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Статті в журналах з теми "Civilisation – Autriche – 20e siècle":
Poitras, Dave. "Une mise en scène du rapport à la nation en Cacanie." Eurostudia 9, no. 1 (September 29, 2014): 22–39. http://dx.doi.org/10.7202/1026718ar.
Dunoyer, Christiane. "Alpes." Anthropen, 2020. http://dx.doi.org/10.17184/eac.anthropen.124.
Дисертації з теми "Civilisation – Autriche – 20e siècle":
Scherer, Solène. "Das Haus am Ring : construction et reconstruction de l'Opéra de Vienne, monument symbole de l'Autriche." Electronic Thesis or Diss., Toulouse 2, 2022. https://dante.univ-tlse2.fr/s/fr/item/32286.
Like other significant buildings in central Europe, the Vienna State Opera was damaged during World War II bombings, thus destroying a great part of its original structure. Rebuilt less than ten years after, the re-opening of the Opera was symbolic of Austria regaining control of its sovereignty, thus reflecting the national reconstruction of the country. Going from the building of the Opera house, then through the stages of its destruction, to finally look at the rebuilding process, this thesis is an exploration and a synthesis of the questions of memory and transmission inherently connected to the notion of monument, and of what we call in France, patrimoine. The meticulous study of construction works during its building between 1860 and 1869, and through reconstruction between 1945 and 1955, but also in the time between these periods, enables to understand the evolution of the Opera regarding its status and the role it had in debates centered on culture, identity and the nation. From one construction work to another, the Opera is a symbol mirroring the perspective of Vienna and Austria on their history and territory. To rebuild the parts destroyed in 1945 in a contemporary way renews its status as a monument. The Opera house is a "palimpsest building” and the mythical dimension of the building, fed by historical events and legends, participates in a collective narrative which blurs the limits between fiction and reality. By cross-referencing state archives, those of architects employed in the Opera’s construction works and printed sources, we manage to have a clear perspective on this building, which was also forged by what was said about it. To this day, the Vienna State Opera embodies a certain history of Austria, and still influences the way we see the country abroad
Während des Zweiten Weltkriegs wurde auch die Wiener Staatsoper wie andere große Gebäude in Mitteleuropa durch Bombenangriffe beschädigt, die einen großen Teil ihrer ursprünglichen Struktur zerstörten. Nach dem in weniger als zehn Jahren abgeschlossenen Wiederaufbau und der Wiedereröffnung begleitete die Oper die Wiedererlangung der Souveränität Österreichs und war in gewisser Weise ein Spiegelbild des nationalen Wiederaufbaus. Vom Bau des Opernhauses, über seiner Zerstörung bis zu dem anschließenden Wiederaufbau, strebt diese Dissertation eine Erforschung und Synthese der Probleme der Erinnerung und der Vermittlung an, die mit dem Begriff des Denkmals und dem, was man in Frankreich als „patrimoine“ bezeichnet, einhergehen.Die sorgfältige Untersuchung der Bauarbeiten zwischen 1860 und 1869 und des Wiederaufbaus zwischen 1945 und 1955 sowie der Zeit dazwischen ermöglicht es, die Entwicklung des Denkmalstatus der Oper und die Stelle, die die Oper in den Diskursen um Staat, Nation, Kultur und Identität eingenommen hat, zu erfassen, während das zeitgenössische Österreich aufgebaut wurde.Von einer Baustelle zu der nächsten ist das Opernhaus ein Symbol, das die Beziehung Wiens und Österreichs zu ihrer Geschichte und ihrem Territorium widerspiegelt. Die Entscheidung, die 1945 zerstörten Teile auf zeitgenössische Weise wiederaufzubauen, aktualisiert den Status des Opernhauses. Historische Anekdoten und Legenden sind Teil einer großen Erzählung über die Institution, die die Grenzen zwischen Fiktion und Realität verwischt. Durch die Verknüpfung der Archivdokumente des Staates, der Stadt Wien, sowie der Architekten, die auf den Baustellen des Gebäudes beschäftigt waren, mit gedruckten Quellen - Presse, Kritiken, Bücher, Memoiren – ist es gelungen, die Konturen dieses Denkmals genau zu umreißen, das durch das Ausmaß seiner diskursiven Dimension auffällt, da die Diskurse seinen Status geprägt haben. Die Oper verkörpert auch heute noch eine bestimmte Geschichte Österreichs und prägt das internationale Bild des Landes
Adjanor, Lepoutre Myriam. "Conquête et colonisation dans la conscience mexicaine : 1810-1970." Lille 3, 1992. http://www.theses.fr/1992LIL3A001.
