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Статті в журналах з теми "Christian authors on Seneca"
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Gellera, Giovanni. "Pride Aside: James Dundas as a Stoic Christian." Journal of Scottish Philosophy 17, no. 2 (June 2019): 157–74. http://dx.doi.org/10.3366/jsp.2019.0234.
Повний текст джерелаАнотація:
In the manuscript Idea philosophiae moralis (1679), James Dundas (c.1620−1679), first Lord Arniston, a Presbyterian, a judge and a philosopher, makes extensive use of Stoic themes and authors. About one third of the manuscript is a close reading of Seneca. Dundas judges Stoicism from the perspective of Calvinism: the decisive complaint is that the Stoics are ‘prideful’ when they consider happiness to be within the grasp of fallen human reason. However, pride aside, Dundas is willing to recover some Stoic insights for his Calvinist faith. In what ways? The promise of the practical rewards of Stoicism (control of the passions, tranquillity of the mind, strength of character) drives Dundas's interest in arguing that Stoicism can play a crucial psychological and moral contribution to a Christian's life. The investigation of Stoicism in the Idea philosophiae moralis sheds new light on the backdrop of the Scottish Enlightenment's relationship with Stoicism, commonly characterised as ‘Christian Stoicism’, as well as on the variety of the early modern Christian-Stoic syntheses, such as the Religio Stoici (1663) by George Mackenzie of Rosehaugh, a friend of Dundas's.
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Smolak, Kurt. "Homo sum – amicus sum, sive de Terentio Christiano Hrotsvithae Gandeshemensis." Symbolae Philologorum Posnaniensium Graecae et Latinae 31, no. 1 (October 12, 2021): 249–63. http://dx.doi.org/10.14746/sppgl.2021.xxxi.1.18.
Повний текст джерелаАнотація:
The most famous line from Terence, homo sum etc. (Heautontimoroumenos 77), has been interpreted in different ways under different circumstances by authors ranging from Cicero and Seneca in antiquity and Erasmus at the beginning of the modern age to figures of the 19th and 20th centuries, such as Friedrich Nietzsche, George Bataille, and Thomas Mann. Augustine of Hippo was the first to refer to Terence within a broader Christian context, and in the 12th century John of Salisbury equated the presumed philanthropic attitude of the Roman comedian and imitator of Menander with charity, the ultimate Christian virtue. Whereas most of the testimonia to the reception of Heautontimoroumenos 77 have already been identified and in part analyzed, a refined indirect ῾quotation᾿ of the line in question has been neglected: In a sort of réécriture of the initial scene of Terence’s drama, Roswita (Hrotsvit) of Gandersheim (10th century), in her hagiographic comedy ῾Abraham᾿, interpreted the even then proverbial sentence by introducing for the attitude of ῾humanity towards one’s neighbour᾿ both the Aristotelian definition of friendship (῾one soul in two bodies᾿) and a reference to the ideal of a Christian society with ‘one heart and one soul᾿ (Acts 4, 32). Thus the Terentian humanum is bothparaphrased by and identified with both an other classical and a Christian concept of mutual human affection.
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Backus, Irena. "Renaissance Attitudes to New Testament Apocryphal Writings: Jacques Lèfevre d'Étaples and His Epigones." Renaissance Quarterly 51, no. 4 (1998): 1169–98. http://dx.doi.org/10.2307/2901964.
Повний текст джерелаАнотація:
AbstractThe standard medieval view of New Testament Apocrypha was that they were Christian writings (related to matters treated in the canonical books of the Bible), which had to be treated with caution and often dismissed as heretical. A list of the Apocrypha figured in the [Pseudo-]Gelasian Decree. In the Renaissance, for authors such as Lèfevre d'Etaples, Nicholas Gerbel and many others, the term assumed a multiplicity of meanings, both positive and negative. This article shows that although no attempts were made in the early 16th century to bring N. T. Apocrypha together into a corpus, the editors' ambivalent and complex attitude to texts such as the Laodiceans or Paul's Correspondence with Seneca led to their definitive marginalisation and encouraged their subsequent publication (by Fabricius and others) as corpora of dubious writings.
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Knotts, Matthew William. "God and Self in Confessiones IV and Beyond: Therapeia, Self-Presence, and Ontological Contingency in Augustine, Seneca, and Heidegger." Vox Patrum 82 (June 15, 2022): 113–44. http://dx.doi.org/10.31743/vp.12725.
