Готові списки джерел за темами / Chihiro

Добірка наукової літератури з теми "Chihiro"

Автор: Grafiati
Опубліковано: 27 липня 2024
Оновлено: 28 липня 2024

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Статті в журналах з теми "Chihiro"

1

Noviana, Fajria. "Representasi Hero’s Journey Pada Tokoh Chihiro Dalam Anime Spirited Away Karya Miyazaki Hayao." IZUMI 8, no. 1 (May 31, 2019): 52. http://dx.doi.org/10.14710/izumi.8.1.52-64.

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Анотація:
(Title: Representation of Hero’s Journey on Main Character Chihiro in Hayao Miyazaki’s Spirited Away Anime) This paper is the result of a qualitative descriptive type of literature study. The purpose of this study was to reveal the heroic journey process of main character of Spirited Away anime named Chihiro, based on the Hero’s Journey theory proposed by Vogler. Data about Chihiro's heroic journey are obtained from anime with note taking techniques. The method used in the analysis is the method of content analysis based on the theory of Hero's Journey. From the results of the analysis, it can be seen that the main character Chihiro has undergone a total of the twelve stages of the hero’s journey. Chihiro's adventure has succeeded in changing her personality which was initially timid, spoiled, and whiny to be brave, independent, calm and confident, and full of compassion. Chihiro's heroic journey proves the true definition of a hero according to Vogler, while also proving that to win a fight does not always use physical strength. There are times when thinking intelligence and emotional intelligence are much more needed. In addition, this anime also features a lot of kamisama which was once believed by the Japanese. Miyazaki might want to remind again about the existence of Japanese gods by displaying them in this anime, either those actually found in Japanese mythology or Miyazaki's own creations. Thus, the story of Spirited Away which has a mythical structure as stated by Vogler becomes much more alive and interesting.
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2

Wu, Meng-Hsuan, and Ya-huei Wang. "Using Mythic Structure of Campbell’s Monomyth to Analyze Spirited Away: A Heroine’s Journey." Metathesis: Journal of English Language, Literature, and Teaching 6, no. 1 (May 23, 2022): 12–27. http://dx.doi.org/10.31002/metathesis.v6i1.138.

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Анотація:
This study intends to examine the stages of the hero’s journey based on the mythic structure of Campbell’s monomyth and use the monomyth to analyze how a ten-year-old girl, Chihiro, embarks on a journey to the supernatural world in Spirited Away. The study uses content analysis, a descriptive qualitative method, to analyze the monomyth: a departure–initiation–return journey covering seventeen stages. The monomyth involves metamorphoses and challenges that the heroine Chihiro encounters and explores her evolution during her transition to full autonomy in order to reach transformation and self-individuation. Chihiro, in order to rescue her parents, is destined to take the journey: to sink into darkness, the unconscious, and encounter her natural and primitive essence. By fighting against conflict or opposition, Chihiro, as a mythical heroine, completes her monomyth cycle and attains transformation and regeneration.
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3

Hamada, Arisa, and Maria Luiza Sarno Castro. "A travessia das adolescências: uma análise psicanalítica da obra “A Viagem de Chihiro”." Revista Psicologia, Diversidade e Saúde 12 (May 26, 2023): e4906. http://dx.doi.org/10.17267/2317-3394rpds.2023.e4906.

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Анотація:
INTRODUÇÃO: A adolescência assume diferentes concepções a depender da época vivida, sendo importante refletirmos sobre essas diversas leituras. Entretanto, o foco do presente trabalho está voltado para a abordagem da psicanálise que propõe ler esse momento como uma travessia, o momento de transição para a adultez, marcada pelo surgimento de caracteres sexuais secundários e psíquicos que repercutem no encontro com o desconhecido. O filme A viagem de Chihiro conta a história de Chihiro Ogino, uma menina de dez anos que está mudando com os pais para uma nova cidade. Tomando o filme como uma metáfora do adolescer na contemporaneidade, o presente trabalho busca apreender os impasses da adolescência através da trajetória vivida pela personagem Chihiro. Para o desenvolvimento do estudo, a metodologia escolhida foi a pesquisa documental. METODOLOGIA: Para a articulação entre o filme e o tema da pesquisa foi realizada a construção de três eixos de leitura: os lutos inerentes ao processo de adolescência; a adolescência e o tempo lógico de Lacan e os impactos do discurso capitalista na adolescência contemporânea. DISCUSSÃO E RESULTADOS: A viagem percorrida por Chihiro representa o seu adolescer, o qual é marcado por diferentes lutos. Aos poucos, Chihiro vivencia a perda da posição infantil, também, pelas diversas novas responsabilidades que surgem na sua vida, tais como a necessidade de salvar os seus pais, aprender o funcionamento da casa de banho e lidar com as diferentes criaturas nesse novo dia a dia. Os pais da infância, que eram sinônimo de proteção e segurança, gradativamente e dolorosamente se tornam frágeis, levando Chihiro a elaborar uma outra posição subjetiva, tornando-se adulta. CONSIDERAÇÕES FINAIS: A leitura psicanalítica possibilitou um olhar para a singularidade de tal vivência, mostrando os diversos aspectos em jogo que não podem ser limitados aos parâmetros biológicos.
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4

