deli anni '80, nonché al disfacimento di molti valori morali, etici ed estetici ereditati dalla decade dei '70.
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6

Juri, Franco. "Il postmoderno nella narrativa Italiana degli anni ottanta : (Quali linguaggi?)." Acta Neophilologica 24 (December 15, 1991): 107–13. http://dx.doi.org/10.4312/an.24.1.107-113.

Повний текст джерела
Анотація:
È lecito parlare di una narrativa italiana postmoderna? E se lo è, quali sono gli aspetti che la identitficano e le danno diritto di stanzialità nell'arte scritta degli anni '80? La questione non è di facile penetrazione, visto che - a differenza dei generi e dei modi. riconducibili a cornici di facile sistemazione stilistico-temporale - il ˝postmoderno˝ in letteratura rimane soprattutto un'ipotesi in gestazione, destinata farse a restare solo fluida ed estemporanea sperimentazione; una risposta ludica alla crisi che fa da sfondo alla produzione letteraria, e più in genere culturale, deli anni '80, nonché al disfacimento di molti valori morali, etici ed estetici ereditati dalla decade dei '70.
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7

Hancock, Holt, Markus Eckerstorfer, Alexander Prokop, and Jordy Hendrikx. "Quantifying seasonal cornice dynamics using a terrestrial laser scanner in Svalbard, Norway." Natural Hazards and Earth System Sciences 20, no. 2 (February 26, 2020): 603–23. http://dx.doi.org/10.5194/nhess-20-603-2020.

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Анотація:
Abstract. Snow cornices develop along mountain ridges, edges of plateaus, and marked inflections in topography throughout regions with seasonal and permanent snow cover. Despite the recognized hazard posed by cornices in mountainous locations, limited modern research on cornice dynamics exists and accurately forecasting cornice failure continues to be problematic. Cornice failures and associated cornice fall avalanches comprise a majority of observed avalanche activity and endanger human life and infrastructure annually near Longyearbyen in central Svalbard, Norway. In this work, we monitored the seasonal development of the cornices along the plateaus near Longyearbyen with a terrestrial laser scanner (TLS) during the 2016–2017 and 2017–2018 winter seasons. The spatial resolution at which we acquired snow surface data with TLS enabled us to observe and quantify changes to the cornice systems in detail not previously achieved. We focused primarily on the evolution and failure of the lower cornice surfaces where accessibility has precluded previous research. We measured cornice accretion rates in excess of 10 mm h−1 during several accretion events coinciding with winter storms. We observed five cornice fall avalanche events following periods of cornice accretion and one event following a warm period with midwinter rain. The results of our investigation provide quantitative reinforcement to existing conceptual models of cornice dynamics and illustrate cornice response to specific meteorological events. Our results demonstrate the utility of TLS for monitoring cornice processes and as a viable method for quantitative cornice studies in this and other locations where cornices are of scientific or operational interest.
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8

Masini, Paolo. "Libertà non è uno spazio libero. La Charrette: un modello di progettazione partecipata per i tempi (difficili) che corrono." IUL Research 3, no. 6 (December 21, 2022): 87–103. http://dx.doi.org/10.57568/iulres.v3i6.364.

Повний текст джерела
Анотація:
Il presente scritto illustra sinteticamente un modello di progettazione partecipata discretamente nota in ambito urbanistico, la Charrette, dando evidenza di una possibile riduzione applicativa alla progettazione degli ambienti di apprendimento. Poiché tuttavia le dinamiche partecipative sono autentiche solo se pongono al centro l’idea di comunità educante, abbiamo riservato una breve introduzione per considerare se le diverse progettualità innovative degli spazi “oltre l’aula” riflettono davvero questa articolazione, oppure sono simili a grandi carovane migratorie di strumenti e strutture verso terre nuove, che lasciano però intatte in patria le cornici ideologiche e gli schemi mentali tradizionali del dispositivo-scuola (Foucault). Tutto sembrerebbe a portata di mano, invece la libertà non è uno spazio libero.
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9

Cremaschi, Marco. "Urbanitŕ e resisitenza." ARCHIVIO DI STUDI URBANI E REGIONALI, no. 94 (June 2009): 126–39. http://dx.doi.org/10.3280/asur2009-094011.