Повний текст джерелаАнотація:
This article investigates Augustine’s reflection on the death of his friend in Confessiones IV. A critical treatment of this passage discloses the three key themes which will form the main substance of the analysis: self-presence, the contingency of being, and divine absence. Integrating philosophical and theological methodologies with an historical-critical treatment of Augustine’s work, this article relates Augustine’s insights to his foregoing classical context and his reception in posterity, with particular attention to Lucius Annaeus Seneca (ca. 4 BCE-65 CE) and Martin Heidegger (1889-1976). This investigation shows that these three figures are connected by an appreciation of how self-presence and ontological instability are constant facets of human life, though easily neglected. Each advocates a curriculum of philosophical training, whereby one learns to pacify the mind by an awareness of the true nature of mundane reality. This research contributes to the renewed appreciation of how the therapeutic aspects of classical philosophy influenced early Christian authors; illuminates a key episode in Augustine’s life en route to his conversion to Christianity; and raises questions about the “apophatic” dimensions of Augustine’s theology and anthropology.
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Nehring, Przemysław. "The Authority of Seneca in the Early Christian Argumentation." Symbolae Philologorum Posnaniensium Graecae et Latinae 27, no. 3 (December 15, 2017): 157. http://dx.doi.org/10.14746/sppgl.2017.xxvii.3.10.
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Janzsó, Miklós. "„Vivere omnes beate volunt...”." Belvedere Meridionale 31, no. 1 (2019): 80–88. http://dx.doi.org/10.14232/belv.2019.1.5.
Повний текст джерелаАнотація:
In this paper I tried to demonstrate parallels between the works of Seneca the Younger, and the so-called Tabula Cebetis. This short dialogue from the first century AD contains moral teachings about reaching true happiness. Contemporary authors like Lucian, Dio Chrysostom and Plutarch are the closest parallels in using allegories and phrases, but the ethical teaching of Seneca is the most comparable with the whole teaching of the Tabula Cebetis. I tried to highlight some phrases which can prove the similarity of the thoughts of both authors. The works of Seneca may also provide a clue to reveal the author of this anonymous work.
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ROSAND, ELLEN. "Il ritorno a Seneca." Cambridge Opera Journal 21, no. 2 (July 2009): 119–37. http://dx.doi.org/10.1017/s0954586710000042.
Повний текст джерелаАнотація:
Twenty years of Cambridge Opera Journal: in view of the journal's place in the discipline, the occasion seemed worth marking. When Roger Parker and Arthur Groos founded Cambridge Opera Journal in 1989, it offered the first forum to the musical community for serious opera criticism that took into account changing orientations in literary studies and seriously engaged with ideology, reception history, and representations of race, class and gender. Subsequent editors – Mary Hunter, Mary Ann Smart, and Emanuele Senici – continued to foster this wide intellectual perspective and to engage with an extraordinary variety of methodologies. For the current issue, we gave carte blanche to authors who contributed in the first two years of publication to reflect on their past work, or on opera studies, or on the journal, either informally as an opinion piece or through new scholarship – and so to measure time by developments in the discipline itself.
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Swoboda, Antoni. "Wskazania wychowawcze w ujęciu Lucjusza Anneusza Seneki (4 a. Chr. - 65) i w pismach apologetycznych św. Augustyna (354-430)." Verbum Vitae 21 (January 14, 2012): 205–39. http://dx.doi.org/10.31743/vv.1536.
Повний текст джерелаАнотація:
The article consists of four parts. The first part presents the educational process evaluated by Seneca and Augustine. Then their opinion about the educational environment is examined. The third part explains the educational aims such as religious, moral and intellectual upbringing developed in the writings of Seneca and Augustine. At the end the educational methods of both authors are depicted.
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Haake, Claudia Bettina. "A Duty to Protect and Respect: Seneca Opposition to Incorporation during the Removal Period." American Indian Culture and Research Journal 44, no. 4 (December 1, 2020): 21–40. http://dx.doi.org/10.17953/aicrj.44.4.haake.
Повний текст джерелаАнотація:
When pressured to remove after the 1830 Indian Removal Act, some from among the Seneca appealed to the federal government to prevent displacement. In these letters and petitions, their authors periodically invoked the notion of protection, an instrument of cross-cultural diplomatic encounters of the previous century. Seneca authors sought to defend their tribe against settler takeover by invoking two different kinds of protection, external and internal. They further drew upon a civil right, petitioning, although originally it had been a method of exclusion from full political rights, and rejected the legal incorporation forced upon American Indians through the “domestic dependent nations” ruling.
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Braund, Susanna. "TABLEAUX AND SPECTACLES: APPRECIATION OF SENECAN TRAGEDY BY EUROPEAN DRAMATISTS OF THE SIXTEENTH AND SEVENTEENTH CENTURIES." Ramus 46, no. 1-2 (December 2017): 135–52. http://dx.doi.org/10.1017/rmu.2017.7.