De Icaza Lizaola, Julieta. "Las mil caras de Sin Cara. La recepción afectiva de Kaonashi." Interpretatio. Revista de hermenéutica 8, no. 2 (September 12, 2023): 87–107. http://dx.doi.org/10.19130/irh.2023.2.00s01x015.

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Анотація:
Las películas de Hayao Miyazaki han recibido reconocimiento mundial, entre otras cosas, por la manera en la que observa los afectos y conductas humanas para después retratarlos en la pantalla. En esta ocasión me centraré únicamente en uno de los personajes más conocidos del cineasta: Kaonashi o Sin-Cara de la película El viaje de Chihiro. Analizaré este personaje pues, aún sin tener los elementos esenciales para representar afecto (rostro y palabras), logra expresar de manera sencilla e inteligible emociones complicadas como el miedo, la ira o la soledad. Además, el éxito en la difusión de este personaje me indica una afinidad afectiva con los espectadores, donde la falta de respuestas dentro de la narración los lleva a buscar interpretaciones dentro de su propia experiencia emocional. El presente ensayo busca establecer que el público de El viaje de Chihiro ve reflejado su lado humano más íntimo y complicado en Kaonashi.
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Yamaguchi, Mitoshi. "Chihiro Nakajima, My Land Policy and Rice Policy." Journal of Rural Problems 25, no. 1 (1989): 43–44. http://dx.doi.org/10.7310/arfe1965.25.43.

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6

ISHIZAKA, Koichi, Noriyuki BANSUI, and Takashi OMI. "THE AUTHOR'S ANSWER TO DISCUSSION BY CHIHIRO SEKIKAWA(Chihiro SEKIKAWA, J. Archi. Plann., AIJ, No.580, 243-244, Jun., 2004)." Journal of Architecture and Planning (Transactions of AIJ) 69, no. 580 (2004): 245. http://dx.doi.org/10.3130/aija.69.245_1.

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Munhoz, Rachel Aline Hidalgo. "Teoria bioecológica do desenvolvimento humano e suas relações com a Educação Ambiental: ensaio sobre 'A Viagem de Chihiro'." Revista Brasileira de Educação Ambiental (RevBEA) 12, no. 5 (December 30, 2017): 140–55. http://dx.doi.org/10.34024/revbea.2017.v12.2519.

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Анотація:
A proposta deste trabalho é elaborar um ensaio sobre a metodologia da Teoria Bioecológica do Desenvolvimento Humano, de Urie Brofenbrenner, a partir da obra cinematográfica de animação japonesa “A Viagem de Chihiro”. Além disso, colaborar com uma leitura para o campo da Educação Ambiental dentro da perspectiva crítica, destacando pontos como: antropocentrismo, questão de gênero, equilíbrio de poder, sistemas de cooperação e resistência. Assim, fortalecendo a potencialidade do cinema na área científica da EA.
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Carrillo Márquez, Jéssica Valeria. "Animé, arquitectura y sentido." Entretextos 12, no. 34 (April 10, 2020): 1–12. http://dx.doi.org/10.59057/iberoleon.20075316.20203470.

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Анотація:
En este artículo se analizarán los espacios arquitectónicos presentes en El increíble castillo vagabundo, El castillo en el cielo, Lupin III: el castillo de Cagliostro y El viaje de Chihiro con la finalidad de comprender los fenómenos de significación del cineasta japonés Hayao Miyazaki. Se recurrirá a la semiótica para estudiar el significado de los signos que denotan y connotan la naturaleza de dichas construcciones; de la misma manera, a la hermenéutica para entender cómo los personajes interpretan y se relacionan con estas estructuras.
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Noviana, Fajria. "MORAL VALUES IN HAYAO MIYAZAKI’S SPIRITED AWAY: A SOCIOLOGY OF LITERATURE APPROACH." HUMANIKA 27, no. 1 (June 10, 2020): 23–32. http://dx.doi.org/10.14710/humanika.v27i1.30548.