Повний текст джерела
Анотація:
- The research on public space is characterized by four different concepts: first, the equivalence between public space and public sphere, directly impinging upon politics; second, the history and construction of social identities, where memory plays a central role; third, the encounter with strangers that should educate to tolerance; fourth, the practice of living together, at the foundation both of urbanity and civil respect. The first three concepts state that public space is eroded, due to the privatization of the public sphere. The last one criticizes this belief, and suggests instead investigating the field of practices that combine resistance to urban change, and the experimentation of new forms of urbanity.Key words: public space, urbanity, planning, social practices, cities, inclusion.Parole chiave: housing, planning, abitare, pratiche sociali, istituzionalizzazione, cornici cognitive.
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10

Alastra, Vincenzo. "Prendersi cura delle comunitŕ di pratica attraverso progetti di ricerca-formazione-intervento. Esperienze nella azienda sanitaria di Biella." RICERCHE DI PSICOLOGIA, no. 3 (February 2011): 151–70. http://dx.doi.org/10.3280/rip2009-003009.

Повний текст джерела
Анотація:
L'articolo propone una rilettura di due esperienze, riconducibili alle cornici teorico-metodologiche della ricerca-intervento e della formazione-intervento, condotte nella Azienda Sanitaria Locale BI di Biella. Gli scenari operativi relativi ad entrambi i progetti attengono lo sviluppo di comunitŕ di pratica. Viene articolata una riflessione intorno al ruolo che puň, in tal senso, essere assunto da un servizio formazione. Vengono inoltre prese in esame alcune opportunitŕ, nodi critici e competenze richieste, atteggiamenti e caratteristiche della cultura organizzativa di riferimento, sui quali si ritiene necessario sollecitare l'attenzione e l'impegno da parte di chi intenda cimentarsi su questi fronti. Sfide e aspetti questi, tutti attinenti sia le due metodologie di intervento, che la stessa problematica della cura di comunitŕ di pratica in queste organizzazioni.
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Більше джерел

Дисертації з теми "Cornici"

1

DI, CURZIO ANGELA. "La cornice della Transavanguardia: fenomenologia della cornice nelle opere di Chia, Clemente, Cucchi, De Maria e Paladino." Doctoral thesis, Università degli Studi di Roma "Tor Vergata", 2010. http://hdl.handle.net/2108/1303.

