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Статті в журналах з теми "Chinoiseries"
Milesi, Laurent. "Chinoiseries : Hallucinating Derrida Hallucinating China." Oxford Literary Review 40, no. 1 (July 2018): 95–107. http://dx.doi.org/10.3366/olr.2018.0240.
Повний текст джерелаFišera, Julien. "Vieux crocodiles, basket-ball et autres chinoiseries." Vertigo 36, no. 2 (2009): 27. http://dx.doi.org/10.3917/ver.036.0027.
Повний текст джерелаWall, Anthony. "Joseph-Marie Vien (1716-1809) et ses nobles Chinois." Convergences francophones 5, no. 1 (January 26, 2018): 66–72. http://dx.doi.org/10.29173/cf445.
Повний текст джерелаSoudée Lacombe, Chantal, and Christian de La Hubaudière. "Faïences de Rouen à décor de chinoiseries d’Augsbourg." Sèvres. Revue de la Société des amis du Musée national de la céramique 21, no. 1 (2012): 46–56. http://dx.doi.org/10.3406/sevre.2012.995.
Повний текст джерелаTrey, Juliette. "Chinoiseries à Besançon, La Chine rêvée de François Boucher." Revue de l'art N° 212, no. 2 (May 23, 2021): 78–83. http://dx.doi.org/10.3917/rda.212.0078.
Повний текст джерелаSmentek, Kristel. "Chinoiseries for the Qing: A French Gift of Tapestries to the Qianlong Emperor." Journal of Early Modern History 20, no. 1 (January 26, 2016): 87–109. http://dx.doi.org/10.1163/15700658-12342490.
Повний текст джерелаTang, Guo. "De l’artifice au réalisme : l’évolution des « chinoiseries » théâtrales dans la première moitié du 18e siècle." Dix-huitième siècle 49, no. 1 (2017): 645. http://dx.doi.org/10.3917/dhs.049.0645.
Повний текст джерелаFerrão, Pedro Miguel. "A Casa da Livraria da Universidade de Coimbra ao tempo de D. João V." Boletim da Biblioteca da Universidade de Coimbra, no. 46/47 (December 22, 2016): 63–72. http://dx.doi.org/10.14195/1647-8436_46_47_4.
Повний текст джерелаFerrão, Pedro Miguel. "A Casa da Livraria da Universidade de Coimbra ao tempo de D. João V." Boletim da Biblioteca Geral da Universidade de Coimbra, no. 46/47 (December 22, 2016): 63–72. http://dx.doi.org/10.14195/2184-7681_46_47_4.
Повний текст джерелаEtienne, Noémie, Chonja Lee, Maria Cristina Volpi, and Carolina Casarin. "Lustro, laca e Liotard." dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda, no. 31 (April 15, 2021): 439–55. http://dx.doi.org/10.26563/dobras.i31.1308.
Повний текст джерелаДисертації з теми "Chinoiseries"
Donati, Fogliazza Edoardo <1992>. "Chinoiseries politiche e chinoiseries poetiche. Rappresentazioni della Cina nei reportage di autori italiani nel secondo dopoguerra." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/10527.
Повний текст джерелаBalliot, Frédérique. ""Chinoiseries" littéraires. La Chine et la littérature d'imagination en France de 1704 à 1789." Lyon 2, 1997. http://www.theses.fr/1997LYO20015.
Повний текст джерелаIn this study, we would like to catch, thanks to the exemple of china, the connection between erudition and imagination en eighteenth century french literature. In the seventeenth and eighteenth centuries, the jesuits played a very important role in spread of learned treatises upon china. This country was perceived as a learning-bounded country. Our purpose is to see how this conception of china took place in imaginative literature
Liang, Wei. "Zaji ou les arts acrobatiques chinois : un voyage entre Chine et France." Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30020.