Повний текст джерелаАнотація:
Did Sophocles or Seneca exercise a greater influence on Renaissance drama? While the twenty-first century public might assume the Greek dramatist, in recent decades literary scholars have come to appreciate that the model of tragedy for the Renaissance was the plays of the Roman Seneca rather than those of the Athenian tragedians. In his important essay on Seneca and Shakespeare written in 1932, T.S. Eliot wrote that Senecan sensibility was ‘the most completely absorbed and transmogrified, because it was already the most diffused’ in Shakespeare's world. Tony Boyle, one of the leading rehabilitators of Seneca in recent years, has rightly said, building on the work of Robert Miola and Gordon Braden in particular, that ‘Seneca encodes Renaissance theatre’ from the time that Albertino Mussato wrote his neo-Latin tragedy Ecerinis in 1315 on into the seventeenth century. The present essay offers a complement and supplement to previous scholarship arguing that Seneca enjoyed a status at least equal to that of the Athenian tragedians for European dramatists of the sixteenth and seventeenth centuries. My method will be to examine two plays, one in French and one in English, where the authors have combined dramatic elements taken from Seneca with elements taken from Sophocles. My examples are Robert Garnier's play, staged and published in 1580, entitled Antigone ou La Piété (Antigone or Piety), and the highly popular play by John Dryden and Nathaniel Lee entitled Oedipus, A Tragedy, staged in 1678 and published the following year.
Дисертації з теми "Christian authors on Seneca"
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Vining, Peggy A. "A comparison of moral transformation in Paul and Lucius Annaeus Seneca." Theological Research Exchange Network (TREN) Access this title online, 2003. http://www.tren.com.
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King, Bryan J. "The reading of Christian literature in the parish using a variety of Christian authors' works in a Lutheran congregation in Ottawa, Ontario /." Online full text .pdf document, available to Fuller patrons only, 2000. http://www.tren.com.
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Robinson, Heather Lindsey. "Ours is the Kingdom of Heaven: Racial Construction of Early American Christian Identities." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849673/.
Повний текст джерелаАнотація:
This project interrogates how religious performance, either authentic or contrived, aids in the quest for freedom for oppressed peoples; how the rhetoric of the Enlightenment era pervades literatures delivered or written by Native Americans and African Americans; and how religious modes, such as evoking scripture, performing sacrifices, or relying upon providence, assist oppressed populations in their roles as early American authors and speakers. Even though the African American and Native American populations of early America before the eighteenth century were denied access to rights and freedom, they learned to manipulate these imposed constraints--renouncing the expectation that they should be subordinate and silent--to assert their independent bodies, voices, and spiritual identities through the use of literary expression. These performative strategies, such as self-fashioning, commanding language, destabilizing republican rhetoric, or revising narrative forms, become the tools used to present three significant strands of identity: the individual person, the racialized person, and the spiritual person. As each author resists the imposed restrictions of early American ideology and the resulting expectation of inferior behavior, he/she displays abilities within literature (oral and written forms) denied him/her by the political systems of the early republican and early national eras. Specifically, they each represent themselves in three ways: first, as a unique individual with differentiated abilities, exceptionalities, and personality; second, as a person with distinct value, regardless of skin color, cultural difference, or gender; and third, as a sanctified and redeemed Christian, guaranteed agency and inheritance through the family of God. Furthermore, the use of religion and spirituality allows these authors the opportunity to function as active agents who were adapting specific verbal and physical methods of self-fashioning through particular literary strategies. Doing so demonstrates that they were not the unrefined and unfeeling individuals that early American political and social restrictions had made them--that instead they were intellectually and morally capable of making both physical and spiritual contributions to society while reciprocally deserving to possess the liberties and freedoms denied them.
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Nanlohy, Elizabeth Mavis, and mikewood@deakin edu au. "Fundamentalism meets feminism: Postmodern confrontation in the work of Janette Turner Hospital." Deakin University. School of Literary and Communication Studies, 2000. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20060720.090953.
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Sutherland, Reita J. "Prayer and Piety: The Orans-Figure in the Christian Catacombs of Rome." Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/24259.
Повний текст джерелаАнотація:
The orans, although a gesture with a long ‘pagan’ past, was easily adopted by Christians for its symbolic meanings of prayer and piety and quickly attained a number of other more nuanced meanings as it was refined and reused. By restricting the scope of this thesis to the orans in the Christian catacombs of Rome, it becomes possible to approach the figure from a multi-directional perspective, not merely concerned with what the gesture meant to the Christian, but with its literary and material pedigrees, its transition to Christian art, and its cultural significance.
To this end, chapter one examines ‘pagan’ precursors of the Christian orans through an examination of coins, sculptures, inscriptions, and reliefs, as well as by looking at the two figures whose appearance most influences that of the orans – the goddess Pietas, and the Artemisia-Adorans funerary portrait type. Chapter two addresses the importance of the orans in the Christian literary community, and examines not only the actual usage of prayer with raised hands by the Christian faithful, but also examines the aesthetic and theological reasons for the popularity of the gesture – the parallel between the spread arms of the orans and the posture of the crucified Christ. Finally, chapter three presents a spatial-thematic analysis of the usage of the orans in the Roman Christian catacombs, using a corpus of 158 orantes. This chapter enables the reader to draw conclusions about the veracity of the academic theories presented in the previous chapters, as it compares the usage of the orans against its scholarly interpretation.