Повний текст джерела
Анотація:
La ricerca analizza funzione e fenomenologia della cornice nelle opere della Transavanguardia italiana. Il tema nasce dall’osservazione del rilevante ruolo svolto dalla cornice, o da motivi posti al limite della tela che ne rielaborano in termini più astratti o frammentari la figura, nei dipinti del gruppo formato e teorizzato dal critico d’arte Achille Bonito Oliva nel 1979. Chia, Clemente, Cucchi, De Maria e Paladino tornano al quadro e dunque alla “cornice” nel contesto post-modern di un recupero del linguaggio figurativo e della pratica pittorica. La ricerca mostra con ampiezza di documentazione fotografica i diversi modi e le diverse idee secondo cui i transavanguardisti includono nuovamente la cornice all’interno delle loro opere. A sostegno della ricerca si è svolta una ricognizione storica sulla cornice, articolata in tre parti. La prima, dallo sviluppo più rapido, parte dal primo esempio di cornice che risale al 3000 a.C. e giunge fino al XVIII secolo. La seconda, più particolareggiata, ha per oggetto esempi significativi sul tema “cornice del dipinto” in opere di importanti artisti a cavallo tra XIX e XX secolo. La terza affronta i nuovi aspetti in cui la “cornice” si presenta alla metà del novecento con l’Espressionismo Astratto, il New Dada, la Pop Art e le tendenze concettuali, aspetti ai quali i transavanguardisti appaiono legati. Sull’importanza del recupero transavanguardista della cornice ha svolto una riflessione lo stesso teorico del movimento, Achille Bonito Oliva, in un colloquio avuto con me che costituisce, nell’ambito della ricerca, un’occasione preziosa di approfondimento. Concludono questo studio due capitoli dedicati a casi di attenzione particolare attribuita alla cornice. Il primo, relativo a due collezioni private italiane, nelle quali è curato il rapporto tra la cornice antica e l’opera contemporanea; il secondo, nel quale si presenta l’attività artistica dell’austriaco Herbert Szusich, le cui opere consistono in cornici.
This dissertation focuses on the function and the phenomenology of the Italian Trans-avantgarde’s frame-works. Such evaluation has been performed considering the interesting role given to the frame-work or to any elements laying around the picture which have revised the figure in abstract or fragmentary terms within the works of the group both formed and thought by the critic Achille Bonito Oliva in 1979. Chia, Clemente, Cucchi, De Maria and Paladino have come back to the picture and re-used the picture-frame within their post-modern context of a return towards the figurative language and the painting skill. Thanks to a wide range of pictures, our research shows the different ways and the contrasting ideas according to each Trans-avantgarde artist’s use of the frame-work within his works. To support our research, a deep historical background on the frame-work has been taken into account. This historical approach has been divided into three parts. The first part shows the earliest development of the frame-work starting from 3000 B.C. to XVIII century. The second part, more detailed than the previous one, focuses on the important theme of the “picture-frame” in some artists’ works of the XIX and XX centuries. The third part is about the new aspects of the “frame-work” in the second half of the XIX century that involves the Abstract Expressionism, the New Dada, the Pop Art and other conceptual tendencies of the century to which the Trans-avangardists seem to be linked. On the importance of the return to the frame-work by the Trans-avantgarde, the theorist of the Italian movement Bonito Oliva has given his own idea in an exclusive interview with me. Within the research, this interview has represented a precious possibility to deep-in the main topic. Two more chapters dedicated to some particular case study have been written in the final part of our research. The first chapter is about two Italian private collections and their focus on the relationship between a contemporary work of art framed within an old frame-work; the second chapter stresses the artistic production of an Austrian author Herbert Szusich whose works are frame-works.
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2

ROCCHI, FRANCESCA. "La risposta sanzionatoria e il potere discrezionale del giudice: con particolare riferimento al ruolo e al significato della recidiva nella teoria della pena." Doctoral thesis, Università degli Studi di Roma "Tor Vergata", 2009. http://hdl.handle.net/2108/1090.