Повний текст джерелаZaji (杂技), which means « various competences » and is sometime translated in French "Acrobatie chinoise", is a form of art at least three thousand years old. To date, there is no French synthesis available to trace its origin, development and evolutions up to the present day.This thesis aims to fill this gap by documenting the subject from a corpus of Chinese and French publications and documentation. The author of the thesis, Chinese to French translator and teacher, has conducted an investigation through her access to documentary resources, exhibits of artifacts and live shows of Chinese acrobatic arts.The thesis provides a synthesis of the results obtained during this survey, presented chronologically in a broad panorama with bibliographical references (250) refrences and iconographical (128).The thesis is composed of three chapters. The first chapter proposes a chronology of the development of the forms of Chinese acrobatics in the context of each dynasty until the last dynasty in 1912, referring to archives and documents in China, including the published and unpublished, original and translations of ancient or contemporary texts. This chapter is completed with the assistance from historians of Zaji such as Professor Fu Quifeng, as well as the support of Nanjing Library. By confronting problems of translations, the thesis makes it accessible to French readers a major history of the world's oldest performing arts.The second chapter examines the integration and reception of Chinese acrobatics in France from senventeenth century to twentieth century and its influences on French theatre, particularly in the fashion of the "Chinoiserie", then go through reciprocal exchanges during the Republic of China until the rebound of Chinese acrobatics in the twentieth century after the founding of the People's Republic of China in 1949, specifically its new artistic forms and cultural codes, the political messages it conveys, the invitation of Chinese artists to circus festivals in France and Monaco.The third part briefly outlines the perspectives of Sino-French artistic collaboration in circus in the twenty-first century, observes the contribution of Chinese acrobats on the contemporary scene and the influences of the Western live show on contemporary Chinese acrobatics, to finally questions the future of Chinese acrobatics by applying the results of this documentary trip between two cultures, to open the conclusion of this thesis: a French-Chinese circus and acrobatic festival will be organized by the author to explore the artistic and innovating future of Zazi
Kang, Angela. "Musical chinoiserie." Thesis, University of Nottingham, 2012. http://eprints.nottingham.ac.uk/13707/.
Повний текст джерелаKang, Angela. "Chinoiserie as musical gesture." Thesis, Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B40040240.
Повний текст джерелаMota, Álvaro Samuel Guimarães da. "Gravuras de chinoiserie de Jean-Baptiste Pillement." Master's thesis, Porto : Faculdades de Letras, 1997. http://hdl.handle.net/10216/19107.
Повний текст джерелаMota, Álvaro Samuel Guimarães da. "Gravuras de chinoiserie de Jean-Baptiste Pillement." Dissertação, Porto : Faculdades de Letras, 1997. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000064883.
Повний текст джерелаKadoi, Yuka. "Aspects of Iranian art under the Mongols : Chinoiserie reappraised." Thesis, University of Edinburgh, 2004. http://hdl.handle.net/1842/24748.
Повний текст джерелаZuo, Julie Qun. "Chinoiserie: Revisiting England’s Eighteenth-Century Fantasy of the East." University of Cincinnati / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1082042574.
Повний текст джерелаZhang, Ying. "A chinoiserie na Europa nos séculos XVII e XVIII." Master's thesis, Universidade de Aveiro, 2016. http://hdl.handle.net/10773/17367.
Повний текст джерелаO presente estudo pretende estudar o desenvolvimento e a influência da chinoiserie na Europa durante os séculos XVII e XVIII, através da análise de algumas das principais obras de arte deste género. Este período, que marcou o auge do desenvolvimento da chinoiserie na Europa, também foi um marco para os intercâmbios culturais entre Oriente e Ocidente. De acordo com o processo de divulgação da cultura chinesa na Europa, este estudo foi dividido em cinco partes: origem da chinoiserie na Europa, aceitação e imitação, ingresso na tendência predominante, os projetos da chinoiserie na Europa e o declínio da chinoiserie na Europa. Desde a sua origem ao seu declínio, este estudo pretende mostrar o processo de desenvolvimento da chinoiserie em alguns dos principais países europeus. Apresenta as características das obras de chinoiserie e o seu impacto sobre a arte europeia.
This study aims to study the development and influence of chinoiserie in Europe during the seventeenth and eighteenth century by analyzing the chinoiserie works and designs in Europe. The period of the seventeenth and eighteenth century was the boom of chinoiserie development in Europe, was also a landmark for cultural exchanges between East and West. According to the process of dissemination of Chinese culture in Europe, this study was divided into five parts: origin of chinoiserie in Europe, acceptance and imitation, entering the mainstream, the chinoiserie designs in Europe and the decline of chinoiserie in Europe. Since its origin to the decline, this study aims to study the development process of chinoiserie in Europe. Studies the characteristics of the works of chinoiserie in Europe and its impact on European art, by analyzing the works and chinoiserie designs in Europe.
Книги з теми "Chinoiseries"
Andrew, Zega, ed. Chinoiseries. Paris: Connaissance et mémoires, 2005.
Знайти повний текст джерелаClaude, Jasmin. Chinoiseries: Roman. Montréal: vlb, 2007.
Знайти повний текст джерелаVance, Mary A. Chinoiseries: A bibliography. Monticello, Ill: Vance Bibliographies, 1985.
Знайти повний текст джерелаPouille, Michel. La peinture lettrée: Pièges & chinoiseries. Chambéry: Comp'act, 2004.
Знайти повний текст джерелаTieu, Chenva. Manuel de chinoiseries: À l'usage de mes amis cartésiens. Paris: Carrière, 2009.
Знайти повний текст джерелаTieu, Chenva. Manuel de chinoiseries: À l'usage de mes amis cartésiens. Paris: Carrière, 2009.
Знайти повний текст джерелаDes libertés et autres chinoiseries: De reporters sans frontières aux JO de Pékin. Paris: Laffont, 2008.