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Brooks, Britton. "The restoration of Creation in the early Anglo-Saxon vitae of Cuthbert and Guthlac." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:17b5d20e-446e-4891-90a6-f02a196a7409.
Повний текст джерелаАнотація:
This thesis explores the relationship between Creation and the saints Cuthbert and Guthlac in their Anglo-Latin and Old English vitae. It argues that this relationship is best understood through received theological exegesis concerning Creation's present state in the postlapsarian world. The exegesis has its foundation in Augustine's interpretations of the Genesis narrative, though it enters the textual tradition of the vitae via an adapted portion of De Genesi contra Manichaeos in Bede's metrical Vita Sancti Cuthberti (VCM). Both Augustine and Bede argue, with slight differences, that fallen Creation can be restored into prelapsarian harmony with humanity by way of sanctity. Each individual vita engages with this understanding of the Fall in distinct, though ultimately interrelated, ways, and the chapters of this thesis will therefore explore each text individually. Chapter 1 argues that the anonymous Vita Sancti Cuthberti (VCA) unites Cuthbert's ability to restore Creation with the theme of monastic obedience, linking the ordering of a monastery to the restoration of prelapsarian harmony. The VCA also seeks to create sites for potential lay pilgrimage in the landscapes of Farne and Lindisfarne by highlighting the present efficacy of Cuthbert's miracles. Chapter 2 argues that Bede's VCM not only reveals his early attempt to fashion Cuthbert into the primary saint for Britain, via a focus on Cuthbert's obedience to the Divine Office, but also that the restoration of Creation functions as a ruminative tool. Chapter 3 argues that Bede transforms the nature of Cuthbert's sanctity in his prose Vita Sancti Cuthberti (VCP) from static to developmental, influenced by the Evagrian Vita Antonii, and that Creation is adapted to function as the impetus for, and evidence of, Cuthbert's progression. Chapter 4 argues that Felix's Vita Sancti Guthlaci (VSG) unites the development of Guthlac with a physically delineated Creation, and that the restoration of Creation is elevated to an even greater degree here than in Bede's hagiography. Chapter 5 argues that the author of the Old English Prose Guthlac (OEPG) grounds his vita by utilizing a landscape lexis shared with contemporary boundary clauses, so that here the relationship between the saint and Creation has greater force; it further argues that Guthlac A uniquely connects Guthlac with the doctrine of replacement, consolidating links between his arrival to the eremitic space and the restoration of prelapsarian Eden.
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Derrick, Stephanie Lee. "The reception of C.S. Lewis in Britain and America." Thesis, University of Stirling, 2013. http://hdl.handle.net/1893/19765.
Повний текст джерелаАнотація:
Since the publication of the book The Screwtape Letters in 1942, ‘C. S. Lewis’ has been a widely recognized name in both Britain and the United States. The significance of the writings of this scholar of medieval literature, Christian apologist and author of the children’s books The Chronicles of Narnia, while widely recognized, has not previously been investigated. Using a wide range of sources, including archival material, book reviews, monographs, articles and interviews, this dissertation examines the reception of Lewis in Britain and America, comparatively, from within his lifetime until the recent past. To do so, the methodology borrows from the history of the book and history of reading fields, and writes the biography of Lewis’s Mere Christianity and The Chronicles of Narnia. By contextualizing the writing of these works in the 1940s and 1950s, the evolution of Lewis’s respective platforms in Britain and America and these works’ reception across the twentieth century, this project contributes to the growing body of work that interrogates the print culture of Christianity. Extensive secondary reading, moreover, permitted the investigation of cultural, intellectual, social and religious factors informing Lewis’s reception, the existence of Lewis devotees in America and the lives of Mere Christianity and The Chronicles of Narnia in particular. By paying close attention to the historical conditions of authorship, publication and reception, while highlighting similarities and contrasts between Britain and America, this dissertation provides a robust account of how and why Lewis became one of the most successful Christian authors of the twentieth century.
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Zangre, Justin. "Les rites funéraires dans l'Afrique du Nord chrétienne du 3e au 5e siècle : à la lumière des œuvres de Tertullien, Cyprien, Lactance et Augustin." Thesis, Strasbourg, 2016. http://www.theses.fr/2016STRAK013/document.