Повний текст джерела
Анотація:
Nonostante la maggior parte degli interpreti e delle Commissioni ministeriali istituite negli ultimi decenni per riformare il codice penale abbiano rintracciato nell’eccessivo potere discrezionale del giudice nella commisurazione della pena la principale ragione dell’ineffettività del sistema sanzionatorio italiano, la ricerca sviluppata in questa tesi, anche a livello comparatistico, ha invece individuato due diverse ragioni di tipo tecnico giuridico alla base della crisi della certezza della pena e dell’eccessivo divario tra pena in astratto e pena in concreto. La prima consiste nell’inadeguatezza delle pene edittali, sia a livello qualitativo che quantitativo. La struttura carcerocentrica del sistema punitivo italiano sembra, infatti, ormai anacronistica e contrastante con le attuali tendenze dei più moderni sistemi penali, promosse anche dalla comunità scientifica internazionale, per evitare gli effetti negativi e controproducenti della pena detentiva, soprattutto se di breve durata. Dal punto di vista quantitativo, inoltre, il minimo ed il massimo edittale, sono spesso così sproporzionati rispetto all’attuale disvalore astratto del reato, che il giudice è costretto ad un ruolo di supplenza per adeguare la determinazione legale della pena ai principi costituzionali di uguaglianza, rieducazione e proporzione, così come gli viene ormai costantemente richiesto anche dalla stessa Corte Costituzionale. La seconda causa, invece, risiede nell’abuso e nell’ipertrofia del sistema delle circostanze del reato che, a seguito delle numerose novelle riformatrici che ne hanno stravolto complessivamente la disciplina e la fisionomia, hanno mutato la loro originaria funzione di cause di modificazione legale della pena, finalizzate appunto a restringere la discrezionalità commisurativa giudiziale. Emblematica perciò appare la vicenda normativa dell’istituto della recidiva, che, pur essendo stata riformata di recente dal legislatore in senso particolarmente repressivo, sull’esempio di altri ordinamenti europei e delle leggi americane dei “three strikes”, avendo mantenuto la sua veste giuridica di circostanza aggravante del reato ha comportato paradossalmente un ampliamento del potere discrezionale del giudice, rendendo di fatto ancor meno effettiva la risposta sanzionatoria. La recente riforma del sistema sanzionatorio operata dalla l. del 251 del 2005, viene perciò criticata perché, al di là del valore repressivo simbolico che ha voluto attribuire alla recidiva, non ha realmente inciso sul fondamento di questo istituto lasciando quindi sempre ai giudici la decisione sulla sua applicabilità concreta, senza tentare altre soluzioni politico criminali, nel quadro di un sistema sanzionatorio maggiormente differenziato, sia per tipologia di reati che di autori, di per sé dunque incompatibile con una recidiva fondata sul solo innalzamento della pena in astratto, in senso ancora generico e perpetuo.
While most authors and ministerial committees, established in recent decades to reform the penal code, have found in the wide discretionary power of the judge over criminal sentencing the main reason of the penalties ineffectiveness of Italian system, the research, developed in this dissertation, through also a comparative analysis, has identified two legal basis of the current crisis of the punishment ‘s certainty and of the excessive gap between penalty and punishment in abstract and in concrete. The first reason consists in the inadequacy of statutory penalties, both qualitatively and quantitatively. The structure of the Italian penal system, based only on custodial sanctions, seems nowadays, in fact, anachronistic and contrary to current trends in modern criminal justice systems, also promoted by the international scientific community to avoid the negative and counterproductive effects of imprisonment, especially if short-lived. From a quantitative point of view, moreover, the minimum and maximum of statutory penalties, are often so disproportionate compared to the abstract value of the offense, that the court is constrained to a role of the substitute of the legislator to adjust the legal determination of the statutory penalties to the constitutional principles of equality, rehabilitation and proportion, as he is now constantly required by the Constitutional Court. The second reason, however, lies in the overgrowth of the circumstances of the offense, as a result of the many legislative reforms that have distorted the overall discipline and character, changing their original function as legal causes of statutory penalties’ amendment, designed specifically to restrict judicial discretionary sentencing power. Emblematic it appears the story of the legislation against persistent offenders, which, despite having been recently reformed by the legislature in a particularly repressive sense, on the example of other European legal systems and of North-American laws of the "three strikes", maintaining it’s legal aggravating circumstance nature of the offense, has paradoxically produced an extension of the discretionary sentencing power of the judge, making even less effective the repressive response. The recent reform of the sanctions made by the l. 251 of 2005, therefore, is criticized because, despite the symbolic repressive value who wanted to give, has not really affected the foundation of this institution of recidivism, leaving its application to the court’s decision, without trying other solutions of criminal-political nature, as part of a more differentiated system of penalties, both by type of crime and perpetrators, that is, in itself, therefore, incompatible with a recidivism’s discipline based solely on increasing the penalty in the abstract, without distinction of seriousness of the current and previous offence(s) and of the time of previous offence (so called “wash-out period”).
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3

Jones, Andrew M. "Cornish Bronze Age ceremonial landscapes." Thesis, University of Exeter, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.407287.

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4

Cornic, Sylvain. "Philippe Quinault ou la naissance de l'opéra français." Paris 4, 2007. http://www.theses.paris-sorbonne.fr/cornic/html/index-frames.html.