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Анотація:
Moral is what guides human to act humanly. That is why moral education should be taught as early as possible in order to make a society that upholds moral values. This paper focused on moral values of the Japanese that can be seen in Miyazaki’s anime entitled Spirited Away. The moral values discussed in this paper are based on Japanese moral education for elementary school level, which divided into four groups of desirable habits. They are matters belonging to oneself, relationship of self to other persons, matters related chiefly to nature and sublime things, and matters concerning the group and society. The determination of this level is due to the behavior of the main character named Chihiro who was an elementary school student, which is used as a guide to discussing moral values consisted in the anime. The conclusion is that the Japanese government has succeeded in giving moral education in elementary school, at least in this anime. Chihiro's actions are proof that she acts and reacts as what she taught in Japanese elementary school. She did exactly the same with recommended traits in the four groups of desirable habits, although she sometimes broke the rules which was natural for human being, especially for kids. Therefore, we can say that well-structured Japanese moral education can be used in much wider place; not only in Japan but also in other countries.
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Hung, Shiau-Ting. "hantise du nom: La mémoire et la connaissance de soi dans Le voyage de Chihiro." Memoria y Narración. Revista de estudios sobre el pasado conflictivo de sociedades y culturas contemporáneas, no. 3 (May 31, 2022): 117–31. http://dx.doi.org/10.5617/myn.9675.

Повний текст джерела
Анотація:
Le voyage de Chihiro est un film d’animation japonais du réalisateur Hayao Miyazaki, sorti en 2001. La jeune héroïne Chihiro a pénétré dans un monde alternatif, et elle a rencontré Haku, Sans-Visage, ainsi que toute une galerie d’autres personnages. La présentation de ces personnages se constitue autour des métamorphoses fantastiques et des représentations des mythes, des légendes, et des folklores, qui témoignent d’une diversité culturelle. Suite à la métamorphose des parents de l’héroïne en porcidés ainsi que d’autres personnages en formes variées, les questions autour de l’identité, de la mémoire, ainsi que la singularité ou la banalité du sujet en tant qu’être humain se posent. Quand la mémoire du passé s’avère le principe primordial de survie – principe qui formule d’une certaine manière l’identité du personnage - quel mystère renferme-t-il donc le souvenir de soi à travers celui de l’autre ? Ces interrogations sur le nom et la métamorphose problématisent le maintien du nom “véritable”, voire l’identité des personnages. Elles suscitent de nombreuses réflexions sur les influences qui s’exercent en dehors de leurs origines locales. De telles influences ne correspondent pas toujours à un voyage s’effectuant de l’Occident vers l’Orient. Au lieu d’insister sur les catégories opposées entre les deux, cet article explore le rapport entre la mémoire du passé, le nom et l’identité qui font tous référence à une diversité de sources transculturelles et contribuent à un échange transculturel dans cette œuvre, tout en entamant la réflexion sur l’interprétation allégorique de l’œuvre à partir des mondes des différents contextes culturels et sociaux.
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Більше джерел

Дисертації з теми "Chihiro"

1

Marfil, Atienza Juan De Dios. "Chihiro a cesta Hrdiny." Master's thesis, Akademie múzických umění v Praze. Filmová a televizní fakulta AMU. Knihovna, 2009. http://www.nusl.cz/ntk/nusl-79068.

Повний текст джерела
Анотація:
An analysis of the film ?Spirited Away? by Hayao Miyazaki which uses Carol Pearson's archetypes as its theoretical framework. The essay attempts a definition of the different relations forged by and between the characters of the story. It also tries to understand how Chihiro interacts with her environment. This analysis aims at interpreting Chihiro's experiences through the different stages of the "Heroe's journey".
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2

Orgado, Gisele Tyba Mayrink Redondo. "A tradução de metáforas no filme japonês A Viagem de Chihiro." reponame:Repositório Institucional da UFSC, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/94098.