Monnier, Gérard. "Architecture et culture en France de 1918 à1950." Paris 1, 1986. http://www.theses.fr/1986PA010564.
Letourneux, Matthieu. "Poétique du roman d'aventures entre civilisation et sauvagerie : 1860-1920." Paris 4, 2001. http://www.theses.fr/2001PA040180.
The romance of adventure was a major popular genre during the XIXth and XXth centuries in western countries where, despite national specificities, some common properties clearly appeared, belonging to the romance tradition : violent events organized according to the structure of misadventures and Adventure, which provides its shape and themes, and exotism. .
Blanc, Floriane. "La diffusion commerciale des techniques de prédiction en France au XXème siècle : quel danger pour la société contemporaine ?" Saint-Etienne, 2003. http://www.theses.fr/2003STET2100.
The object of the enquiry is the broadcasting of the prediction techniques in it commercial variety during the Twentieth century in France. First, the researches were for build up a new analyse about the relationship between a consumer and a "clairvoyant" whatever the way the consumer try to "inform" of his "future". Then, the scientific interest is to find out the sociological, historical, and philosophical- in the largest meaning of the term- aspects of this activity. Finally, each capital means to clarify each aspect. The problematical of the study is a simple question : Is that a danger for the contemporary society ?
Rodrigues, Denis. "L'enseignement de la civilisation hispanique en France : discours et idéologie des manuels à l'usage du second cycle : 1949-1985." Rennes 2, 1989. http://www.theses.fr/1989REN20021.
After a general introduction which proposes a history of Spanish civilisation teaching in France, this thesis analyses the speech and ideology in the second cycles-schoolbooks, produced between 1949 and 1985. It makes appear two main periods: 1949 1969 and 1969 1985. The first part shows that, until 1969, this teaching is found on the geographical and historical description of Spain, based on the great republican principles : unity of the nation, unity of the social body; teaching which is anachronic and moralizing. The second part analyses the populist and third-world options taken from 1969 to describe the social effects of the franquist dictatorship, and the social, cultural and political reality of south-American. This teaching is ideologically based on the human rights philosophy : it is concretely antifranquist and anti-American and considers the Cuban experience as a possible solution to infrahuman situations of south-America. The author makes appear with a frequency analyse that, among the different sources of the compilers, two main figures emerge, M. De Unamuno until 1969, P. Neruda, between 1969 and 1985
Sgard, Fabien. "De la double monarchie à la deuxième présidence autrichienne de l'U. E. : la vocation européenne de l'Autriche (1867-2006)." Littoral, 2006. http://www.theses.fr/2006DUNK0158.
Since the end of the World War II, the construction of Europe has united different states that used to be conflicting. That’s the way France and Germany go. While the concerned governments have tried to achieve the project of an entity with its own institutions for nearly sixty years, a close idea was already existed in the 19th-century, melting at least thirteen nationalities of Central Europe, formed by the Austro-Hungarian dual monarchy to give them a chance to coexist in a same group. That’s how we can ask ourselves if the several institutions developed by the Austro-Hungarian politicians can be a useful example for the actual European decision-makers. Due to the difficulties caused by the nationality problem, the Austro-Hungarian monarchy has been disbanded, but passed the European feeling that was already going around to its successor: the Republic of Austria. Even if it has been pushed aside from European policy for a long time because of, notably, the Declaration of Neutrality from 1955 that the USSR imposed to regain its independence, Austria has probably managed to reach the same position of strength since its entry in 1995 in the European Union as the Austria-Hungarian monarchy succeeded to possess before it dies after the First World War. The will that the countries of Central Europe can be under its rule has been felt during the two last Austria’s European Union Council Presidencies in 1998 and 2006
Cagneau, Irène. "Discours sur la sexualité à Vienne et à Berlin (1900-1914) : une analyse comparative." Paris 3, 2008. http://www.theses.fr/2008PA030024.