Повний текст джерелаАнотація:
Tous les peuples et toutes les cultures célèbrent leurs morts. Les rites funéraires président à la quête de sens face à la mort. Nous sommes intéressé par la question des rites funéraires dans les premiers siècles de l'Afrique du Nord chrétienne. D'où la formulation de notre sujet qui nous guidera tout au long de notre réflexion: "Les rites funéraires dans l'Afrique du Nord chrétienne du 3e siècle au 5e siècle. A la lumière des œuvres de Tertullien, Cyprien, Lactance et Augustin". Comment les chrétiens célébraient-ils leurs morts aux premiers siècles du Christianisme dans un environnement à dominante païenne ? Quel regard les premiers écrivains chrétiens de l’Église d'Afrique ont-ils eu sur les funérailles des païens, et quelle contribution ont-ils apportée face au culte rendu aux morts par les chrétiens ? Concernant l'Afrique du Nord au début de notre ère et pendant l'Empire romain, les célébrations funéraires étaient d'abord l'affaire des familles. Avec Augustin, nous assistons à une évolution du culte des morts que Tertullien, Cyprien et Lactance attestaient déjàAll people and culture celebrate the death for peace of the dead persons and the living one. We are interested in the question of the funeral rites in the first centuries of christian Church of the North Africa. That is why we entitled our subject :" The funeral rites of Early Christian North Africa of the 3rd in the 5th century. In the light of Tertullian, Cyprian, Lactantius and Augustine's works". We try to understand the contents of the funeral rites which presided over the Christian celebrations in honor of the dead in the christian environment of the North Africa. How did the Christians celebrated the death in the first centuries? What are the points of view of the first christian writers in the Africa Church on the pagan funeral that the Christians went on celebrating, and what is their contribution about the cult of dead in the Christian area? About the North Africa at the beginning of our era and during Roman Empire, the funeral celebrations first concerned the families. Thanks to Augustine, at the end of the 4th century and at the beginning of the 5th one, we can notice an important evolution of celebrations in honor of the dead that Tertullian, Cyprian and Lactantius had already initiated.They also acquire at this moment an ecclesial dimension, especially with the cult of the martyrs and their relics. To throw light on the funeral subject in the north Africa, it is necessary to understand the history of the pagan cult of the 3rd to 5th century
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Tapscott, Elizabeth L. "Propaganda and persuasion in the early Scottish Reformation, c.1527-1557." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/4115.
Повний текст джерелаАнотація:
The decades before the Scottish Reformation Parliament of 1560 witnessed the unprecedented use of a range of different media to disseminate the Protestant message and to shape beliefs and attitudes. By placing these works within their historical context, this thesis explores the ways in which various media – academic discourse, courtly entertainments, printed poetry, public performances, preaching and pedagogical tools – were employed by evangelical and Protestant reformers to persuade and/or educate different audiences within sixteenth-century Scottish society. The thematic approach examines not only how the reformist message was packaged, but how the movement itself and its persuasive agenda developed, revealing the ways in which it appealed to ever broader circles of Scottish society. In their efforts to bring about religious change, the reformers capitalised on a number of traditional media, while using different media to address different audiences. Hoping to initiate reform from within Church institutions, the reformers first addressed their appeals to the kingdom's educated elite. When their attempts at reasoned academic discourse met with resistance, they turned their attention to the monarch, James V, and the royal court. Reformers within the court utilised courtly entertainments intended to amuse the royal circle and to influence the young king to oversee the reformation of religion within his realm. When, following James's untimely death in 1542, the throne passed to his infant daughter, the reformers took advantage of the period of uncertainty that accompanied the minority. Through the relatively new technology of print, David Lindsay's poetry and English propaganda presented the reformist message to audiences beyond the kingdom's elite. Lindsay and other reformers also exploited the oral media of religious theatre in public spaces, while preaching was one of the most theologically significant, though under-researched, means of disseminating the reformist message. In addition to works intended to convert, the reformers also recognised the need for literature to edify the already converted. To this end, they produced pedagogical tools for use in individual and group devotions. Through the examination of these various media of persuasion, this study contributes to our understanding of the means by which reformed ideas were disseminated in Scotland, as well as the development of the reformist movement before 1560.
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Stivala, Joan. "The Christian after-life of Seneca the younger: The first four hundred years." Phd thesis, 2009. http://hdl.handle.net/1885/9765.
Повний текст джерелаАнотація:
At the end of the fourth century A.D. an anonymous Christian author wrote fourteen letters, in Latin, in the form of a correspondence between St. Paul, Apostle to the Gentiles, and the Roman Stoic philosopher Seneca the Younger. This work of fiction was inspired in part by perceived similarities between Christian belief and Seneca's version of Stoicism. As far as Seneca is concerned the similarities are coincidental. The letters of St. Paul display evidence of Stoic influence, but that influence stems from Greek sources rather than from Seneca. Anonymous might have gained his knowledge of Seneca's thought directly from the philosopher's own works or from the works of earlier Christian authors writing in Latin who referred to, or quoted from, Seneca. The creator of the apocryphal correspondence between philosopher and apostle was not the first Latin Christian to note the similarities between Stoic and Christian beliefs. He was, however, the first to suggest that Seneca and St. Paul had been on friendly terms.