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Анотація:
Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-graduação em Estudos da Tradução, Florianópolis, 2010
Made available in DSpace on 2012-10-25T06:32:17Z (GMT). No. of bitstreams: 1 283015.pdf: 1716811 bytes, checksum: 568fdc649f406284c20d507a5f374101 (MD5)
Este trabalho tem por objetivo investigar a tradução de metáforas realizada no processo de legendação do filme de animação intitulado: A viagem de Chihiro, do diretor japonês Hayao Miyazaki. Para fazê-lo, será considerado o suporte teórico descritivista de van den Broeck (1981), complementado pela proposta de Toury (1995), descrevendo as opções existentes, a fim de analisar as escolhas feitas pelo tradutor/legendador para a tradução das metáforas selecionadas, levando-se em consideração as dificuldades de se lidar com a tradução destas sob a ótica linguística, bem como sob a perspectiva de culturalidade intrínseca de cada idioma. Nesta investigação levanta-se a suposição de que a parcela imagética está em consonância com o texto oral e escrito, e que neste espaço de diálogo entre as expressões semióticas imbricadas delineiam-se algumas das ações do tradutor a serem aqui investigadas e discutidas. Observaremos, particularmente, a questão da tradução interlinguística de metáforas, a saber: japonês/português, sob a influência dos aspectos culturais e interculturais, bem como sua circunscrição no âmbito das perspectivas técnicas da legendação.
This present work aims to discuss the translation of metaphors used in the process of creating subtitles for the animation movie entitled: "A Viagem de Chihiro", from the japanese director Hayao Miyazaki. While so doing, van den Broeck's (1981) descriptive theory support will be considered, complemented by Toury's (1995) proposition, describing the existing options in order to analyse the choices made by the translator/subtitler in the translations of the selected metaphors, taking into consideration the difficulties of dealing with said translations under a linguistic viewpoint as well as under the intrinsic culturality of each language. In this analysis a supposition is made that the imagery portion is in consonance with text, spoke and written, and that in this space of dialog between semiotic expressions some of the translator's actions here analysed and discussed take shape. We shall observe, specifically, the issue of interlinguistic translation of metaphors, i.e. Japanese/Portuguese, under the influence of cultural and intercultural aspects, in addition to their circumscription to the realm of subtitling techniques perspective.
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Andreo, Marcelo Castro. "A narrativa insólita de A viagem de Chihiro, de Hayao Miyazaki." Universidade Estadual de Londrina. Centro de de Letras e Ciências Humanas. Programa de Pós-Graduação em Letras, 2017. http://www.bibliotecadigital.uel.br/document/?code=vtls000211047.