If you want to study the discourses on sexuality in Vienna and Berlin between 1900 and 1914, it then implies to carry on researches in a double perspective. On the one hand, the question is to look at the diverse sources and accounts of this period in the socio-cultural, religious, scientific, legal, intellectual and artistic fields. On the other hand, the question is to compare two big cities of the German-speaking area, two sites of modernity : Vienna, the capital of a declining empire, an erotised city oscillating between tradition and modernity, dream and reality and Berlin, an expanding metropolis, a city of contrasts, both austere and fascinating, subjected to authority and strongly sexualized. In a first part, the institutional discourses made by the church, the science and the state about sexuality are analysed in this study along with the oppositions they raise, particularly in Karl Kraus’s writings and in the intellectual reviews of Berlin. Nothing is left at random : the sexual disparity is examined closely, classified and codified so that nothing remains out of control from the normative instances. In a second part, this work explores the literary and artistic universe of Vienna and Berlin and shows how the sexual disparity, yet carefully watched on, shows itself progressively or violently. If there are obvious contrasts in the way of showing sexuality in Vienna and Berlin, the artists have in common the expression of the human being’s anguish, unsteadiness and suffering in a threatened world
Cariani, Gianni. "Une france russophile ? : découverte, réception, impact : la diffusion de la culture russe en france de 1881 a 1914." Université Marc Bloch (Strasbourg) (1971-2008), 1998. http://www.theses.fr/1998STR20025.
From 1881 to 1914, a considerable russophile trend emerged and made his mark in france. This russophilia combined a dual dimension, both political and cultural. The spreading of the russian culture fit into this dynamic and was met with a favourable and overall lasting reception during the identity crisis which characterised the french society of the 1880s-1890s. There is no doubt that the use of the russian culture has been political. The formation of a russian cultural pole in france - in preparation of french public opinion for the franco-russian alliance -, contributed to the overstepping of the fragmentary and deficient picture of the russian empire which had dominated almost all the 19th century. The integration of the russian culture into the french cultural sphere is considerably indebted to the european diplomatic context. The russomania raging and overcoming france from 1886 to 1897 clearly shows that beyond the discovery of the great novelists, the stake was standing at the junction of political and cultural fields. The period 1898-1914 indicates that this ambiguous situation had been overcome. The political use of the russian culture disappeared to give way to a perception in which the work of art is grasped for itself, beyond the diplomatic context. The time of discovery - from 1881 to 1897 - was replaced by the time of acknowledgement - from 1898 to 1914. The interpretation of the russian culture in the last years was no more biased nor subjugated, but shows a diversity of judgements, a plurality of discursive reasoning. The time of acknowledgement was marked by global accessibility to the russian cultural sphere, viewed beyond a militant and proselyte use; renewing, moreover, the vision of the world which had been predominant until then, as attested by the evolution of the quarrel on nationalism and cosmopolitanism
Bernard, Agnès. "L'éducation des élites en Autriche : les lycées catholiques viennois de 1848 à 1938, entre résistances et adaptations." Paris 8, 2002. http://www.theses.fr/2002PA082290.
Until the middle of the 19th century, Austrian secondary education was taken care of by the Catholic orders in colleges (Gymnasien) and focused on ancient languages. 1848 is the beginning of a new modern education policy in which this teaching is taken care of by non-religious colleges. This work analyses the way through which Viennese Catholic colleges face these difficulties and studies the changes the latter cause in the formation of the upper layers of the population. The analysis and gets organized according to three perspectives: the status issue, the nature of recruitment, the specificity of the teaching given there. This work shows that the studied Viennese Catholic colleges were able to maintain a quantitatively marginal but qualitatively important position within the Austrian society. It underlines the complexity of these institutions and throws the light on the various issues of this era
Книги з теми "Civilisation – Autriche – 20e siècle":
Rioux, Marcel. Un peuple dans le siècle. Montréal: Boréal, 1990.
Bouchard, Serge. L' homme descend de l'ourse. [Montréal]: Boréal, 2001.
Bouchard, Serge. L' homme descend de l'ourse. Montréal, Qué: Boréal, 1998.
Roncayolo, Marcel, and Thierry Paquot. Villes et civilisation urbaine: XVIIIe-XXe siècle. Paris: Larousse, 1992.
Simard, Marc. Histoire du XXe siècle: Affrontements et changements. 2nd ed. Montréal: Chenelière/McGraw-Hill, 2002.
Simard, Marc. Histoire du XXe siècle: De Sarajevo à Sarajevo. Montréal: Chenelière / McGraw-Hill, 1997.
Michel, Richard. La pensée contemporaine: Les grands courants. 3rd ed. Lyon: Chronique sociale de France, 1986.
Bouchard, Serge. De la fin du mâle, de l'emballage et autres lieux communs. [Montréal]: Boréal, 1996.
Paquette, Claude. Demain, une caricature d'aujourd'hui: Comprendre ce qui est pour construire ce qui sera. Victoriaville, Qué: Éditions NHP, 1996.
Chamberland, Paul. En nouvelle barbarie. Montréal: Éditions de l'Hexagone, 1999.