An unexpected aspect of this correspondence is its portrayal of Seneca as the teacher of Latin style to St. Paul rather than, as might have been expected, Paul as Seneca's instructor in Christianity. The letters also depict Paul, a Hellenised Jew, as abandoning Judaism by converting to Christianity.
Such representations of the principals require an explanation. Why, when the Empire was officially Christian, did the author feel a need to show that Seneca, a pagan philosopher who had died more than three centuries earlier, had been at least sympathetic to Christian belief and perhaps a secret convert? The answer suggested by this thesis is that despite the official triumph of Christianity, pagan ritual had not been obliterated. Many of Rome's traditional aristocratic families tended still to adhere to the old ways. These families were too powerful to be coerced, they had to be persuaded. Seneca, a member of the senatorial aristocracy, who had lived at the time of the birth of Christianity, provided the perfect example for such families to emulate.
An answer is also proposed to the question of why the author of the correspondence thought it was important to portray Paul as a Christian. At the time the correspondence appeared Judaism was still a force to be reckoned with. It continued to attract converts, some of whom were Christians. There were still Jewish Christians who continued to obey Jewish Law, yet insisted that they were Christian. Too many Gentile Christians, in the eyes of church authorities, maintained old links with the Jewish community and even forged new ones. Some Christians regarded the synagogue as an alternative source of authority. All these groups had to be shown the error of their ways. The portrayal of Paul as a Christian who had abandoned his Jewish heritage could only assist in this ambition.
Книги з теми "Christian authors on Seneca"
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Seneca. Reinbeck bei Hamburg: Rowohlt, 1997.
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Bliss, Lauralee. Seneca shadows. Uhrichsville, OH: Heartsong Presents, 2008.
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Maurach, Gregor. Seneca: Leben und Werk. Darmstadt: Wissenschaftliche Buchgesellschaft, 1991.
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Maurach, Gregor. Seneca: Leben und Werk. 2nd ed. Darmstadt: Wissenschaftliche Buchgesellschaft, 1996.
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Fuhrmann, Manfred. Seneca und Kaiser Nero: Eine Biographie. Berlin: Alexander Fest, 1997.
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Löb, Ladislaus. Christian Dietrich Grabbe. Stuttgart: Metzler, 1996.
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The higher Christian life. Fort Washington, PA: CLC Publications, 2007.
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Library, British, ed. Hans Christian Andersen. London: British Library, 2005.
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1944-, Schwedt Rachel E., ed. Contemporary Christian authors: Lives and works. Lanham, Md: Scarecrow Press, 2000.
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Richard, Hart. How Christian are you? New York: Paulist Press, 2009.
Знайти повний текст джерелаЧастини книг з теми "Christian authors on Seneca"
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Graf, Fritz. "Myth in Christian Authors." In A Companion to Greek Mythology, 319–37. Oxford, UK: Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781444396942.ch17.
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Neveu, Sébastien. "Secondary Authors’ Influence on the Formation of the Wolffian “System Of Truths”." In Handbuch Christian Wolff, 55–71. Wiesbaden: Springer Fachmedien Wiesbaden, 2018. http://dx.doi.org/10.1007/978-3-658-14737-2_3.
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Albl, Martin C. "Ancient Christian Authors on Jews and Judaism." In The ‘New Testament’ as a Polemical Tool, 15–56. Göttingen: Vandenhoeck & Ruprecht, 2018. http://dx.doi.org/10.13109/9783666593765.15.
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Machielsen, Jan. "The Spoils of Egypt." In Martin Delrio. British Academy, 2015. http://dx.doi.org/10.5871/bacad/9780197265802.003.0004.
Повний текст джерелаАнотація:
This introductory chapter investigates the context in which Martin Delrio’s edition of Senecan tragedy, the Syntagma tragoediae latinae (1593/4), appeared. It explores the value of a classical education in late sixteenth-century Catholicism. Despite the Society’s later reputation in this field, Delrio’s Syntagma was only the second Jesuit edition of a classical text to appear in print. Traditionally depicted as a critique of Seneca, this chapter argues that Delrio’s Syntagma should instead be read as a carefully calibrated defence of an author whose moral teachings early modern Christians could not easily put to one side. The chapter also introduces the reader to Senecan tragedy and its reception in the early modern period.
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"Index of Modern Authors." In Seneca Philosophus, 495–504. De Gruyter, 2014. http://dx.doi.org/10.1515/9783110349863.495.