Повний текст джерела
Анотація:
O objetivo deste trabalho é demonstrar e analisar o percurso narrativo no qual o diretor japonês Hayao Miyazaki apresenta a evolução de sua personagem principal, a menina Chihiro, no longa-metragem de animação A Viagem de Chihiro (2001). Este percurso apresenta-se em duas ambientações, os mundos primário e secundário, aqui chamados de mundo-aqui e outro-mundo. Serão historiados os filmes de Miyazaki produzidos no Studio Ghibli, com protagonistas femininas, e, especialmente, seus traços que remetem ao maravilhoso e ao fantástico, partindo-se previamente das definições destes termos dadas pelo crítico Tzvetan Todorov, seguidas por outras visões neste campo nos trabalhos das teóricas Irène Bessière e Maria Nikolajeva. Tendo essas definições em mente, será analisada a inserção do modo fantástico e das modalidades de interpretação nos filmes selecionados de maneira a presentar o trajeto do diretor rumo ao fantástico que resultou no longa-metragem A viagem de Chihiro. Para examinar o filme escolhido, utilizar-se-á um processo indutivo de análise do longa-metragem de animação sequência a sequência, tendo como ferramentas de análise principais os estudos sobre funções e esferas de ação desenvolvidas pelo folclorista russo Vladímir Propp na década de 1920, na obra Morfologia do conto maravilhoso. O acompanhamento do processo de maturação da heroína será observado através da evolução de algumas funções de Propp e da sua relação com outros personagens, pertencentes a outras esferas de ação proppianas. As sequências da animação, objetos desta observação, serão comparadas com o conceito de rito de passagem do antropólogo Arnold Van Geenep. Paralelamente, serão estudadas as fontes religiosas, mitológicas e folclóricas japonesas nas quais o diretor Hayao Miyazaki inspirou-se, por meio dos trabalhos das antropólogas Gergana Petkova, Birgit Staemmler e Carmen Blacker, da crítica literária Noriko Reider e do psicólogo Hayao Kaway. Espera-se, assim, observar as múltiplas leituras que se podem extrair da narrativa de A Viagem de Chihiro sem a necessidade de se ater a uma distinção reducionista de realidade ou fantasia, aproveitando as modalidades narrativas miméticas e simbólicas como os fatores que propiciam a movimentação entre as interpretações da obra, vendo seus aspectos paralelos de narrativa maravilhosa e fantástica.
This study aims at presenting and analyzing the narrative course by which Japanese director Hayao Miyazaki portrays the personal evolution of his main character – the girl Chihiro – in feature-length animation movie Spirited Away (2001). This course is presented in two environments: the primary and the secondary worlds, namely the here-world and the another-world. Miyazaki’s movies produced in Studio Ghibli – featuring females as main characters and, specially, containing marvelous and fantastic situations – will be described taking into account previously given definitions brought by critic Tzvetan Todorov, as well as other points of view on the subject as presented by theorists Irène Bessière and Maria Nikolajeva. Having these definitions in mind, the insertion of fantastic narrative and of interpretative modalities will be analyzed within the selected movies, in order to track the director’s path en route to the fantastic that ultimately resulted in the feature movie Spirited Away. In order to scanning the movie, a sequence by sequence inductive analysis process of the feature animation will take place, using the analysis tools described in Morphology of the Folktale – written in the 1920’s by Russian folklorist Vladímir Propp – about functions and spheres of action. The monitoring of the heroine maturation process will be observed through the evolution of some functions – described by Propp – and her relationship with other characters – which belongs to other Propp’s spheres of action. The sequences of the animation, subjected to observation, will be compared as per the concept of rite of passage given by anthropologist Arnold Van Geenep. At the same time, Japanese religious, mythological, and folk resources that inspired director Hayao Miyazaki will be studied, through the works of anthropologists Gervana Petkova, Birgit Staemmler, and Carmen Blacker; literary critic Noriko Reider; and psychologist Hayao Kaway. By doing so, it is expected to provide an overview of the multiple understandings that can be conveyed by the narrative of Spirited Away, without the need to be attached to a reductionist distinction of reality or fantasy – by taking advantage of mimetic and symbolic narrative modalities as transition points between the various interpretations of the movie, and considering the parallel aspects of marvelous and fantastic narratives.
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4

Alvarado, Suyo Sofía Almendra. "La morfología de los cuentos de hadas en los filmes del Studio Ghibli: El viaje de Chihiro y La tumba de las luciérnagas." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/655657.

Повний текст джерела
Анотація:
La presente tesis tuvo como propósito identificar las características morfológicas del cuento de hadas propuesto por Vladimir Propp (1928), El viaje de Chihiro (2001) de Hayao Miyazaki y La tumba de las luciérnagas de Isao Takahata (1988), ambas pertenecientes al Studio Ghibli, siendo las más representativas para los autores y del estudio de animación. Tuvo un enfoque cualitativo-descriptivo. Se analizaron, bajo las categorías, situaciones y personajes. Los resultados muestran que ambos filmes comparten las mismas categorías expuestas en la teoría. Pero, existen diferencias en cantidad y secuencia en la categoría Sucesiones y en categoría Personajes, el antagonista y el héroe se encuentran en constante evidencia a lo largo de todo el filme. Concluyendo, que los dos productos audiovisuales se basan en la morfología de los cuentos de hadas propuesta por Vladimir Propp, manteniendo una estructura similar y dinámica; incluso cuando la visión de los autores pueda ser opuesta. Resaltando que el protagonista resuelve sus propios conflictos u obstáculos sin la necesidad que un tercero intervenga directamente. Se recomienda investigar la morfología, elementos o características de otros filmes sobre cuentos de hadas, desarrollados dentro del Estudio Ghibli, que no han tenido similar reconocimiento a nivel mundial.
The present thesis had the purpose of identifying the morphological characteristics of the fairy tale proposed by Vladimir Propp (1928), The Journey of Chihiro (2001) by Hayao Miyazaki and The Tomb of the Fireflies by Isao Takahata (1988), both belonging to the Studio Ghibli, being the most representative for the authors and the animation studio. It had a qualitative-descriptive approach. They were analyzed, under the categories, situations and characters. The results show that both films share the same categories exposed in the theory. But there are differences in quantity and sequence in the category Successions and in the category Characters, the antagonist and the hero are in constant evidence throughout the film. In conclusion, the two audiovisual products are based on the morphology of fairy tales proposed by Vladimir Propp, maintaining a similar and dynamic structure; even though the vision of the authors may be opposite. It should be noted that the protagonist resolves his own conflicts or obstacles without the need for a third party to intervene directly. It is recommended to investigate the morphology, elements, or characteristics of other fairy tale films, developed within Studio Ghibli, which have not had similar recognition worldwide.
Tesis
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5