Повний текст джерела
Анотація:
La tragédie en musique lulliste fut influencée par la dramaturgie classique mais aussi, à ses débuts, par les choix originaux de Philippe Quinault (1635-1688), représentant tardif de la tragi-comédie irrégulière, dont il convient de réinterpréter les opéras à la lumière de son théâtre parlé. Partant d’un recensement de ce qu’il a retiré du répertoire dramatique et musical de son temps, ce travail étudie la formation de Quinault au théâtre chanté sous l’influence du roman héroïcogalant, de la pastorale, de la tragédie à machines, de la comédie-ballet moliéresque et du ballet de cour et montre comment il est parvenu, par une contribution tardive mais décisive, à surmonter l’échec de l’opéra italien en France et à dépasser l’effort de théorisation remarquable, mais incomplet, de Pierre Perrin, auteur du premier essai de tragédie en musique. Par des traits dramaturgiques et des enjeux théoriques communs, la poétique de la tragi-comédie apparaît en filigrane de la poétique de la tragédie en musique, paradoxalement ainsi fondée comme genre moderne. En réglant par la mise au point d’une formule ad hoc de prologue et l’invention du récitatif la question de la vraisemblance de la mimésis à l’opéra, Quinault mit une dramaturgie de l’enchantement au service d’une thématique du désenchantement : l’étude du cliché de sa « tendresse » et de son libertinage ambigu, entre hédonisme épicurien et scepticisme augustinien, confirme l’intérêt de ce dramaturge inclassable dont le début de réhabilitation mérite d’être prolongé
Lully’s tragédies en musique were influenced by classical drama as well as by the original early choices of his librettist Philippe Quinault (1635-1688). The operas of Quinault, a late representative of irregular tragicomedy, should be re-examined in light of his spoken dramas. This study begins with a survey of Quinault’s borrowings from the dramatic and musical repertoires of this time. It explores the ways in which the heroïco-galant novel, the pastorale, the tragédie à machines, the comedies-ballets of Molière and the ballet de cour influenced Quinault, and demonstrates how his late but decisive contribution transcended the failure of Italian opera in France as well as how it surpassed the remarkable yet incomplete theories of Pierre Perrin, who first attempted to write a tragédie en musique. A poetics of tragicomedy, rising from the dramaturgical and heoretical lements shared by both types of works, is discernable in the tragédie en musique, which is paradoxically considered a modern genre. Quinault’s ad hoc prologues and his invention of the French recitative allowed him to solve the problem of the verisimilitude of mimesis in opera, as well as permitting his “enchanted” works to treat the theme of disenchantment. A study of Quinault’s supposed “tenderness”, as compared to his ambiguous tendencies as a libertine, situated somewhere between hedonistic Epicureanism and Augustinian scepticism, confirms that the rehabilitation of this fascinating yet unclassifiable dramaturge fully deserves to be continued
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5

Cornic, Sylvain Moureau François. "Philippe Quinault ou la naissance de l'opéra français." Paris : Université Paris Sorbonne - Paris IV, 2007. http://www.theses.paris4.sorbonne.fr/cornic/html/index-frames.html.

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6

Kennedy, Neil Patrick Martyn. "Employing Cornish cultures for community resilience." Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/12641.

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Анотація:
Employing Cornish Cultures for Community Resilience. Can cultural distinctiveness be used to strengthen community bonds, boost morale and equip and motivate people socially and economically? Using the witness of people in Cornwall and comparative experiences, this discussion combines a review of how cultures are commodified and portrayed with reflections on well-being and ‘emotional prosperity’. Cornwall is a relatively poor European region with a cultural identity that inspires an established ethno-cultural movement and is the symbolic basis of community awareness and aspiration, as well as the subject of contested identities and representations. At the heart of this is an array of cultures that is identified as Cornish, including a distinct post-industrial inheritance, the Cornish Language and Celtic Revivalism. Cultural difference has long been a resource for cultural industries and tourism and discussion of using culture for regeneration has accordingly concentrated almost exclusively on these sectors but an emergent ‘regional distinctiveness agenda’ is beginning to present Cornish cultures as an asset for use in branding and marketing other sectors. All of these uses ultimately involve commodification but culture potentially has a far wider role to play in fostering economic, social, cultural and environmental resilience. This research therefore uses multidisciplinary approaches to broaden the discussion to include culture’s primary emotional and social uses. It explores the possibility that enhancing these uses could help to tackle economic and social disadvantage and to build more cohesive communities. The discussion centres on four linked themes: multiple forms of capital; discourse, narrative and myth; human need, emotion and well-being; representation and intervention. Cultural, social, symbolic and human capital are related to collective status and well-being through consideration of cultural practices, repertoires and knowledge. These are explored with discussion of accompanying representations and discourses and their social, emotional and economic implications so as to allow tentative suggestions for intervention in policy and representation. A key conclusion is that culture may be used proactively to increase ‘emotional capital’.
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7

Thomas, Huw. "Social resilience in Cornish fishing communities." Thesis, University of Plymouth, 2017. http://hdl.handle.net/10026.1/9690.