Знайти повний текст джерелаHeerbrant, Jean-Paul. Chinoiseries: Publication éditée à l'occasion de l'exposition Chinoiseries organisée par le Centre Albert Marinus au Musée communal de Woluwe-Saint-Lambert du 15 octobre 2009 au 3 janvier 2010. Woluwe-Saint-Lambert]: Centre Albert Marinus, 2009.
Знайти повний текст джерелаBalliot, Frédérique. "Chinoiseries" littéraires: La Chine et la littérature d'imagination en France de 1704 a 1789. Lille: A.N.R.T, Université de Lille III, 1997.
Знайти повний текст джерелаAlayrac-Fielding, Vanessa. Rêver la Chine: Chinoiseries et regards croisés entre la Chine et l'Europe aux XVIIe et XVIIIe siècles. Tourcoing: Éditions Invenit, 2017.
Знайти повний текст джерелаЧастини книг з теми "Chinoiseries"
Gasquet, Axel. "Arabesques and Chinoiseries in the Imagination of Leopoldo Lugones." In Argentinean Literary Orientalism, 205–35. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-54466-9_8.
Повний текст джерелаGooch, Jan W. "Chinoiserie." In Encyclopedic Dictionary of Polymers, 139. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_2293.
Повний текст джерелаCoquery, Natacha. "8. The Semi-Luxury Market, Shopkeepers and Social Diffusion: Marketing Chinoiseries in Eighteenth–Century Paris." In Fashioning Old and New. Changing Consumer Patterns in Europe (1650-1900), 121–31. Turnhout: Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.seuh-eb.4.00224.
Повний текст джерелаBischoff, Cordula. "Chinoiserie am sächsischen Hof – Mainstream oder Avantgarde?" In Bücherwelten - Raumwelten, 307–34. Köln: Böhlau Verlag, 2015. http://dx.doi.org/10.7788/9783412217891-012.
Повний текст джерелаBaark, Josefine. "A Home Away from Home: Sophie Magdalene’s Clockwork Chinoiserie." In The Material Cultures of Enlightenment Arts and Sciences, 171–89. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-44379-3_21.
Повний текст джерелаFajcsák, Györgyi. "“Asian Life” in Europe. Chinoiserie Paintings at Eszterháza, Fertőd." In Investigation and Conservation of East Asian Cabinets in Imperial Residences (1700–1900), 75–88. Wien: Böhlau Verlag, 2017. http://dx.doi.org/10.7767/9783205207139.75.
Повний текст джерелаThorpe, Ashley. "Fashion, Chinoiserie and Modernity in The Circle of Chalk, 1929." In Performing China on the London Stage, 85–102. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-59786-1_5.
Повний текст джерелаHubert, Rosario. "Chinoiseries." In Latin American Literature in Transition 1870–1930, 135–47. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108976367.010.
Повний текст джерела"La Mode Des Chinoiseries." In La Chine imaginaire, 77–95. Les Presses de l’Université de Montréal, 2000. http://dx.doi.org/10.1515/9782760623262-006.
Повний текст джерела"The Musée d’Ennery and the Shifting Reception of Nineteenth-Century French Chinoiseries." In Beyond Chinoiserie, 204–34. BRILL, 2018. http://dx.doi.org/10.1163/9789004387836_010.
Повний текст джерелаТези доповідей конференцій з теми "Chinoiseries"
Мишуровская, О. Е., and Е. А. Боровская. "CHINOISERIE IN ROCOCO INTERIOR: HARMONY AND CONTRAST IN THE CONTEXT OF EUROPEAN TYPOLOGY." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.43.
Повний текст джерелаFranco, Carolina Naya. "Catherine the Great, a Trendsetter and Precursor of the Chinoiserie." In Spain: Comparative Studies oт History and Culture. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1247-5-6-17.
Повний текст джерелаItani, Yoshie. "On Chinoiserie Design & Japanning in the University of Coimbra’s Biblioteca Joanina." In 9th Conference of the International Committee for Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/despro-icdhs2014-0094.
Повний текст джерелаLyakhovich, Ekaterina V. "Chinese Visual Language in European Chinoiserie Porcelain: Lost Meanings and New Ways of Artistic Expression." In 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.010.
Повний текст джерелаYi, Xiaoyuan, Maosong Sun, Ruoyu Li, and Zonghan Yang. "Chinese Poetry Generation with a Working Memory Model." In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. California: International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/633.
Повний текст джерелаZavyalova, P. V. "ATTRIBUTION OF A CHINOISERIE-STYLE FAIENCE DISH FROM THE COLLECTION OF THE STIEGLITZ STATE ACADEMY EDUCATIONAL MUSEUM OF APPLIED ARTS." In Месмахеровские чтения - 2022. Санкт-Петербург: Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/97856047893774_496.
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