Volkert, Pascal [Verfasser], and Chihao [Akademischer Betreuer] Xu. "Digital gesteuertes AMOLED-System : Konzeption, Entwicklung und Realisierung / Pascal Volkert ; Betreuer: Chihao Xu." Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2017. http://d-nb.info/1140043358/34.

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6

Dubery, Emma. "Chiho Aoshima, Cyborgs and Yōkai: Recoding the Present Through the Past." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1402.

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Анотація:
My thesis aims to map the art historical, religious and cultural influences in Chiho Aoshima’s work, particularly in her 2015 solo show Rebirth of the World at Seattle Asian Art Museum. I will start with an outline of the artist’s overall oeuvre, focusing specifically on her aesthetic development. This will set up an introduction of the main elements I see in her work (Shinto beliefs, yōkai/ukiyo-e aesthetic references, and references to A Cyborg Manifesto). The thesis will essentially be a case study of Rebirth of the World, using specific mediums as evidence for the presence of these influences in her work. My thesis is essentially Chiho Aoshima’s work is a seamless blend of the history and culture of Japan, while still grounding her practice in critical, contemporary theories of subversion. Her work is a gripping nod to the past but it is very much contemporary and critical, and it is easy to overlook all the threads woven into the fabric of her oeuvre.
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Jung, Tobias [Verfasser], and Chihao [Akademischer Betreuer] Xu. "Methoden zur Sicherstellung der visuellen Qualität in lokal gedimmten Backlightsystemen / Tobias Jung ; Betreuer: Chihao Xu." Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2015. http://d-nb.info/1120985021/34.

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Kato, Chiharu [Verfasser]. "Ultrastruktur der Kopfnieren (head kidneys) von sedentären Polychaeten und ihre Bedeutung für die Phylogenie der Annelida / Chiharu Kato." Bonn : Universitäts- und Landesbibliothek Bonn, 2013. http://d-nb.info/1044869577/34.

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9

Khaveh, Aboulhassan Haghani. "Struggle Against Soul (Jihad-i Akbar): an Investigation Based on Chihil Hadith of Ayatullah Khomeini 1902-1990." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=108793.

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Анотація:
This thesis attempts to explain the concept of Jihad-i-Akbar (struggle against the self or soul) through an analysis of the mystical thought and activities of the great religious scholar Âyatullàh Rühullâh Khomeini (1902-1990). He was a comprehensive religious scholar who was in addition a political leader and a well-known mystic. This study also analyzes, through a study of Âyatullàh Khomeini's Chihil Hadith (forty traditions), the relationship between 'irfan (mysticism) and social activities and shows how he was able to combine several dimensions of Islam in his public and private life.
Cette thèse vise à une explication du concept de Jihad-i-Akbar (lutte contre le soi ou son âme) en analysant la pensée mystique ainsi que la vie du grand érudit religieux Âyatullàh Rühullàh Khomeini (1902-1990). En plus d'avoir une connaissance profonde des sciences religieuses islamiques, il était aussi un figure politique et un mystique bien connu. L'étude tente aussi à analyser, à travers l'étude de l'oeuvre d'Âyatullâh Khomeini Chihil Hadith (quarante traditions), la relation entre 'irfan (mysticisme) et les activités dans la société, et démontre comment il a su combiner les différentes dimensions de l'Islam dans sa vie publique et privée.
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Schäfer, Daniel [Verfasser], and Chihao [Akademischer Betreuer] Xu. "Herausforderungen und Qualitätssicherung beim lokalen Dimmen von LC-Displays mit seitlich angeordneten LEDs / Daniel Schäfer ; Betreuer: Chihao Xu." Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2017. http://d-nb.info/1155760557/34.

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Книги з теми "Chihiro"

1

Bijutsukan, Chihiro. Chihiro to sekai no ehon gakatachi: Chihiro Bijutsukan korekushon = Chihiro Art Museum collection. Tōkyō: Kōdansha, 2000.

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2

Iwasaki, Chihiro. Iwasaki Chihiro ten. Tōkyō: Chihiro Bijutsukan, 2003.