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Rural Cornish coastal fishing communities express, and have expressed, varying degrees of ability to develop and retain social resilience capacity, or the ability to withstand ‘shock’ over both ‘fast’ and ‘slow’ onset events in social, political, economic and natural domain terms (Wilson, 2012a). Endogenous and exogenous influences may include natural changes in resources and resource dependency resulting in the loss or depletion of community livelihoods associated with a decline in fishing activities (Brookfield, 2005; Marshall, 2007a), issues of tourism driven change and notions of ‘community’. Four capitals are initially conceptually considered, those of natural, political, social and economic capitals driving institutional change and individual-community behaviour within fishing communities. This is considered for fishing activities and cross-community aspirational or extant forms of resilience building with a particular focus on social memory, community-personal identity (Wilson, 2012b; Wilson, 2013; Wilson, 2014) and critically, power (Chaskin, 2001). This research frames community resilience within a resilience framework on local, national and EU scales. The initial capital approach is further developed and articulated into a novel resilience status and process framework, the community resilience and vulnerability index, or the CRVI. The research fieldwork observes social resilience through empirical qualitative methods supported by an anthropological lens, especially in regard to social issues, trust, confidence, power and agency within fishing communities and trajectories that have been guided by internal and external influences and adaptive change to social networks. One of the research challenges was the building of the CRVI using coupled approaches to coping strategies that may have value both across the Cornish case study communities and into wider community usage.
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8

Christie, Patricia Maeve Lascelles. "Cornish barrows : excavations by C.K. Croft Andrew, 1939-1945 and their place in Cornish Bronze Age studies." Thesis, Bucks New University, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408191.

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9

Muto, Lisa M. "The parabola of pleasure : a study of the cornice of the Decameron." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74631.

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In this dissertation I examine the narrative parts of the so-called cornice of the Decameron. The core of my interpretation is to be found in Chapter I where I show that the frame story--the novella portante, as it has been called--with its "parabolic" rather than "rectilinear" progression is intended to illustrate the brigade's pursuit of pleasure, without any ulterior motive such as, for instance, the restructuring of the decaying Florentine society. A careful study of the members of the brigade (Chapter II) and of their songs (Chapter III) obviously forms an integral part of any analysis of the frame story. The Appendix deals with the illustrations of the cornice: the rich iconographic tradition of the Decameron, at least before this century, appears to have accorded more significance to the frame story than has literary criticism.
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10

Corneli, Tobias [Verfasser]. "Wandgleiten in Strömungen Newtonscher Flüssigkeit / Tobias Corneli." Düren : Shaker, 2019. http://d-nb.info/1198600934/34.

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Книги з теми "Cornici"

1

Volpe, Alessandro. Intorno alle cornici di Giotto. Roma: Campisano editore, 2021.

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Rizzo, Loredana. Manuale per leggere una cornice: Storia dei telai d'autore e delle cornici d'arte. Roma: EdUP, 2003.

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Flaminia, Bardati, Rosellini Anna, and Calabi Donatella, eds. Arte e architettura: Le cornici della storia. Milano: Bruno Mondadori, 2007.

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4

Cornici: XV-XVIII secolo = Frames : 15th-18th century. Rome]: Reality Book, 2015.

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5

Arte del XIX secolo; dipinti, disegni antichi e cornici. Roma: Christie's, 2000.

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6

Zoletto, Davide. Il doppio legame Bateson Derrida: Verso un'etica delle cornici. Milano: Bompiani, 2003.

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7

Pitti, Casa d'aste. Dipinti e cornici dal XVI al XIX secolo; arredi antichi. Firenze: Casa d'aste Pitti, 1985.

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8

Marilena, Mosco, Revai Edit, Palazzo Pitti, and Museo degli argenti (Florence, Italy), eds. Cornici barocche e stampe: Restaurate dai depositi di Palazzo Pitti. Livorno: Sillabe, 1998.