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Torre, Chiara. "Seneca and the Christian Tradition." In The Cambridge Companion to Seneca, 266–76. Cambridge University Press, 2015. http://dx.doi.org/10.1017/cco9781139542746.025.
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"Index of Modern Authors." In Paul and Seneca in Dialogue, 333–38. BRILL, 2017. http://dx.doi.org/10.1163/9789004341364_018.
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"INDEX OF MODERN AUTHORS." In Early Christian Poetry, 314–18. BRILL, 1993. http://dx.doi.org/10.1163/9789004312890_019.
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"Index of Modern Authors." In Ancient Christian Martyrdom, 241–47. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300154665-014.
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"Note on Authors." In Between Pagan and Christian, vii—xii. Harvard University Press, 2014. http://dx.doi.org/10.4159/9780674369511-001.
Повний текст джерелаТези доповідей конференцій з теми "Christian authors on Seneca"
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Cseh, Balazs, and Jozsef Varga. "The Comparative Analysis of the Alternative Crisis Management Models of the Islamic- and Christian-Based Bank System." In International Conference on Eurasian Economies. Eurasian Economists Association, 2016. http://dx.doi.org/10.36880/c07.01788.
Повний текст джерелаАнотація:
There is an increasing demand for investments based on religious basics since these ethical investments mean much more stable financial chances. The economic and financial risk of a fragmented reserve banking system has become obvious by the failure of the neoliberal market economy. Therefore, world economy has to reform the entire credit and bank system that could only be achieved by alternative methods. The Islamic bank is a particularly young alternative opportunity that is based on more equitable and moral principles. However, bringing back the Christian-based banking system that looks back on old traditions and that became extinct could also be an alternative. One of the major principles of the Christian-based banking system is that it is not allowed to borrow and invest in worthless bonds without provision. For the Islamic bank, for instance, speculative affairs that are of high risk and monetary derivates are forbidden, there is voluntary risk management. Risk management and risk-sharing practices based on alternative religious principles will also be analyzed. Due to its procyclic-anticyclic characteristics, the traditional bank system deepens the crisis while the religious bank systems are against the crisis by alleviating the burdens of the debtor. The authors describe and analyze crisis management solutions with a sort of comparative method.
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Wenzel, Baris, Eberhard Möller, Benjamin Schmid, Christiane Weber, and Guido Morgenthal. "The New Little Belt Bridge – the role of the physical model and it’s digital twin." In IABSE Symposium, Prague 2022: Challenges for Existing and Oncoming Structures. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2022. http://dx.doi.org/10.2749/prague.2022.0702.
Повний текст джерелаАнотація:
<p>The New Little Belt Bridge, designed by the consulting engineers Christian Ostenfeld and Wriborg Jønson, was to be Denmark's first suspension bridge. The construction of this Danish piece of engineering history took place between 1965 and 1970 and could only succeed with the help of tests on physical models. Most of the physical models have disappeared, only the three-dimensional dynamic model of the bridge has survived. This paper looks at the question which role the surviving and other models played in the planning process. The model still existing is a store of knowledge of engineering practice and shall be recorded and evaluated as one of the last witnesses of model statics. Therefore, the authors will create a digital twin of the model to examine aspects like boundary conditions, structural parameters of all bridge components and the well-documented research results.</p>
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LAMBRINOS, NIKOS, and Efthimios-Spyridon Georgiou. "YEDI KULE - MONUMENT ROAD RACE: THE CONSTRUCTION OF THE 3D MAPPING ANIMATION OF THE OLD CITY OF THESSALONIKI, GREECE." In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia: Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12046.
Повний текст джерелаАнотація:
This project refers to the construction of a 3D map of Thessaloniki’s historical route. The Yedi Kule Conquest – Monument Road Race took place in the old city of Thessaloniki, which was built during the Byzantine and Ottoman period. The purpose of this project is the digital recording of the castles, the monuments, the old churches, the traditional buildings, and the squares which are prime examples of the architectural beauty of the place. The methodology of the project is based on the online software Google Earth Studio and Adobe Premiere Pro. These are the tools of digitization, rendering, and building process of the animation. With this methodology, the authors achieved the documentation of land use and the architectural landscape. The animation is a credible graphic index of the historical background of Thessaloniki. The Yedi Kule area constitutes of a cultural mosaic made from different historic periods. The buildings and the neighbourhoods give the sense of transition of the narrow roads, the old Christian churches, the house of the first Turkish governor, and the byzantine castle to the modern city. In Thessaloniki, three historic periods coexist the Ancient Greek/Roman, the Byzantine, and Ottoman Empire. The responsibility of the governmental politics and of every citizen of Thessaloniki is to promote and preserve the historic background of the city. The final product offers a good opportunity for the digital storage of Thessaloniki’s old city. The animation creates an interactive environment that portrays the current image of the transition from the old to a modern city.