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3

Hosoya Chihiro Chosaku Senshū Kankō Iinkai, ed. Hosoya Chihiro chosaku senshū. Tōkyō: Ryūkei Shosha, 2012.

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4

1918-1974, Iwasaki Chihiro, Iwasaki Chihiro 1918-1974, and Chihiro Bijutsukan, eds. Chihiro no e no himitsu. Tōkyō: Kōdansha, 2006.

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5

Miyazaki, Hayao. Sen to Chihiro no kamikakushi. Tōkyō: Tokuma Shoten, 2001.

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6

Takeuchi, Kiyono, and Kayo Minamiya. Seitan 100-nen, Chihiro memoriaru. Tōkyō: Heibonsha, 2018.

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7

Osmond, Andrew. Spirited away =: Sen to Chihiro no kamikakushi. Basingstoke [England]: Palgrave Macmillan on behalf of the British Film Institute, 2008.

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8

Henshūbu, Animēju, and Sutajio Jiburi Kabushiki Kaisha, eds. Sen to Chihiro no kamikakushi: Spirited away. Tōkyō: Tokuma Shoten, 2001.

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9

Kimihiro, Yuhara, and Chihiro Bijutsukan, eds. Iwasaki Chihiro: Kodomo no kokoro o mitsumeta gaka. 8th ed. Tōkyō: Heibonsha, 2007.

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10

Matayoshi, Yasusuke. Chihiro no umi: Gunshin, Ishadō Chūsa no shōgai. Naha-shi: Matayoshi Yasusuke, 1989.

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Частини книг з теми "Chihiro"

1

Manyonganise, Molly. "Ndini Chihera (I Am Chihera): An African Womanist Perspective on the Chihera Identity in Zimbabwe." In Chihera in Zimbabwe, 105–20. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-12466-2_6.

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2

Humbe, Bernard. "Chihera in the Ancestral Realm: Exploring Female Ancestry Among the Hera People in Buhera, Zimbabwe." In Chihera in Zimbabwe, 35–52. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-12466-2_2.

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3

Sande, Nomatter, and Clemence Makamure. "Chihera’s Matriarchal Traits: A Mirror of Reverse Patriarchy." In Chihera in Zimbabwe, 319–34. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-12466-2_18.

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4

Gubba, Angela, and Sinenhlanhla Sithulisiwe Chisale. "Implications of Consolidating Patriarchy Through Exploitation of “Better” Ways of Conveying Disagreeable Practices to Chihera, the Epitome of Empowered Women in Zimbabwe." In Chihera in Zimbabwe, 335–49. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-12466-2_19.

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5

Ingwani, Viola. "Genderising the Social Media: Analysing Chihera’s Antics in the Zimbabwean Context." In Chihera in Zimbabwe, 195–220. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-12466-2_12.

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6

Matumbu, Faith. "“If only it wasn’t for me” Chihera as Head of the Family in a Time of Economic Crisis." In Chihera in Zimbabwe, 245–63. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-12466-2_14.

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7

Chireshe, Excellent. "The Chihera Mystique in Selected Writings by African Women Theologians." In Chihera in Zimbabwe, 287–300. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-12466-2_16.

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8

Taringa, Beatrice, and Sophia Chirongoma. "Socially Constructed Discourse on Chihera: An Asset or Liability in Zimbabwe’s Envisioned Gender Equal Society." In Chihera in Zimbabwe, 221–42. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-12466-2_13.

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9

Shumbamhini, Mercy, and Chihera. "Chihera’s Story: Keeping Ubuntu Alive Amidst the COVID-19 Pandemic." In Chihera in Zimbabwe, 145–59. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-12466-2_9.

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10

Chisale, Sinenhlanhla Sithulisiwe. "Patriarchy and Disability: A Culture of Ubuntu, African Women with Disabilities and Sustainable Livelihoods in Matetsi Community, Zimbabwe." In Chihera in Zimbabwe, 265–84. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-12466-2_15.

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Тези доповідей конференцій з теми "Chihiro"

1

Comeron, R. E., M. E. Valenzuela, and J. L. Ramirez. "Chihuido de la Sierra Negra: Petroleum in Nonconventional Reservoirs." In SPE Latin American and Caribbean Petroleum Engineering Conference. Society of Petroleum Engineers, 2001. http://dx.doi.org/10.2118/69476-ms.