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9

Le cornici dell'interazione: La comunicazione interpersonale nei contesti della vita quotidiana. Napoli: Liguori, 2008.

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10

Dipinti, disegni, acquerelli e sculture del XIX secolo, dipinti antichi e cornici. Roma: Christie's International, 1995.

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Частини книг з теми "Cornici"

1

Gooch, Jan W. "Cornice." In Encyclopedic Dictionary of Polymers, 172. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_2947.

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2

Hagmann, Lea. "Cornish Distinctiveness." In Celtic Music and Dance in Cornwall, 22–40. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003140559-2.

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3

Abbas, Jumanah. "The Corniche." In Urban Modernity in the Contemporary Gulf, 138–55. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003156529-10.

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4

Horner, Avril, and Sue Zlosnik. "Cornish Gothic." In Daphne du Maurier, 64–98. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1057/9780230378773_3.

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5

Bui, H. D. "Filling the Cornices." In Imaging the Cheops Pyramid, 67–70. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-94-007-2657-4_5.

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6

Herring, Peter. "Changing Cornish Commons." In Environmental History, 249–61. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-6159-9_17.

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7

Bhattacharya, Rabi, and Manfred Denker. "Cornish-Fisher Expansions." In Asymptotic Statistics, 40–46. Basel: Birkhäuser Basel, 1990. http://dx.doi.org/10.1007/978-3-0348-9254-4_3.

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8

Fujikoshi, Yasunori, and Vladimir V. Ulyanov. "Cornish–Fisher Expansions." In Non-Asymptotic Analysis of Approximations for Multivariate Statistics, 49–59. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-13-2616-5_5.

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9

Ulyanov, Vladimir V. "Cornish–Fisher Expansions." In International Encyclopedia of Statistical Science, 312–15. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-04898-2_193.

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10

Hagmann, Lea. "Anglo-Cornish Traditions." In Celtic Music and Dance in Cornwall, 57–77. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003140559-4.

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Тези доповідей конференцій з теми "Cornici"

1

"Advertisement [Dow Corning]." In 2015 31st Thermal Measurement, Modeling & Management Symposium (SEMI-THERM). IEEE, 2015. http://dx.doi.org/10.1109/semi-therm.2015.7100128.

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2

VanBrocklin, Randy R., Mary J. Edwards, and Thomas W. Hobbs. "Corning lightweight core fabrication technologies." In Optical Science and Technology, SPIE's 48th Annual Meeting, edited by William A. Goodman. SPIE, 2003. http://dx.doi.org/10.1117/12.505812.

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3

Bloemer, Mark J., and Joseph W. Haus. "Ion exchanged waveguides in Corning Polarcor glass." In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1991. http://dx.doi.org/10.1364/oam.1991.mc2.

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Corning Polarcor glasses contain submicron-size silver particles embedded in a soda-lime glass host. The elongated silver particles have their major axes oriented in a common direction. The glasses polarize light by selective absorption. The absorption is from surface plasmon excitation in the silver particles. Planar waveguides were fabricated by a K-Na ion exchange process. Singlemode guides at 836 nm were obtained from a potassium nitrate melt at 340 C with an exchange time of 31 h. TE and TM pass polarizers had measured extinction ratios >39 dB/mm at 836 nm with <1.5 dB/mm propagation loss for the pass axis. Using the bulk values for the dielectric response of silver, the effective dielectric tensor for the composite is calculated and the extinction ratio is determined.
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4

McGill, Carol L., and Julie Spangenberg-Jolley. "Large Mirror Blank Fabrication." In Optical Fabrication and Testing. Washington, D.C.: Optica Publishing Group, 1992. http://dx.doi.org/10.1364/oft.1992.tha8.

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5

TianLi, Song, Wang ShuNing, and An WeiLian. "GPS Positioning Accuracy Estimation Using Cornish-Fisher Expansion." In 2009 WRI International Conference on Communications and Mobile Computing (CMC). IEEE, 2009. http://dx.doi.org/10.1109/cmc.2009.162.