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Moreno Moreno, María Pura. "L’Architecture Vivante y Le Corbusier." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.929.
Повний текст джерелаАнотація:
Resumen: Las publicaciones especializadas de arquitectura facilitan la difusión de ideas, métodos y técnicas del período concreto de su existencia. Sus contenidos, analizados al cabo del tiempo, conforman un atlas de pensamiento capaz de enmarcar la interpretación social de un contexto espacio-temporal bajo el prisma de lo constructivo. Jean Badovici funda en 1923, junto al periodista Christian Zervos, la revista L’Architecture Vivante (1923-1933) editada por Albert Morancé. La aparición en sus páginas de una arquitectura técnicamente bien definida, acompañada de reseñas redactadas con rigor crítico por su director, o por los propios autores de las obras, hicieron de ella un instrumento prestigioso de propagación de las nuevas ideas entre el público profesional. Una relectura contemporánea de los textos y proyectos publicados, permite detectar el itinerario intelectual llevado a cabo por sus responsables respecto al convulso y cambiante entorno arquitectónico europeo en el que fijaron su mirada. En esa evolución, manifestada en apenas el período de una década, hay que subrayar el protagonismo adquirido por la obra de Le Corbusier que, a partir del cierre de L’Esprit Nouveau en 1925, no dudó en considerarla una excelente herramienta de exposición al debate de sus ideas, incluyendo en ella los proyectos y escritos realizados en pro de una arquitectura moderna. Abstract: The specialized publications in architecture facilitate the diffusion of ideas, methods and techniques of the particular period of its existence. Its contents, analyzed over time, make up an atlas of thought capable of framing the social interpretation of a spatial-temporal context under the prism of the constructive. Jean Badovici founded in 1923, together with the journalist Christian Zervos, the magazine L'Architecture Vivante (1923-1933), edited by Albert Morancé. The appearance on its pages of an architecture technically well- defined, accompanied by critiques written with critical rigor by its director, or for the authors of the works, they did of her a prestigious instrument of spread of the new ideas among the professional public. A contemporary revisiting of the texts and published projects, allows to detect the intellectual itinerary carried out by its persons in charge with regard to the convulsed and changeable European architectural environment in which they fixed its look. In this evolution manifested, in just the period of a decade, we must emphasize the prominence given to the work of Le Corbusier who, from the closure of L'Esprit Nouveau in 1925, did not hesitate in considering it as an excellent tool for exposure to the discussion of his ideas, including in it projects and writings made for a modern architecture. Palabras clave: Le Corbusier; L’Architecture Vivante; Jean Badovici; revistas; arquitectura. Keywords: Le Corbusier; L’Architecture Vivante; Jean Badovici; magazines, architecture. DOI: http://dx.doi.org/10.4995/LC2015.2015.929
Звіти організацій з теми "Christian authors on Seneca"
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Sklenar, Ihor. The newspaper «Christian Voice» (Munich) in the postwar period: history, thematic range of expression, leading authors and publicists. Ivan Franko National University of Lviv, February 2022. http://dx.doi.org/10.30970/vjo.2022.51.11393.
Повний текст джерелаАнотація:
The article considers the history, thematic range of expression and a number of authors and publicists of the newspaper «Christian Voice» (with the frequency of a fortnightly). It has been published in Munich by nationally conscious groups of migrants since 1949 as a part of the «Ukrainian Christian Publishing House». The significance of this Ukrainian newspaper in post-Nazi Germany is only partly comprehended in the works of a number of diaspora press’s researchers. Therefore, the purpose of this article is to supplement the scientific information about the «Christian Voice» in the postwar period, in particular, the yearbook for 1957 was chosen as the principal subject of analysis. In the process of writing the article, we used such methods: analysis, synthesis, content analysis, generalization and others. Thus, the results of our study became the socio-political and religious context in which the «Christian Voice» was founded. The article is also a concise overview of the titles of Ukrainian magazines in post-Nazi Germany in the 1940s and 1950s. The thematic analysis of publications of 1957 showed the main trends of journalistic texts in the newspaper and the journalistic skills of it’s iconic authors and publicists (D. Buchynsky, M. Bradovych, S. Shah, etc.). The thematic range of the newspaper after 1959 was somewhat narrowed due to the change in the status of the «Christian Voice» when it became the official newspaper of the UGCC in Germany. It has been distinguished two main thematic blocks of the newspaper ‒ social and religious. Historians will find interesting factual material from the newspaper publications about the life of Ukrainians in the diaspora. Historians of journalism can supplement the bibliographic apparatus in the journalistic and publicistic works of the authors in the postwar period of the newspaper and in subsequent years of publishing. Based upon the publications of the «Christian Voice» in different years, not only since 1957, journalists can study the contents and a form of different genres, linguistic peculiarities in the newspaper articles, and so on.