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2

Corbett, C., V. Blekhman, B. Coca, D. Diaz, G. Selva, M. Ayala, and L. Pina. "A Multidiscipline Approach for the Development of a Waterflood in the Chihuido de la Salina Field." In SPE Latin American and Caribbean Petroleum Engineering Conference. Society of Petroleum Engineers, 2001. http://dx.doi.org/10.2118/69562-ms.

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3

Bazzara, Hugo, Jose Hugo Biasotti, Angel Romero, Marcelo Crovetto, and Cezar Pinheiro. "Reducing Swelling Clay Issues: Drilling With WBM Cuts Trip Time by 66%, Chihuido de La Salina Field, Argentina." In SPE Annual Technical Conference and Exhibition. Society of Petroleum Engineers, 2008. http://dx.doi.org/10.2118/115765-ms.

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4

Lovrincevich, Eliana, Martin Eugenio Fasola, and Ines Labayen. "Applications of Organic Geochemistry in Rayoso Formation Characterization: Chihuido De La Sierra Negra - Lomita Field, Neuquina Basin, Argentina." In Latin American & Caribbean Petroleum Engineering Conference. Society of Petroleum Engineers, 2007. http://dx.doi.org/10.2118/107869-ms.

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5

Fernandez Righi, Esteban, and Mario Rolando Pascual. "Water-Alternating-Gas Pilot in the Largest Oil Field in Argentina: Chihuido de la Sierra Negra, Neuquen Basin." In Latin American & Caribbean Petroleum Engineering Conference. Society of Petroleum Engineers, 2007. http://dx.doi.org/10.2118/108031-ms.

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6

Artero Mut, Lidón. "Resignificación del espacio público por la interrelación de arte y arquitectura." In VI Congreso Internacional de Investigación en Artes Visuales ANIAV 2024. València: Editorial Universitat Politècnica de València, 2024. http://dx.doi.org/10.4995/aniav2024.2024.18132.

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Анотація:
En esta investigación se aborda las distintas estrategias de comunicación entre la producción artística y la arquitectura, aportando una tipología de relaciones a través de referentes destacados con el objetivo de visualizar los distintos niveles de resignificación del espacio público por la acción de ambas presencias. Los artistas contemporáneos utilizan la arquitectura como soporte de la obra artística utilizando diferentes recursos conceptuales: para significar y enfatizar su discurso como en las proyecciones de Jenny Holzer en su serie Truisms, y en un sentido opuesto, cubrir esas arquitecturas para que paradójicamente se hagan más presentes y notorias como en las intervenciones de los artistas Christo y Jean Claude, o destruyendo esos inmuebles y mostrando el interior en un acto disruptivo como en la obra de Gordon Matta Clark. Esta interacción entre arte y arquitectura puede tener en ocasiones solo un componente de descontextualización y extrañamiento tan propio de las artes plásticas, pero se ofrece también como espacio para la reflexión sobre temas tan acuciantes como la crisis climática, en la obra de Olafur Eliasson Ice watch, el artista busca generar una advertencia sobre el cambio climático enfatizando la cuestión del tiempo en este proceso, también ocurre así en el trabajo de Pekka Niittyvirta y Timo Ah.La arquitectura también puede actuar a modo de referencia para la memoria, como en el caso de las intervenciones del artista DoHo Shu o las complejas instalaciones de Chiharo Shiota en una muestra de nostalgia y de evocación, pero también puede implicar un relato de cuestionamiento social y político, en el cual la arquitectura se concibe como un componente más de la obra, resignificándola, así podemos verlo en las intervenciones de Amanda Williams y también de Ian Strange, en las que se cuestionan los mecanismos de poder en torno a la especulación inmobiliaria.
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Vitarell, Laura, Julián FantIn, and Mario Azcurra. "Modelo Geologico Del Yacimiento Chihuido De La Salina En El Frente De Corrimiento De La Faja Plegada Y Corrida Neuquina." In VII Congreso de Exploracion y Desarrollo de Hidrocaburus (Simposio de Modelado Geologico). European Association of Geoscientists & Engineers, 2008. http://dx.doi.org/10.3997/2214-4609-pdb.265.6.

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8

Cavallaro, A. N., and R. Baigorria. "A Method to Predict the Injectivity Decline Rate in Water Injection Wells: Chihuido de la Sierra Negra Oilfield. A Case to Study." In Canadian International Petroleum Conference. Petroleum Society of Canada, 2000. http://dx.doi.org/10.2118/2000-052.

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