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6

Fanning, Andrew W., Joseph F. Ellison, and Daniel E. Green. "Polished homogeneity testing of Corning fused silica boules." In SPIE's International Symposium on Optical Science, Engineering, and Instrumentation, edited by H. Philip Stahl. SPIE, 1999. http://dx.doi.org/10.1117/12.369224.

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7

Shi, Youchun. "Innovation in Corning: The Past and The Future." In 2007 International Nano-Optoelectronics Workshop. IEEE, 2007. http://dx.doi.org/10.1109/inow.2007.4302872.

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8

Rosch, William, Lorrie Beall, John Maxon, Robert Sabia, and Robert Sell. "Corning ULE glass can meet P-37 specifications." In Advanced Lithography, edited by Michael J. Lercel. SPIE, 2007. http://dx.doi.org/10.1117/12.712160.

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9

Clapp, Terry V., Rene Paquet, Ann Norris, and Babette Pettersen. "Dow Corning photonics: the silicon advantage in automotive photonics." In European Workshop on Photonics in the Automobile, edited by Thomas P. Pearsall. SPIE, 2005. http://dx.doi.org/10.1117/12.606332.

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10

Kuo, Yue, and J. R. Crowe. "Factors Affecting Reactive Ion Etching Of Corning 7059 Glass." In OPTCON '88 Conferences--Applications of Optical Engineering, edited by James E. Griffiths. SPIE, 1989. http://dx.doi.org/10.1117/12.951020.

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Звіти організацій з теми "Cornici"

1

Wayne Place and Chuck Ladd. Cornice Duct System. Office of Scientific and Technical Information (OSTI), October 2004. http://dx.doi.org/10.2172/911843.

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2

Wayne Place, Chuck Ladd, and TC Howard. CORNICE DUCT SYSTEM. Office of Scientific and Technical Information (OSTI), December 2002. http://dx.doi.org/10.2172/822191.

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3

Crawford, Charles. Hydrogen Generation Rate Scoping Study of DOW Corning Antifoam Agent. Office of Scientific and Technical Information (OSTI), September 2005. http://dx.doi.org/10.2172/881444.

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4

Wang, H. G-Plus report to Owens Corning-thermal conductivity Measurements of Fiberglass. Office of Scientific and Technical Information (OSTI), April 2003. http://dx.doi.org/10.2172/885664.

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5

Koopman, D. C. Comparison of Dow Corning 544 antifoam to IIT747 antifoam in the 1/240 SRAT. Office of Scientific and Technical Information (OSTI), May 2000. http://dx.doi.org/10.2172/755212.

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6

Patel, Viral K., Donald Scarsella, Danilo Luchesi, Brandon Vaughn, and Eric Vickery. CRADA Final Report - Non-Contact Ultrasonic Drying Technology for Drying Owens Corning Dry-Use Fiberglass. Office of Scientific and Technical Information (OSTI), June 2019. http://dx.doi.org/10.2172/1558533.

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7

Small, Ward, Cindy T. Alviso, and Tom R. Metz. Gamma Radiation Aging Study of a Dow Corning SE 1700 Porous Structure Made by Direct Ink Writing. Office of Scientific and Technical Information (OSTI), November 2015. http://dx.doi.org/10.2172/1240974.

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8

Nelson, Chris, Rick Sprague, Brian Peterson, William Bartenhagen, John Klein, and Michael Olive. Fall-Calving Beef-Cow Herd Grazing Demonstration at the CRP Research and Demonstration Farm Near Corning, Iowa—2006. Ames: Iowa State University, Digital Repository, 2007. http://dx.doi.org/10.31274/farmprogressreports-180814-824.

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9

Small, Ward, Mark A. Pearson, and Tom R. Metz. Load Deflection of Dow Corning SE 1700 Simple Cubic Direct Ink Write Materials: Effect of Thickness and Filament Spacing. Office of Scientific and Technical Information (OSTI), March 2016. http://dx.doi.org/10.2172/1241981.

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10

Small, Ward, Mark A. Pearson, and Tom R. Metz. Load Deflection of Dow Corning SE 1700 Face Centered Tetragonal Direct Ink Write Materials: Effect of Thickness and Filament Spacing. Office of Scientific and Technical Information (OSTI), March 2016. http://dx.doi.org/10.2172/1241976.

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